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SUMMARY:Crossing Boundaries 25: When the Ancestors Speak by Jen Shyu\, Sumi Tonooka\, and Val Jeanty
DESCRIPTION:CRS（Center for Remembering & Sharing）は、2025年12月14日（日）午後7時、グリニッジ・ハウス・ミュージックホールにて「Crossing Boundaries 25：When the Ancestors Speak」を開催します。Jen Shyuがキュレーションを務めるこの作品は、Jen Shyu（ボーカル、台湾月琴、日本琵琶、韓国の伽倻琴）、Sumi Tonooka（ピアノ）、Val Jeanty（SoundChemist）によるもので、アフリカ、日本、ティモール、台湾、ハイチなど、多様な民族が共存する豊かな家族と音楽の歴史から生まれた「移民」というテーマを探求しています。このコンサートは音楽を動きとテキストと融合させ、Jen Shyuの2023年のThe Stoneでのレジデンシーで初めて紹介された素材をさらに発展させたもので、その秋の『Crossing Boundaries 20』で展開したテーマをさらに発展させています。（トリオの写真：Mariana Meraz 撮影） \nTICKET LINK:\nhttps://www.eventbrite.com/e/when-the-ancestors-speak-by-jen-shyu-sumi-tonooka-and-val-jeanty-tickets-1860031316739\n \nVENUE LOCATION:\nGreenwich House Music School\n46 Barrow Street\nNew York\, NY 10014 \nDIRECTIONS:\nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor\, and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are empowered to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \n\n \nJen Shyu photo by Daniel Reichert \n\nRome Prize\, Guggenheim\, and USA Fellow\, Doris Duke Artist\, multilingual multidisciplinary artist Jen Shyu was born in Peoria\, Illinois to Taiwanese and East Timorese immigrants. She has produced eight albums and a single available on her record label Autumn Geese Records. She’s performed at Carnegie Hall\, Lincoln Center\, Metropolitan Museum of Art\, National Theater of Korea\, Rubin Museum\, was named Downbeat’s 2017 Rising Star Female Vocalist\, and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka\, Terri Lyne Carrington\, Nicole Mitchell\, Val Jeanty\, Ikue Mori\, Zeena Parkins\, Linda May Han Oh\, Kris Davis\, Wadada Leo Smith\, Mark Dresser\, Francis Wong\, Jon Jang\, Vijay Iyer\, Kenny Barron\, Reggie Workman\, Bill Frisell\, and Immanuel Wilkins. Her “Song of Silver Geese” was among The New York Times’ “Best Albums of 2017.” Her third solo production and album “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) has received wide critical acclaim\, with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist\, a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu\, https://www.jenshyu.com \n\n \nSumi Tonooka photo by Karen Sterling \n\n2023 Pew Fellowship Awardee Sumi Tonooka has been called a “fierce\, fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With 15 recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic\, chamber\, dance and film\, she continues to be a creative force. Recently\, Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony\, Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke\, Creative Inflections Grant\, with vocalist/composer Jen Shyu\, for In The Green Room\, inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019\, premiering later this year for her trio plus Alchemy Sound Project\, a composers collective that she started in 2015. @sumitonooka\, http://sumitonooka.com \n  \n\n \nVAL Jeanty photo by Richard Louissaint \n\nVal Jeanty is a Grammy-winning Afro-Electronica composer\, turntablist\, and SoundChemist whose work bridges ancestral Haitian Vodou traditions with experimental electronic soundscapes. A professor at Berklee College of Music\, Jeanty has performed at the Whitney Museum\, the Museum of Modern Art in New York City\, and internationally at the Venice Biennale in Italy and Haus der Kulturen der Welt in Berlin. A recipient of the 2024 United States Artists Fellowship\, the 2019 NYSCA/Roulette Residency\, and the 2022 NYC/CBA Toulmin Fellowship\, Jeanty continues to expand the frontiers of sonic expression while honoring her Haitian heritage. @valjeanty\, https://val-inc.bandcamp.com/ \n\n\n\n\n  \n  \n  \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a Manhattan- and Tokyo-based arts and spiritual center founded in 2004 by Yasuko Kasaki and Christopher Pelham. Rooted in the non-dualistic teachings of A Course in Miracles (ACIM)\, CRS offers spiritual counseling\, healing\, and mind-training courses to practitioners around the world. The Center uses the arts as a vehicle for achieving awakening\, unity\, and peace. By producing exhibitions\, performances\, and an online arts magazine (onlylove.ART)\, and providing support for individual artists and partner organizations like Mutual Mentorship for Musicians (M³) and Kotohogi\, CRS empowers a diverse\, international community of artists to experiment\, collaborate\, and share their visions. https://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-25-20251214/
LOCATION:Greenwich House Music Hall\, 46 Barrow Street\, New York\, 10014
CATEGORIES:Crossing Boundaries,CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、2025年12月14日（日）午後7時、グリニッジ・ハウス・ミュージックホールにて「Crossing Boundaries 25：When the Ancestors Speak」を開催します。Jen Shyuがキュレーションを務めるこの作品は、Jen Shyu（ボーカル、台湾月琴、日本琵琶、韓国の伽倻琴）、Sumi Tonooka（ピアノ）、Val Jeanty（SoundChemist）によるもので、アフリカ、日本、ティモール、台湾、ハイチなど、多様な民族が共存する豊かな家族と音楽の歴史から生まれた「移民」というテーマを探求しています。このコンサートは音楽を動きとテキストと融合させ、Jen Shyuの2023年のThe Stoneでのレジデンシーで初めて紹介された素材をさらに発展させたもので、その秋の『Crossing Boundaries 20』で展開したテーマをさらに発展させています。（トリオの写真：Mariana Meraz 撮影） \nTICKET LINK:\nhttps://www.eventbrite.com/e/when-the-ancestors-speak-by-jen-shyu-sumi-tonooka-and-val-jeanty-tickets-1860031316739\n \nVENUE \nGreenwich House Music School\n46 Barrow Street\nNew York NY 10014 \nDIRECTIONS:\nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are empowered to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \n\n \nJen Shyu photo by Daniel Reichert \n\nRome Prize Guggenheim and USA Fellow Doris Duke Artist multilingual multidisciplinary artist Jen Shyu was born in Peoria Illinois to Taiwanese and East Timorese immigrants. She has produced eight albums and a single available on her record label Autumn Geese Records. She’s performed at Carnegie Hall Lincoln Center Metropolitan Museum of Art National Theater of Korea Rubin Museum was named Downbeat’s 2017 Rising Star Female Vocalist and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka Terri Lyne Carrington Nicole Mitchell Val Jeanty Ikue Mori Zeena Parkins Linda May Han Oh Kris Davis Wadada Leo Smith Mark Dresser Francis Wong Jon Jang Vijay Iyer Kenny Barron Reggie Workman Bill Frisell and Immanuel Wilkins. Her “Song of Silver Geese” was among The New York Times’ “Best Albums of 2017.” Her third solo production and album “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) has received wide critical acclaim with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu https://www.jenshyu.com \n\n \nSumi Tonooka photo by Karen Sterling \n\n2023 Pew Fellowship Awardee Sumi Tonooka has been called a “fierce fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With 15 recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic chamber dance and film she continues to be a creative force. Recently Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke Creative Inflections Grant with vocalist/composer Jen Shyu for In The Green Room inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019 premiering later this year for her trio plus Alchemy Sound Project a composers collective that she started in 2015. @sumitonooka http://sumitonooka.com \n  \n\n \nVAL Jeanty photo by Richard Louissaint \n\nVal Jeanty is a Grammy-winning Afro-Electronica composer turntablist and SoundChemist whose work bridges ancestral Haitian Vodou traditions with experimental electronic soundscapes. A professor at Berklee College of Music Jeanty has performed at the Whitney Museum the Museum of Modern Art in New York City and internationally at the Venice Biennale in Italy and Haus der Kulturen der Welt in Berlin. A recipient of the 2024 United States Artists Fellowship the 2019 NYSCA/Roulette Residency and the 2022 NYC/CBA Toulmin Fellowship Jeanty continues to expand the frontiers of sonic expression while honoring her Haitian heritage. @valjeanty https://val-inc.bandcamp.com/ \n\n\n\n\n  \n  \n  \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a Manhattan- and Tokyo-based arts and spiritual center founded in 2004 by Yasuko Kasaki and Christopher Pelham. Rooted in the non-dualistic teachings of A Course in Miracles (ACIM) CRS offers spiritual counseling healing and mind-training courses to practitioners around the world. The Center uses the arts as a vehicle for achieving awakening unity and peace. By producing exhibitions performances and an online arts magazine (onlylove.ART) and providing support for individual artists and partner organizations like Mutual Mentorship for Musicians (M³) and Kotohogi CRS empowers a diverse international community of artists to experiment collaborate and share their visions. https://crsny.org;X-APPLE-RADIUS=500;X-TITLE=46 Barrow Street:geo:-74.0045407,40.732186
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DTSTART;TZID=America/New_York:20251201T190000
DTEND;TZID=America/New_York:20251201T203000
DTSTAMP:20260510T104835
CREATED:20251010T145102Z
LAST-MODIFIED:20251116T225252Z
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SUMMARY:Crossing Boundaries 24 : Between Breaths: A Sonic Memoir with gamin
DESCRIPTION:CRS（Center for Remembering & Sharing）とFridman Galleryがお届けする、魂を揺さぶる一夜——「Crossing Boundaries 24: Between Breaths: A Sonic Memoir with gamin」。韓国生まれの米国在住アーティスト、gaminによる、心に染み入るマルチメディア・パフォーマンスです。マルチインストゥルメンタリストとして輝く彼女は、韓国の重要無形文化財第46号の公式継承者Yisujaに認定された逸材です。この特別な作品で、gaminは息づかい一つひとつに宿る記憶と、遠き祖先のささやきを、美しい音の糸で紡ぎ上げ、観客の皆さまを深淵なるメモワールの世界へ優しく導きます。 \n2025年12月1日午後7時、Fridman Galleryで、この息をのむような旅が始まります。チケットは27.74ドル——今すぐオンラインで確保して、忘れがたい感動をあなたのものに！ online. \n“Her music is unlike anything else in the world.” — New York Music Daily \nDrawing on her monograph of family history and cultural heritage\, she brings to life the stories of her foremothers through the sounds of traditional Korean wind instruments—the piri\, saenghwang\, and taepyeongso—blurring the lines between ritual and recital. Through improvisation and Korean modes\, each breath becomes a vessel of resilience\, migration\, and belonging. \nBetween Breaths\, created by gamin\, is a meditation on lineage\, transformation\, and transcendence—where tradition is reimagined through feminist and intercultural lenses\, and breath becomes memory\, ritual\, resistance\, and future. \nElizabeth Hoffman (sound design & electronics)\, Christine Yerie Lee (visual art)\, Jacqueline Kerrod (harp)\, Kai-Luen Liang (sound design)\, and Satoshi Takeishi (percussion) round out the creative team. \nTICKETS:\nhttps://withfriends.events/event/gnMixNT7/between-breaths-by-gamin/ \nVENUE LOCATION:\nFridman Gallery\n169 Bowery\nNew York\, NY 10002 \nDIRECTIONS:\nThe Fridman Gallery is located on the east side of The Bowery\, just south of Delancey St. \nNEAREST SUBWAY STATIONS:\nSpring Street 6\nCanal Street N/Q\nCanal Street J \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. gamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021–2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. gaminmusic.com \nChristine Yerie Lee is a multidisciplinary artist working in video\, performance\, and drawing. Raised in the American South\, Lee’s practice explores performativity\, embodiment\, and spectatorship as a way to reexamine ideas of authenticity\, nationhood\, and desire in relation to self-construction. Drawing from Korean and American folklore\, global histories\, and pop culture\, she builds interconnected worlds where fantasy and reality collide\, creating a new place for cultural\, psychological\, and socio-political discovery. Her recent projects include BUL (2023)\, an experimental rock opera inspired by the Korean monster Bulgasari\, and its sequel\, SWAN SONG (2025). She lives and works in Los Angeles with her dog\, Belly. \nLee holds a BFA from the Rhode Island School of Design and an MFA from the California Institute of the Arts. Her work has been shown in solo and two-person exhibitions at Human Resources LA\, GOBI\, Y2K Group (NYC)\, and Centre Culturel Jean Cocteau (France)\, and in group shows at UCLA New Wight Gallery\, Helen J. Gallery\, ICA LA\, Museum of Impossible Forms (Finland)\, REDCAT\, and Metro Art Los Angeles. She has been an artist-in-residence at Bemis Center for Contemporary Arts\, Centre Culturel Jean Cocteau\, Heart of Los Angeles\, and Crosstown Arts\, and is a recipient of the College Art Association’s Visual Arts Fellowship. Lee has taught video art at CalArts\, CSU Long Beach\, Pomona College\, and Pitzer College. https://www.christineyerielee.com/ \nElizabeth Hoffman\, composer (NYC)\, works in acoustic\, electroacoustic\, and computer media\, and has created collaborative projects with performers including Ivan Goff\, Jane Rigler\, Margaret Lancaster\, gamin\, Marianne Gythfeldt\, Elena Demyanenko\, String Noise\, Azalea Twining\, and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges\, Prix Ars\, Pierre Schaeffer\, and Sonic Circuits prizes; and MacDowell\, NEA\, Seattle Arts Commission\, and Jerome Foundation grants\, and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments through textural\, tuning\, and spatial explorations\, or algorithmic applications\, as seen in a permanent installation in the Bobst Library Atrium. Her interest in feminist re-tellings\, the imprint of society on subjectivity\, and dialogue and intervention through music is a long-standing focus. She is also a pianist. https://wp.nyu.edu/elizabeth_hoffman/ \nSouth African harpist Jacqueline Kerrod is celebrated for her “exceptionally virtuosic and sensitive” musicianship and her adventurous approach to the harp. Equally at home in classical\, contemporary\, and experimental genres\, she performs throughout the United States and Europe. A frequent collaborator with composer and multi-reedist Anthony Braxton\, she tours internationally both in duo and with his ZIM music ensemble. A founding member of the award-winning pop duo Addi & Jacq\, Kerrod has also toured her multimedia project Harps Uncovered and is currently developing a solo project that fuses improvisation\, songwriting\, and live electronics. \nA passionate advocate for contemporary and South African music\, Kerrod has premiered numerous new works and performed with leading ensembles such as the International Contemporary Ensemble (ICE)\, Alarm Will Sound\, and the Chamber Music Society of Lincoln Center. Her diverse collaborations span artists from Rufus Wainwright to Kanye West\, and her recordings appear on labels including dischi di angelica\, New Amsterdam\, and American Modern Recordings. A graduate of the Yale School of Music\, she continues to redefine the expressive possibilities of the harp with her eclectic artistry and boundary-crossing style. https://jacquelinekerrod.com/ \nKai-Luen Liang is a sound and video artist\, musician\, and music producer based in Los Angeles. His sound is a mixture of field recordings\, improvisation\, home made software systems\, and electronic elements. He is currently adjunct teaching faculty at California Institute of the Arts where he teaches Music Technology and Integrated Media\, as well as a visiting professor of Music at Occidental College teaching Music and AI. https://kailuenliang.com \nSatoshi Takeishi\, drummer\, percussionist\, and arranger\, is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee\, he developed an interest in the music of South America and moved to Colombia at the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque\, in which traditional\, jazz\, and classical music were combined. With this group\, he performed with the Bogota symphony orchestra in a series of concerts honoring the music of Colombia’s most popular composer\, Lucho Bermudes. In 1986\, he returned to Miami\, U.S.\, where he began working as an arranger/producer as well as a performer. \nIn 1987\, he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991\, he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler\, to name a few. He continues to explore multi-cultural\, electronic\, and improvisational music with local musicians and composers in New York. \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding\, CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of Mutual Mentorship for Musicians (M³)\, a platform created to empower\, elevate\, normalize\, and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nFounded in 2013\, and located on Manhattan’s Lower East Side\, FRIDMAN GALLERY champions a diverse roster of international contemporary artists working across various media. The gallery takes risks and organizes critically acclaimed exhibitions\, such as the first solo shows in New York by Nate Lewis\, Nina Katchadourian\, Wura-Natasha Ogunji\, and Summer Wheat\, and first-ever solo exhibitions of Dindga McCannon and Milford Graves\, whose works have now earned a place in the art-historical canon after decades of neglect by the mainstream art world. Our 2022 exhibition Women at War\, featuring 12 women artists from Ukraine responding to the current war\, has been touring university museums across the U.S. and Canada. In 2025 we will present solo exhibitions by both emerging talents – Azuki Furuya and Will Maxen\, and established artists – Remy Jungerman and Athena LaTocha. Additionally\, the gallery actively participates in leading international art fairs\, such as Art Basel Miami Beach\, the Armory Show\, Art Cologne\, and Paris Photo. \nFridman Gallery is consistently recognized for its ambitious performance program\, featuring a full schedule of experimental performance art. This includes the annual New Ear Festival\, a comprehensive music festival with a curatorial emphasis on contrast to foster cross-pollination among audiences. In September of 2016\, the gallery hosted 9e + 50\, a dedication to the seminal 9 Evenings of Theater and Engineering\, featuring performances by Alvin Lucier\, Pauline Olivieros\, Simon Forti\, and others. The physical space also serves as the home for choreographer Abigail Levine’s “Restagings” (2017–2024)\, a durational\, multi-part series that reinterprets canonical minimalist and conceptual artworks as performances. With a commitment to pushing artistic boundaries\, Fridman Gallery contributes significantly to New York City’s vibrant art scene\, fostering dialogue\, culture\, and exploration within the ever-evolving landscape of contemporary art. https://fridmangallery.com/
URL:https://jp.crsny.org/index.php/event/crossing-boundaries24/
LOCATION:Fridman Gallery\, 169 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2025/10/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7198478;-73.9937108
