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SUMMARY:Crossing Boundaries Concert Series Vol. 12: Celebrating Ostad Shajarian
DESCRIPTION:10月8日に亡くなったペルシャ古典音楽の伝説的なマスターであるOSTAD SHAJARIANの功績を讚えて、CRS（Center for Remembering＆Sharing）は、CROSSING BOUNDARIESコンサートシリーズ Vol.12 CELEBRATING OSTAD SHAJARIAN\, をストリーミング配信でお送りします。 \nこのコンサートは、尊敬されるスーフィーの詩人と同様に現代愛されるイランの詩人によるシャジライアンの詩を音楽に取り入れたことを特徴としています。LÄLE SAYOKOのキュレーションにより、DCベースのKAMYAR ARSANI（ボーカル＆パーカッション）によって演奏され、LÄLE SAYOKOとCRS SUFI DANCE　COMMUNITYのメンバーによりダンスが披露されました。 \nOstad Mohammad-Reza Shajarian は、「イランで最も偉大なペルシャ古典音楽の生きたマエストロ」と呼ばれていました。彼は世界中をツアーし、マルチグラミー賞を受賞し、ユネスコのゴールデンピカソメダルとモーツァルトメダルを受賞しました。彼は多くのマスターのスタイルを習得する一方、自身のスタイルを見出し、数多くの有名な詩を音楽に合わせて歌い録音しました。このコンサートでは、Rumi （13世紀）、Baba Taher（11世紀）、Hooshang Ebtehaj（H.E.Sayeh）（20世紀）、Ali Mo’allem （20世紀）の詩を音楽的にアレンジしたものを取り上げています。 \nパンデミックの影響のため、このコンサートはオンラインで撮影およびストリーミング配信され、2020年11月8日（日曜日）の午後1時にライブQ＆Aで初公開されます。コンサートは7日間視聴可能です。今年のオンラインコンサートのチケットは、30ドル、20ドル、または10ドルで購入できます。 \n  \n\ncurator/direction: LÄLE SAYOKO \nmusician: KAMYAR ARSANI (daf/vocals) \ndancers: PACO/FRANCISCO ORDÓÑEZ\, FANNY PÉREZ GUTIÉRREZ\, CHRISTOPHER PELHAM\, LÄLE SAYOKO \nvideo/editing: CHRIS FIORE \nABOUT THE ARTISTS \nKamyar Arsani is a multi-instrumentalist\, singer and songwriter born and raised in Tehran\, Iran. At age 7\, Arsani began studying the daf (Persian frame drum) with Master Bijan Kamkar. He also spent time playing meditative rhythms for hours at a time for Sufis. In 2009 the Green Revolution in Iran brought Kamyar and his family to Washington\, D.C.\, where he has been based ever since. He travels up and won the east coast playing daf and other instruments and singing and performing Sufi and Persian folk songs as well as his own compositions and contemporary music of all kinds. Kamyar Arsani regularly travels to NYC to offer Persian Daf lessons at CRS. The Daf is a frame drum with lots of rings inside that you can shake when you play for added effect. It is an integral part of Sufi and Persian music because of the variety of sounds it can produce and its ability to induce trance. Kamyar learned from masters in Iran and has been playing and singing for decades.\nhttps://kamyararsani.bandcamp.com \nLäle Sayoko lives to embody and transmit the voice of spirit through music and dance. As CRS Resident Sufi Dance instructor\, choreographer\, performing artist\, and musical curator\, she loves to welcome people into this holy practice to explore and share their own divinity. She intermittently tours internationally with BELLA GAIA\, a live concert blending music\, dance\, technology\, and NASA satellite imagery inspired by the experience of astronauts viewing the earth from space. “Sublime” — Village Voice. \nOne of the founding members of Japan’s famous SAMANYOLU professional belly dance group in Tokyo\, Läle went on to a long solo career performing throughout the northeastern USA and touring with United Kingdom’s Mugenkyo Taiko Drummers on over a 100 city tour encompassing the U.K.\, as well as Turkey’s Baba Zula. About six years ago\, she was forced to retire to support her young daughter through a life-threatening medical crisis. Several years later she discovered that she could whirl as a form of prayer to support her daughter and began studying Sufi Dance with Paris-based Sufi Artist Rana Gorgani. In April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi Dance training.