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DTSTART;VALUE=DATE:20190211
DTEND;VALUE=DATE:20190415
DTSTAMP:20260409T210619
CREATED:20190213T210559Z
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SUMMARY:個展: Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:Exhibition: Archetype-Hidden Memory — Paintings by Lex Braes \nCRS (Center for Remembering & Sharing) ではLex Braes氏による油彩、また紙の小作品による展覧会 “Archetype-Hidden Memory” を開催しています。CRSでのBraes氏による個展は、2012年に続いて2回目になります。限定されたイメージを繰り返し描くことにより、元のイメージが持つエネルギーとエモーションを損なわずに表現しながら、そのプロセスによってそれを抽象的なパターンに変容させることにより、その下に隠された言語を匂わせつつ作品間の関係性を問うという彼の近年の追求の結果であります。この展覧会は、2019年2月11日から 4月中旬までの開催となります。 \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning.\nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form.\nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions.\nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past.\n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White N Salem NY May 8 to June 15 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://jp.crsny.org/index.php/event/archetype-hidden-memory-paintings-by-lex-braes/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=UTC:20190404T190000
DTEND;TZID=UTC:20190404T203000
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SUMMARY:Sufi Dance Class with Lâle Sayoko
DESCRIPTION:Learn the ancient practice of meditative whirling known as Sufi dance or Sema (Sama in Iranian). You will learn the techniques of whirling\, but Sema is not about reproducing a certain form or aesthetic. Rather\, the technique serves as a vehicle for inner journeying. Sema means spiritual listening. Together we’ll create a sacred space in which we can safely listen to and share our true selves and experience oneness with the Divine. \nEach class consists of some explanation of the theory and technique\, exercises\, practice whirling\, and sharing and discussion of what you experienced and felt. \nWhirling commonly induces dizziness or nausea. Over time\, through whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control. We empty our minds of all thoughts of the individual self as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn. Into this emptiness floods a divine fullness\, which sometimes gives rise to a state known as “mystical intoxication\,” a reflection of knowing and experiencing that you and I and the Divine are One. \nPlease wear comfortable clothing (white\, gray or black color is preferable\, avoiding prints and shiny material which might distract the eye while whirling) and wear socks or soft soled shoes. If you have a whirling skirt and/or a frame drum\, please feel free to bring it. Avoid eating a large meal for two hours prior to class. \n$20 with advance registration\, $25 at the door \nLearn more about Sufi dance:\nhttp://www.ranagorgani.com/10-things-about-sufi-dance/ \nAbout Sufi Dance Instructor Lâle Sayoko \nSayoko was one of the founding members of Japan’s famous Samanyolu professional bellydance group\, and has since developed her own solo career touring with UK’s Mugenkyo Taiko Drummers on a 44 city tour of the UK\, to Turkey’s Baba Zula\, and with New York’s Bella Gaia multimedia Earth from Space journey show. Lale aspires for dance to be a powerful communicator though traditional technique and spiritual embodiment. She has lately been studying Sufi dance with Rana Gorgani\, and in April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi dance training. With CRS co-founders Yasuko Kasaki and Christopher Pelham\, she leads the CRS Healing Circles + Whirling Prayer that take place every third Thursday of the month at CRS. \nhttp://www.lalesayoko.com
URL:https://jp.crsny.org/index.php/event/sufi-dance-class-with-lale-sayoko-2-2019-04-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190413T120000
DTEND;TZID=UTC:20190413T130000
DTSTAMP:20260409T210619
CREATED:20190316T231115Z
LAST-MODIFIED:20190316T231115Z
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SUMMARY:A Talk by ACIM/Non-Duality/AA Lecturer & Author Paul Hedderman
DESCRIPTION:CRS invites you to a talk by A Course in Miracles teacher and 12-Step guru Paul Hedderman. Paul has been involved with the recovery community since 1988 and has been leading workshops and holding talks for 18 years. He is the author of The Escape To Everywhere. A Zen slap to your mind\, Paul’s unique language and solid presence bespeak the depth of his understanding of the human condition—in which the original addiction is the mind’s addiction to being a self. His message\, that inspires many\, is simple and clear: \nYOU ARE ALREADY THAT WHICH YOU SEEK. \nYou are wholeness itself. The ‘self’ is a ‘parasite’ that claims to be you and once the ‘foreign installment’ is believed\, comes the seeking to get rid of it. \nhttp://www.zenbitchslap.com \nSuggested donation $20 cash at the door (no one turned away!).
