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DTSTART;VALUE=DATE:20190211
DTEND;VALUE=DATE:20190415
DTSTAMP:20260415T161133
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SUMMARY:個展: Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:Exhibition: Archetype-Hidden Memory — Paintings by Lex Braes \nCRS (Center for Remembering & Sharing) ではLex Braes氏による油彩、また紙の小作品による展覧会 “Archetype-Hidden Memory” を開催しています。CRSでのBraes氏による個展は、2012年に続いて2回目になります。限定されたイメージを繰り返し描くことにより、元のイメージが持つエネルギーとエモーションを損なわずに表現しながら、そのプロセスによってそれを抽象的なパターンに変容させることにより、その下に隠された言語を匂わせつつ作品間の関係性を問うという彼の近年の追求の結果であります。この展覧会は、2019年2月11日から 4月中旬までの開催となります。 \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning.\nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form.\nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions.\nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past.\n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White N Salem NY May 8 to June 15 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://jp.crsny.org/index.php/event/archetype-hidden-memory-paintings-by-lex-braes/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=UTC:20190317T123000
DTEND;TZID=UTC:20190317T143000
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SUMMARY:山本太郎参議院議員を主軸としたドキュメンタリー映画「Beyond the Waves」再上映会
DESCRIPTION:9月にNYコロンビア大学に於いて初上映会を開催した山本太郎参議院議員を主軸にしたドキュメンタリー映画「Beyond the Waves」あれから半年、今では日本国内北は北海道から南は沖縄まで上映会の問い合わせ申し込みが殺到しています。NYでも前回見逃した方からの問い合わせを多く頂き、今回再上映の運びとなりました。 \n当日は上映後にアラン監督とのスカイプ質疑応答を行います。\n皆様、是非質問してください。 \n\nBeyond the Waves: (Taro Yamamoto\, a Japanese rebel) – Trailer・映画予告\nhttps://youtu.be/QGe9nujMjXI\n\n—–\nBeyond the Waves \n人気俳優から一転して、稀有な政治家となった山本太郎参議院議員の横顔を通し、現代の日本を描き出すドキュメンタリー作品。\nナショナリズム、外国人嫌悪、再軍備へと向かう日本を、その流れに逆らう反抗者の目を通して映し出す。\n反抗者・山本太郎のあがき、ためらいは、現代日本の枠を超え、いずこの国にも共通する普遍的な現実である。\n—– \n\n＊入場は先着50名様までとさせて頂きます。お早目のご予約をお勧めします。\n＊ご予約はメールにてお願い致します。 \nDate: 2019年3月17日（日）\nTime: Door open 12:30 Start 12:50\nAdmission: $15 \nRSVP: beyondthewaves2018@gmail.com\n\nFBイベントページ: https://www.facebook.com/events/2575036366056220/
URL:https://jp.crsny.org/index.php/event/beyond-the-waves-screening/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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ORGANIZER;CN="Wakako Koda":MAILTO:beyondthewaves2018@gmail.com
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DTSTART;TZID=UTC:20190317T130000
DTEND;TZID=UTC:20190317T170000
DTSTAMP:20260415T161133
CREATED:20181128T233734Z
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SUMMARY:香咲 弥須子　山陰セミナー＆戸田 嵩人 ジョイントセッション
