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DTSTART;VALUE=DATE:20170914
DTEND;VALUE=DATE:20171201
DTSTAMP:20260411T063928
CREATED:20170912T192559Z
LAST-MODIFIED:20170916T221513Z
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SUMMARY:個展：Chris Fiore「This Mortal Apparatus — Photographs of Flowers & Cityscapes」
DESCRIPTION:CRSでは、映像作家、ライター、そして写真家でもあるChris Fiore による、枯れゆく花と都市の風景をテーマにした展覧会「 This Mortal Apparatus 」を開催いたします。様々な色や白黒をベースにした作品のすべては、デジタル加工により色を調整し、写真芸術の美を強調しています。作品は主に朽ちかけているオブジェなどで見られる美しさ、つい見過ごしてしまう優美さ、自然の美、人の手による芸術に焦点を当てています。また、わたしたちの心がいかに儚いいのちの中に永遠を求め、新たな意味を生み出しているかを伝えます。人が思考によって、目にするすべてを作り変えていることを考えさせられる作品の数々をご覧にぜひお越しください。 \n展覧会は9月14日（木）~ 11月30日（木）です。オープニングレセプションは、9月22日午後6時半〜8時半です。 \n開催期間中、Chris Fiore による無料の映画上映会も下記の通り開かれます。どうぞご参加ください。 \n10月13日（金）午後7時半〜10時  “Goodman” and “The Red Umbrella Diaries”\n11月10日（金）午後7時半〜10時  ワールドプレミア “The Ken Stones:  Miami” and A(DE)SCENT” \nいずれも席に限りがございます。ご到着いただいた順にお席を確保させていただきますが、ロビーのスペースが限られているため、7時15分より前のご到着はご遠慮ください。 \nArtist Statement\nThe camera is my favorite machine. To me\, the camera has transcended its nature as a mechanical device and has become something verging on a magic instrument. Capable of capturing the fleeting and the ephemeral\, of freezing light and stopping time\, of making the intimate public\, of telling profound truths and fascinating lies\, of imbuing meaning into the mundane and transforming the precious into the mechanical\, the camera is a collective third eye that has shaped the perceptions of a species.\nArtist Profile:\nFilmmaker\, writer\, and artist Chris Fiore\, born 1959 in Norfolk\, Virginia\, received his BFA from Antioch College in 1984. In the late 80’s he was one of the founders of the Zone\, a artist collective occupying an abandoned warehouse at 104 South 4th St\, in Williamsburg\, Brooklyn. Fiore showed at the East Village’s KOAP gallery in the early 90’s and in 1995 directed the underground documentary Trip and Go Naked\, winner of the Excellence in Sexual Theater award at Arlene’s Grocery Picture Show. He went on to direct the feature documentary Backstage for Miramax\, a behind the scenes look at Jay Z’s Hard Knock Life Tour. The film had a profitable run in theaters and is still occasionally in rotation on the Showtime network 17 years after it was made. Fiore has also directed documentaries on the making of the Victoria’s Secret Christmas Catalog\, the band Paramore\, as well as two prime time specials for Fox Television. His most recent documentary\, Goodwoman\, tells the story of Debra Goodman\, an activist brutally arrested for filming the NYPD. Featured in several film festivals\, Goodwoman won the Grand Jury Award at the 2016 LA Film Invasion film festival. He’s currently directing a documentary and web series on artist Ken Hiratsuka.\nFiore’s first feature film script\, The Utopia Virus\, finished in the top ten of the 2005 Final Draft Big Break screenwriting contest. He also wrote the Wassup Obama ad\, described by Salon.com as one of the most creative of the 2008 presidential campaign and winner of a Cannes Lion. He’s currently working on a series of film treatments for a Beijing based production company.\nFiore’s film work has directly influenced his art over the years\, in his use of appropriated imagery\, presentation of sequential images\, and in the cinematically dynamic composition of his mosaic photography. Fiore is represented by the Ethan Pettit Gallery.