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）とFridman Galleryがお届けする、魂を揺さぶる一夜——「Crossing Boundaries 24: Between Breaths: A Sonic Memoir with gamin」。韓国生まれの米国在住アーティスト、gaminによる、心に染み入るマルチメディア・パフォーマンスです。マルチインストゥルメンタリストとして輝く彼女は、韓国の重要無形文化財第46号の公式継承者Yisujaに認定された逸材です。この特別な作品で、gaminは息づかい一つひとつに宿る記憶と、遠き祖先のささやきを、美しい音の糸で紡ぎ上げ、観客の皆さまを深淵なるメモワールの世界へ優しく導きます。 \n2025年12月1日午後7時、Fridman Galleryで、この息をのむような旅が始まります。チケットは27.74ドル——今すぐオンラインで確保して、忘れがたい感動をあなたのものに！ online. \n“Her music is unlike anything else in the world.” — New York Music Daily \nDrawing on her monograph of family history and cultural heritage she brings to life the stories of her foremothers through the sounds of traditional Korean wind instruments—the piri saenghwang and taepyeongso—blurring the lines between ritual and recital. Through improvisation and Korean modes each breath becomes a vessel of resilience migration and belonging. \nBetween Breaths created by gamin is a meditation on lineage transformation and transcendence—where tradition is reimagined through feminist and intercultural lenses and breath becomes memory ritual resistance and future. \nElizabeth Hoffman (sound design & electronics) Christine Yerie Lee (visual art) Jacqueline Kerrod (harp) Kai-Luen Liang (sound design) and Satoshi Takeishi (percussion) round out the creative team. \nTICKETS:\nhttps://withfriends.events/event/gnMixNT7/between-breaths-by-gamin/ \nVENUE \nFridman Gallery\n169 Bowery\nNew York NY 10002 \nDIRECTIONS:\nThe Fridman Gallery is located on the east side of The Bowery just south of Delancey St. \nNEAREST SUBWAY STATIONS:\nSpring Street 6\nCanal Street N/Q\nCanal Street J \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin is a renowned Korean musician and multi-instrumentalist celebrated for her mastery of traditional wind instruments particularly the piri (double-reed bamboo oboe) taepyeongso (conical oboe) and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure Jeong Jae-guk gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. gamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021–2023. Since 2022 gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023 gamin was awarded an artist fellowship by the Howard Foundation. Since 2018 gamin has curated performances for the Crossing Boundaries Concert Series which she conceived. gaminmusic.com \nChristine Yerie Lee is a multidisciplinary artist working in video performance and drawing. Raised in the American South Lee’s practice explores performativity embodiment and spectatorship as a way to reexamine ideas of authenticity nationhood and desire in relation to self-construction. Drawing from Korean and American folklore global histories and pop culture she builds interconnected worlds where fantasy and reality collide creating a new place for cultural psychological and socio-political discovery. Her recent projects include BUL (2023) an experimental rock opera inspired by the Korean monster Bulgasari and its sequel SWAN SONG (2025). She lives and works in Los Angeles with her dog Belly. \nLee holds a BFA from the Rhode Island School of Design and an MFA from the California Institute of the Arts. Her work has been shown in solo and two-person exhibitions at Human Resources LA GOBI Y2K Group (NYC) and Centre Culturel Jean Cocteau (France) and in group shows at UCLA New Wight Gallery Helen J. Gallery ICA LA Museum of Impossible Forms (Finland) REDCAT and Metro Art Los Angeles. She has been an artist-in-residence at Bemis Center for Contemporary Arts Centre Culturel Jean Cocteau Heart of Los Angeles and Crosstown Arts and is a recipient of the College Art Association’s Visual Arts Fellowship. Lee has taught video art at CalArts CSU Long Beach Pomona College and Pitzer College. https://www.christineyerielee.com/ \nElizabeth Hoffman composer (NYC) works in acoustic electroacoustic and computer media and has created collaborative projects with performers including Ivan Goff Jane Rigler Margaret Lancaster gamin Marianne Gythfeldt Elena Demyanenko String Noise Azalea Twining and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges Prix Ars Pierre Schaeffer and Sonic Circuits prizes; and MacDowell NEA Seattle Arts Commission and Jerome Foundation grants and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments through textural tuning and spatial explorations or algorithmic applications as seen in a permanent installation in the Bobst Library Atrium. Her interest in feminist re-tellings the imprint of society on subjectivity and dialogue and intervention through music is a long-standing focus. She is also a pianist. https://wp.nyu.edu/elizabeth_hoffman/ \nSouth African harpist Jacqueline Kerrod is celebrated for her “exceptionally virtuosic and sensitive” musicianship and her adventurous approach to the harp. Equally at home in classical contemporary and experimental genres she performs throughout the United States and Europe. A frequent collaborator with composer and multi-reedist Anthony Braxton she tours internationally both in duo and with his ZIM music ensemble. A founding member of the award-winning pop duo Addi & Jacq Kerrod has also toured her multimedia project Harps Uncovered and is currently developing a solo project that fuses improvisation songwriting and live electronics. \nA passionate advocate for contemporary and South African music Kerrod has premiered numerous new works and performed with leading ensembles such as the International Contemporary Ensemble (ICE) Alarm Will Sound and the Chamber Music Society of Lincoln Center. Her diverse collaborations span artists from Rufus Wainwright to Kanye West and her recordings appear on labels including dischi di angelica New Amsterdam and American Modern Recordings. A graduate of the Yale School of Music she continues to redefine the expressive possibilities of the harp with her eclectic artistry and boundary-crossing style. https://jacquelinekerrod.com/ \nKai-Luen Liang is a sound and video artist musician and music producer based in Los Angeles. His sound is a mixture of field recordings improvisation home made software systems and electronic elements. He is currently adjunct teaching faculty at California Institute of the Arts where he teaches Music Technology and Integrated Media as well as a visiting professor of Music at Occidental College teaching Music and AI. https://kailuenliang.com \nSatoshi Takeishi drummer percussionist and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston Massachusetts. While at Berklee he developed an interest in the music of South America and moved to Colombia at the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra in a series of concerts honoring the music of Colombia’s most popular composer Lucho Bermudes. In 1986 he returned to Miami U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre from world music jazz contemporary classical music to experimental electronic music with musicians such as Ray Barretto Carlos ‘Patato’ Valdes Eliane Elias Marc Johnson Eddie Gomez Randy Brecker Dave Liebman Anthony Braxton Mark Murphy Herbie Mann Paul Winter Consort Rabih Abu Khalil Erik Friedlander Ned Rothenberg MIchael Attias Shoko Nagai Paul Giger Toshiko Akiyoshi Big Band Ying String Quartet Metamorphosen Chamber Orchestra Dhafer Youssef Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural electronic and improvisational music with local musicians and composers in New York. \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of Mutual Mentorship for Musicians (M³) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nFounded in 2013 and located on Manhattan’s Lower East Side FRIDMAN GALLERY champions a diverse roster of international contemporary artists working across various media. The gallery takes risks and organizes critically acclaimed exhibitions such as the first solo shows in New York by Nate Lewis Nina Katchadourian Wura-Natasha Ogunji and Summer Wheat and first-ever solo exhibitions of Dindga McCannon and Milford Graves whose works have now earned a place in the art-historical canon after decades of neglect by the mainstream art world. Our 2022 exhibition Women at War featuring 12 women artists from Ukraine responding to the current war has been touring university museums across the U.S. and Canada. In 2025 we will present solo exhibitions by both emerging talents – Azuki Furuya and Will Maxen and established artists – Remy Jungerman and Athena LaTocha. Additionally the gallery actively participates in leading international art fairs such as Art Basel Miami Beach the Armory Show Art Cologne and Paris Photo. \nFridman Gallery is consistently recognized for its ambitious performance program featuring a full schedule of experimental performance art. This includes the annual New Ear Festival a comprehensive music festival with a curatorial emphasis on contrast to foster cross-pollination among audiences. In September of 2016 the gallery hosted 9e + 50 a dedication to the seminal 9 Evenings of Theater and Engineering featuring performances by Alvin Lucier Pauline Olivieros Simon Forti and others. The physical space also serves as the home for choreographer Abigail Levine’s “Restagings” (2017–2024) a durational multi-part series that reinterprets canonical minimalist and conceptual artworks as performances. With a commitment to pushing artistic boundaries Fridman Gallery contributes significantly to New York City’s vibrant art scene fostering dialogue culture and exploration within the ever-evolving landscape of contemporary art. https://fridmangallery.com/;X-APPLE-RADIUS=500;X-TITLE=169 Bowery:geo:-73.9937108,40.7198478
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T210000
DTEND;TZID=America/New_York:20241210T220000
DTSTAMP:20260510T104835
CREATED:20241204T232336Z
LAST-MODIFIED:20241204T233523Z
UID:23171-1733864400-1733868000@jp.crsny.org
SUMMARY:Crossing Boundaries 23: “Unfolding Circle” by Oto Mugen
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series vol. 23: “Unfolding Circle”by Oto Mugen. Led by Rema Hasumi (composition\, piano\, keyboards\, vocals) with Adam Lane on acoustic bass and Randy Peterson on drums\, the trio curates an immersive auditory journey\, crafting a diverse array of soundscapes that gently lead listeners from introspective meditation to transformative catharsis. \nSets start at 7:30 and 9 pm and one ticket is good for either set or both. Drinks are available in the Jazz Gallery lounge before and after each set. \nThe audience will experience fleeting yet profound interplay between tension and release\, chaos and calm. The concert creates a space where we share a moment of unfolding\, where what we carry transforms in the presence of collective experience. \nOto Mugen\nThe group came together in 2022 as a project led by Rema Hasumi (piano\, synthesizers\, voice)\, joined by Randy Peterson (drums) and Adam Lane(acoustic bass). Hasumi and Peterson had previously collaborated on an album\, during which they developed a distinct approach to improvisational interplay. The name “Oto Mugen\,” meaning “infinite sounds” in Japanese\, reflects the group’s vision of crafting boundless soundscapes that push the edges of musical exploration\, venturing into uncharted sonic territories. \nRema Hasumi is a New York-based sound designer and improviser whose eclectic background spans classical\, jazz\, and experimental music. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Her musical influences range from Alice Coltrane and Sun Ra to Masabumi Kikuchi\, Paul Bley\, and Ran Blake\, among others. \nhttp://rema-hasumi.com/ \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-23-unfolding-circle-by-oto-mugen-tickets-1044380990657\n \nVENUE LOCATION:\nThe Jazz Gallery\n1158 Broadway 5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located on the northeast corner of Broadway and 27th Street. \nNEAREST SUBWAY STATIONS:\n28th Street R/W\n23rd Street F/M\n23rd Street or 33rd Street 4/6 \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT CROSSING BOUNDARIES CO-FOUNDER GAMIN \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure\, Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. \ngaminmusic.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-23-20241210-2/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/11/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T193000
DTEND;TZID=America/New_York:20241210T203000
DTSTAMP:20260510T104835
CREATED:20241103T201614Z
LAST-MODIFIED:20241205T210240Z
UID:23163-1733859000-1733862600@jp.crsny.org
SUMMARY:Crossing Boundaries 23: “Unfolding Circle” by Oto Mugen
DESCRIPTION:CRS (Center for Remembering & Sharing) presents  \nCrossing Boundariesコンサートシリーズ　Vol.23：“Unfolding Circle”by Oto MugenをJazz Galleryにて開催します。Remaー蓮見令麻 （作曲、ピアノ、キーボード、ヴォーカル）を中心に、アダム・レイン（アコースティック・ベース）、ランディ・ピーターソン（ドラムス）のトリオは、聴く者を内省的な瞑想から変容的なカタルシスへと優しく導く多様なサウンドスケープを作り出し、没入感のある聴覚の旅を演出します。どうぞ、お楽しみに！ \nSets start at 7:30 and 9 pm and one ticket is good for either set or both. Drinks are available in the Jazz Gallery lounge before and after each set. \nThe audience will experience fleeting yet profound interplay between tension and release\, chaos and calm. The concert creates a space where we share a moment of unfolding\, where what we carry transforms in the presence of collective experience. \nOto Mugen\nThe group came together in 2022 as a project led by Rema Hasumi (piano\, synthesizers\, voice)\, joined by Randy Peterson (drums) and Adam Lane(acoustic bass). Hasumi and Peterson had previously collaborated on an album\, during which they developed a distinct approach to improvisational interplay. The name “Oto Mugen\,” meaning “infinite sounds” in Japanese\, reflects the group’s vision of crafting boundless soundscapes that push the edges of musical exploration\, venturing into uncharted sonic territories. \nRema Hasumi is a New York-based sound designer and improviser whose eclectic background spans classical\, jazz\, and experimental music. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Her musical influences range from Alice Coltrane and Sun Ra to Masabumi Kikuchi\, Paul Bley\, and Ran Blake\, among others. \nhttp://rema-hasumi.com/ \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-23-unfolding-circle-by-oto-mugen-tickets-1044380990657\n \nVENUE LOCATION:\nThe Jazz Gallery\n1158 Broadway 5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located on the northeast corner of Broadway and 27th Street. \nNEAREST SUBWAY STATIONS:\n28th Street R/W\n23rd Street F/M\n23rd Street or 33rd Street 4/6 \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT CROSSING BOUNDARIES CO-FOUNDER GAMIN \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure\, Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. \ngaminmusic.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-23-20241210/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/11/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240921T160000
DTEND;TZID=America/New_York:20240921T173000
DTSTAMP:20260510T104835
CREATED:20240827T173304Z
LAST-MODIFIED:20240827T173304Z
UID:23116-1726934400-1726939800@jp.crsny.org
SUMMARY:CRS Presents Crossing Boundaries 22: gamin x elizabeth hoffman
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series vol. 22\, gamin x elizabeth hoffman\, curated by gamin\, in the Immersion Room\, Avery Fisher Center\, on the 7th Floor of NYU’s Bobst Library on Washington Square South. \nThis concert explores the profound theme of crossing boundaries\, a continuation of our series that invites reflection on the values of transcending limits. Whether these boundaries are forbidden zones\, mental constructs\, or cultural divergences\, the performance seeks to bring them into mutual awareness. Through a powerful blend of music and meditation\, this event challenges audiences to rethink the divisions that shape our world and to discover the unity that lies beyond. Join us for an evening of immersive soundscapes and thought-provoking artistry as we journey across these borders together. \nRSVP is required by 12 p.m. on 9/21\, the day of the concert. NYU will receive your name and email address and email you a pass\, which you will need to enter the Bobst Library building. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-22-gamin-x-elizabeth-hoffman-tickets-1002133707897\n \nVENUE LOCATION:\nImmersion Room\, Avery Fisher Center\, 7th Floor\, Bobst Library\, NYU\n70 Washington Square South\nNew York\, NY 10012 \nDIRECTIONS:\nNYU’s Bobst Library is located on the south side of Washington Square between Schwartz Plaza and LaGuardia Place. \nNEAREST SUBWAY STATIONS:  \n8th Street N/R/W\nAstor Place 6\nW 4th St/Wash Sq. A/C/E/B/D/F/M \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure\, Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. \ngaminmusic.com \nElizabeth Hoffman\, composer (NYC)\, works in acoustic\, electroacoustic\, and computer media\, and has created collaborative projects with performers including Ivan Goff\, Jane Rigler\, Margaret Lancaster\, gamin\, Marianne Gythfeldt\, Elena Demyanenko\, String Noise\, Azalea Twining\, and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges\, Prix Ars\, Pierre Schaeffer\, and Sonic Circuits prizes; and MacDowell\, NEA\, Seattle Arts Commission\, and Jerome Foundation grants and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments in textural\, tuning\, and spatial explorations\, or algorithmic application as in a permanent installation in Bobst Library Atrium. Her interest in feminist re-tellings and in the imprint of society on subjectivity\, in dialogue and intervention through music\, is a long-standing focus. She is also a pianist. \nhttps://wp.nyu.edu/elizabeth_hoffman/ \nhttps://as.nyu.edu/departments/music/people/faculty/elizabeth-hoffman.html \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crs-presents-crossing-boundaries-22-20240921/
LOCATION:YU Bobst Library\, Washington Square South\, New York\, New York\, 10012\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/08/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7302772;-73.9980906