URL:https://jp.crsny.org/index.php/event/a-talk-by-acim-non-duality-aa-lecturer-author-paul-hedderman/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=UTC:20190413T170000
DTEND;TZID=UTC:20190413T190000
DTSTAMP:20260409T210619
CREATED:20190401T171632Z
LAST-MODIFIED:20190403T183722Z
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SUMMARY:~Resonance ~ 響 ~  コンサート by 植田あゆみ ＆ 三村未佳
DESCRIPTION:-クリスタルボウルとヴィブラフォンのリラクゼーション音浴会- \nイベント 内容 \n🌸2人の演奏 (数曲)Amazing Graceなど\n🌸植田あゆみによる朗読 と三村未佳の即興演奏\n🌸誘導瞑想(植田あゆみ)\n🌸音によるチャクラの調整(三村未佳) \n＊＊＊＊＊ \n \nAbout Ayumi \nAyumi Ueda is a singer-songwriter as well as certified Reiki practitioner and is currently conducting her original sound healing treatment which combines crystal singing bowls and mantra chanting. She is also the founder of a Boston-based award-winning international vocal ensemble\, Women of the World. Women of the World was formed to bring women musicians from across the globe onto a common platform to collaborate and create through the sharing of music\, to explore and celebrate the differences in ideologies and cultural tenets that exist in the daily lives of women all over the world. Through their work\, Women of the World created a stir in the community\, receiving support from renowned artists such as Grammy-award winning maestro\, Bobby McFerrin. They went on to share the stage with African vocal icon\, Angelique Kidjo\, 2014 Harmony Sweepstakes National champions\, 2017 International Championship of A Cappella Open champions\, Women of the World has extensively toured North America\, Asia and Europe. Women of the World continues to serve as cultural ambassadors of peace and unity through music. \nhttp://almavoice.com/jp/profile_jp.html \nAbout Mika (Mika Mimura Erickson) \nMika plays vibraphone\, marimba\, percussion and is a sound healer. She was born in Osaka\, Japan. She received her Master’s Degree from Osaka College of Music. She entered Berklee College of Music. She moved to New York after she graduated. She released her first album “Precious” in 2009 with renowned artists such as Grammy Winning bassist Michael League of Snarky Puppy. She joined the group “Banda Magda”\, whose leader is Magda Giannikou. The band went on tour in Europe\, US\, Columbia in South America and Japan. Mika released album “Dreamii” in 2014. These are 12 tracks all her own original compositions. She performed at the New York Blue Jazz Club with her group. Mika performed at the “Peace Concert for the 70th Anniversary of World WarⅡ. ” on board the USS Missouri  at Pearl Harbor in Honolulu\, Hawaii. She performed at Embassy of Japan Information and Culture Center in Washington DC. Mika will continue to work energetically performing\, teaching\, composing \, arranging and recording regardless of genre of music.  \nWebsite: http://mikamimura.com
URL:https://jp.crsny.org/index.php/event/resonance20190413/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190418T191500
DTEND;TZID=UTC:20190418T210000
DTSTAMP:20260409T210619
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SUMMARY:CRS ヒーリングサークル&スーフィーダンス（旋回舞踏）
