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DTSTART;TZID=America/New_York:20230304T160000
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SUMMARY:CRS Presents Hot Wrk Ensemble: 『WRKin it Out 』コンサート
DESCRIPTION:3月4日午後4時より、CRSホワイトルームにて、Hot Wrk Ensemble: の『WRKin It Out』コンサートを開催します。パーカッションにJ Brooks Marcus (J Why)、サックスにLois Hicks-Wozniak、バリトンサックス＆木管楽器にBrad Hubbardを迎え、バッハ＆スカルラッティから現代アートミュージック、ジャズ風フュージョンに即興とアンサンブルメンバーによる作曲と、多様でジャンルにとらわれない室内楽演奏です。観客は質問をしたり、アイデアを出し合ったりして、音楽制作の一部を体験することができます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comで事前にお求めいただけますが、当日の購入は現金のみとなります。 \n予防接種の証明は必要ありませんが、マスク着用を強くお勧めします。CRSは階段のみでのアクセスとなりますので、ご注意ください。 \nBrad Hubbard is a Composer who plays Baritone Saxophone\, Flute\, and Bass Clarinet. Brad has performed throughout the world in many diverse settings. In addition to performing as a solo recitalist and with the Hot Wrk Ensemble\, Brad is a member of 3rd Bell\, a quartet that combines jazz\, world\, and electronic music filtered through a singer/songwriter mentality. He is also a member of David Sanford’s Pittsburgh Collective an innovative 20 piece big band and Neil Alexander’s X Ensemble\, a modern Chamber Jazz Octet. He commissioned and premiered Benjamin Boone’s “Concerto for Baritone Saxophone and Orchestra” as well as pieces from Sherwood Shaffer\, Monica Ashton\, Mark Taylor and Michael Bellar. He is also involved as a composer and performer with Composers Concordance in New York City. As a sideman Brad has appeared with a broad range of artist including Corey Glover of Living Colour\, Nancy Wilson\, Pinetop Perkins\, Lew Tabackin\, Lenny Pickett\, Boots Randolph\, Roy Clark\, The Monica Ashton Jazz Band and various local groups in the Hudson Valley. \nBrad was a member of the New Century Saxophone Quartet from 1988-2004. During his tenure with the quartet\, the ensemble was the first of its kind to win the prestigious Concert Artist Guild competition in New York City in 1992. The quartet toured throughout the United States and the World performing in major concert venues including Carnegie Hall\, Chicago’s Pick-Staiger Concert Hall\, Atlanta’s Spivey Concert Hall\, Boston’s Symphony Hall and Isabella Stewart Gardner Museum\, New York’s Merkin Concert Hall and the Kosciuszko Foundation Townhouse\, Washington\, D.C’s Strathmore Hall\, Alaska’s Juneau Jazz and Classics Festival\, the Villla Schönberg in Zurich\, Switzerland\, the Conservatoire de Musique in Esch Luxembourg\, the Macau International Music Festival and the Academy for the Performing Arts in Hong Kong\, China. New Century was also the first saxophone quartet to perform at La Huaca del Complejo Atlapa in Panama City\, Panama. NCSQ has also appeared in unique concert settings including two command performances for President Clinton in the White House to a concerto performance with the United States Navy Band. Brad appears on the first 6 New Century recordings on the Channel Classics label. \nBrad is currently the Woodwind Instructor at The Beacon Music Factory in Beacon NY\, where he lives with his family. \nJ. Brooks Marcus (aka J Why) is a multi-instrumentalist and composer who studied jazz\, classical\, electronic and experimental music at California Institute of the Arts\, Berklee College of Music\, and San Francisco State University. He has composed for dance\, film\, puppet theater\, and podcasts. Collaborators have included: multi-instrumentalist and composer Julz A\, dance filmmaker Anna Brady Nuse\, and choreographer Sasha Welsh. J has composed music for filmmaker Amir Bar-Lev\, Los Angeles theater company About Productions\, dance filmmaker Susan Osberg\, and animator/puppet theater artist Susan Simpson. In 2017 he formed the collaborative production duo Obsidian Soundsystem with musician and engineer Jonny Taylor. As a performer\, he has played with Pamela Z\, Gwen Laster’s Gameboard\, and Andy Rinehart. J teaches composition at SUNY New Paltz and percussion\, clarinet and computer music at Beacon Music Factory. His music can be found at https://soundcloud.com/j-why-1 and https://obsidiansoundsystem.bandcamp.com/music. \nLois Hicks-Wozniak is an active concert saxophonist and educator in the New York Metropolitan and the Hudson Valley region\, committed to community engagement through new music and Global Music styles. A D’Addario Woodwinds Artist\, her many awards include winning the Special Presentation Winners Recital Series\, sponsored by Artists International Presentations; earning her a New York Recital Debut at Weill Recital Hall in Carnegie Hall. She is described in performance as having “tremendous technique and fidelity to tone without sacrificing musical line\,” and a “beautiful soprano saxophone sound…preserving the beauty and consistency of her sound regardless of the technical or musical demands of the moment” (Saxophone Symposium). An active soloist\, she has performed and recorded within many ensembles to include the Albany Symphony\, the Hudson Valley Philharmonic\, and with Pat Waing master\, Kyaw-Kyaw Naing and the first Burmese-American Hsiang Waing ensemble. Her album Playback: Music for Saxophone and Bass Trombone is with Matt Wozniak and Nadine Shank\, piano. She is a featured educator in the textbook\, World Music Pedagogy Vol VII: Teaching World Music in Higher Education (Routledge 2020). She co-founded the saxophone and percussion chamber group\, Hot Wrk Ensemble\, featuring improvisatory music\, arrangements\, and original works\, to include her own compositions. She previously served active duty in the U.S. Army as a saxophonist with the West Point Band and taught at Marist College\, Montclair State University\, and SUNY New Paltz. She holds degrees from Florida State University and Montclair State University. Her sixth grade band director suggested she play the saxophone\, and although she cried when she first saw the instrument\, she has no regrets.\nhttp://loishickswozniak.com/ \n  \n 