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series vol. 22 gamin x elizabeth hoffman curated by gamin in the Immersion Room Avery Fisher Center on the 7th Floor of NYU’s Bobst Library on Washington Square South. \nThis concert explores the profound theme of crossing boundaries a continuation of our series that invites reflection on the values of transcending limits. Whether these boundaries are forbidden zones mental constructs or cultural divergences the performance seeks to bring them into mutual awareness. Through a powerful blend of music and meditation this event challenges audiences to rethink the divisions that shape our world and to discover the unity that lies beyond. Join us for an evening of immersive soundscapes and thought-provoking artistry as we journey across these borders together. \nRSVP is required by 12 p.m. on 9/21 the day of the concert. NYU will receive your name and email address and email you a pass which you will need to enter the Bobst Library building. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-22-gamin-x-elizabeth-hoffman-tickets-1002133707897\n \nVENUE \nImmersion Room Avery Fisher Center 7th Floor Bobst Library NYU\n70 Washington Square South\nNew York NY 10012 \nDIRECTIONS:\nNYU’s Bobst Library is located on the south side of Washington Square between Schwartz Plaza and LaGuardia Place. \nNEAREST SUBWAY STATIONS:  \n8th Street N/R/W\nAstor Place 6\nW 4th St/Wash Sq. A/C/E/B/D/F/M \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist celebrated for her mastery of traditional wind instruments particularly the piri (double-reed bamboo oboe) taepyeongso (conical oboe) and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure Jeong Jae-guk gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022 gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023 gamin was awarded an artist fellowship by the Howard Foundation. Since 2018 gamin has curated performances for the Crossing Boundaries Concert Series which she conceived. \ngaminmusic.com \nElizabeth Hoffman composer (NYC) works in acoustic electroacoustic and computer media and has created collaborative projects with performers including Ivan Goff Jane Rigler Margaret Lancaster gamin Marianne Gythfeldt Elena Demyanenko String Noise Azalea Twining and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges Prix Ars Pierre Schaeffer and Sonic Circuits prizes; and MacDowell NEA Seattle Arts Commission and Jerome Foundation grants and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments in textural tuning and spatial explorations or algorithmic application as in a permanent installation in Bobst Library Atrium. Her interest in feminist re-tellings and in the imprint of society on subjectivity in dialogue and intervention through music is a long-standing focus. She is also a pianist. \nhttps://wp.nyu.edu/elizabeth_hoffman/ \nhttps://as.nyu.edu/departments/music/people/faculty/elizabeth-hoffman.html \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=Washington Square South:geo:-73.9980906,40.7302772
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231220T190000
DTEND;TZID=America/New_York:20231220T203000
DTSTAMP:20260510T104835
CREATED:20231124T191018Z
LAST-MODIFIED:20231124T191018Z
UID:22748-1703098800-1703104200@jp.crsny.org
SUMMARY:Crossing Boundaries 21: gamin x yuniya edi kwon: OO / LL / IM
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the 21st concert in its Crossing Boundaries series\, gamin x yuniya edi kwon: OO / LL / IM\, curated by gamin\, at Abrons Art Center as part of the @Abrons Series. OO / LL / IM is an interdisciplinary ritual performance – a passageway through which grief\, entanglements\, and historical cycles might reverberate and be witnessed. As artists of a diverse Korean continuum\, gamin and kwon approach performance as spiritual spaces containing at once tradition and experimentalism\, and through their explorations of improvisation\, composition\, text\, and movement\, they create openings for new syncretic lineages to emerge. \nAs a duo\, gamin and yuniya edi kwon will experiment with movement\, ancient / contemporary sounds\, improvised melody\, literature\, and space to create a ritualistic journey toward healing. gamin and edi enter the crossroads with different identities but similar interests. gamin was born in Korea and influenced by traditional culture while she practiced traditional music\, but she has a strong bond with contemporary music\, exploring ideas of openness and freedom. edi is Korean American\, influenced by American culture while practicing violin in various contexts but also strongly connecting with Korean shamanic ritual through her unique and beautiful presence. \nTICKET LINK:\nhttps://shorturl.at/blowz \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Piri Court Music and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea. gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. gamin’s scheduled Carnegie Hall début for 2020 March\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. Since 2018\, gamin has curated performances at the Center for Remembering and Sharing. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC and released her solo album\, “Nong” by Innova Records. In 2021\, the Jerome Foundation awarded gamin a 2-year Fellowship\, and Howard Foundation awarded their prestigious fellowship in 2023. gamin teaches graduate and undergraduate ethno-musicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nyuniya edi kwon (b. 1989 – also known as eddy kwon) is a violinist\, vocalist\, poet\, and interdisciplinary performance artist based in Lenapehoking\, or New York City. Her practice connects composition\, improvisation\, movement\, and ceremony to explore transformation & transgression\, ritual practice as a tool to queer space & lineage\, and the use of mythology to connect\, obscure\, and reveal. As a composer-performer and improviser\, she is inspired by Korean folk timbres & inflections\, textures & movement from natural environments\, and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints\, connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving\, interdisciplinary solo practice\, she performs and collaborates with artists of diverse disciplines\, including The Art Ensemble of Chicago\, Senga Nengudi\, Du Yun\, Tomeka Reid\, Holland Andrews\, International Contemporary Ensemble\, Kenneth Tam\, Isabel Crespo Pardo\, Moor Mother\, and Degenerate Art Ensemble. She has performed alongside Roscoe Mitchell\, Mary Halvorson\, Nicole Mitchell\, Cory Smythe\, Henry Threadgill\, Susan Alcorn\, Carla Kihlstedt\, Jessika Kenney\, Lesley Mok\, Satomi Matsuzaki\, and others. In 2023\, she founded SUN HAN GUILD\, a sound and performance collective with composer-improvisers Laura Cocks\, Jessie Cox\, DoYeon Kim\, and Lester St. Louis. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound\, an Arts Fellow at Princeton University’s Lewis Center for the Arts\, a Civitella Ranieri Fellow\, a Johnson Fellow at Americans for the Arts\, and a United States Artists Ford Fellow. \neddykwon.net \nTICKET LINK:\nhttps://shorturl.at/blowz\n \nTickets can be purchased online or at Abrons Art Center reception. The Abrons Art Center box office opens 1 hour prior to showtime. No phone sales. \nVENUE LOCATION:\nAbrons Art Center\n466 Grand St\nNew York\, NY 10002 \nDIRECTIONS:\nAbrons Art Center is located between Pitt and Willet streets in Manhattan. \nNEAREST SUBWAY STATIONS:  \nEast Broadway Station Essex Street (F train)\nDelancey Street Station at Essex Street (F/M/J/Z trains) \n“The @Abrons Series Program is a subsidized theater rental program that provides access to our spaces as well as subsidized production services including labor provided at-cost. While @Abrons is not curated\, priority is given to shows and events that align with our mission and that are committed to anti-oppression. For shows\, events or artistic projects working to build community projects that are socially or civically inclusive – yet have very small budgets – there is an application for an extra–subsidized rate.” \nOne of the first arts facilities in the nation designed for a predominately low-income population\, Abrons Arts Center is a home for contemporary interdisciplinary arts in Manhattan’s Lower East Side neighborhood. A core program of the historic Henry Street Settlement\, Abrons believes that access to the arts is essential to a free and healthy society. Through performances\, exhibitions\, education programs\, and residencies\, Abrons mobilizes communities with the transformative power of art.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-21-20231220/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents the 21st concert in its Crossing Boundaries series gamin x yuniya edi kwon: OO / LL / IM curated by gamin at Abrons Art Center as part of the @Abrons Series. OO / LL / IM is an interdisciplinary ritual performance – a passageway through which grief entanglements and historical cycles might reverberate and be witnessed. As artists of a diverse Korean continuum gamin and kwon approach performance as spiritual spaces containing at once tradition and experimentalism and through their explorations of improvisation composition text and movement they create openings for new syncretic lineages to emerge. \nAs a duo gamin and yuniya edi kwon will experiment with movement ancient / contemporary sounds improvised melody literature and space to create a ritualistic journey toward healing. gamin and edi enter the crossroads with different identities but similar interests. gamin was born in Korea and influenced by traditional culture while she practiced traditional music but she has a strong bond with contemporary music exploring ideas of openness and freedom. edi is Korean American influenced by American culture while practicing violin in various contexts but also strongly connecting with Korean shamanic ritual through her unique and beautiful presence. \nTICKET LINK:\nhttps://shorturl.at/blowz \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Piri Court Music and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence at the Asian Cultural Council and Ministry of Culture Republic of Korea. gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. gamin’s scheduled Carnegie Hall début for 2020 March as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. Since 2018 gamin has curated performances at the Center for Remembering and Sharing. For 2020 gamin was selected as artist-in-residency at the HERE Arts Center NYC and released her solo album “Nong” by Innova Records. In 2021 the Jerome Foundation awarded gamin a 2-year Fellowship and Howard Foundation awarded their prestigious fellowship in 2023. gamin teaches graduate and undergraduate ethno-musicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nyuniya edi kwon (b. 1989 – also known as eddy kwon) is a violinist vocalist poet and interdisciplinary performance artist based in Lenapehoking or New York City. Her practice connects composition improvisation movement and ceremony to explore transformation & transgression ritual practice as a tool to queer space & lineage and the use of mythology to connect obscure and reveal. As a composer-performer and improviser she is inspired by Korean folk timbres & inflections textures & movement from natural environments and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving interdisciplinary solo practice she performs and collaborates with artists of diverse disciplines including The Art Ensemble of Chicago Senga Nengudi Du Yun Tomeka Reid Holland Andrews International Contemporary Ensemble Kenneth Tam Isabel Crespo Pardo Moor Mother and Degenerate Art Ensemble. She has performed alongside Roscoe Mitchell Mary Halvorson Nicole Mitchell Cory Smythe Henry Threadgill Susan Alcorn Carla Kihlstedt Jessika Kenney Lesley Mok Satomi Matsuzaki and others. In 2023 she founded SUN HAN GUILD a sound and performance collective with composer-improvisers Laura Cocks Jessie Cox DoYeon Kim and Lester St. Louis. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound an Arts Fellow at Princeton University’s Lewis Center for the Arts a Civitella Ranieri Fellow a Johnson Fellow at Americans for the Arts and a United States Artists Ford Fellow. \neddykwon.net \nTICKET LINK:\nhttps://shorturl.at/blowz\n \nTickets can be purchased online or at Abrons Art Center reception. The Abrons Art Center box office opens 1 hour prior to showtime. No phone sales. \nVENUE \nAbrons Art Center\n466 Grand St\nNew York NY 10002 \nDIRECTIONS:\nAbrons Art Center is located between Pitt and Willet streets in Manhattan. \nNEAREST SUBWAY STATIONS:  \nEast Broadway Station Essex Street (F train)\nDelancey Street Station at Essex Street (F/M/J/Z trains) \n“The @Abrons Series Program is a subsidized theater rental program that provides access to our spaces as well as subsidized production services including labor provided at-cost. While @Abrons is not curated priority is given to shows and events that align with our mission and that are committed to anti-oppression. For shows events or artistic projects working to build community projects that are socially or civically inclusive – yet have very small budgets – there is an application for an extra–subsidized rate.” \nOne of the first arts facilities in the nation designed for a predominately low-income population Abrons Arts Center is a home for contemporary interdisciplinary arts in Manhattan’s Lower East Side neighborhood. A core program of the historic Henry Street Settlement Abrons believes that access to the arts is essential to a free and healthy society. Through performances exhibitions education programs and residencies Abrons mobilizes communities with the transformative power of art.;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231105T183000
DTEND;TZID=America/New_York:20231105T200000
DTSTAMP:20260510T104835
CREATED:20230823T155318Z
LAST-MODIFIED:20230823T164528Z
UID:22661-1699209000-1699214400@jp.crsny.org
SUMMARY:CRS Presents Crossing Boundaries 20: Jen Shyu\, Sumi Tonooka\, and Val Jeanty
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series Vol. 20\, curated by Jen Shyu\, featuring new work by Val Jeanty (SoundChemist)\, Jen Shyu (vocals\, Taiwanese moon lute\, Japanese biwa\, Korean gayageum)\, & Sumi Tonooka (piano). The concert will take place on Sunday\, November 5\, 2023 at 6:30 pm at the world-renowned Jazz Gallery. \nThe trio will present new material exploring the theme of immigration\, growing out of their own rich multi-ethnic family and musical histories\, from Africa\, Japan\, Timor\, Taiwan\, Haiti\, and beyond. This concert mixes music with movement and text\, further developing material which was first introduced during Jen Shyu’s spring residency at The Stone. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-20-jen-shyu-sumi-tonooka-val-jeanty-tickets-678337304137\n \nVENUE LOCATION:\nThe Jazz gallery\n1160 Broadway #5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located between 27th and 28th streets in Manhattan. \nNEAREST SUBWAY STATION:  \n28th Street N/R/W \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \nGuggenheim Fellow\, USA Fellow\, Doris Duke Artist\, multilingual multidisciplinary artist Jen Shyu  is “one of the most creative vocalists in contemporary improvised music” (The Nation). Born in Peoria\, Illinois to Taiwanese and East Timorese immigrants\, she’s produced eight albums available on her record label Autumn Geese Records on Bandcamp. She’s performed at Carnegie Hall\, Lincoln Center\, Metropolitan Museum of Art\, National Theater of Korea\, Rubin Museum\, was named Downbeat’s 2017 Rising Star Female Vocalist\, and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka\, Terri Lyne Carrington\, Nicole Mitchell\, Val Jeanty\, Ikue Mori\, Linda May Han Oh\, Anthony Braxton\, Wadada Leo Smith\, Mark Dresser\, Francis Wong\, Jon Jang\, Vijay Iyer\, Tyshawn Sorey\, Kenny Barron\, Reggie Workman\, Bill Frisell\, and Immanuel Wilkins. Her  “Song of Silver Geese” was among  The New York Times’ “Best Albums of 2017.” She’s currently touring her third solo production “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) across all 50 states and has received wide critical acclaim for her latest album of the same name\, with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist\, a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu \nhttps://www.jenshyu.com \nSumi Tonooka has been called a “fierce\, fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With fifteen recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic\, chamber\, dance and film\, she continues to be a creative force. Recently\, Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony\, Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke\, Creative Inflections Grant\, with vocalist/composer Jen Shyu\, for In The Green Room\, inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019\, premiering later this year for her trio plus Alchemy Sound Project\, a composers collective that she started in 2015. @sumitonooka \nhttp://sumitonooka.com \n\n\n\n\nVal Jeanty\, also known as Val-Inc\, is a Haitian electronic music composer\, drummer/turntablist\, and professor at Berklee College of Music. Jeanty is a pioneer of the electronic music sub-genre called Afro-Electronica (also called “Vodou-Electro”)\, incorporating Haitian Folkloric Culture with digital instrumentations. She uses technology to lead listeners into her dream-like expressionism of Afro-Electronica Soundscapes. Jeanty’s performances include The Whitney Museum\, The Museum of Modern Art\, and internationally at The Venice Biennale\, Saalfelden in Austria\, and Haus der Kulturen in Berlin. She is the recipient of various grants including the Van Lier Fellow in 2018\, New York State Council of the Arts/ New Music USA in 2019\, and the Toulmin Fellowship in 2022. @valjeanty \nhttps://val-inc.bandcamp.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries2021105/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image-3.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230128T190000
DTEND;TZID=America/New_York:20230128T203000
DTSTAMP:20260510T104835
CREATED:20221228T141846Z
LAST-MODIFIED:20221228T151150Z
UID:22104-1674932400-1674937800@jp.crsny.org
SUMMARY:Crossing Boundaries Concert Series #19: Careful in the Sun