\nhttps://crsny.org/index.php/sufi-dance-music-art-at-crs/ \nPaco/Francisco Ordóñez is a seeker\, systems engineer and business owner based on Park Avenue in New York City. Originally from Southern Ecuador\, in the ancient Cañaris land of Cuenca\, and a New York City denizen for over a decade\, Francisco has the goal to share all he has learned as a way of emptying himself to allow new collective experiences. He has lived and traveled in several countries in Europe\, Asia\, and Latin America over the past decades. He deeply loves the ancestral Indigenous Andes traditions\, poetry\, music\, dances\, cultures and\, principally\, peoples. Francisco is a passionate student of Sri Aurobindo\, Krishnamuti\, and Sufism. He is part of a few social justice organizations and Dervish gatherings and mesmerized by beauty and freedom. A graduate of Systems Engendering\, he worked in high school education in the South Bronx integrating digital communities and helping minority women to create ePortfolios. He enjoys places of worship\, yoga\, reading and spending time in nature\, especially in the Sani Desert and in Kyoto. \nFanny Pérez Gutiérrez thinks of art as the love that can be channeled into this realm. For the past few years she has been focused on studying altered states of consciousness that can be accessed through the alignment of the body. She produces work that seeks to amplify important themes of the nature of our existence that have remained hidden or which we have been taught to undermine. https://www.instagram.com/fannsystem/ \nChristopher Pelham is the Director and co-founder of CRS (Center for Remembering & Sharing) and organizer of the CRS Sufi arts community. A spiritual healer/counselor/teacher and artist\, he draws on practices from A Course in Miracles\, Non-Violent Communication\, improvisational theater\, Sufism\, and contemporary shamanism to help people remember who they really are. He has taught and/or offered healing in London\, in Japan\, at the 2018 Awakening to the One Mind Retreat\, and at the 2017 Enlight Festival of A Course in Miracles in Ibiza\, Spain. Since he began producing live performance events in 1997\, he has had the privilege of presenting dozens and dozens of wonderful artists from all over the world. As a performer\, he performed in numerous productions Off Off Broadway in NYC as well as in productions in Texas and North Carolina. He is also an avid amateur photographer and filmmaker. \nFilmmaker\, writer\, and artist Chris Fiore\, born in 1959 in Norfolk\, Virginia\, received his BFA from Antioch College in 1984. In the late 80’s he was one of the founders of the Zone\, an artist collective occupying an abandoned williamsburg warehouse at 104 South 4th St. Fiore showed at the East Village’s KOAP gallery in the early 90’s. His first documentary\, “Trip and Go Naked\,” edited over the course of five years between paid gigs won the Excellence in Sexual Theater award at the 2004 Arlene’s Grocery Picture Show. He went on to direct the feature documentary “ ackstage” for Miramax\, a behind the scenes look at Jay Z’s Hard Knock Life Tour. The film had a profitable run in theaters and is still occasionally in rotation on the Showtime network 17 years after it was made. Fiore has also directed documentaries on the making of the Victoria’s Secret Christmas Catalog\, the band Paramore\, as well as two prime time specials for Fox Television. His most recent documentary\, “Goodwoman\,” tells the story of Debra Goodman\, an activist brutally arrested for filming the NYPD. Featured in several film festivals\, “Goodwoman” won the Grand Jury Award at the 2016 LA Film Invasion film festival. He’s currently directing a documentary and web series on artist Ken Hiratsuka. \nFiore’s first feature film script\, “The Utopia Virus\,” was a finalist in the 2006 Final Draft Big Break Competition\, garnering him