DESCRIPTION:香咲弥須子さんをお迎えしての今回の山陰セミナーは、花々が一斉に咲き始めるとても美しい季節、 私の大好きな春の開催となりました。 \n\n\nみなさんは自分という存在を常日頃どのように思っておられるでしょうか。世間の荒波にもまれ、 役に立たない武器を振り回し、孤軍奮闘しているちっぽけな存在に思うかもしれません。でもそれ は本当のあなたでしょうか。 今回のセミナーは「あなたという存在の価値」を他の見方で捉え直すお時間となります。その捉え 直した者同士が見る、唯一の、人生の目的とは・・・。トークイベントで語り合いましょう。 香咲さんと嵩人さんの絶妙なコラボレーションもお見逃しなく。 \n前回のセミナーに参加してくださった皆様と約束の場所で再びお会いできることを、また、初めて ご参加の方とも平和な空間の中で愛に包まれる感覚を共にできますこと、とても楽しみにしており ます。 私たちの想像を超える奇跡の経験、愛だけの世界、愛のコミュニケーションを思う存分に味わい、 その喜びを共有しましょう。 \n山陰セミナー オーガナイザー 戸田 美佐江 \n\n\n\n◆参加費用・・・18\,000円\n◆定員・・・100名 (事前に予約が必要です。定員になり次第締め切らせていただきます。)\n◆テーマ・・・第一部:『あなたという存在の価値』(セミナー)\n第二部:『唯一の目的とは？』『人生の目的とは？』(ジョイントセミナー)\n◆お申し込み方法・・・下記のお申し込みフォームからお申し込みください。（予約受付中）\n返信メールにて参加費のお振込口座をお知らせいたします。\n【お申込みフォームURL】 https://ws.formzu.net/dist/S35635642/\n◆キャンセルポリシー・・・お申し込み後のキャンセルはお早めに下記メールアドレスまでお知らせください。お申し込み後1週間以内に参加費の振込みがない場合、キャンセル扱いとさせていただく場合がございます。その場合、参加ご希望の場合は、お手数ですが再度お申込みフォームにて お手続きをお願いいたします。入金後のキャンセルは、セミナー前日3月16日12:00までに下記メールアドレスへお申し出いただいた方のみキャンセル料 3000円を差し引いて返金させていただきます。返金にはある程度日数を要しますこと、予めご了承ください。\n◆お問合せ先・・・携帯 090-4656-3932  メール todataketoss@gmail.com (担当マスダ)
URL:https://jp.crsny.org/index.php/event/sanin031719/
LOCATION:安来市総合文化ホール\, 島根県安来市飯島町70番地\, 692-0014\, Japan
CATEGORIES:In Japan
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DTSTART;TZID=UTC:20190317T150000
DTEND;TZID=UTC:20190317T170000
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SUMMARY:一音一会 - One Note One Spirit - Play! Sing! Dance! Improv! Joy!
DESCRIPTION:音楽大好き、踊ってもみたい、でも人前では．．．という方が意外とたくさんいます。\n一音一会の仲間と一緒に、子供の頃のように自由に楽器を鳴らしたり、声を出したり、体を動かしてみませんか？\n何の経験も練習もいりません。ヒーリングセッションでもなければ、音楽のジャムセッションでもない、でも同時に両方の気持ちよさが味わえます。\n内から「なぜか出てくる」音や動きに任せているうちに、本来の自分/内なる存在と、そして仲間ともより深くコネクトし、やがてワンネスという同じエナジーであることを体感していきます。\n何種類かのパーカッションもご用意していますが、ご自分の楽器をお持ちくださるのも大歓迎です。 \nSuggest donation $10 \nお問い合わせ: onenoteonespirit@gmail.com \nThis month Kevin Nathaniel will join us! Kevin specializes in voice\, mbira\, kalimba\, shekere\, and a variety of percussion. He approaches music as an experience to be shared by all\, a healing force that can bring people together as one. In this regard\, he is a visionary musician. His approach is creative with whatever musical instrument or path he embarks. At times vocal\, or instrumental with mbira melodies and enchanting dance rhythms\, and at times fiery and percussive\, and all phases in between. He was drawn into music by the magical sound of the mbira\, working with the legendary Zimbabwean mbira master Ephat Mujuru for years. He has continued the mbira/kalimba legacy and works to expand it creatively. He often tours\, performing all over the planet as well as producing a popular music series in NYC (see Afro Roots Tuesdays). He is founding member of several bands including Spirit Ensemble\, Heritage OP\, Harmony Mbira\, Kaleidhaphonic\, Afrika Meets India\, and more. He has worked with a wide variety of artists including Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Thomas Mapfumo\, Miriam Makeba\, Bobby McFerrin\, Niles Rodgers\, Madonna\, Philip Glass\, Nana Vasconcelos\, and on and on. You can find his music on Spotify\, You Tube\, iTunes\, Cdbaby\, and many other outlets.
URL:https://jp.crsny.org/index.php/event/one-note-one-spirit-play-sing-dance-improv-joy20190317/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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