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DTSTART;VALUE=DATE:20190211
DTEND;VALUE=DATE:20190415
DTSTAMP:20260407T041439
CREATED:20190213T210559Z
LAST-MODIFIED:20190222T031353Z
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SUMMARY:個展: Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:Exhibition: Archetype-Hidden Memory — Paintings by Lex Braes \nCRS (Center for Remembering & Sharing) ではLex Braes氏による油彩、また紙の小作品による展覧会 “Archetype-Hidden Memory” を開催しています。CRSでのBraes氏による個展は、2012年に続いて2回目になります。限定されたイメージを繰り返し描くことにより、元のイメージが持つエネルギーとエモーションを損なわずに表現しながら、そのプロセスによってそれを抽象的なパターンに変容させることにより、その下に隠された言語を匂わせつつ作品間の関係性を問うという彼の近年の追求の結果であります。この展覧会は、2019年2月11日から 4月中旬までの開催となります。 \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning.\nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form.\nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions.\nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past.\n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White N Salem NY May 8 to June 15 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://jp.crsny.org/index.php/event/archetype-hidden-memory-paintings-by-lex-braes/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=UTC:20190413T120000
DTEND;TZID=UTC:20190413T130000
DTSTAMP:20260407T041439
CREATED:20190316T231115Z
LAST-MODIFIED:20190316T231115Z
UID:16619-1555156800-1555160400@jp.crsny.org
SUMMARY:A Talk by ACIM/Non-Duality/AA Lecturer & Author Paul Hedderman
DESCRIPTION:CRS invites you to a talk by A Course in Miracles teacher and 12-Step guru Paul Hedderman. Paul has been involved with the recovery community since 1988 and has been leading workshops and holding talks for 18 years. He is the author of The Escape To Everywhere. A Zen slap to your mind\, Paul’s unique language and solid presence bespeak the depth of his understanding of the human condition—in which the original addiction is the mind’s addiction to being a self. His message\, that inspires many\, is simple and clear: \nYOU ARE ALREADY THAT WHICH YOU SEEK. \nYou are wholeness itself. The ‘self’ is a ‘parasite’ that claims to be you and once the ‘foreign installment’ is believed\, comes the seeking to get rid of it. \nhttp://www.zenbitchslap.com \nSuggested donation $20 cash at the door (no one turned away!).
URL:https://jp.crsny.org/index.php/event/a-talk-by-acim-non-duality-aa-lecturer-author-paul-hedderman/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190413T130000
DTEND;TZID=UTC:20190413T150000
DTSTAMP:20260407T041439
CREATED:20190215T215401Z
LAST-MODIFIED:20190226T001957Z
UID:16418-1555160400-1555167600@jp.crsny.org
SUMMARY:歩くパワースポット 片山エリコ講演会 in NY
DESCRIPTION:  \n日本の弥栄、世界平和！\n財を成して、世界平和！！ \n人生で必要なもの全てが手に入る、成功する考え方、強運の秘訣のお話。\nエリコさんって、エスパーです。 私のこと見てました?としか思えないタイミングでラインやメッセージが届く。\nいつも聞く人にド・ストライク のお話をされる。本当の歴史と教養、政治と経済の裏側、深い検証と洞察から分かりやすくお話下さいます。\n最近のトピックから、、、 米中開戦ペンス副大統領スピーチから、私たちが準備すべき事、昭和の歴代総理が通った戸隠公明院の祈りのパ ワー、神話と皇室~日本人の御魂の尊さについて、産業用大麻合法化でグリーンラッシュに乗るチャンス等。平成の御代に感謝して、新しい御代の国造りに、高い意識と力をつけていきたい、エリコさんの2 days メッセージを、どうぞ聞きにいらして下さい。\nとにかくパワフル、人を惹きつけるビジネスセンスと、知識の深さがある、でも華奢で可愛らしい、温かく接し て元気をくれる、自分を思ってくれる人。眠っていた自分の中の力を引き出してくれそうな人。そんなエリコさ んに会いに来て下さい!!  \n4月13日(土)13:00-15:00\n4月14日(日)\n10:45-12:00 午前の部\n12:00-12:45 ランチ\n13:00-16:00 午後の部  \n●参加無料\n●2日間通してご参加頂けたら嬉しいです。\n●お話の内容は、各回変わります。\n\n●一コマだけのご参加も大歓迎です。 \n\n*申し込み・お問い合わせ : kaoru.rose101@gmail.com  高橋 薫まで \n  \n14日はTama’s Kitchen NYC コンニャク米を使った、ビューティプレート($20)ご用意しています(要予約) 血糖値を上げずに美味しく食べて、無理なくダイエット!! コンニャク米で腸のお掃除も出来ます。(お申し込みの際、ご予約ください) \nー片山エリコー \n片山エリコ(かたやまえりこ) 特定非営利活動法人サクラF奉仕団理事長、株式会社リリベット社長、有限会社エリコエフカンパニー 社長。未経験からわずか数年で健康食品の売上トップに躍り出る。そのかたわら、皇居勤労奉仕、大規 模なチャリティーパーティー、地域振興活動などそのボランティア活動は多岐にわたる。新たな取り組みとして「糖質中毒改善」に取り組み、さらに数千人規模の組織を構築。また船井幸雄、櫻井よしこ、 本田健など多数のホール講演会を開催。自身も片山エリコ講演会を全国で開催中。「笑顔に力のある人、 エリコさんに会うと元気が出る、だから多くの人を励ますようになる」と船井幸雄先生の予言の通り、 日本中から受講する方多数、好評を得ている。 