DESCRIPTION:4月18日（木）午後7時15分より、月例のヒーリングサークルとスーフィーダンス（旋回舞踏）イベントを開催いたします。 \nCRSの共同創設者である香咲弥須子とクリストファー・ペルハム、およびスーフィーダンスアーティスト・ Lale Sayoko率いるヒーリングサークル + 旋舞（Sufi Dance）+ 祈りのイベントです。ドラムやパーカッションのライブミュージックと共にスーフィーダンスを踊りましょう。毎回参加者にも大好評なイベントとなっております。 \nドラムや笛、チャイムなどの楽器をお持ちの方は是非お持ちください。経験不問。自分自身を解放し、お互いを受け入れることを学びながら、潜在的にもともとはひとつだったことを共に思い出しましょう。 \n参加費は、前日まで$20、当日支払いは$25です。 \nくるくると回り始めると、めまいがしたりバランスを崩すかもしれませんが、自分自身を信頼し、旋回を続ける中で、その中心にある心の静けさに気づくと共に、計り知れない大きなエネルギーに包まれ、繋がっている感覚を実感できるでしょう。 \n旋回講師・ラーレ小夜子：\n日本で有名なSamanyolu professional ベリーダンスグループの創立メンバーのひとりです。イギリスのMugenkyo Taiko Drummersと共に44つの都市でのツアーを通して自身のキャリアを積みながら、トルコのBaba Zula、ニューヨークのBella Gaiaなどで活動しています。日本とアメリカの雑誌や新聞に登場するLaleは、伝統的な技法や精神的な方法で、ダンスが強力なコミュニケーターになることを目指しています。Rana Gorganiの元でスフィ・ダンスを学び、講師資格を取得し、2018年4月にはThe International Sufi Dance Certification of Cid UNESCOを受賞しました。http://www.lalesayoko.com \n香咲弥須子：\n東京都出身NY在住。国際的に活躍するスピリチュアル・ライター、カウンセラー、ヒーラー、講師、翻訳者。\n自ら『A Course in Miracles（ACIM)』を学び、教えることによって、世界各国の10\,000を超すクライアントの精神面及び身体の問題に向き合い、その解決に向けて真摯に取り組んできました。香咲弥須子は小説、短編ストーリー、エッセイ、写真集を始め、『A Course in Miracles』関連では、ACIMのワークブック、ジョン・マンディ氏、ガブリエル・バーンスティン氏、ディヴィット・ホフマイスター氏著作の翻訳があります。さらにマヤ・アンジェロウ氏を含むアメリカの代表的な作家の作品の日本語訳を出版しています。2004年、ニューヨークで最初で唯一の「奇跡のコース」を学べる場所、スピリチュアル・アート・センターCenter for Remembering &Sharing (CRS) をオープン、CMCでの年間の恒例ACIMカンファレンスや日本での年数回の大規模なセミナーにてレクチャーを行っています。彼女の著作、講演は、長年の作家活動、モーターサイクリスト、スピリチュアル・カウンセラーとしての経験に基づき、個々の複雑な物語を捉えることによって、深く根付いたコンプレックスを明確に述べ解説することで知られています。www.yasukokasaki.com \nChristopher Pelham is a spiritual healer/counselor/teacher/artist who draws on practices from ACIM\, Non-Violent Communication\, improvisational theater\, Sufism\, and contemporary shamanism to help people remember who they really are. He is the Director and co-founder of CRS (Center for Remembering & Sharing). He has also taught and/or offered healing in London\, in Japan\, at the 2018 Awakening to the One Mind Retreat\, and at the 2017 Enlight Festival of A Course in Miracles in Ibiza\, Spain.
URL:https://jp.crsny.org/index.php/event/crs-healing-circle-meditation-whirling-prayer/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190426T190000
DTEND;TZID=UTC:20190426T200000
DTSTAMP:20260409T210619
CREATED:20190323T200217Z
LAST-MODIFIED:20190323T200322Z
UID:16748-1556305200-1556308800@jp.crsny.org
SUMMARY:スーフィーダンス～ライブ音楽と共に～
DESCRIPTION:4月26日(金）午後7時よりCRS(Center for Remembering & Sharing)主催の「スーフィーダンス～ライブ音楽と共に～」を開催します。 \nCRSにて毎月一度行われているスーフィーダンス（旋回舞踏）クラスとヒーリングサークルの講師ラーレ小夜子の誘導のもと、今月はTomchess (American Sufi Project) によるライブ音楽と共に行われる1時間のメディテイティブなスーフィーダンス（またはSema・イラン語）を踊るイベントです。 \nそれぞれが持つバックグラウンドを超えて、すべての方々に開かれたオープンスペースで、ご一緒に心の中の些細なことを全て解放して、私たちがひとつである事を思い出しましょう。 \nくるくると回り始めると、めまいがしたりバランスを崩すかもしれませんが、自分自身を信頼し、旋回を続ける中で、その中心にある心の静けさに気づくと共に、計り知れない大きなエネルギーに包まれ、繋がっている感覚を実感できるでしょう。 \n動きやすい服装 (白・グレー・黒が望ましい色です。光沢のある素材は避けてください。）でご参加ください。スカートや、ソールの柔らかいシューズ（靴下も可）をお持ちの方はご持参ください。参加前の2時間はお食事は避けてください。 \nこの「スーフィーダンス～ライブ音楽と共に～」は、私たちのお仲間であるミュージシャン達によって演奏され、通常毎月第4金曜日、午後7 – 8時に開催予定です。 \nチケットは前日までのご購入の際は＄20、当日は＄25となります。オンラインまたはお電話（212-677-8621）にて。 \nスーフィーダンスーの経験がない方は、まず私たちのクラスに参加して、基本を学んでみませんか。CRSでは毎月第一木曜日(7:30 pm – 9 pm)ラーレ小夜子によるイントロクラスをご用意しています。 \nスーフィーダンスについて:\nhttp://www.ranagorgani.com/10-things-about-sufi-dance/ \nスーフィーダンサー・ラーレ小夜子：\n日本で有名なSamanyolu professional ベリーダンスグループの創立メンバーのひとり。イギリスのMugenkyo Taiko Drummersと共に44都市でのツアーを通して自身のキャリアを積みながら、トルコのBaba Zula、ニューヨークのBella Gaiaなどで活動しています。日本とアメリカの雑誌や新聞に登場するLaleは、伝統的な技法や精神的な方法で、ダンスが強力なコミュニケーターになることを目指しています。Rana Gorganiの元でスフィ・ダンスを学び、2018年には講師資格、The International Sufi Dance Certification of Cid UNESCOを取得しました。http://www.lalesayoko.com \nミュージシャン・Tomchess\nTomchess (oud\, ney\, morsing) is a New York City–based multi-instrumentalist\, improviser\, and composer who has played and recorded with some of the most esteemed players in the improvisational scene (Dewey Redman\, Butch Morris\, Pharoah Sanders\, Drew Gress\, Ronald Shannon Jackson) as well as Moroccan sintarist Hassan Hakmoun. He has performed around the world and at New York City venues like Lincoln Center\, the Turkish and Pakistani embassies\, the Metropolitan Museum of Art\, and the United Nations He has played on Grammy-nominated recordings and was awarded grants from the Turkish American Society and the Maryland Council for the Arts. In 2012 he was nominated for an Independent Music Award. https://tomchess.bandcamp.com/
URL:https://jp.crsny.org/index.php/event/whirling-practice-with-live-music/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190428T160000
DTEND;TZID=UTC:20190428T171500
DTSTAMP:20260409T210619
CREATED:20190215T201816Z
LAST-MODIFIED:20190422T230304Z
UID:16412-1556467200-1556471700@jp.crsny.org
SUMMARY:第14回 ニューヨークの四季 – 日本音楽の彩り ー コンサート
DESCRIPTION:Mar Creation\, Inc & CRS (Center for Remembering & Sharing) 共催、『ニューヨークの四季ー日本音楽の彩り-Four seasons in New York -Gems of Japanese Music 』と題しまして、季節ごとに木村伶香能が、箏と三味線のコンサートを開催します。はるかな年月をかけて現代に伝えられた日本音楽のきらめき。箏・三味線の音色を聴きながら、四季折々の季節感を、このNYで体感しませんか？\n今回は、シリーズ14回目の演奏となります。人気のもち凛さんによる、春の素敵な御菓子もどうぞお楽しみに。 \n4月28日（日）午後4時 ~ 5時15分\n場所：CRS  3rd FL White Room \n料金：＄30 (もち凛による季節の御菓子込み）※席、和菓子に限りがあるため、要予約\n出演：木村伶香能（箏・三味線）\nご予約：https://bit.ly/2N4YZEW\nお問い合わせ：212-677-8621 \nPROGRAM\nMurasaki-shikibu (composed by Kin’ichi Nakanoshima)\nAkashi (composed by Kitajima-gengyo)\nMurasaki no Fu for solo sangen (composed by Minoru Miki)\n\n \n 木村伶香能（きむられいかの）\n東京芸術大学卒業後、第10回賢順全国箏曲コンクールにて第一位を受賞。文化庁新進芸術家国内研修員、デュオ夢乃として第24回青山音楽賞を受賞。全米室内楽協会の年次総会にて招待演奏を行う。NYタイムズ紙でも高評を得ており、これまでに約20カ国で演奏し、箏・三味線のソリストとして全米の室内オーケストラ、アンサンブル、弦楽四重奏などとの共演も多数行なっている。「箏・三味線」の可能性を追求し、第一線の作曲家、演奏家、アーティストと共に、新しい作品を開拓。山田流箏曲の古典のみならず、「歌・声」を活かした演奏にも定評があり、「古典と現代」をクロスオーバーする多彩な活動を行っている。（ウェブサイト：yokoreikanokimura.com ）\n\n  \n\nPhoto courtesy of mochi Rin \nもち凛について：（季節の御菓子を担当）\nNYローカルの素材、花々などを用いて、季節折々の和の餠菓子を製作。http://www.rin-nyc.com     https://www.instagram.com/rin_nyc\nphoto courtesy of mochi Rin \n  \n  \n  \n「ニューヨークの四季-日本音楽の彩り」シリーズについて：\nニューヨークでは、古今東西の古典から最先端の音楽まで、多彩な音楽にあふれています。そのような中で、「自分のルーツである日本の古典作品、古典になりゆく作品を四季折々に紹介していこう」と思い立ち、木村伶香能が、2015年秋にスタートしたプロジェクトです。毎回、箏・三味線の音色や歌声をごく身近に感じられるCenter for Remembering and Sharingホワイトルームで、もち凛による季節の御菓子と共にお楽しみ頂いています。
URL:https://jp.crsny.org/index.php/event/concert-20190428-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
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