DESCRIPTION:CRSでは、Maya KerenのキュレーションによるCrossing Boundaries Concert Series Vol.19を開催します。\n『Careful In The Sun』は、Maya Keren（ピアノ・声）のループと歌に基づいた豊かな即興演奏をEliza Salem（ドラム）、Anna Abondolo（フレットレスベース・声）、Emmanuel Michael（エレクトリックギター）、Eden Girma（声・エレクトロニクス）とのコラボレーションでお届けします。\n彼らの瑞々しいハーモニーとカタルシス溢れるフック、そして奇妙で自然な夢のロジックが彼らの音楽の中心となっています。このコンサートで、歌に息吹を吹き込み、つながり、癒し、そして喜びをともに体験する空間をご一緒しましょう。 \nチケットはeventbrite.comで20ドル（学生10ドル）、または当日現金でお求めいただけます。 \nワクチン予防接種の証明は必要ありませんが、マスクの着用をお勧めします（必須ではありません）。 \n\nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n \nABOUT THE ARTISTS \nAnna Abondolo is a bassist and composer from Los Angeles\, California. She is currently based in Brooklyn developing an interdisciplinary collective entitled\, “Rainbow Princess.” https://www.facebook.com/people/Anna-Abondolo/100008127379473/ \nEden Girma is a multi-instrumental musician and vocalist hailing from Madison\, WI. Through a genre-bending compositional ear and a poetic lyricism\, Eden aspires to create music that not only resonates with individual hearts\, but brings people closer together in a spirit of intimacy and empathy. https://edengirma.me/ \nEliza Salem is a drummer currently based in Brooklyn. She is a Metro DC native who learned her craft in the Washington area’s vibrant musical scene under the guidance of mentors Paul Carr and Chris Allen. In the spring of 2021\, she received her Bachelor’s degree from the University of Michigan where she had the privilege of studying with professors including Michael Gould\, Sean Dobbins\, Ellen Rowe\, Dennis Wilson\, Robert Hurst\, and Benny Green\, among others. In the summer of 2019\, she studied at Brooklyn’s School for Improvisational Music\, where she worked closely with Ralph Alessi\, Andy Milne\, Gerald Cleaver\, Kris Davis\, Tim Berne\, and other distinguished improvisers. In 2021\, Eliza was one of 15 fellows selected to take part in the Ravinia Steans Music Institute’s renowned jazz program where she had the opportunity to learn from and workshop original compositions with masters Rufus Reid\, Billy Childs and Steve Wilson. Over the last several years she has worked professionally as a bandleader and side person in the greater Detroit and D.C. areas at renowned venues such as Cliff Bell’s\, the Blue Llama Jazz Club\, Columbia Station\, An Die Musik\, the Keystone Korner\, Twins\, and Jojo’s. Since moving to New York City in 2021\, she has performed at acclaimed performance spaces such as Dizzy’s\, Smalls Jazz Club\, the Django\, Ornithology Jazz Club\, the Harlem Museum of Jazz\, 55 Bar\, the McKittrick Hotel\, and more. In the summer of 2022 Eliza had the opportunity to perform at the Newport Jazz Festival as a part of the Michael Dudley trio. Currently\, Eliza is enjoying working full-time as a freelance musician and drum teacher\, and can be found playing in the band Careful In the Sun led by pianist and composer Maya Keren\, crocheting\, and hanging out with her roommate’s cat Azula. https://metropolisensemble.org/artists-collection/eliza-salem \nEmmanuel Michael has been a part of various diverse ensembles and has had the honor to work with a wide variety of artists such as Rufus Reid\, Wycliff Gordon\, Matt Wilson\, Keyon Harrold\, and Immanuel Wilkins. Michael was also a member of the Herbie Hancock Institute of Jazz Peer-to-Peer All-Star Sextet of 2019\, giving him the honor of touring and holding workshops through several schools within the state of Oklahoma with jazz icons Steve Wilson and Lisa Henry\, under the direction of Dr. J.B Dyas and Bart Marantz. Michael also toured throughout parts of China and Taiwan under Carnegie Hall’s NYO Jazz 2019 with Sean Jones and Kurt Elling\, allotting him the honor of working for two weeks in New York with artists such as Shammie Royston\, Obed Calvaire\, Erika Von Kleist\, and Mathew Stevens. Michael now attends the Manhattan School of Music and works as a professional musician in New York City. https://www.sfjb.org/emmanuel-michael \nMaya Keren is a Brooklyn-based pianist\, vocalist\, composer\, and songwriter from Philadelphia. They are interested in the process of environing people\, voices\, instruments\, and sounds in ways that invite connection with one’s erotic instinct\, embody compassionate and queer relations with the self and the collective\, and destabilize learned systems of domination. Sites of learning include the Creative Music Program in Philly\, Banff International Workshop in Jazz and Creative Music\, Mutual Mentorship for Musicians and the Ida B. Wells JUST Data Lab. Maya graduated from Princeton University in 2022 with a Bachelor’s degree in Music and a certificate in African American Studies. They currently live in Brooklyn where they teach at Brooklyn Conservatory and write songs\, loops\, and words for their band Careful In The Sun\, drawing inspiration from Gwendolyn Brooks\, Clarice Lispector\, Pinegrove\, and the Wissahickon. https://www.mayakerenmusic.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/concert-230128/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221210T190000
DTEND;TZID=America/New_York:20221210T203000
DTSTAMP:20260510T104835
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SUMMARY:Crossing Boundaries Vol. 16: FOCUSING ON HER
DESCRIPTION:CRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を12月10日（土）午後7時からTenri Cultural Instituteにて、開催します。 このコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。 AMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。ビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。 \nパンデミックの経過を予測することは不確実であるため、入場には予防接種/ブースターの証明を提示するよう求める場合があります。また、天理内ではマスクの着用が求められる場合があります。コンサートの日程が近づいたら、ポリシーに関する発表を再度確認してください。 \n収益金は、仙台と福島の7人の音楽家によるボランティアグループ「仙台室内アンサンブル（SCE）」が、300を超える幼稚園、保育園、小中学校での演奏をはじめ、音楽で東北を笑顔にと被災された方々に元気を与えるためのコンサートを提供するために活用されます。SCEの癒しの活動を支援するためのオンライン寄付は、こちらで受け付けています。 \n \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee 이윤지 in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n  \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \n\nAmirtha Kidambi\, Elder Ones “Eat the Rich” from Amirtha Kidambi on Vimeo. \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \n \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \n\n\n\nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \n  \n  \n  \n\nTRANSLATE with  x\n\n\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n\n      \n\n\n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n\n   \n\n   Back\n\n  \n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\n\n\nEnable collaborative features and customize widget: Bing Webmaster Portal\n\nBack
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-vol-16/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220716T190000
DTEND;TZID=UTC:20220716T203000
DTSTAMP:20260510T104835
CREATED:20220621T215611Z
LAST-MODIFIED:20220712T203603Z
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SUMMARY:Crossing Boundaries Vol. 18: Freedom
DESCRIPTION:CRSは、Crossing Boundaries コンサートシリーズ Vol. 18 『FREEDOM』を、7月16日午後7時より、The National Opera Center – OPERA AmericaのMarc A. Scorca Hallにて開催します。女性を称えるこのプログラムでは、異なるバックグラウンドを持つ女性ミュージシャン6名による自由な即興演奏を披露します。\n出演は、Ayumi Ishito （サックス）、gamin（韓国管楽器）、Gelsey Bell（ボーカル）、Layale Chaker（バイオリン）、Lesley Mok（パーカッション）、Shoko Nagai（ピアノ、アコーディオン）。各アーティストは、自分の声を自由に表現すると同時に、他のアーティストと連携して作品を作り上げていきます。\n\nマルチ・インストゥルメンタリストのgaminがキュレーションしたこの第5シーズンのCrossing Boundariesは、女性および女性アイデンティティのミュージシャンによるWOMEN IN MUSICをテーマとした3つのコンサートで構成されています。演奏後には、コンサートや音楽業界におけるジェンダーというテーマについて、質疑応答が予定されています。\nCrossing Boundaries Vol.16: FOCUSING ON HERは、Tenri Cultural Institute of NYとの共同開催で、2022年12月10日に再スケジュールされました。会場は、Tenriが予定されています。\n\nチケットは$20 – $30、eventbrite.comからオンラインで購入できます。売り切れでなければ、当日券は現金で購入できます。入場される方は、例外なくワクチン接種の証明書をご提示いただく必要があります。また、終始マスクの着用が義務付けられています。\n\n\n“Shoko Nagai\, one of New York’s most individualistic and intense performers on the avant-garde side of jazz – dazzles with her glimmering\, darkly necromantic and blues-tinged piano.” — Time Out NY” \nGelsey Bell is “one of New York’s most adventurous musicians….” — New York Times \n“A Gorgeously Kinetic\, Restless New Album by Haunting\, Dynamic Violinist Layale Chaker…the leading contender for best album of 2019 so far.” — New York Music Daily  \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \n“Ishito is among a cadre of musicians in New York incorporating everything they love about music into the jazz lexicon\, imparting micro innovations that are not only adding fresh layers but attracting new audiences to jazz that wouldn’t otherwise.” — Jazz Views with CJ Shearn \n“Lesley Mok stood out for her expansive curiosity\, rigor in artistic practice\, and embrace of different practices — not only making provocative and authentic connections\, but also playing with and deepening our understanding of form and expression.” — Elena Park\, Asian American Arts Alliance Van Lier Fellowship panelist \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nInaugurated in 2018\, Crossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n   \nABOUT THE ARTISTS \nAYUMI ISHITO was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects\, Open Question\, received a four-star review in DownBeat magazine in 2022.  Another project\, The Spacemen\, was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band has released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \n\n\n\nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \nhttp://gaminmusic.com \n\n\n\nGELSEY BELL is a singer\, songwriter\, and scholar. Described by the New York Times as “one of New York’s most adventurous musicians\,” she is a core member of thingNY\, Varispeed\, and the Chutneys. She is a resident artist at the HERE Arts Center and Pioneer Works. She has received awards from the Foundation for Contemporary Arts\, Opera American\, and the Japan Foundation\, and recent residencies at Mount Tremper Arts and the Kinosaki Arts Center in Japan. Her recent works include the sound walk Cairns (included on the New York Times Best Theater of 2020 list)\, shuffleyamamba: Yamamba as a Bear (created with Yasuko Yokoshi)\, SubtacTTTTTTTTT (created with thingnY)\, and Skylight (created with Erin Rogers). Performance highlights also include Dave Malloy’s Natasha\, Pierre\, & the Great Comet of 1812 (Broadway) and Ghost Quartet\, Robert Ashley’s Improvement and Crash\, Kate Soper’s Here Be Sirens\, and Gregory Whitehead’s On the Shore Dimly Seen. \nhttps://gelseybell.com \n\n\n\nDeemed a “Rising Star” by BBC Music Magazine and raised on the verge of several musical streams since her childhood\, Lebanese violinist and composer LAYALE CHAKER debuted her musical training at the National Higher Conservatory of Beirut in her native Lebanon.  A Ruth Anderson 2017 Competition Prize winner\, she is also the recipient of the Royal Academy of Music’s 2018 Guinness Award\, a finalist of the Rolex Mentor and Protégé 2018 Prize\, the recipient of the Lili et Nadia Boulanger 2019 Prize and of Silkroad’s inaugural 2020 Seeds Award. “Inner Rhyme”\, her debut release with Sarafand\, was listed as “Top of The World” by Songlines with a 5-star review\, Top 10 NPR Best Releases\, #1 for several weeks on the World Charts of iTunes and Amazon Music\, and received features and praises by the New York Times\, The Strad\, Strings Magazine\, Jazz World\, and Rootsworld among others. She has debuted her first violin concerto with the Bayreuther Philharmoniker as the orchestra’s first-ever commissioned composer in January 2018. A recent commission from Newlands Festival has also invited her for a collaboration with Holland Baroque. Layale Chaker was also recently granted the Diaphonique 2019 Franco-British Commission Fund\, along with London-based Notes Inegales ensemble and musicians of the Orchestra of the Age of Enlightenment\, for a creation in May 2019. As a member of Daniel Barenboim’s West-Eastern Divan\, she performs around the year in concert halls such as the Royal Albert Hall\, Teatro Colon\, Mozarteum Salzburg\, Philharmonie de Paris\, Salzburg Festspiele and der Philharmonie Berlin among others. \nhttps://layalechaker.com \n\n\n\nLESLEY MOK is a drummer\, composer\, and improviser based in Brooklyn\, NY. Interested in the ways social conditions shape our beings\, Lesley’s work focuses on transposing\, augmenting\, and overacting humanness to explore ideas about normalcy\, alienness\, and privilege. She likes to write in a way that considers the whole expressive range of each instrument\, often utilizing extreme ranges and dynamic timbres in her writing as a framework for individuality and personal expression. Her ongoing explorations with composition and improvisation are most notably documented in her nine-piece improvising chamber ensemble\, The Living Collection. Lesley’s work has been recognized by the ASCAP Foundation and the Asian American Arts Alliance\, and has been performed by International Contemporary Ensemble\, Metropolis Ensemble\, and JACK Quartet. She has collaborated with Tomeka Reid\, Fay Victor\, William Parker\, Cory Smythe\, Jen Shyu\, Sara Serpa\, Elias Stemeseder\, David Leon\, Anna Webber\, Adam’ O’Farrill\, and Edi Kwon. \nhttps://lesleymok.com \n\n\n\nSHOKO NAGAI is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. Since moving to the U.S. from Japan and studying classical and jazz music at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordion\, Moog synthesizer\, and other instruments. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound. A veteran of the New York downtown music scene\, she performs with John Zorn\, Erik Friedlander\, Marc Ribot\, Miho Hatori (Cibo Matto)\, Satoshi Takeishi\, Elliot Sharp and many eclectic performers. Nagai is winner of CMA 2021\, NYFA and City Artist Corps 2022. \nhttps://shokonagai.net \n\n\n\nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-vol-18-freedom/
LOCATION:The National Opera Center — OPERA America\, 330 Seventh Ave\, New York\,\, 10001
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=UTC:20220625T190000
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SUMMARY:Crossing Boundaries Vol. 17: Through Her Eyes
DESCRIPTION:CRSでは、ホワイトルームにて、2022年6月25日午後7時よりCrossing Boundaries Concert Series Vol.17: 「THROUGH HER EYES」を開催します。このプログラムでは、gamin（ピリ、セングァン）、Jacqueline Kerrod（エレクトリックハープ）、Mariel Roberts（チェロ）の3人の女性ミュージシャンと、Sook Jin Joによるブラジルと韓国で、2014年4月16日に韓国の済州島に向かう途中で高校生を中心に304人が亡くなったセウォル号事故への追悼した304灯のインスタレーションを含んだアート映像を上映します。このコンサートは、星となった美しい魂に捧げられるものです。 \nマルチ・インストゥルメンタリストのgaminがキュレーションしたこの第5シーズンのCrossing Boundariesは、女性および女性アイデンティティのミュージシャンによるWOMEN IN MUSICをテーマとした3つのコンサートで構成されています。演奏後には、コンサートや音楽業界におけるジェンダーというテーマについて、質疑応答が予定されています。 \nチケットは20ドルから30ドルで、eventbrite.comからオンラインで購入できます。売り切れでなければ、当日券も現金で購入できます。座席数には限りがあり、ブランケットを敷いたフロア席もあります。入場には、例外なく予防接種の証明書を提示をお願いします。また、マスクの着用が義務付けられています。 \n  \nPhoto credits: The photo of the beach is a still from the video of “Crossroads\,” a one-hour installation & performance copyright @ 2008 by Sook Jin Jo\, which took place in Itaparica\, Brazil in 2008\, sponsored by the Sacatar Foundation. The photo of the stars is of “The Face of Heaven\,” a 304 LED light Installation copyright @ 2016 by Sook Jin Jo\, which was a commissioned work that appeared in April: the Eternal Voyage\, an exhibition memorializing the 304 victims of the Sewol ferry disaster in 2014. \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \n“Cellist Mariel Roberts has evolved to become one of the most adventurous figures on New York’s new music scene—one with a thorough grounding in classical tradition but a ravenous appetite for and tireless discipline in new work.” — Bandcamp Daily \n“Many people think of original music in a hierarchical sense\, looking down on pure improvisation as something that doesn’t require mastery or discipline. One listen to Jacqueline Kerrod’s solo harp debut will serve as an epiphany for those cynics. In fact\, I found myself awestruck by Kerrod’s seemingly limitless expressive range.”\n— Yoshi Maclear Wall The Whole Note \n“Jo’s work operates at the intersection of abstraction and human need\, creating intimate spaces and experiences of peace and solace that acknowledge emotional or spiritual connections.” — Sculpture \nCrossing Boundaries Vol. 18:  FREEDOM will be held on July 16 in Marc A. Scorca Hall at the National Opera Center. Crossing Boundaries Vol. 16:  FOCUSING ON HER\, co-presented by Tenri Cultural Institute of NY\, has been re-scheduled for Dec 10\, 2022 at Tenri. \nTHE PROGRAM \nFace of Heaven\n“The Face of Heaven” is a memorial Installation for the Sewol Ferry disaster in which 304 people\, mostly high school students\, died en route from Incheon to Jeju\, South Korea on April 16\, 2014. \nThe work is an experiental installation composed of 304 lights shining like stars through different size holes; offering a metaphor of longing\, remembrance and comfort for those who died in the Sewol ferry tragedy\, and shedding light on the dark reality of an unsolved issue.\n“When he shall die\,\nTake him and cut him out in little stars\,\nAnd he will make the face of heaven so fine\nThat all the world will be in love with night\nAnd pay no worship to the garish sun.”\n– William Shakespeare \nCrossroads\nInspired by: “It is a true philosophy to meditate on death.”\nWhile working at a Sacatar Foundation residency in Brazil in late 2007 and early 2008\, the artist spent a great deal of time observing nature: The sun rising in the morning and the coming of night everyday….The water coming in and out everyday. The ebb and flow of the tide which is different every day. \n“Leaving with nothing…leaving with just memory…the cycle of nature…the cycle of life and death.”\nThis is a piece to reflect the artist’s observations\, experiences and thoughts. \nWooden grave markers\, reminiscent of primitive crossroad signs\, were placed in an elemental meeting of earth\, sea\, and sky. Installed at sunset on the shore at low tide\, I gathered them up before they washed away. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nInaugurated in 2018\, Crossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n   \nABOUT THE ARTISTS \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \nhttp://gaminmusic.com \nClassically trained from the age of 9\, South African harpist JACQUELINE KERROD has worked at the highest level in the classical\, pop\, free jazz and improvised music worlds. Her debut solo record “17 Days In December” (2021) released on LA-based label Orenda Records was noted as a best debut 2021 by The New York City Jazz Record and selected as an album to listen to by JazzIs Magazine (December 2021). She has toured nationally and internationally with composer and multi-reedist Anthony Braxton\, both in duo and as part of his ZIM music ensemble. Their live duo recording was released on Italian label I dischi di Angelica (2020). She was a founding member and co-songwriter of the pop duo Addi & Jacq\, who were winners of NYC’s Battle of the Boroughs WNYC 2015\, and toured her show “Harps Uncovered” featuring vocalist Hannah Sumner through twelve states of the US. She has played principal harp with top orchestras and performed with elite chamber groups\, contemporary music ensembles\, and pop superstars including Anohni\, Rufus Wainwright and Kanye West. \n\nhttp://jacquelinekerrod.com/ \n\nAmerican cellist and composer MARIEL ROBERTS is widely recognized not just for her virtuosic performances\, but as a “fearless explorer” in her field (Chicago Reader). Her ravenous appetite for collaboration and experimentation as an interpreter\, improvisor\, and composer have helped create a body of work which bridges avant-garde\, contemporary\, classical\, improvised\, and traditional music. Roberts is widely recognized for her “technical and interpretive mastery” (I care if you listen) and for performances which seethe with “excruciating intensity” (The Whole Note). \nRoberts has appeared as a soloist and chamber musician across four continents\, most notably asa member and co-director of the Wet Ink Ensemble (named “The Best Classical Music Ensemble of 2018” by The New York Times)\, as well as with the International Contemporary Ensemble (ICE)\, Mivos Quartet\, Bang on a Can All Stars\, and Ensemble Signal. She performs regularly on major stages for new music such as the Lincoln Center Festival (NYC)\, Wien Modern (Austria)\, Lucerne Festival (Switzerland)\, Cervantino Festival (Mexico)\, Klang Festival (Denmark)\, Shanghai New Music Week (China)\, Darmstadt Internationalen Ferienkurse für Neue Musik (Germany)\, and Aldeburgh Music Festival (UK). \nRoberts’ compositions have been performed at venues such as Merkin Hall and Miller Theater in New York City. \nwww.marielroberts.com \n\nKorean born\, New York based artist SOOK JIN JO is a multidisciplinary artist. Over the past 30 years\, Sook Jin Jo has produced drawings\, collages\, photographs\, sculptural assemblages\, performances\, installations\, public works\, and architectural design works. Originally because canvas was too expensive for her as a young artist\, she started to use plywood and began to explore found wooden materials. Continuing her work with this medium\, she has discovered infinite possibilities for painting\, sculpture\, installation and beyond. She often chose marginalized sites for her outdoor installations and public artworks. Most of them are site-specific and collaborative\, working with professionals and local peoples from diverse communities in many countries\, including Sweden\, India\, Poland\, Switzerland\, Korea\, Bolivia\, Nicaragua\, Brazil and the United States. \nJo’s works can be seen in numerous public collections\, including the National Museum of Contemporary Art in Korea; the Seoul Museum of Art in Korea; Gyeonggi Museum of Modern Art\, Ansan\, Korea; the Erie Museum of Art in Pennsylvania; the Huntington Museum of Art in West Virginia; the Housatonic Museum of Art in Connecticut; the Arko Art Center in Seoul\, Korea; the LA Metro Detention Center in Los Angeles; and the Margulies Collection at the Warehouse in Miami. She completed the construction of Art House\, a nondenominational chapel in Tipitapa\, Nicaragua in 2018. \nhttp://www.sookjinjo.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \n  \n  \n 