URL:https://jp.crsny.org/index.php/event/20230304hot-wrk-ensemble/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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SUMMARY:CRS Presents INTERWOVEN International Chamber Ensemble at Resobox
DESCRIPTION:3月11日（土）午後2時、Resobox East Villageにて、国際的な室内楽アンサンブル「INTERWOVEN」を、CRSとResoboxとの初コラボレーションでお届けします。\nINTERWOVENのメンバーである木村伶香能（三味線/声楽）、Andy Lin（二胡/ビオラ）、Emilie-Anne Gendron、徳永慶子（バイオリン）、Nan-Cheng Chen（チェロ）による演奏。JungYoon Wieの「A Popular Tune」、中能島欣一の「赤壁賦」、Theodore Wiprudの「Chimera」、Takuma Itouの「Crosscurrents」、Ravelの「String Quartet (First and Second Mv)」と、和・漢・洋で構成された楽曲をお楽しみいただけます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comから購入できるほか、当日会場で現金でも購入できます。 \nINTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities\, events\, classes\, art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake\, tsunami\, and ongoing nuclear disaster\, and we’d like to dedicate this concert to those who were lost\, those left behind\, and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable\, and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \n  \nVENUE LOCATION:\nResobox East Village\n91 E 3rd St\nNew York\, NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St\, 6 train to Bleecker St or Astor Place\, R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON\, lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing\,” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro\, as well as acclaimed groups such as A Far Cry\, Argento Chamber Ensemble\, Chamber Music Society of Lincoln Center\, Chamber Orchestra of Philadelphia\, Iris Orchestra (as one of its concertmasters)\, Orpheus Chamber Orchestra\, Talea Ensemble\, and Sejong Soloists. She is a founding member of Ensemble Échappé\, a new-music sinfonietta\, and of Gamut Bach Ensemble\, in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician\, Ms. Gendron is a longtime member of the Momenta Quartet\, whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo\, founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet\, specializing in innovative educational outreach and community engagement\, since 2009. Toomai\, one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program\, helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S.\, ranging from grade school to university level. As a member of the Momenta Quartet\, Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools\, universities\, and conservatories in the U.S. and as far afield as Bolivia\, Indonesia\, and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division\, NYU\, and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia\, Finland\, Indonesia\, South Korea\, and Jordan; and major venues across the Americas\, Europe\, and Asia\, in collaboration with such artists as Teddy Abrams\, Rachel Barton Pine\, Bruno Canino\, Leon Fleisher\, Richard Goode\, Anthony McGill\, Edgar Meyer\, Shlomo Mintz\, Anthony Newman\, Samuel Rhodes\, Marcy Rosen\, Gil Shaham\, and Jörg Widmann\, among many others. Her performances have been broadcast over radio and television in the U.S.\, U.K.\, Switzerland\, New Zealand\, Canada\, Denmark\, Japan\, and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents\, and a dual citizen of the U.S. and Canada\, Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay\, Won-Bin Yim\, Hyo Kang\, David Chan\, and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study\, both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University\, and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work\, especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu\, and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra\, Chamber Orchestra of Philadelphia\, Children’s Orchestra Society\, Grant Park Symphony Orchestra\, Incheon Philharmonic\, the Juilliard Orchestra\, Milwaukee Symphony\, New York Classical Players\, Orford Academy Orchestra\, Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet\, the Amphion String Quartet\, and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman\, playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert\, as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast\, Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist\, Nan-Cheng has collaborated with Simon Bolivar Orchestra\, Queens Symphony Orchestra\, Metro-West Symphony\, Quincy Symphony and Symphony Pro Musica\, and has toured North American\, South America\, Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency\, Sarasota Music Festival\, Heifetz Institute\, Encore School for Strings\, and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival\, a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator\, Nan-Cheng has given cello masterclasses at Penn State University\, University of Wisconsin\, University of Calgary as well as universities in Panama\, Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School\, and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\ncrsny.org
URL:https://jp.crsny.org/index.php/event/interwoven20230311/