URL:https://jp.crsny.org/index.php/event/20190413/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190413T170000
DTEND;TZID=UTC:20190413T190000
DTSTAMP:20260407T041439
CREATED:20190401T171632Z
LAST-MODIFIED:20190403T183722Z
UID:16822-1555174800-1555182000@jp.crsny.org
SUMMARY:~Resonance ~ 響 ~  コンサート by 植田あゆみ ＆ 三村未佳
DESCRIPTION:-クリスタルボウルとヴィブラフォンのリラクゼーション音浴会- \nイベント 内容 \n🌸2人の演奏 (数曲)Amazing Graceなど\n🌸植田あゆみによる朗読 と三村未佳の即興演奏\n🌸誘導瞑想(植田あゆみ)\n🌸音によるチャクラの調整(三村未佳) \n＊＊＊＊＊ \n \nAbout Ayumi \nAyumi Ueda is a singer-songwriter as well as certified Reiki practitioner and is currently conducting her original sound healing treatment which combines crystal singing bowls and mantra chanting. She is also the founder of a Boston-based award-winning international vocal ensemble\, Women of the World. Women of the World was formed to bring women musicians from across the globe onto a common platform to collaborate and create through the sharing of music\, to explore and celebrate the differences in ideologies and cultural tenets that exist in the daily lives of women all over the world. Through their work\, Women of the World created a stir in the community\, receiving support from renowned artists such as Grammy-award winning maestro\, Bobby McFerrin. They went on to share the stage with African vocal icon\, Angelique Kidjo\, 2014 Harmony Sweepstakes National champions\, 2017 International Championship of A Cappella Open champions\, Women of the World has extensively toured North America\, Asia and Europe. Women of the World continues to serve as cultural ambassadors of peace and unity through music. \nhttp://almavoice.com/jp/profile_jp.html \nAbout Mika (Mika Mimura Erickson) \nMika plays vibraphone\, marimba\, percussion and is a sound healer. She was born in Osaka\, Japan. She received her Master’s Degree from Osaka College of Music. She entered Berklee College of Music. She moved to New York after she graduated. She released her first album “Precious” in 2009 with renowned artists such as Grammy Winning bassist Michael League of Snarky Puppy. She joined the group “Banda Magda”\, whose leader is Magda Giannikou. The band went on tour in Europe\, US\, Columbia in South America and Japan. Mika released album “Dreamii” in 2014. These are 12 tracks all her own original compositions. She performed at the New York Blue Jazz Club with her group. Mika performed at the “Peace Concert for the 70th Anniversary of World WarⅡ. ” on board the USS Missouri  at Pearl Harbor in Honolulu\, Hawaii. She performed at Embassy of Japan Information and Culture Center in Washington DC. Mika will continue to work energetically performing\, teaching\, composing \, arranging and recording regardless of genre of music.  \nWebsite: http://mikamimura.com
URL:https://jp.crsny.org/index.php/event/resonance20190413/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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