URL:https://jp.crsny.org/index.php/event/concert20220625/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=America/New_York:20220312T190000
DTEND;TZID=America/New_York:20220312T203000
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SUMMARY:POSTPONED: Crossing Boundaries Vol. 16: FOCUSING ON HER (Benefit for Survivors of the 3.11 East Japan Earthquake)
DESCRIPTION:(イベントは、キャンセル・延期になりました）\n  \nCRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を3月12日（土）午後7時からTenri Cultural Instituteにて、開催します。\nこのコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。\nAMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。\nビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \n公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。次回は、Crossing Boundaries Vol. 17：EYES FROMHERは6月24日にCRSにて。そして、Crossing Boundaries Vol. 1８は7月16日にthe National Opera CenterのMarc A. Scorca Hallで開催されます。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。このコンサートは、2011年3月11日の東日本大震災及び津波の11周年を記念したものであり、コンサートの収益はすべて仙台チェンバーアンサンブルに寄付されます。仙台チェンバーアンサンブルは災害を受けたのち、音楽で東北を笑顔にと、被災した各地で精力的にボランティアコンサート活動を続けています。寄付はeventbrite.comでも行うことができます。 \n5歳以上のすべてのお客様は、写真付きの身分証明書の提示、2回のワクチン接種を受けたことを証明する必要があります（Johnson＆Johnsonワクチンの1回接種を受けた人を除く）。例外はありません。 。また、会場ではマスクを着用してください。 \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \n  \n  \n  \n\n\nTRANSLATE with  x\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n \n\n      \n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n   \n   Back\n   \n\n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\nEnable collaborative features and customize widget: Bing Webmaster Portal\nBack
URL:https://jp.crsny.org/index.php/event/20220312/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210709
DTEND;VALUE=DATE:20210809
DTSTAMP:20260510T104835
CREATED:20210624T130336Z
LAST-MODIFIED:20210707T182443Z
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SUMMARY:CROSSING BOUNDARIES Concert Series Vol.15: UNFORGOTTEN SONG オンライン配信
DESCRIPTION:CRS（Center for Remembering＆Sharing）では、CROSSING BOUNDARIESコンサートシリーズの第15弾「UNFORGOTTEN SONG」をYouTubeにてオンラインで配信します。視聴可能期間は、7月9日から１ヶ月間。こちらのリンクから視聴できます。https://youtu.be/z9PZ6Gm3PNk\n \ngaminは、1932年から1945年にかけての日本占領下の東アジアで奴隷にされた慰安婦の苦悩を伝えるため、音楽とマルチメディアの作品「UnforgottenSong」を制作しました。アーティストの Chang-Jin Leeのレコーディングと展示会に触発されたこのトリビュートは、性的暴力と搾取の犠牲者となったすべての女性を対象としています。力強く弾むような母と祖母たちへ思いを馳せたこれらの歌は、次世代の女性と男性の心を揺さぶる「忘れられない」ものとなるでしょう。\n \nこのコンサートがもたらすものは、生存者が歌ったアーカイブ作品を、苦しみや不正に直面したときの回復力、勇気、強さを生み出す道筋を示し、さらに、過去の犠牲者だけでなく、世界中で不当に深く苦しんでいるすべての女性にとって、美しくも悲痛な讃歌であります。\n \nCROSSING BOUNDARIESは、パフォーマーとオーディエンス、伝統音楽とニューミュージック、そしてローカルとグローバルの境界を飛び越え、人々を結び、私たち一人一人が私たちの中に無限の創造性を持っているという意識を駆り立てる、忘れられないアート体験を生み出すことにフォーカスするパフォーマンス・シリーズです。\n \nCROSSING BOUNDARIESは、クリエイティブエンゲージメントからの公的資金の一部から成り立ち、ニューヨーク市文化庁が市議会およびニューヨーク州芸術評議会と協力してアンドリュークオモ知事の支援を受け、LMCCが管理しています。  LMCCは、アーティストにネットワーク、リソース、サポートを提供することでアーティストに力を与え、マンハッタンと地域を超えて、活気に満ちたサステナブルなコミュニティを創り出します。\n \n*このイベントは、AAARI（アジア系アメリカ人/アジア研究所-ニューヨーク市立大学）によって、共同発表されます。
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201217T190000
DTEND;TZID=America/New_York:20201230T233000
DTSTAMP:20260510T104835
CREATED:20201208T180120Z
LAST-MODIFIED:20201208T180120Z
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SUMMARY:Crossing Boundaries Concert Series 14: Rumi’s Wedding Night Online Film
DESCRIPTION:CRS（Center for Remembering＆Sharing）では、CROSSING　BOUNDARIESコンサートシリーズ Vol14、”RUMI’S WEDDING　NIGHT”をビデオ映像でお届けします。 \nこのコンサートでは、トルコのコンヤで1273年12月17日に亡くなった私たちが敬愛する詩人でありスーフィーの神秘主義者メヴラーナ・ジャラルディン・ルーミーの生涯を、スーフィーの音楽、ダンス、詩を通じて表現しました。 \nLÄLES SAYOKOがキュレーション・監督、** TOMCHESS **（ney、oud、morsing）が音楽、MINA OMIDIがボーカルを務め、CHRISTOPHER PELHAMがビデオを制作しました。ダンスはCRS Sufi Danceコミュニティのメンバー（LÄLE SAYOKO\, PAOLA GARCÎA）、 追加のナレーションはMILAISAKAIによるものです。 \nルーミーは、彼自身の死に際して、信者たちへ、彼は「最愛の」神と結ばれるのだから、彼の死を嘆くのではなく、祝うようにと伝えています。 その後彼の死の記念祭での遵守は、アラビア語で「結婚式」を意味する”urs”と呼ばれました。 \nスーフィーの旋回するダンス瞑想は、セマーまたはサマーとして知られており、「神の声を聴くこと」を意味します。 耳を澄ませることによって、心の中の、神聖な火花の記憶を呼び覚まし、神の名を唱える（ズィクル）という神秘的かつ実践的アプローチです。 私たちは祈りに身を任せ、より大きな力とつながり、その中心にある時も、方向を変えるときも、個々の自己のすべての考えを無にします。 無の中で神の意思に満たされます。それは「神秘的な中毒」として知られる状態へ導かれることもあります。神と、神の子たちが一体となる経験をした時に起こりやすい現象です。 \n私たちのパフォーマンスは、プレデンテーションではありません。それぞれのスピリチュアルな経験を表現し分かち合っているものです。 私たちはこのビデオ映像から、あなたが私たちの祈りを受け取り、私たちと一緒にこのワンネスを体験することを願っています。 \nABOUT THE CURATOR/DIRECTOR \nLÄLE SAYOKO lives to embody and transmit the voice of spirit through music and dance. As CRS Resident Sufi Dance instructor\, choreographer\, performing artist\, and musical curator\, she loves to welcome people into this holy practice to explore and share their own divinity. She intermittently tours internationally with BELLA GAIA\, a live concert blending music\, dance\, technology\, and NASA satellite imagery inspired by the experience of astronauts viewing the earth from space. “Sublime” — Village Voice. \nOne of the founding members of Japan’s famous SAMANYOLU professional belly dance group in Tokyo\, Läle went on to a long solo career performing throughout the northeastern USA and touring with United Kingdom’s Mugenkyo Taiko Drummers on over a 100 city tour encompassing the U.K.\, as well as Turkey’s Baba Zula. About six years ago\, she was forced to retire to support her young daughter through a life-threatening medical crisis. Several years later she discovered that she could whirl as a form of prayer to support her daughter and began studying Sufi Dance with Paris-based Sufi Artist Rana Gorgani. In April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi Dance training. Prior to the pandemic she taught ongoing Sufi Dance classes and led monthly Healing Circles at CRS. For information on private or small group lessons\, please contact us for details. \nhttps://crsny.org/index.php/sufi-dance-music-art-at-crs/ \nABOUT THE MUSICIANS \nTOMCHESS (oud\, ney\, morsing) is a New York City–based multi-instrumentalist\, improviser\, and composer. He has been performing regularly with the CRS Sufi dance community since its inception. He is a founding member of the American Sufi Project\, a group of artists and seekers who meet at the weekly gatherings for Zikr (remembrance of God) at the Dergah-Al-Farah in NYC. He has played and recorded with some of the most esteemed players in the improvisational scene (Dewey Redman\, Butch Morris\, Pharoah Sanders\, Drew Gress\, Ronald Shannon Jackson) as well as Moroccan sintarist Hassan Hakmoun. He has performed around the world and at NYC venues like Lincoln Center\, the Turkish and Pakistani embassies\, the Metropolitan Museum of Art\, and the United Nations. He has played on Grammy-nominated recordings and was awarded grants from the Turkish American Society and the Maryland Council for the Arts. In 2012 he was nominated for an Independent Music Award. \nhttps://tomchess.bandcamp.com/ \nMINA OMIDI (vocals) is an Iranian immigrant\, multidisciplinary artist\, musician and singer. She is an active member of the CRS Sufi dance and music community\, and the songs she performs at CRS embody her passion for sharing the universal message of love\, unity and freedom. After receiving her BFA in Graphic Design from Tehran Art University in 2013\, she began studying music and unfold her abilities as a singer in Iran. Mahsa Vahdat is the artist who played the most significant role in her path and helped her open up her heart and voice at deeper levels. Mina has always been obsessed with spirituality. Singing poems of classical Persian poets like Rumi and Hafez is a healing remedy to her. “It is my meditation and healing remedy to get through pain of loss and wounds that Ego shapes!” she says. \nhttps://minaomidi.com \nABOUT THE OTHER PERFORMERS \n** PAOLA GARCÍA** periodically teaches Sufi dance at CRS and performs with the CRS Sufi dance community. She has studied extensively with Sufi dance artist Rana Gorgani in NYC and in Europe and was awarded the International Sufi Dance Certification Of Cid UNESCO by her\, granting Paola authority to teach Gorgani’s method of Sufi dance training. She has performed in multiple venues including Mana Contemporary\, Alwan Center for the Arts\, The Cathedral of Saint John the Divine\, From the Horse’s Mouth\, The Outlet Dance Project\, Dixon Place\, MODArts Dance Collective\, Queens Library\, and Jamaica Center for the Arts among others. Paola holds a Master’s Degree in Islamic Studies from Columbia University and a J.D. from Columbia Law School. She is a writer\, Middle Eastern Studies researcher\, lawyer\, translator and student of Sufism. \nMEERA SADIKCHHYA KHANAL is a Sufi dance student of Läle Sayoko and a graduate student at Columbia University\, Teachers College where she studies Psychology with a concentration on Spirituality. While traveling in India five years ago\, she came across Sufi Whirling at the Osho International Centre\, and she knew that she had found her path. It was a revelation that dance could be a doorway to the beloved. Meera facilitates workshops and classes in Sufi Whirling\, Yoga\, and Active Meditations. \nMILAI SAKAI is a movement student of Läle Sayoko. She is a nine-year-old Japanese girl growing up in NYC\, and this is her first performance with the CRS Sufi dance community. \nABOUT THE PRODUCER/VIDEOGRAPHER/EDITOR \nCHRISTOPHER PELHAM is Director and co-founder of CRS (Center for Remembering & Sharing) where he studies and teaches A Course in Miracles\, offers spiritual healing and counseling\, leads guided meditations\, and organizes and participates in all the Sufi events and Healing Circles with Sufi Dance Artist Lale Sayoko. He also studies when possible with Sufi Dance Artist Rana Gorgani. He is as well a producer and curator and avid amateur writer\, photographer\, videographer\, and performer. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nNow in its third year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us. CROSSING BOUNDARIES is produced by CRS (Center for Remembering & Sharing)\, a healing and arts center founded in 2004 by artists Yasuko Kasaki and Christopher Pelham and located in NYC. \nThe 2020 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.
URL:https://jp.crsny.org/index.php/event/crossing-vol14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201115T130000
DTEND;TZID=America/New_York:20201123T030000
DTSTAMP:20260510T104835
CREATED:20201013T143639Z
LAST-MODIFIED:20201014T184815Z
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SUMMARY:Crossing Boundaries Concert Series: On the Silk Road Through Dunhuang
DESCRIPTION:CRS（Center for Remembering＆Sharing）は、CROSSING BOUNDARIESコンサートシリーズVol.13：ON THE SILK ROAD THROUGH DUNHUANGをオンラインで配信いたします。キュレーションはGAMINがを行い、、ゲストアーティストでもあるGAMINと共にEURASIA CONSORTが音楽を担当、ダンスはKAESHI CHAIにより披露されます。このプログラムは、伝説的なシルクロードに沿って広まったうっとりするような音楽および文化的影響を讃え、唐王朝中国（7c – 10c）、13世紀と16世紀のイラン、13世紀のスペインの音楽を特集します。 \nパンデミックの影響のため、このコンサートはオンラインで撮影およびストリーミング配信され、2020年11月15日（日曜日）の午後1時にライブQ＆Aで初公開されます。コンサートは7日間視聴可能です。今年のオンラインコンサートのチケットは、30ドル、20ドル、または10ドルで購入できます。予約はこちらから→https://bit.ly/2GWyK4E \nEURASIA CONSORTは、古代音楽の伝統のスペシャリストとして認められている3人のアーティストが集まりました。彼らは研究、教育、パフォーマンスを通じて、古代のシルクロードに沿った世界の偉大な伝統音楽についての共通の理解を求めています。 https://www.eurasiaconsort.com \nGAMINは現在、南北アメリカで最も優れた韓国の伝統的な木管楽器奏者であると広く認知され、ヨーヨーマやシルクロードアンサンブルなどの著名人と世界中で演奏してきました。 \nKAESHI CHAIは、セントラルパークのサマーステージ、リンカーンセンター アウト オブ ドアーズ、BAMなどで演奏したニューヨークのベリーダンスシーンの第一人者の1人です。彼女は、2009年から2016年まで、米国、カナダ、台湾、日本、タイ、オーストラリア、イタリアの至る所で、演劇ダンスショーJourney Along the Silk Roadの監督、共同振付、ツアーを行いました。 \n  \ncurator: gamin \nmusicians: Tomoko Sugawara (kugo/harp)\, Rex Benincasa (percussion)\, Adem Birson (oud)\, gamin (piri/flute) \nThis program brings us from China to Spain at a time when Chang’an was China’s capital. We follow the famous Silk Road\, illustrated with caves showing Buddhist ensembles and orchestras. There are many harps\, lutes\, zithers\, flutes and percussion. Some of the music survived in manuscripts\, and have been transcribed by Chinese\, Japanese\, and Western scholars. Some transcribed ones are on today’s program. The paintings depict a large number of percussion instruments\, far more than what the manuscripts mention. \nMany kinds of people moved on the Silk Road. The Chinese brought silk to the West\, and Iranians imported harps and lutes to China. Sogdians lived in the North-East of Iran and controlled merchandise on the road\, and some settled in China\, where Sogdian tombs have been found. Their coffins were decorated with Sogdian musical instruments – more so than Chinese ones. Their fast dance (the Sogdian whirl) was beloved by the Chinese\, and is often depicted on Chinese images. \nNext\, the concert moves west to Iran – and half a millennium closer to our time. Modes or scales incorporate quarter-tones in distinctive fashion. Al-Farabi was a great Islamic theorist\, whose voluminous treatises offer a major source on early Arabic music. \nFinally\, the journey goes to Castille\, León and Galicia\, three provinces of Northern Spain. King Alfonso X ruled them and is said to have composed 420 Cantigas\, with words that praise the Holy Virgin. The King also published a book\, Libro de los juegos\, which shows instruments and board games. Many chess games are shown accompanied by musical instruments. One is an Angular Harp\, played by a Spanish Moor. It is similar to the ancient Asian harp played in China on today’s program. However\, it differs greatly from the Western harp\, which has a pillar. \nABOUT THE MUSICIANS \nTomoko Sugawara\, Kugo \nBorn in Tokyo\, Japan\, Tomoko Sugawara began playing the Irish Harp at twelve\, added the Concert Harp at sixteen\, and graduated in harp at Tokyo University of the Arts. Since 1991 she plays the ancient Asian harp kugo\, which arose in 1900 BCE in Iran and migrated via the Silk Road to the Far East during the early first millennium CE. After moving to NYC\, Sugawara also learned Early European harp\, Gothic and Baroque harp. She leads Eurasia Consort\, her ensemble playing Silk Road music. She has received awards from the Japan Foundation\, Asian Cultural Council\, and the Dunhuang Foundation\,among others. She has given solo recitals on the kugo at major international venues such as The World Music Institute (NYC)\, and World Harp Congresses (trice: Prague\, Amsterdam\, and Vancouver)\, The Early Music Guild of Seattle\, The British Museum\, Central China Conservatory of Music (Beijing)\, The Symposium on Historical Harps (Berlin)\, and Shanghai Conservatory of Music. She has given recitals at many US Universities: Columbia\, Harvard\, Pennsylvania\, Princeton\, Illinois\, Indiana\, Pittsburgh\, and UC Berkeley. She has led her ensemble\, Eurasia Consort\, at The World Music Institute. In 2019 she served as researcher at Shanghai Conservatory of Music. Her project was the revival of Tang Dynasty music. https://www.kugoharp.com \nGamin\, Piri \nGamin is master a practitioner of the piri\, taepyongso (double reed instruments)\, and saenghwang (reed mouth organ). Currently\, as a yisuja(designated master) of the Important Intangible Cultural Asset No.46 for piri court music and Daechita\, she strives to both preserve and enhance traditional Korean music. At Seoul National University and as a member and assistant principal player of the Contemporary Gugak Orchestra\, Gamin has used her virtuosity to perform authentic jeongak(classical court music) and sinawi (shaman ritual music)\, as well as new compositions for her instruments. \nSince leaving orchestral work behind eight years ago\, gamin has taken these skills in unexpected directions\, using her piri and taepyeongso (Korean oboes)\, and saengwhang (mouth organ) to pursue contemporary sounds and reach new audiences. https://gamin-music.com \ngamin is…”a true pioneer and innovator\, leading these instruments in exciting new directions” — Ralph Samuelson (senior advisor of ACC_Asian Cultural Council) \n“gamin appears virtually unlimited as to the kinds of sounds she can get out of her instrument!” — Anthony Paul De\, Ritis (composer\, professor