representation and a Hollywood roller coaster ride as directors Darron Aronofsky\, Tony Scott\, and Renny Harlin all considered making the film. He also wrote the Wassup Obama ad\, described by Salon.com as one of the most creative of the 2008 presidential campaign and winner of a Cannes Lion. He’s currently working on a series of film treatments for a Beijing based production company which is also breathing new life into “The Utopia Virus” by translating the script into Cantonese. \nFiore’s film work has directly influenced his art over the years\, in his use of appropriated imagery\, presentation of sequential images\, and in the cinematically dynamic composition of his mosaic photography. Fiore is represented by the Ethan Pettit Gallery.\nhttps://chrisfiore.com \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nNow in its third year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us. CROSSING BOUNDARIES is produced by CRS (Center for Remembering & Sharing)\, a healing and arts center founded in 2004 by artists Yasuko Kasaki and Christopher Pelham and located in NYC. https://www.crsny.org \nThe 2020 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=America/New_York:20201115T130000
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SUMMARY:Crossing Boundaries Concert Series: On the Silk Road Through Dunhuang
DESCRIPTION:CRS（Center for Remembering＆Sharing）は、CROSSING BOUNDARIESコンサートシリーズVol.13：ON THE SILK ROAD THROUGH DUNHUANGをオンラインで配信いたします。キュレーションはGAMINがを行い、、ゲストアーティストでもあるGAMINと共にEURASIA CONSORTが音楽を担当、ダンスはKAESHI CHAIにより披露されます。このプログラムは、伝説的なシルクロードに沿って広まったうっとりするような音楽および文化的影響を讃え、唐王朝中国（7c – 10c）、13世紀と16世紀のイラン、13世紀のスペインの音楽を特集します。 \nパンデミックの影響のため、このコンサートはオンラインで撮影およびストリーミング配信され、2020年11月15日（日曜日）の午後1時にライブQ＆Aで初公開されます。コンサートは7日間視聴可能です。今年のオンラインコンサートのチケットは、30ドル、20ドル、または10ドルで購入できます。予約はこちらから→https://bit.ly/2GWyK4E \nEURASIA CONSORTは、古代音楽の伝統のスペシャリストとして認められている3人のアーティストが集まりました。彼らは研究、教育、パフォーマンスを通じて、古代のシルクロードに沿った世界の偉大な伝統音楽についての共通の理解を求めています。 https://www.eurasiaconsort.com \nGAMINは現在、南北アメリカで最も優れた韓国の伝統的な木管楽器奏者であると広く認知され、ヨーヨーマやシルクロードアンサンブルなどの著名人と世界中で演奏してきました。 \nKAESHI CHAIは、セントラルパークのサマーステージ、リンカーンセンター アウト オブ ドアーズ、BAMなどで演奏したニューヨークのベリーダンスシーンの第一人者の1人です。彼女は、2009年から2016年まで、米国、カナダ、台湾、日本、タイ、オーストラリア、イタリアの至る所で、演劇ダンスショーJourney Along the Silk Roadの監督、共同振付、ツアーを行いました。 \n  \ncurator: gamin \nmusicians: Tomoko Sugawara (kugo/harp)\, Rex Benincasa (percussion)\, Adem Birson (oud)\, gamin (piri/flute) \nThis program brings us from China to Spain at a time when Chang’an was China’s capital. We follow the famous Silk Road\, illustrated with caves showing Buddhist ensembles and orchestras. There are many harps\, lutes\, zithers\, flutes and percussion. Some of the music survived in manuscripts\, and have been transcribed by Chinese\, Japanese\, and Western scholars. Some transcribed ones are on today’s program. The paintings depict a large number of percussion instruments\, far more than what the manuscripts mention. \nMany kinds of people moved on the Silk Road. The Chinese brought silk to the West\, and Iranians imported harps and lutes to China. Sogdians lived in the North-East of Iran and controlled merchandise on the road\, and some settled in China\, where Sogdian tombs have been found. Their coffins were decorated with Sogdian musical instruments – more so than Chinese ones. Their fast dance (the Sogdian whirl) was beloved by the Chinese\, and is often depicted on Chinese images. \nNext\, the concert moves west to Iran – and half a millennium closer to our time. Modes or scales incorporate quarter-tones in distinctive fashion. Al-Farabi was a great Islamic theorist\, whose voluminous treatises offer a major