LOCATION:Resobox East Village\, 91 E 3rd St\, New York\,\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:3月11日（土）午後2時、Resobox East Villageにて、国際的な室内楽アンサンブル「INTERWOVEN」を、CRSとResoboxとの初コラボレーションでお届けします。\nINTERWOVENのメンバーである木村伶香能（三味線/声楽）、Andy Lin（二胡/ビオラ）、Emilie-Anne Gendron、徳永慶子（バイオリン）、Nan-Cheng Chen（チェロ）による演奏。JungYoon Wieの「A Popular Tune」、中能島欣一の「赤壁賦」、Theodore Wiprudの「Chimera」、Takuma Itouの「Crosscurrents」、Ravelの「String Quartet (First and Second Mv)」と、和・漢・洋で構成された楽曲をお楽しみいただけます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comから購入できるほか、当日会場で現金でも購入できます。 \nINTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities events classes art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake tsunami and ongoing nuclear disaster and we’d like to dedicate this concert to those who were lost those left behind and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \n  \nVENUE \nResobox East Village\n91 E 3rd St\nNew York NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St 6 train to Bleecker St or Astor Place R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro as well as acclaimed groups such as A Far Cry Argento Chamber Ensemble Chamber Music Society of Lincoln Center Chamber Orchestra of Philadelphia Iris Orchestra (as one of its concertmasters) Orpheus Chamber Orchestra Talea Ensemble and Sejong Soloists. She is a founding member of Ensemble Échappé a new-music sinfonietta and of Gamut Bach Ensemble in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician Ms. Gendron is a longtime member of the Momenta Quartet whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet specializing in innovative educational outreach and community engagement since 2009. Toomai one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S. ranging from grade school to university level. As a member of the Momenta Quartet Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools universities and conservatories in the U.S. and as far afield as Bolivia Indonesia and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division NYU and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia Finland Indonesia South Korea and Jordan; and major venues across the Americas Europe and Asia in collaboration with such artists as Teddy Abrams Rachel Barton Pine Bruno Canino Leon Fleisher Richard Goode Anthony McGill Edgar Meyer Shlomo Mintz Anthony Newman Samuel Rhodes Marcy Rosen Gil Shaham and Jörg Widmann among many others. Her performances have been broadcast over radio and television in the U.S. U.K. Switzerland New Zealand Canada Denmark Japan and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents and a dual citizen of the U.S. and Canada Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay Won-Bin Yim Hyo Kang David Chan and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra Chamber Orchestra of Philadelphia Children’s Orchestra Society Grant Park Symphony Orchestra Incheon Philharmonic the Juilliard Orchestra Milwaukee Symphony New York Classical Players Orford Academy Orchestra Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet the Amphion String Quartet and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019 and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021 Keiko founded an online concert series Jukebox Concerts in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers but also to residents of nursing homes hospitals and assisted living facilities across the country. Later in the year she created INTERWOVEN a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013 and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist Nan-Cheng has collaborated with Simon Bolivar Orchestra Queens Symphony Orchestra Metro-West Symphony Quincy Symphony and Symphony Pro Musica and has toured North American South America Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency Sarasota Music Festival Heifetz Institute Encore School for Strings and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator Nan-Cheng has given cello masterclasses at Penn State University University of Wisconsin University of Calgary as well as universities in Panama Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts she studied at Institute of Traditional Japanese Music an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama Akiko Nishigata and Senko Yamabiko a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki NPR’s Performance Today and WKCR. As a koto soloist Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum Piestro Mascagni’s Iris by American Symphony Orchestra Basil Twist’s Dogugaeshi Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015 and featured at Chamber Music America’s 2016 National Conference and performed at the John F. Kennedy Center in 2017. In 2019 the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=91 E 3rd St:geo:-73.9877549,40.724831
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DTSTART;TZID=America/New_York:20230326T170000
DTEND;TZID=America/New_York:20230326T183000
DTSTAMP:20260409T015035
CREATED:20230218T154701Z
LAST-MODIFIED:20230218T191912Z
UID:22362-1679850000-1679855400@jp.crsny.org
SUMMARY:SACO & As It Is: 「Gratitude to Spring」 コンサート
DESCRIPTION:CRS (Center for Remembering & Sharing) は、SACO & As It Is とスペシャルゲストのKevin Nathaniel (ムビラ) とともに、“Gratitude to Spring”（春への感謝）をお届けしたいと思います。春の育むエネルギーに感謝し、それを受け入れ、歌と踊りで一緒に祝いましょう！ \n11人編成のジャンルを超えた音楽アンサンブルであるSACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々の心を一つにと導いてくれます。 \nチケットは20ドル、Eventbriteにてご購入できます。また当日は会場にて（現金のみ）お求めいただけます。\n座席数には限りがありますので、事前のチケット購入をお勧めします。ワクチン接種の証明は不要ですが、マスク着用を強くお勧めします。 \nSaco Myoji: ヴォーカル、キーボード、ムビラ、カリンバ \nSakurako Kataoka:スポークン・ワード \nMichael T.A. Thompson: パーカッション \nONE NOTE ONE SPIRIT コーラス: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nスペシャルゲスト：Kevin Nathaniel: ムビラ \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \n\nkevinnathaniel.com/ \n\n\n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/saco-as-it-is20230326/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
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