of Northeastern University) \nRex Benincasa\, Percussion \nHe has been a freelancing drummer and world music percussion specialist in New York since 1978. Along with hundreds of television/radio soundtracks and commercial recordings\, he has performed with dozens of American ensembles. Benincasa has played many show scores for all kinds of productions. His most recent Broadway appearances have been with shows like: Fosse\, The Full Monty\, Flower Drum Song\, Man Of LaMancha\, Little Shop of Horrors\, Dirty Rotten Scoundrels\, All Shook Up\, Hairspray\, The Color Purple\, How the Grinch Stole Christmas\, Shrek\, In The Heights\, Billy Elliot\, and Peter And The Starcatcher. As you see\, Rex likes all kinds of music. https://musikiwest.org/staff-member/rex-benincasa/ \n  \nAdem Birson\, Oud \nA performer of the oud and a scholar of both Western and Turkish classical music\, Dr. Birson completed his doctoral studies in musicology at Cornell University (2015) and became the Director of the Conservatory at Ipek University\, in Ankara\, Turkey. He currently serves on the music theory faculty at Hofstra University\, in Long Island\, New York. He is a student of several Turkish oud virtuosi\, and has frequently played on Turkish Radio and Television. He has performed throughout the United States and Turkey and is the founder/director of the Classical Turkish Music Ensemble and the Turkish Music Collective. As a scholar\, he has published in several academic US journals. https://www.hofstra.edu/faculty/fac_profiles.cfm?id=6746&t=/Academics/Colleges/HCLAS/MUSIC/ \n  \nABOUT DANCER/CHOREOGRAPHER KAESHI CHAI \nKAESHI CHAI is a NYC-based performer\, theatrical director\, teacher trainer\, and award winning designer. She is the co-founder of Bellyqueen\, a professional dance company and school\, and is also co-founder of PURE (Public Urban Ritual Experiment)\, a global community focused on healing and social change through dance and music. Kaeshi has extensive training in contemporary dance\, physical theatre and Silk Road dances spanning the Middle East to China. She has taught or performed in 47 states and 38 countries. \nShe is an alumna member of the Bellydance Superstars\, Jillina’s Bellydance Evolution and Kenji William’s Bella Gaia. \nFrom 2009-2016 she directed\, co-choreographed\, and toured the theatrical dance show Journey Along the Silk Road throughout the US\, Canada\, Taiwan\, Japan\, Thailand\, Australia and Italy. \nSince 2007 she has produced and curated Djam NYC\, a weekly live show in which dancers and musicians can create and play together. \nCurrent projects include Ocean Stories\, a performance integrating art and science to create more environmental awareness\, and Creative Labs in which participants conceptualize\, choreograph and mount full-length theatrical dance shows in 3-4 days. https://www.kaeshi.com \n  \n  \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nNow in its third year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us. CROSSING BOUNDARIES is produced by CRS (Center for Remembering & Sharing)\, a healing and arts center founded in 2004 by artists Yasuko Kasaki and Christopher Pelham and located in NYC. https://www.crsny.org \nThe 2020 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n 
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert201115/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=America/New_York:20201108T130000
DTEND;TZID=America/New_York:20201116T030000
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SUMMARY:Crossing Boundaries Concert Series Vol. 12: Celebrating Ostad Shajarian
DESCRIPTION:10月8日に亡くなったペルシャ古典音楽の伝説的なマスターであるOSTAD SHAJARIANの功績を讚えて、CRS（Center for Remembering＆Sharing）は、CROSSING BOUNDARIESコンサートシリーズ Vol.12 CELEBRATING OSTAD SHAJARIAN\, をストリーミング配信でお送りします。 \nこのコンサートは、尊敬されるスーフィーの詩人と同様に現代愛されるイランの詩人によるシャジライアンの詩を音楽に取り入れたことを特徴としています。LÄLE SAYOKOのキュレーションにより、DCベースのKAMYAR ARSANI（ボーカル＆パーカッション）によって演奏され、LÄLE SAYOKOとCRS SUFI DANCE　COMMUNITYのメンバーによりダンスが披露されました。 \nOstad Mohammad-Reza Shajarian は、「イランで最も偉大なペルシャ古典音楽の生きたマエストロ」と呼ばれていました。彼は世界中をツアーし、マルチグラミー賞を受賞し、ユネスコのゴールデンピカソメダルとモーツァルトメダルを受賞しました。彼は多くのマスターのスタイルを習得する一方、自身のスタイルを見出し、数多くの有名な詩を音楽に合わせて歌い録音しました。このコンサートでは、Rumi （13世紀）、Baba Taher（11世紀）、Hooshang Ebtehaj（H.E.Sayeh）（20世紀）、Ali Mo’allem （20世紀）の詩を音楽的にアレンジしたものを取り上げています。 \nパンデミックの影響のため、このコンサートはオンラインで撮影およびストリーミング配信され、2020年11月8日（日曜日）の午後1時にライブQ＆Aで初公開されます。コンサートは7日間視聴可能です。今年のオンラインコンサートのチケットは、30ドル、20ドル、または10ドルで購入できます。 \n  \n\ncurator/direction: LÄLE SAYOKO \nmusician: KAMYAR ARSANI (daf/vocals) \ndancers: PACO/FRANCISCO ORDÓÑEZ\, FANNY PÉREZ GUTIÉRREZ\, CHRISTOPHER PELHAM\, LÄLE SAYOKO \nvideo/editing: CHRIS FIORE \nABOUT THE ARTISTS \nKamyar Arsani is a multi-instrumentalist\, singer and songwriter born and raised in Tehran\, Iran. At age 7\, Arsani began studying the daf (Persian frame drum) with Master Bijan Kamkar. He also spent time playing meditative rhythms for hours at a time for Sufis. In 2009 the Green Revolution in Iran brought Kamyar and his family to Washington\, D.C.\, where he has been based ever since. He travels up and won the east coast playing daf and other instruments and singing and performing Sufi and Persian folk songs as well as his own compositions and contemporary music of all kinds. Kamyar Arsani regularly travels to NYC to offer Persian Daf lessons at CRS. The Daf is a frame drum with lots of rings inside that you can shake when you play for added effect. It is an integral part of Sufi and Persian music because of the variety of sounds it can produce and its ability to induce trance. Kamyar learned from masters in Iran and has been playing and singing for decades.\nhttps://kamyararsani.bandcamp.com \nLäle Sayoko lives to embody and transmit the voice of spirit through music and dance. As CRS Resident Sufi Dance instructor\, choreographer\, performing artist\, and musical curator\, she loves to welcome people into this holy practice to explore and share their own divinity. She intermittently tours internationally with BELLA GAIA\, a live concert blending music\, dance\, technology\, and NASA satellite imagery inspired by the experience of astronauts viewing the earth from space. “Sublime” — Village Voice. \nOne of the founding members of Japan’s famous SAMANYOLU professional belly dance group in Tokyo\, Läle went on to a long solo career performing throughout the northeastern USA and touring with United Kingdom’s Mugenkyo Taiko Drummers on over a 100 city tour encompassing the U.K.\, as well as Turkey’s Baba Zula. About six years ago\, she was forced to retire to support her young daughter through a life-threatening medical crisis. Several years later she discovered that she could whirl as a form of prayer to support her daughter and began studying Sufi Dance with Paris-based Sufi Artist Rana Gorgani. In April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi Dance training.\nhttps://crsny.org/index.php/sufi-dance-music-art-at-crs/ \nPaco/Francisco Ordóñez is a seeker\, systems engineer and business owner based on Park Avenue in New York City. Originally from Southern Ecuador\, in the ancient Cañaris land of Cuenca\, and a New York City denizen for over a decade\, Francisco has the goal to share all he has learned as a way of emptying himself to allow new collective experiences. He has lived and traveled in several countries in Europe\, Asia\, and Latin America over the past decades. He deeply loves the ancestral Indigenous Andes traditions\, poetry\, music\, dances\, cultures and\, principally\, peoples. Francisco is a passionate student of Sri Aurobindo\, Krishnamuti\, and Sufism. He is part of a few social justice organizations and Dervish gatherings and mesmerized by beauty and freedom. A graduate of Systems Engendering\, he worked in high school education in the South Bronx integrating digital communities and helping minority women to create ePortfolios. He enjoys places of worship\, yoga\, reading and spending time in nature\, especially in the Sani Desert and in Kyoto. \nFanny Pérez Gutiérrez thinks of art as the love that can be channeled into this realm. For the past few years she has been focused on studying altered states of consciousness that can be accessed through the alignment of the body. She produces work that seeks to amplify important themes of the nature of our existence that have remained hidden or which we have been taught to undermine. https://www.instagram.com/fannsystem/ \nChristopher Pelham is the Director and co-founder of CRS (Center for Remembering & Sharing) and organizer of the CRS Sufi arts community. A spiritual healer/counselor/teacher and artist\, he draws on practices from A Course in Miracles\, Non-Violent Communication\, improvisational theater\, Sufism\, and contemporary shamanism to help people remember who they really are. He has taught and/or offered healing in London\, in Japan\, at the 2018 Awakening to the One Mind Retreat\, and at the 2017 Enlight Festival of A Course in Miracles in Ibiza\, Spain. Since he began producing live performance events in 1997\, he has had the privilege of presenting dozens and dozens of wonderful artists from all over the world. As a performer\, he performed in numerous productions Off Off Broadway in NYC as well as in productions in Texas and North Carolina. He is also an avid amateur photographer and filmmaker. \nFilmmaker\, writer\, and artist Chris Fiore\, born in 1959 in Norfolk\, Virginia\, received his BFA from Antioch College in 1984. In the late 80’s he was one of the founders of the Zone\, an artist collective occupying an abandoned williamsburg warehouse at 104 South 4th St. Fiore showed at the East Village’s KOAP gallery in the early 90’s. His first documentary\, “Trip and Go Naked\,” edited over the course of five years between paid gigs won the Excellence in Sexual Theater award at the 2004 Arlene’s Grocery Picture Show. He went on to direct the feature documentary “ ackstage” for Miramax\, a behind the scenes look at Jay Z’s Hard Knock Life Tour. The film had a profitable run in theaters and is still occasionally in rotation on the Showtime network 17 years after it was made. Fiore has also directed documentaries on the making of the Victoria’s Secret Christmas Catalog\, the band Paramore\, as well as two prime time specials for Fox Television. His most recent documentary\, “Goodwoman\,” tells the story of Debra Goodman\, an activist brutally arrested for filming the NYPD. Featured in several film festivals\, “Goodwoman” won the Grand Jury Award at the 2016 LA Film Invasion film festival. He’s currently directing a documentary and web series on artist Ken Hiratsuka. \nFiore’s first feature film script\, “The Utopia Virus\,” was a finalist in the 2006 Final Draft Big Break Competition\, garnering him representation and a Hollywood roller coaster ride as directors Darron Aronofsky\, Tony Scott\, and Renny Harlin all considered making the film. He also wrote the Wassup Obama ad\, described by Salon.com as one of the most creative of the 2008 presidential campaign and winner of a Cannes Lion. He’s currently working on a series of film treatments for a Beijing based production company which is also breathing new life into “The Utopia Virus” by translating the script into Cantonese. \nFiore’s film work has directly influenced his art over the years\, in his use of appropriated imagery\, presentation of sequential images\, and in the cinematically dynamic composition of his mosaic photography. Fiore is represented by the Ethan Pettit Gallery.\nhttps://chrisfiore.com \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nNow in its third year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us. CROSSING BOUNDARIES is produced by CRS (Center for Remembering & Sharing)\, a healing and arts center founded in 2004 by artists Yasuko Kasaki and Christopher Pelham and located in NYC. https://www.crsny.org \nThe 2020 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191213T200000
DTEND;TZID=UTC:20191213T213000
DTSTAMP:20260510T104835
CREATED:20190913T024245Z
LAST-MODIFIED:20191111T212637Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 11: ZERO GRASSES by Vocalist/Multi-Instrumentalist/Composer Jen Shyu
DESCRIPTION:CRS (Center for Remembering & Sharing) では、 CROSSING BOUNDARIES Concert Series 第11弾「ZERO GRASSES」を行います。 \nビデオフィールドワークに加えて、シュ氏自身が作曲された音楽を演奏します。\n公演前には観客参加型のインターメディアワークショップ（6時半開始予定）も開催します。 \nThis powerful autobiographical work arose out of an intense period of self-reflection following the sudden death of her father and visit to a fertility clinic. Effortlessly weaving together music\, monologue and video projection\, Jen traces the threads of her life to explore the painful terrain of expectation\, ambition\, longing and love. \nEnjoy the music video for one of the songs from the show\, “Life As You Envision”:\n \nキュレーター:  ジェン シュ Jen Shyu\nミュージシャン:  ジェン シュ Jen Shyu\n \nこのコンサートは2019年8回シリーズの最終回になり、12月13日（金）午後8時より開催されます。 \nチケットは前売り$25/ 当日$30、 学生・シニア$20 (要ID)\n購入はオンライン又は電話にて (212-677-8621)、CRSフロントデスクにて。 \nABOUT THE ARTISTS \nJen Shyu has performed with saxophonist and 2014 MacArthur Fellow Steve Coleman since 2003 and has collaborated with many luminaries. Shyu has performed her own music at Carnegie Hall\, Lincoln Center\, BAM\, the Metropolitan Museum of Art\, Rubin Museum of Art\, Asia Society\, Blue Note\, National Theater of Korea\, etc. \nA Stanford graduate in opera with classical violin and ballet training\, Shyu won many piano competitions and studied traditional music and dance in Cuba\, Taiwan\, Brazil\, China\, South Korea\, East Timor and Indonesia. Shyu has won commissions and support from MAP Fund\, the NEA\, Jerome Foundation\, etc.\, as well as fellowships from the Asian Cultural Council\, Korean Ministry of Foreign Affairs\, etc. \nShyu has produced seven albums as a leader\, the most recent two included on The New York Times’ Best Albums lists. Ben Ratliff wrote in The New York Times that her concerts are “the most arresting performances I’ve seen over the past five years. It’s not just the meticulous preparation of the work and the range of its reference\, but its flexibility: She seems open\, instinctual\, almost fearless.”\njenshyu.com \nABOUT CROSSING BOUNDARIES \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.  \nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition. \nLearn about the 2019 Season Curators \nView the 2019 Season Announcement \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n  \n 
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191025T200000
DTEND;TZID=UTC:20191025T213000
DTSTAMP:20260510T104835
CREATED:20190913T014528Z
LAST-MODIFIED:20190913T014609Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 10: String Noise
DESCRIPTION:CRS (Center for Remembering & Sharing) では、 CROSSING BOUNDARIES Concert Series 第10弾「String Noise」を行います。 \nガミンによりキュレートされた、クラシック・アヴァン-パンク バイオリンデュオ String Noise が韓国人作曲家・キヨン キム氏により作られた韓国のコンテンポラリー音楽を演奏します。 \nキュレーター:  ガミン \nミュージシャン: String Noise（コンラッド ハリス&ポリーン キム ハリス)\n作曲家: キヨン キム  \nこのコンサートは2019年8回シリーズの7回目になり、10月25日（金）午後8時より開催されます。 \nチケットは前売り$25/ 当日$30、 学生・シニア$20 (要ID)\n購入はオンライン又は電話にて (212-677-8621)、CRSフロントデスクにて。 \nABOUT THE ARTISTS \nSTRING NOISE is a classical\, avant-punk violin duo comprised of violinists Conrad Harris and Pauline Kim Harris. Since its inception in 2011 at Ostrava New Music Days\, they have expanded the two violin repertoire in over 50 new works to include larger collaborations with multimedia art\, electronics\, video projections\, opera and dance. \nTheir first feature album “The Book of Strange Positions” was released on NORTHERN SPY RECORDS in November 2015. Tiny Mix Tapes describes this collection of original works and arrangements by Eric Lyon of punk covers by Bad Brains\, Violent Femmes\, Deerhoof\, Radiohead\, and Black Flag as a “mix of classic punk covers and ZERO APOLOGIES.” Their 7” inch EP “Covers” produced by Deerhoof drummer and composer Greg Saunier is also available on Northern Spy Records. \nString Noise was highlighted in Performa 2011 with artist Will Cotton and was the featured ensemble for the launch of composers collective Indexical (David Kant\, Andrew Christopher Smith\, Mustafa Walker and Beau Sievers). Premieres by String Noise include works by Christian Wolff\, John King\, Phill Niblock\, Caleb Burhans\, David Lang\, Petr Kotik\, Du Yun\, Annie Gosfield\, Bernhard Lang\, Spencer Topel\, Derek Hurst\, Jerome Begin\, Elizabeth Hoffman\, John Zorn\, Greg Saunier\, Alex Mincek\, Yoon-Ji Lee\, Catherine Lamb\, Petr Bakla\, Richard Carrick and Alvin Lucier\, to name some. String Noise has performed at Issue Project Room\, Bohemian National Hall\, Roulette\, EXAPNO\, Rockwood Music Hall\, Miller Gallery\, Noguchi Museum and the Stone and has been heard on WNYC\, WKCR and WFMU. \nCo-concertmasters of Wordless Music Orchestra\, Ensemble LPR and the S.E.M. Ensemble\, String Noise has collaborated in special projects with artists such as Jonny Greenwood (Radiohead)\, John Cale (Velvet Underground)\, Billy Martin (Martin\, Medeski\, Wood)\, Mica Levi (Micachu and the Shapes)\, Jon Brion\, Laurie Anderson\, Jason Moran\, Roscoe Mitchell\, Max Richter and and Rostam (Vampire Weekend). \nAs curators\, String Noise presented Drawing Sound: Part II at the Drawing Center – a three night mini-festival featuring artists Alvin Lucier\, Greg Saunier and Jad Fair and is a co-curator for Carnegie Hill Concerts in New York.\nstringnoiseduo.com \nDubbed a borderless musician\, composer KI YOUNG KIM has moved in and out of Genres and across international boundaries\, while collaborating with dancers\, theater directors\, visual artists in various fields and forms. He is the founder of CMB 567 ( Contemporary Music Band 567)\, a groups of four composers and seven musicians dedicated to exploring the interaction among various contemporary korean and other asian music and art forms. He lives in New York. \nABOUT CROSSING BOUNDARIES \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.  \nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. This season\, which is supported by a grant from the LMCC\, is curated by three outstanding artists of Asian descent:  gamin\, Jen Shyu\, and JunYi Chow. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition. \nLearn about the 2019 Season Curators \nView the 2019 Season Announcement \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n  \n 
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-10-string-noise/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190928T190000
DTEND;TZID=UTC:20190928T210000
DTSTAMP:20260510T104835
CREATED:20190823T033250Z