source on early Arabic music. \nFinally\, the journey goes to Castille\, León and Galicia\, three provinces of Northern Spain. King Alfonso X ruled them and is said to have composed 420 Cantigas\, with words that praise the Holy Virgin. The King also published a book\, Libro de los juegos\, which shows instruments and board games. Many chess games are shown accompanied by musical instruments. One is an Angular Harp\, played by a Spanish Moor. It is similar to the ancient Asian harp played in China on today’s program. However\, it differs greatly from the Western harp\, which has a pillar. \nABOUT THE MUSICIANS \nTomoko Sugawara\, Kugo \nBorn in Tokyo\, Japan\, Tomoko Sugawara began playing the Irish Harp at twelve\, added the Concert Harp at sixteen\, and graduated in harp at Tokyo University of the Arts. Since 1991 she plays the ancient Asian harp kugo\, which arose in 1900 BCE in Iran and migrated via the Silk Road to the Far East during the early first millennium CE. After moving to NYC\, Sugawara also learned Early European harp\, Gothic and Baroque harp. She leads Eurasia Consort\, her ensemble playing Silk Road music. She has received awards from the Japan Foundation\, Asian Cultural Council\, and the Dunhuang Foundation\,among others. She has given solo recitals on the kugo at major international venues such as The World Music Institute (NYC)\, and World Harp Congresses (trice: Prague\, Amsterdam\, and Vancouver)\, The Early Music Guild of Seattle\, The British Museum\, Central China Conservatory of Music (Beijing)\, The Symposium on Historical Harps (Berlin)\, and Shanghai Conservatory of Music. She has given recitals at many US Universities: Columbia\, Harvard\, Pennsylvania\, Princeton\, Illinois\, Indiana\, Pittsburgh\, and UC Berkeley. She has led her ensemble\, Eurasia Consort\, at The World Music Institute. In 2019 she served as researcher at Shanghai Conservatory of Music. Her project was the revival of Tang Dynasty music. https://www.kugoharp.com \nGamin\, Piri \nGamin is master a practitioner of the piri\, taepyongso (double reed instruments)\, and saenghwang (reed mouth organ). Currently\, as a yisuja(designated master) of the Important Intangible Cultural Asset No.46 for piri court music and Daechita\, she strives to both preserve and enhance traditional Korean music. At Seoul National University and as a member and assistant principal player of the Contemporary Gugak Orchestra\, Gamin has used her virtuosity to perform authentic jeongak(classical court music) and sinawi (shaman ritual music)\, as well as new compositions for her instruments. \nSince leaving orchestral work behind eight years ago\, gamin has taken these skills in unexpected directions\, using her piri and taepyeongso (Korean oboes)\, and saengwhang (mouth organ) to pursue contemporary sounds and reach new audiences. https://gamin-music.com \ngamin is…”a true pioneer and innovator\, leading these instruments in exciting new directions” — Ralph Samuelson (senior advisor of ACC_Asian Cultural Council) \n“gamin appears virtually unlimited as to the kinds of sounds she can get out of her instrument!” — Anthony Paul De\, Ritis (composer\, professor of Northeastern University) \nRex Benincasa\, Percussion \nHe has been a freelancing drummer and world music percussion specialist in New York since 1978. Along with hundreds of television/radio soundtracks and commercial recordings\, he has performed with dozens of American ensembles. Benincasa has played many show scores for all kinds of productions. His most recent Broadway appearances have been with shows like: Fosse\, The Full Monty\, Flower Drum