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DTSTART;VALUE=DATE:20190211
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SUMMARY:個展: Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:Exhibition: Archetype-Hidden Memory — Paintings by Lex Braes \nCRS (Center for Remembering & Sharing) ではLex Braes氏による油彩、また紙の小作品による展覧会 “Archetype-Hidden Memory” を開催しています。CRSでのBraes氏による個展は、2012年に続いて2回目になります。限定されたイメージを繰り返し描くことにより、元のイメージが持つエネルギーとエモーションを損なわずに表現しながら、そのプロセスによってそれを抽象的なパターンに変容させることにより、その下に隠された言語を匂わせつつ作品間の関係性を問うという彼の近年の追求の結果であります。この展覧会は、2019年2月11日から 4月中旬までの開催となります。 \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning.\nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form.\nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions.\nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past.\n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White N Salem NY May 8 to June 15 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://jp.crsny.org/index.php/event/archetype-hidden-memory-paintings-by-lex-braes/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=UTC:20190329T193000
DTEND;TZID=UTC:20190329T213000
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SUMMARY:Neda Boin in Concert: The Light Has Come (music inspired by A Course in Miracles)
DESCRIPTION:CRS presents an evening with the award-winning singer songwriter Neda Boin of the Netherlands\, whose first album\, “The Light Has Come\,” just won Best Album of the Year at the Rotterdam Music Awards. Amazingly\, Neda\, a student of A Course in Miracles (ACIM) for 8+ years\, channeled all the songs on the album in just two weeks\, all inspired from ACIM Workbook lessons\, making it the first album inspired by ACIM to win album of the year. Profoundly spiritual in nature\, the songs are deeply satisfying as songs\, with beautiful and irresistible music colored with soul\, jazz and world music inflections\, brought to soaring life by Neda’s angelic voice.\n“Neda’s music is a way to merge with the Spirit and feel the absolute glory of Divine Love. Her amazing voice enhances the lyrics from Heaven\, and my soul is lifted every time I listen.” — David Hoffmeister\, author of Unwind Your Mind Back to God\nThis concert will take place Friday\, March 29\, 2019 at 7:30 pm at CRS and kicks off the Living in the Light Course in Miracles Weekend\, which will continue throughout the day on March 30 with talks\, workshops\, and healing shared by Neda Boin\, Corinne Zupko (author of From Anxiety to Love)\, CRS Founder Yasuko Kasaki (author of 16 books in Japanese about ACIM)\, and the CRS healers. This will be the first ACIM weekend in NYC since the CMC ACIM Conference in 2015.\nIndividual tickets for the concert as well as for the weekend are available online\, by phone (212-677-8621)\, and at CRS. Concert tickets are $25 in advance and $30 at the door ($20 at the door for students/seniors with valid ID). \nBuy Concert Tickets!\nSaturday’s program tickets are $120 in advance and $140 at the door ($100 at the door for students/seniors with valid ID). Combined tickets are $140.\nBuy Combined Two-Day Concert/Workshop Tickets!\n \n\n\nIn this concert\, Neda will share many songs with you as well as many helpful parables about her own journey from darkness to light. Before the album was released\, Neda often joked with her friends that she would rename the album to “The Darkness has Come” since there was so much healing taking place before the album fully got recorded. Go to www.nedaboin.com to listen to the album. You’re invited to sing along\, or you can just allow the beautiful words and melodies to wash over you.\n“Those who seek the light are merely covering their eyes\, the light is in them now. Enlightenment is but a recognition\, not a change at all” (W-188.1.2).\nCheck out her mini documentary here to see more about this journey. \n \nABOUT NEDA BOIN\nNeda\, literally meaning ‘Inner Voice’ or ‘Voice for God\,’ discovered her musical talent at a young age. When she was five years old\, she began\, just like her mother who is a professional violin player\, with playing the violin. However\, singing was always her first love. Around the age of thirteen she learned to play the piano and developed a way to express herself by writing her own songs. In 2006 she won a national music contest with one of the first songs that she wrote.\nIn the summer of 2007 she toured through Kenya for orphanages\, schools\, slums and different tribes with a performance about HIV and AIDS. In the summer of 2008 she went to India to investigate child prostitution and give workshops and performances about women’s rights. It was then that she even more so experienced the power and universal language of music.\n“I saw that making music wasn’t a goal for me anymore\, it became a way to connect with people and touch their hearts\,” she says. A few years later she hitchhiked from The Netherlands all the way down to South Africa.\n“The songs I was writing were mostly inspired by the injustice I saw during my travels. They were songs about wanting to change the world.” But when in 2010\, at age 20\, A Course in Miracles came into her life\, she started training her own mind so she could be the example of love and peace she so badly wanted to see outside herself.\nIn 2013 Neda won both the audience and the jury prizes at the Music Matters Awards\, which made her the music ambassador of Rotterdam for one whole year. Shortly after\, she graduated from the music conservatory of Rotterdam with a Bachelor of Music. She successfully released her first EP\, “When Lambs Become Lions\,” in October 2014. She also started giving songwriting workshops in juvenile prison\, which she is currently still doing.\nIn 2015 Neda convinced all four coaches of “The Voice” of Holland to turn their chairs around for her\, and she made it all the way to the last eight contestants.\nLast year she woke up one morning feeling as if she was being pulled towards the piano where the Course Workbook lesson 124 was lying open: “Let me remember I am one with God.” Words and melodies came pouring through her\, and before she knew it\, she had written a complete song with lyrics from that Workbook lesson. The same thing happened everyday for two weeks until she had enough “Course songs” to fill a whole album\, which turned into her debut album\, “The Light Has Come.”\nYou can learn more about Neda Boin on her web site at nedaboin.com.\n+ GOOGLE CALENDAR
URL:https://jp.crsny.org/index.php/event/neda-boin20190329/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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