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SUMMARY:Sufi Music & Dance Showcase with Musicians Tomchess & Dan Kurfirst & the CRS Sufi Dance Community
DESCRIPTION:CRS (Center for Remembering & Sharing) では、 Crossing Boundaries Concert シリーズ第9弾として、Sufi ダンスアーティスト・Lale Sayokoによるディレクションの元、ミュージシャン・Tomchess ( ned\, oud)とDan Kurfirst (daf)と共に、スーフィー音楽、ダンス＆詩朗読をお届けします。 \nスーフィズムでは、音は魂に由来するもので、また、魂の源は音と伝えられています。そしてまた、音楽を通して神が私たちに語りかけているので、私たちは、自己の本来の姿を思い出すことができるとされています。 \nスーフィダンスは、旋回舞踊です。ペルシャ語でSema (イラン語で Sama )と呼び、 「聖なる声に耳を傾ける」を意味します。私たちの心の中心に神性の輝きを思い出す (Dhikr) ために「聴く」ことを芸術に高めたアプローチです。 祈りに身を委ね、内なる大きな力とつながり、心を傾け、心を無にします。 この静寂の中に、神が満ち溢れるのを感じます。この間に、自己が神と溶け合い「神秘的な気持ちの高まり」として知られる状態を引き起こすことがあります。 私たちはお互いから勇気とインスピレーションを受け取り、実践を強化することができます。 \n今回のコンサートは、2019年シリーズの8つのコンサートの 第6番目にあたります。\n2年目を迎えた CROSSING BOUNDARIES は、パフォーマーや観客、伝統的な音楽や新しい音楽、地域や文化による隔たりをなくし、一人ひとりが持つ無限の創造性を解放し、参加者にとって意識の変革となるようなライブアート体験をお届けするパフォーマンスシリーズです。 \nCRS は 2004 年の設立当初から、海外の多くの人々と共に歩んできました。世界中、特にアジアから、癒し、芸術、文化的なプログラムを発信し続けています。 LMCC からの助成金サポートを受けている今シーズンは、アジア系の 4 人の傑出したアーティスト、ガーミン、ジェン・シュー、ジュンイー・チョウ、ラーレ小夜子をラインナップしています。アジアの長い歴史において、儀式の際には常にダンス、演劇、即興音楽、物語の要素が含まれていました。今シーズンはその伝統を土台にコンサートを企画・制作しています。 \n日時：9月28日（土）7 PM~ (コンサート後には軽食有り、歓談のひと時をお楽しみください)\nチケット：事前購入25 ドル、当日購入30ドル。 学生及びシニア20ドル（ID提示にて）\nご購入は、オンライン ( crsny.org ) 、電話 (212-677-8621) 又は CRS にてお求めください。 \nLearn about the 2019 Season Curators \nView the 2019 Season Announcement \nABOUT THE ARTISTS \nTomchess (oud\, ney\, morsing) is a New York City–based multi-instrumentalist\, improviser\, and composer who has played and recorded with some of the most esteemed players in the improvisational scene (Dewey Redman\, Butch Morris\, Pharoah Sanders\, Drew Gress\, Ronald Shannon Jackson) as well as Moroccan sintarist Hassan Hakmoun. He has performed around the world and at New York City venues like Lincoln Center\, the Turkish and Pakistani embassies\, the Metropolitan Museum of Art\, and the United Nations He has played on Grammy-nominated recordings and was awarded grants from the Turkish American Society and the Maryland Council for the Arts. In 2012 he was nominated for an Independent Music Award.\nhttps://tomchess.bandcamp.com/ \nDan Kurfirst is an NYC based percussionist\, composer and improviser. Born and raised in Brooklyn\, NY\, his music is a product of his good fortune to have been brought up amongst people of all different cultures and master practitioners of varying musical styles. He has formally studied the Drumset with Nasheet Waits\, Tariq Snare and Gregg Bendian. He has studied percussion under the tutelage of Shane Shanahan and Hakan Kaya. He has performed extensively in the New York City world music and improvised music scenes for years and has performed with various groups throughout Europe\, India and the Middle East. Over the years Dan has been blessed to work alongside a who’s who of global\, creative\, improvising musicians\, including Matt Darriau\, Tomchess\, Hamid Drake\, Adam Rudolph\, Oruc Guvenc\, Daniel Carter\, Cheick Hamala Diabate\, Brad Shepik\, Gabriel Marin\, William Parker\, Daro Behroozi\, Brandon Terzic\, Kane Mathis and Ras Moshe – to name just a few. Dan leads Spheric Sound Unit\, a group dedicated to exploring cultural syncretism through music. He also co-leads Ensemble Fanaa\, a trio which explores the intersection between African American\, North African and Middle Eastern musical traditions. He recently worked as Musical Director for the Childrens Museum of Manhattan’s America To Zanzibar exhibit\, helping to develop a touchscreen application for the Children to explore music of the Islamic world from India to Egypt to Indonesia.\nhttp://dankurfirstmusic.com \n旋回講師・ラーレ小夜子：\nラーレ小夜子は、魂の声を音楽とダンスを通して表現するスーフィーダンスアーティスト。\nCRSのスーフィーダンスのインストラクター、振付師、パフォーミングアーティスト、および音楽キュレーターとして、自分の神性を探求すると共に、スーフィーダンス（旋回舞踊）という神聖なプラクティスを通して、人々と共有することに喜びを感じている。\n長いプロダンサーとしてのキャリアの後、幼い娘が発病し彼女の治療のため休業。その数年後、娘を支える祈りの形として旋回できることを発見し、パリ在住のスーフィーダンスマスターティーチャー・Rana Gorganiの元でスフィーダンスを学ぶ。2018年には講師資格、The International Sufi Dance Certification of Cid UNESCOを取得。現在、CRSにてスーフィーダンスクラス（毎第1木曜日・7-8:30pm）講師、CRS ヒーリングサークル 瞑想＋ 旋回(旋回舞踊）の祈り（毎第3木曜日・7:15 – 9pm) をCRSの共同創設者である香咲弥須子とクリストファー・ペルハムと共に率いている。\nhttps://www.facebook.com/lale.sayoko \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n \n \n 
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-9/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=UTC:20190913T200000
DTEND;TZID=UTC:20190913T213000
DTSTAMP:20260510T104835
CREATED:20190629T235906Z
LAST-MODIFIED:20190821T031716Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 8: MOLDING
DESCRIPTION:CRS (Center for Remembering & Sharing) では、 CROSSING BOUNDARIES Concert Series 第８弾として MOLDING をお贈りします。\nMOLDING は、ダンス、オブジェ、現代人形劇がいっしょになった創造的シアター。答えが白黒ではない、グレーゾーンにいる空間のなかで自分のアイデンティティ、社会から求められる生き方とはなにかという心の葛藤を描く作品です。 \n     curator:  gamin\nlead artist:  Leah Ogawa 小川 りや (puppetry\, Japan)\n      music:  John Chao (Taiwan) \nThis is the fifth of eight concerts in the series during 2019 and will take place on September 13\, 2019 at 8 pm at CRS. \nTickets are $25 in advance $30 at the door. Students and seniors with valid ID can purchase tickets for $20 at the door. Tickets are available online at crsny.org\, by phone (212-677-8621)\, and at CRS. \nABOUT THE ARTISTS \nLeah Ogawa 小川 りや is a puppeteer\, actor\, choreographer\, and model based in New York City. Born in Hachioji and raised in Yamanashi\, Japan\, her puppetry training began at Sarah Lawrence with Dan Hurlin and Tom Lee. Leah has worked with incredible artists such as Chinese Theatre Works\, Tom Lee\, Loco 7\, Phantom Limb\, Hamid Rahmanian\, Nami Yamamoto\, Hua Hua Zhang\, and many more. She has performed as a puppeteer around the U.S.\, China\, and France. Leah is a recipient of the Queens Council on the Arts’ New Work Grant for her original piece MOLDING. \nABOUT CROSSING BOUNDARIES \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.  \nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. This season\, which is supported by a grant from the LMCC\, is curated by three outstanding artists of Asian descent:  gamin\, Jen Shyu\, and JunYi Chow. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition. \nLearn about the 2019 Season Curators \nView the 2019 Season Announcement \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n  \n 
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-8-molding/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190809T200000
DTEND;TZID=UTC:20190809T213000
DTSTAMP:20260510T104835
CREATED:20190629T233851Z
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SUMMARY:FLY IN WATER: マルチメディアコンサート About Environmental Collapse with Pianist Hyo Jee Kang
DESCRIPTION:CRS (Center for Remembering & Sharing) では、 Crossing Boundaries Concert シリーズ第 7弾として、gaminによるキューレーションで「FLY IN WATER」をお届けします。この作品は、クラッシックピアニスト/パフォーマンスアーティストのHyo Jee Kang、ファッションデザイナー/ファイバーアーティストのBo Choi、音楽/メディアアーティストDamian Mahurletsとのコラボレーションにて制作。ヒューマニティー、環境、その他の生命体の相互関係を即興と瞑想で表現します。 \n         curator:  gamin\n        concept:  Bo Choi (Korea) and Hyo Jee Kang (Korea)\ncomposition:  Hyo Jee Kang\nperformance:  Hyo Jee Kang (piano)\nwearable art:  Bo Choi\n     media art:  Damian Mahurlets \n今回のコンサートは、2019 年シリーズの 8 つのコンサートの 第４番目にあたります。 \n2 年目を迎えた CROSSING BOUNDARIES は、パフォーマーや観客、伝統的な音楽や新しい音楽、地域や文化による隔たりをなくし、一人ひとりが持つ無限の創造性を解放し、参加者にとって意識の変革となるようなライブアート体験をお届けするパフォーマンスシリーズです。 \nCRS は 2004 年の設立当初から、海外の多くの人々と共に歩んできました。世界中、特にアジアから、癒し、芸術、文化的なプログラムを発信し続けています。 LMCC からの助成金サポートを受けている今シーズンは、アジア系の の傑出したアーティスト、ガーミン、ジェン・シュー、ジュンイー・チョウをラインナップしています。アジアの長い歴史において、儀式の際には常にダンス、演劇、即興音楽、物語の要素が含まれていました。今シーズンはその伝統を土台にコンサートを企画・制作しています。 \n日時：8月9日（金）8:00 pm ~9:30 pm.  \nチケット：事前購入25 ドル、当日購入30ドル。 学生及びシニア20ドル（ID提示にて）。 \nご購入は、オンライン ( crsny.org ) 、電話 (212-677-8621) 又は CRS にてお求めください。 \nABOUT THE ARTISTS \nBo Choi is a fashion designer and artist. With a primary focus in fiber art and fashion design\, she envisions clothes as both rendering explicit their capacity to represent the self\, as well as building upon\, and breaking with\, past conventions in order to allow an endless refashioning of the self-disallowed by the limited vocabulary of much art and fashion today. She completed her MFA 2009 in Fiber at School of art in University of Washington\, Seattle\, WA. Her undergraduate studies were at University of California\, Davis\, in Fashion Design and Studio Art. Previously\, as a fashion designer\, she created a fashion line that explores and transgresses the typical ways the body contour interacts with clothing. Choi’s solo fashion show “Second Skin” was presented at Jacob Lawrence Gallery in University of Washington\, Seattle. In 2009\, she was a finalist at the InspirAsain Fashion Competition\, hosted by International Examiner where her wearable art line was presented at the Bell Harbor Conference Center. Internationally she has presented her designs at the Wearable Art Awards in Port Moody\, BC\, Canada\, 2009 and 2010 and had a residency at Kulturprojekte\, Berlin Germany in 2008 and Seoul\, South Korea in 2012. Currently\, she teaches fashion design at Indiana University.\nbch1.myportfolio.com/ \nHyo Jee Kang has been focusing on transformation between media and objects to create a new art form. She works with media artists and live electronic performers presenting improvisation and recomposed composition as well as her originals. Her activity as a composer\, performer\, creator and improviser has been featured throughout the world in Germany\, Spain\, Italy\, Korea\, Japan\, USA\, Israel\, and so on. Hyo Jee currently resides in New York City and serves as a faculty at Seoul National University. In May 2018\, she gave her solo performance with great success at Lincoln Center\, including the Conceptual Transformation Performance “Pyung Yang.” This August she was one of 12 artists from around the world selected to particpate in Seminar in Taipei\, a platform for in-depth exchange in both theoretical and practical fields\, at the 2018 Taipei Arts Festival X in Taiwan. Seminar in Taipei is an initiative of Pro Helvetia\, the Swiss Arts Council\, in partnership with the National Culture and Arts Foundation of Taiwan\, Korea Arts Management Service\, the National Arts Council of Singapore\, and the Arts and Theatre Institute of the Czech Republic\, realised in collaboration with the Taipei Arts Festival. Hyo Jee’s YouTube channel is youtube.com/hyojeekang. \nDamian Marhulets is a Germany based composer\, visual artist and producer. His musical education began at the age of 6\, when he was accepted to prestigious Minsk College of Music. It was not long until Damian began performing as an oboe soloist with some of the most renowned orchestras in the country and abroad. Still in his early childhood\, Damian became a prizewinner of major international music competitions. His music career took a new turn in 2000 when he relocated to Germany. Following his artistic inquisitiveness he soon immersed himself in underground experimental music scene. His musical education shifted from oboe performance to modern composition and electronic music\, that he studied first at the Music Academy Hannover and later in Cologne. \nAs an artist-in-residence worked Damian at such renowned venues as Center for Art and Media Karlsruhe\, ACROE Institute Grenoble\, IONIAN University Corfu and STEIM Amsterdam. He also has won a multitude of grants and stipends such as the composition-stipends by the cultural affair department of the Lower Saxony and the European Culture Program. \nRecent projects of Damian include large-scale stage performances\, in which he combines acoustic instruments with electronics and visuals. Recently he collaborated with such renowned musicians as David Krakauer\, Frank Bungarten\, Szymanowski String Quartet\, Marina Baranova and many others. Besides from writing concert music as well as music for theatre\, film and dance he toured all over Europe and USA\, having played his own music at many different music festivals and alternative DJ clubs. He has performed worldwide including Berliner Philharmonie • Beethovenfest Bonn • Music Triennial Cologne • BOZAR – Palais des Beaux-Arts Brussels • “Re:New” Digital Art Festival Copenhagen • Philharmonic Hall Essen • Berghain Club in Berlin • die Glocke – Bremen • KunstFestSpiele Hannover as well as many others. His multimedia works were presented at many different galleries and museums of modern art including Kestnergesellschaft • Sprengel Museum Hanover • ArtCenter Berlin • Diapason Sound Art Gallery in NYC • DAVID vzw Gallery in Ghent • Lortzing ART Gallery in Hanover and others. \nDrawn upon his long term fascination for radical fringes of music making\, Damian feels most comfortable when blurring lines between musical genres. Combining his concert music roots with sound-design skills and years-long experience as an electronic music producer\, he throws away conventional music clichés in order to develop original music language and explore new sonic landscapes. \nABOUT CROSSING BOUNDARIES \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.  \nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. This season\, which is supported by a grant from the LMCC\, is curated by three outstanding artists of Asian descent:  gamin\, Jen Shyu\, and JunYi Chow. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition. \nLearn about the 2019 Season Curators \nView the 2019 Season Announcement \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n  \n  \n\n+ GOOGLE CALENDAR
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-7-fly-in-water/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190628T201500
DTEND;TZID=UTC:20190628T213000
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LAST-MODIFIED:20190612T225121Z
UID:17608-1561752900-1561757400@jp.crsny.org
SUMMARY:Crossing Boundaries Concert 6: Sufi Music\, Dance & Poetry
DESCRIPTION:CRS (Center for Remembering & Sharing) より、 Crossing Boundaries Concert シリーズ第 6 弾として、Lale Sayokoによるディレクションで、スーフィー音楽、ダンス＆詩朗読をお届けします。 \nスーフィズムでは、音は魂に由来するもので、また、魂の源は音と伝えられています。そしてまた、音楽を通して神が私たちに語りかけているので、私たちは、自己の本来の姿を思い出すことができるとされています。 \nスーフィダンスは、旋回舞踊です。ペルシャ語でSema (イラン語で Sama )と呼び、 「聖なる声に耳を傾ける」を意味します。私たちの心の中心に神性の輝きを思い出す (Dhikr) ために「聴く」ことを芸術に高めたアプローチです。 祈りに身を委ね、内なる大きな力とつながり、心を傾け、心を無と呼ばれるにします。 この静寂の中に、神が満ち溢れるのを感じます。この間に、自己が神と溶け合い「神秘的な気持ちの高まり」として知られる状態を引き起こすことがあります。 私たちはお互いから勇気とインスピレーションを受け取り、実践を強化することができます。 \n今回のコンサートは、2019 年シリーズの 8 つのコンサートの 第３番目にあたります。\n2 年目を迎えた CROSSING BOUNDARIES は、パフォーマーや観客、伝統的な音楽や新しい音楽、地域や文化による隔たりをなくし、一人ひとりが持つ無限の創造性を解放し、参加者にとって意識の変革となるようなライブアート体験をお届けするパフォーマンスシリーズです。 \nCRS は 2004 年の設立当初から、海外の多くの人々と共に歩んできました。世界中、特にアジアから、癒し、芸術、文化的なプログラムを発信し続けています。 LMCC からの助成金サポートを受けている今シーズンは、アジア系の 4 人の傑出したアーティスト、ガーミン、ジェン・シュー、ジュンイー・チョウ、ラーレ小夜子をラインナップしています。アジアの長い歴史において、儀式の際には常にダンス、演劇、即興音楽、物語の要素が含まれていました。今シーズンはその伝統を土台にコンサートを企画・制作しています。 \n日時：6月28日（金）8:15PM ~. (コンサート後には軽食をご用意しています。歓談のひと時をお楽しみください。)\nチケット：事前購入25 ドル、当日購入30ドル。 学生及びシニア20ドル（ID提示にて）。\nご購入は、オンライン ( crsny.org ) 、電話 (212-677-8621) 又は CRS にてお求めください。 \nLearn about the 2019 Season Curators \nView the 2019 Season Announcement \nABOUT THE ARTISTS \nKamyar Arsani (daf) is a multi-instrumentalist\, singer and songwriter born and raised in Tehran\, Iran. Kamyar’s musical mission is to spread cultural awareness and unity by mixing contemporary musical trends with traditional Persian folk music. A multi-instrumentalist Sufi poet\, from age 7 he studied Daf (Iranian frame drum) with Master Bijan Kamkar. After mastering the Daf\, Kamyar learned Kamancheh (Iranian bowed string instrument) with Master Ardeshir Kamkar and Sohrab Pournazeri. In the midst of the Green Revolution in 2009\, Kamyar and his family left Iran and now reside in Washington\, DC.  Kamyar’s songs and performances are very much inspired by the people of Iran and their history of struggle and protest. He produced his first solo album in 2015\, entitled “No Freedom.” Kamyar also plays in two other collaborations: “Huda & Kamyar\,” a Daf and Oud Duo\, and “Time is Fire\,” a weird world/post-punk band. Kamyar recently collaborated with Benjamin Schurr and DC’s BLIGHTRECORDS and produced an electronics-backed Daf album called “Voices in the Dark.” In the words of a reviewer: ”this isn’t so much music as it is downright spiritual. It is a movement.”\nhttps://music.blightrecords.org/album/voices-in-the-dark\nhttps://kamyararsani.bandcamp.com/releases \nTomchess (oud\, ney\, morsing) is a New York City–based multi-instrumentalist\, improviser\, and composer who has played and recorded with some of the most esteemed players in the improvisational scene (Dewey Redman\, Butch Morris\, Pharoah Sanders\, Drew Gress\, Ronald Shannon Jackson) as well as Moroccan sintarist Hassan Hakmoun. He has performed around the world and at New York City venues like Lincoln Center\, the Turkish and Pakistani embassies\, the Metropolitan Museum of Art\, and the United Nations He has played on Grammy-nominated recordings and was awarded grants from the Turkish American Society and the Maryland Council for the Arts. In 2012 he was nominated for an Independent Music Award.\nhttps://tomchess.bandcamp.com/ \n旋回講師・ラーレ小夜子：\n日本で有名なSamanyolu professional ベリーダンスグループの創立メンバーのひとりです。イギリスのMugenkyo Taiko Drummersと共に44つの都市でのツアーを通して自身のキャリアを積みながら、トルコのBaba Zula、ニューヨークのBella Gaiaなどで活動しています。日本とアメリカの雑誌や新聞に登場するLaleは、伝統的な技法や精神的な方法で、ダンスが強力なコミュニケーターになることを目指しています。Rana Gorganiの元でスフィ・ダンスを学び、講師資格を取得し、2018年4月にはThe International Sufi Dance Certification of Cid UNESCOを受賞しました。http://www.lalesayoko.com\nhttps://www.facebook.com/lale.sayoko \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n \n \n 
URL:https://jp.crsny.org/index.php/event/cross-boundaries-concert-6/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190531T193000
DTEND;TZID=UTC:20190531T213000
DTSTAMP:20260510T104835
CREATED:20190414T202313Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 5: ROSE OF SHARON