Song\, Man Of LaMancha\, Little Shop of Horrors\, Dirty Rotten Scoundrels\, All Shook Up\, Hairspray\, The Color Purple\, How the Grinch Stole Christmas\, Shrek\, In The Heights\, Billy Elliot\, and Peter And The Starcatcher. As you see\, Rex likes all kinds of music. https://musikiwest.org/staff-member/rex-benincasa/ \n  \nAdem Birson\, Oud \nA performer of the oud and a scholar of both Western and Turkish classical music\, Dr. Birson completed his doctoral studies in musicology at Cornell University (2015) and became the Director of the Conservatory at Ipek University\, in Ankara\, Turkey. He currently serves on the music theory faculty at Hofstra University\, in Long Island\, New York. He is a student of several Turkish oud virtuosi\, and has frequently played on Turkish Radio and Television. He has performed throughout the United States and Turkey and is the founder/director of the Classical Turkish Music Ensemble and the Turkish Music Collective. As a scholar\, he has published in several academic US journals. https://www.hofstra.edu/faculty/fac_profiles.cfm?id=6746&t=/Academics/Colleges/HCLAS/MUSIC/ \n  \nABOUT DANCER/CHOREOGRAPHER KAESHI CHAI \nKAESHI CHAI is a NYC-based performer\, theatrical director\, teacher trainer\, and award winning designer. She is the co-founder of Bellyqueen\, a professional dance company and school\, and is also co-founder of PURE (Public Urban Ritual Experiment)\, a global community focused on healing and social change through dance and music. Kaeshi has extensive training in contemporary dance\, physical theatre and Silk Road dances spanning the Middle East to China. She has taught or performed in 47 states and 38 countries. \nShe is an alumna member of the Bellydance Superstars\, Jillina’s Bellydance Evolution and Kenji William’s Bella Gaia. \nFrom 2009-2016 she directed\, co-choreographed\, and toured the theatrical dance show Journey Along the Silk Road throughout the US\, Canada\, Taiwan\, Japan\, Thailand\, Australia and Italy. \nSince 2007 she has produced and curated Djam NYC\, a weekly live show in which dancers and musicians can create and play together. \nCurrent projects include Ocean Stories\, a performance integrating art and science to create more environmental awareness\, and Creative Labs in which participants conceptualize\, choreograph and mount full-length theatrical dance shows in 3-4 days. https://www.kaeshi.com \n  \n  \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nNow in its third year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us. CROSSING BOUNDARIES is produced by CRS (Center for Remembering & Sharing)\, a healing and arts center founded in 2004 by artists Yasuko Kasaki and Christopher Pelham and located in NYC. https://www.crsny.org \nThe 2020 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n 
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert201115/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;VALUE=DATE:20201116
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SUMMARY:香咲弥須子インテンシブなクラス
DESCRIPTION:  秋の香咲弥須子東京セミナー \n【︎Intensiveなクラス】　《定員10名》 \n東京セミナー両日参加及びテキスト精読を年間購読している方、もしくはオンラインzoomクラス年間申込をしている方が対象となります。セミナー二日間を受講して、日々の学びの中で、そしてシェア会や勉強会など開催している中で、わからないことや疑問に思ったことを少人数だからこそできるディスカッションをしていきます。 \n《日　時》 11月 16 日 (月) 午後\n①会場(神楽坂)参加・・・注)感染状況によって、オンラインzoomに変わることがあります。\n②オンラインzoom参加 \n《参加費用》15\,000円 税込 \n※受付開始：10月3日(土)午前10時\nご予約はこちらから、\nhttps://www.acim-yasukokasaki.net/イベント予約/東京セミナー/ \n＊お問い合わせ先＊\ninfo@acim-yasukokasaki.net \n  \n  \n  \n 
URL:https://jp.crsny.org/index.php/event/intensiveclass-fall2020/
LOCATION:Kyoto
CATEGORIES:In Japan
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