DESCRIPTION:CRSが今年自信を持ってプロデュースしている Crossing Boundaries Concert シリーズ第５弾です。韓国籍の女性アーティストたちによる、仏教をテーマにしたコンサート兼ビジュアルアートのイベントです。 \nCRS (Center for Remembering & Sharing) presents CROSSING BOUNDARIES Concert Series Vol. 5:  ROSE OF SHARON\, curated by gamin. “Rose of Sharon” is the national flower of Korea and so represents the people’s identity. This performance employs both Korean traditional music (Yeonsanheosang\, one of the most representative Korean traditional court music compositions) and contemporary art (mandala paintings) inspired by Buddhism. \nMusicians:  gamin (piri and saenghwang\, Korea)\nMinkyung Park (haegeum\, Korea)\nSangmi Kang (gayageum\, Korea)\nVisual artist:  Heejung Kim \nThis is the second of eight concerts in the series during 2019 and will take place on May 31\, 2019 at 8:30 pm at CRS.\nAn Opening Reception and Gallery Talk with artist Heejung Kim will take place before the show at 7:30 pm. \nTickets are $25 in advance $30 at the door. Students and seniors with valid ID can purchase tickets for $20 at the door. Tickets are available online at crsny.org\, by phone (212-677-8621)\, and at CRS. \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.\nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. This season\, which is supported by a grant from the LMCC\, is curated by three outstanding artists of Asian descent:  gamin\, Jen Shyu\, and JunYi Chow. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition.\nLearn about the 2019 Season Curators\nView the 2019 Season Announcement \nKOREAN ART AND MUSIC\n“Music is what dwells in a person from heaven\,\nwhat constitutes nature from emptiness\,\nwhat moves one’s mind\, circulates one’s blood\, beats one’s pulse\,\nand flows one’s spirit.”\n—  Source:  extract from the preface of Ak Hak Gwe Beom*\n*Ak Hak Gwe Beom is a treatise on music\, written in Korea in the 15thcentury\, which includes detailed\ndescriptions and fingerings of most of the musical instruments used during that period. \nABOUT THE PROGRAM\nOriginally a vocal piece with lyrics drawing on Buddhist scripture\, the Yeongsanhoesang suite became purely instrumental in the 15th century. Yeongsanhoesang has undergone continuous change with the current version taking form sometime in the 19th century. There are many versions of the suite\, which typically includes 8-9 pieces. While the genesis of the suite is not completely certain\, the first piece of the suite\, “Sangryeongsan” appears to be the foundation piece for the suite. The following pieces in the suite include variations on “Sangryeongsan\,” as well as standard musical forms and dance pieces of the Joseon era (1392-1910). \nABOUT THE PERFORMERS\ngamin is a traditional Korean musician\, trained in jeongak-the classical music of the court and sinawi-the collaborative improvisation that accompanies Korean shamanic ritual. Since leaving orchestral work behind eight years ago\, gamin has taken these skills in unexpected directions\, using her piri and taepyeongso (Korean oboes)\, and saengwhang (mouth organ) to pursue contemporary sounds and reach new audiences.\ngamin-music.com \nSangmi Kang is an Assistant Professor of Music Education at the Westminster Choir College of Rider University. As a professional performer on the gayageum (a traditional Korean stringed instrument)\, Dr. Kang has performed at several institutions\, among them the University of Florida\, Duke University\, the University of North Carolina at Chapel Hill\, and the University of North Carolina at Greensboro.\nsangmikang.weebly.com/ \nHaegeum instrumentalist Minkyung Park is a recipient of 67th Chosun Daily Debut Concert and selected as 2006 Kumho Young Artist by Kumho Asiana Foundation for Arts and Culture who has discovered and supported nationally talented instrumentalists. She has performed at many prestigious venues internationally including ‘tea music – longing for friends’ in NYC\, combining art performance with harmonization of various genre of music and arts.\nparkminkyung.com \nABOUT THE ART EXHIBITION\nHeejung Kim will feature her recent ink works on paper together with her selected artist books created within the last 20 years. Her art is influenced by Tibetan Mandala paintings\, especially by the patterns and symbols found in them. Her star-like images come from actual dreams she has had since her childhood. Using repetition like the mantras in meditation\, Heejung pushes her creative visions into a hypnotic space carrying the viewer into a surreal sense of illusion and the feeling of moving through a vast void. \nAbout Artist Heejung Kim\nHeejung Kim produces both 2-D and 3-D artworks and the themes of her artworks stemmed from Buddhism\, her dream images\, and her own experiences. Kim had numerous exhibitions nationally and the reviews on her art works include “The New York Times” and “The Star-Ledger”. Kim obtained an MA in Art Education from the University of Illinois at Urbana-Champaign and her MFA from SUNY at Stony Brook. She currently teaches at the Raritan Valley Community College.\nheejungkim.weebly.com/ \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-5-rose-of-sharon20190531/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190510T200000
DTEND;TZID=UTC:20190510T211500
DTSTAMP:20260510T104835
CREATED:20190414T173324Z
LAST-MODIFIED:20190417T211624Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 4: FOUR SYSTEMS
DESCRIPTION:CRSでは、5月10日午後8時より、『クロシング・バウンダリー コンサート・シリーズ：フォー・システムズ』を開催致します。同シリーズの2019年度シーズン第1回目（通算4回目）となる今回は、出演者の一人でもあるジュンイ・チョーによって精選された、4つの異なる文化をバックグランドに持つ4人のアーティスト　―　清水チャートリー（日本：笙）、ガミン（韓国：ピリ）、ユン・ズオ・ガン（中国： 楊琴）、そしてジュンイ・チョー（マレイシア：チェロ）、　―　をフィーチャー。いずれも、メイヘム（混乱）の中に隠された調和を表現した、その大胆なインプロビゼーション演奏で高い評価を得ているアーティストで、それぞれの文化にインスピレーションを受けた4曲を、彼ら自身が選んだ想像性に満ちたビジュアル・シンボルと共に演奏します。 \n演奏者の背後に投影されるこれらのビジュアル・シンボルは、観客が自分の目前で編み出される音楽と視覚的に繋がり、さらに演奏を通して、パフォーマンス・スペースに共在する作曲家、演奏者、そして観客の一人一人が、そのような繋がりが生まれるプロセスに参加することを可能にしてくれます。 \nコンサート終了後、出演アーティストとの質疑応答セッションも予定されています。 \n************ \nTickets are $25 in advance $30 at the door. Students and seniors with valid ID can purchase tickets for $20 at the door. Tickets are available online at crsny.org\, by phone (212-677-8621)\, and at CRS.\nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.\nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. This season\, which is supported by a grant from the LMCC\, is curated by three outstanding artists of Asian descent:  gamin\, Jen Shyu\, and JunYi Chow. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition.\nLearn about the 2019 Season Curators\nView the 2019 Season Announcement\nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.\n\n \n\n \n \n\n \nABOUT THE PERFORMERS\n\nChatori Shimizu (b. 1990) is a Germany based composer\, shō performer\, and sound artist\, who constructs his works for a wide range of mediums concerning the time identity in sound. Ranging from orchestral works to sound installations\, all of his works engage in repetitive patterns of sound motifs\, which aims for the slightest change in the pattern to act as an accent. As the First Prize Winner of the 2016 Malta International Composition Competition\, Shimizu’s works have been performed and exhibited throughout Australia\, Canada\, China\, France\, Germany\, Japan\, South Korea\, the Netherlands\, Poland\, Serbia\, Thailand\, United Kingdom\, and the United States\, by acclaimed ensembles and musicians such as Hidejiro Honjoh\, Ensemble Multilatérale\, Mayumi Miyata\, mise-en\, Mivos Quartet\, Shanghai Philharmonic Orchestra\, Sound Factory Orchestra\, among others. Shimizu has been awarded fellowships from Columbia University School of the Arts\, Institute of Medieval Japanese Studies\, the Mitsubishi Foundation\, Omi International Arts Center\, Soundstreams\, Toshiba Foundation\, and Yaddo. His music scores are published from United Music & Media Publishing\, Belgium.\nAs an active researcher in the compositional approaches of the shō\, he has conducted numerous lectures and demonstrations regarding the notation and the extended techniques of Japanese instruments in universities worldwide\, such as Baruch College\, Cornell University\, The Graduate Center at CUNY\, Manhattan School of Music\, University of Hawaii at Manoa\, Conservatorio de Música de Puerto Rico\, National Gugak Center Korea\, Tamagawa University\, among others.\nShimizu was born in Osaka\, Japan\, and spent his formative years in Singapore. Upon receiving the Professional Diploma in Piano Performance with High Honors at age twelve\, he studied computer music and composition with Shintaro Imai and Motoharu Kawashima at Kunitachi College of Music\, Tokyo\, graduating with the Arima Prize. He received his MFA from Columbia University\, New York City\, where he studied at the Computer Music Center with Brad Garton and Zosha Di Castri. Shimizu currently studies composition with Mark Andre and Franz Martin Olbrisch at Hochschule für Musik Carl Maria von Weber in Dresden. He serves as Co-Artistic Director of Composers’ Collective Tesselat.\n\ngamin is a traditional Korean musician\, trained in jeongak — the classical music of the court —and sinawi — the collaborative improvisation that accompanies Korean shamanic ritual. One of the most celebrated piri and taepyeongso (Korean oboes)\, and saengwhang (mouth organ) performers in Korea\, she now pursues many interdisciplinary projects in collaboration with international artists. From 2000 to 2010\, she was a member of the Contemporary Gukak Orchestra at the National Gukak Center\, the hub for training and preserving Korean traditional music. Currently\, as a yisuja* of the Important Intangible Cultural Asset No. 46 for piri and Daechita\, she tries to preserve traditional music\, and enhances the tradition as well. *yisuja is a title designated to someone who mastered a course study of intangible cultural assets of Korea. jeonsuja is a lower title.\nSince leaving orchestral work behind nine years ago\, gamin has taken these skills in unexpected directions. She teaches and performs regularly at a number of universities in the U.S. and Korea. She received a grant from the Korean Ministry of Culture\, Sports\, and Tourism in 2011 and has performed at Harvard\, Northwestern\, Dartmouth\, etc. and in Paris\, Strasbourg\, Freibrug\, and Karlsruhe. She has published a book on the piri\, released three albums\, and has been an artist-in-residence at the UPenn James Joo-Jin Kim Program in Korean Studies since 2012. She is “a true pioneer and innovator\, leading these instruments in exciting new directions” — Ralph Samuelson (senior advisor of the Asian Cultural Council).\n\nJunYi Chow is a Malaysia-born New York-based Composer\, Multi-instrumentalist and Improviser. Chow’s composition has been lauded by the Financial Times for its “skilful contrasts in both volume and texture.” His thorough knowledge of skills and characteristics of both Chinese and Western instruments has made him a leading figure in merging music of East and West. His album “A Traveler’s Portrait” in collaboration with Seungmin Cha (South Korea) was nominated for a Global Music Award in 2018.\nAs an active researcher in the music for Chinese Orchestra\, Chow’s The TENG Guide to the Chinese Orchestra (co-author with Samuel Wong and Chenwei Wang) serves as a one-stop guide for composers\, scholars and enthusiasts alike.\nChow is currently the music conductor of New York Chinese Music Ensemble. As a pianist and cellist\, Chow plays classical repertoire as well as free improvisations.\n\nYunzhuo Gan graduated from Shanghai Conservatory of Music in Composition and dulcimer major. She got her second Master of Music in Composition at Manhattan School of Music. Yunzhuo studied with Marjorie Merryman.\nAs a Chinese Dulcimer performer\, she has performed throughout the world. Notably\, she twice played for the former president of China at the Shanghai World Expo and Paralympic Games\, and performed at the Cannes International Film Festival and Prague Spring Music Festival etc.\nAs a composer\, she wrote the music and songs for the Chinese film “The Continuation of Love” which wins both “Second batch of key recommended film” and “5.12 Wenchuan Earthquake Memorial Tribute film” prize. She held a concert that was called “The Charm” in Carnegie Hall as a major composer and Dulcimer performer. Her works were presented in Merkin Hall\, The New Jersey Performing Arts Center\, National Sawdust and Brooklyn Center etc.\nYunzhuo has won prizes from the EACA International Composition Competition and the TMSK Lithuania National Composition Competition and “Confucius” National Composition Competition.
URL:https://jp.crsny.org/index.php/event/20190510/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181109T200000
DTEND;TZID=UTC:20181109T211500
DTSTAMP:20260510T104835
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LAST-MODIFIED:20181107T042122Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 3: 7 word chanting 靈山會相 and tea ceremony
DESCRIPTION:CRS (Center for Remembering & Sharing) presents 7 word chanting Yeongsanhoesang 靈山會相\, featuring Korean traditional music performed by gamin (piri\, saenghwang) and Min Kyung Park(haegeum) accompanied by a tea ceremony performed by Korean tea master Sei-Ryun Chun. Following the performance\, there will be a short talk about Korean tea ceremony and Q&A with the artists. \nFor this event\, which is Vol. 3 of the Crossing Boundaries — Echoes of Korea — Concert Series curated by gamin\, she would like to introduce the Korean concept of Pungnyu\, which is defined as an artistic form of recreation incorporating elements of nature\, life\, and art. Pungnyu is intrinsic to a tasteful lifestyle and to Koreans’ collective and individual entertainment culture. It literally means “streams of wind.” Sharing tea\, playing music\, writing\, and observing the changing of the seasons are traditional pastimes used for transcending the material or secular aspects of life and cultivating a peaceful mind. Participating in a tea ceremony quiets the mind and opens the senses\, allowing us to experience more of the subtlety and depth of the music performance. \nBoth the music and tea ceremony presented in this program have been handed down to us from medieval Buddhist practices. As Buddhism in Korea fell in and out of favor through the centuries\, both the music and the tea ceremony were frequently revised to serve the times. Artists today continue to find ways to explore and extend these traditional art forms in ways that speak to the present moment and connect us not only to our heritage but to one another. \nTickets are $25 and are available online\, by phone (212-677-8621)\, and at CRS. Students/seniors with valid ID are $15 at the door. \nCROSSING BOUNDARIES — ECHOES OF KOREA\, curated by gamin (piri\, taepyeonso\, saenghwang)\, provides musicians from Korea with space to experiment with the new\, to collaborate across genres\, cultures and disciplines\, and to explore new ways of using creative communication to facilitate a shared practice of presence. The goal is to dissolve boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, Korea and the world. Participants in the series are encouraged to incorporate meditation\, improvisation\, and collaborations with visual and movement-based artists as well as musical artists from different traditions. \nAbout the Program \nTea ceremony by Sei-Ryun Chun\nPiri & saenghwang played by gamin\nHaegeum played by Min Kyung Park \nOriginally a vocal piece with lyrics drawing on the words of the Buddha’s sermon in Mount Yeongsan\, India\, Yeongsanhoesang became purely instrumental in the 15th century. The music has undergone continuous change with the current version taking form sometime in the 19th century. There are many versions of the suite\, which typically includes 8–9 pieces. While the genesis of the suite is not completely certain\, the first piece of the suite\, “Sangryeongsan” appears to be the foundation for the suite. The following pieces in the suite include variations on “Sangryeongsan\,” as well as standard musical forms and dance pieces of the Joseon era (1392-1910). “Sangryeongsan\,” the slowest and longest piece in the suite\, progresses gracefully and gently like the flow of water. \nThe Korean tea ceremony is distinguished by its emphasis on preparing and enjoying tea with a natural manner and minimum of ritualized formality. Originally\, it was directly connected with Buddhist practices\, but today it can be enjoyed by everyone. Cha (tea) was introduced to Korea around the 6th or 7th century from China. Some Korean scholars or Buddhist monks who traveled to China probably brought tea with them and began to drink in Korea. In the Goryeo dynasty (918-1392)\, Korean tea culture became popular with the rise of Buddhism as a national religion. During the Joseon Dynasty (1392-1910)\, the Korean tea culture declined as Confucianism replaced Buddhism as a spiritual mainstream. Buddhism was repressed and became separated from the public. In the early 19th century\, a leading Korean philosopher\, Dasan Jeong Yakyong (1762-1836)\, and the Korean Buddhist Seon (Zen) master Chou Uisun (1786-1866)\, known as the “Father of Korean Tea\,” played key roles in reviving the long lost Korean tea tradition\, which continues today. \nAbout the Artists \nTea master Sei Ryun Chun was born in Busan\, Korea in 1956 and grew up in an artistic family. Majoring in fine art at Kunkuk University in 1979\, she studied sculpture and painting. After graduation\, she taught at Shinjung middle and high schools. In 1981\, she moved to America and studied etching at the New Milford Art Center in New Jersey and New York University in New York. She has also written extensively about art. She received the AHL Foundation artist’s prize in 2000. She has had 14 solo exhibitions and participated in the Miami Art Fair and Fine Art Fair San Francisco. She has been curating exhibitions in New York and New Jersey. She is currently incorporating her mastery of the traditional Korean tea ceremony into her exhibitions and presentations. seiryunchun.com \ngamin is a master practitioner of the piri\, taepyongso (double reed instruments)\, and saenghwang (reed mouth organ). Currently\, as a yisuja(designated master) of the Important Intangible Cultural Asset No.46 for piri court music and Daechita\, she strives to both preserve and enhance traditional Korean music. At Seoul National University and as a member and assistant principal player of the Contemporary Gugak Orchestra\, Gamin has used her virtuosity to perform authentic jeongak (classical court music) and sinawi (shaman ritual music)\, as well as new compositions for her instruments. gamin-music.com \nHaegeum instrumentalist Minkyung Park is a recipient of the 67th Chosun Daily Debut Concert and was selected as 2006 Kumho Young Artist by Kumho Asiana Foundation for Arts and Culture\, which discovers and supports nationally talented instrumentalists. She has performed at many prestigious venues internationally including ‘tea music – longing for friends’ in NYC\, combining art performance with harmonization of various genre of music and arts. She received a B.S. and M.S in Korean Music from Seoul National University and completed a D.M.A course at Hanyang University. parkminkyung.com
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-3/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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