\nWebsites:\nchrisfiore.nyc\ngoodwomanmovie.com\nthekenstones.com\nabillionbeautifuldays.com\nArt Resume\nEducation:\nBachelor of Fine Arts\, Antioch College\, Yellow Springs\, Ohio\, 1984.\nOne Person Show\n1991 Space Case Gallery\, P.S. 122: NYC\nGuest Artist:\n2017 Nobuko Tsuruta\, 12 Years\, Tenri Gallery\, NYC\nGroup Shows :\n2015 Spring Salon\, Ethan Pettit Gallery\, Brooklyn\n2015 Morphopolis\, Ethan Pettit Gallery\, Brooklyn\n2007 Sun Pictures to Megapixels\, WAH Art Center\, Brooklyn\n2004 Projekt30 : Juried online group show\n1999 triad: an observation of artist/friendship triangles\, Vibrant Gallery\, NYC\n1999 CG ART\, KOAP Gallery\, NYC\n1997 Trip\, Gallery T.Y.K-Two\, Tokyo\, Japan\n1997 Future in 3D\, KOAP Gallery\, NYC\n1996 Cupid\, KOAP Gallery\, NYC\n1995 Blood in the Heart\, KOAP Gallery\, NYC\n1990 Possible Photography\, Ward Nasse Gallery\, NYC\n1990 Epoche Sex Salon\, Epoche Gallery\, Williamsburg\, Brooklyn\n1989 The Gridlock Exhibit\, Minor Injury Gallery\, Williamsburg\, Brooklyn\n1988 CyberFunk\, The Zone\, Williamsburg\, Brooklyn\n1987 The Zone Show\, The Zone\, Williamsburg\, Brooklyn\n+ GOOGLE CALENDAR
URL:https://jp.crsny.org/index.php/event/exhibition-mortal-apparatus-photographs-flowers-cityscapes-chris-fiore/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=UTC:20171008T160000
DTEND;TZID=UTC:20171008T173000
DTSTAMP:20260411T063928
CREATED:20170913T192852Z
LAST-MODIFIED:20171004T031615Z
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SUMMARY:尺八 & 一弦琴 コンサート: DISCOVERY IN A SINGLE TONE
DESCRIPTION:10月のコンサートは、清虚洞一絃琴宗家四代　峯岸一水さんによる一絃琴と、ラルフ・サミュエルソン、エリザベス・ブラウン二人の尺八奏者をお迎えします。\n一絃琴とは、もともと高僧・貴族・武士・文人達によって主に精神修養のために弾かれた楽器で、一本の絃だけの琴で「人に聴かせるためではなく、自分の心のために演奏するもの」としてたしなわれていました。\n今回のプログラムは古典とともに新曲が演奏され、そのなかには、短歌をもとに、2011年の東日本大震災の遺族へ捧げる、Elizabeth Brown作曲の「秋廻り来て」も含まれます。心の琴線に触れる尺八・ 一弦琴のコラボレーションの響きを、どうぞお楽しみ下さい。 \nチケットは9/30日までのご購入で $20、当日 $25です。オンライン、 またはお電話（212-677-8621）でも受け付けています。 \nIdeally\, this music is heard in a tranquil setting conducive to calm\, focused listening. The ichigenkin’s philosophy of “one string” is a natural partner to the “one note” aesthetic of the shakuhachi\, and while the shakuhachi is becoming more familiar to audiences around the world\, opportunities to hear the ichigenkin are truly rare. Largely through the efforts of Minegishi Issui\, the ichigenkin is gradually finding a new place in contemporary Japan and abroad. This trio of musicians\, two from America and one from Japan\, presents numerous concerts in Japan. Now they are bringing knowledge of these beautiful instruments and their music to an American audience. \nThis concert is part of a 12-stop U.S. tour. This project is supported in part by IMJS: Japanese Cultural Heritage Initiatives and by the Japan Foundation. \n \n\n  \nAbout the Performers \nMinegishi Issui is the 4th Iemoto\, or heir\, of the Seikyo-do Ichigenkin Tradition. The Seikyo-do follows the idea of Zen practice\, which removes all unnecessary vanities. She was trained by her great-grandmother\, the 3rd heiress\, an officially designated Intangible Cultural Treasure of Japan. Minegishi Issui succeeded to the title of 4th Iemoto in 1988\, and was honored as Graduate of the NHK Conservatory of Japanese Traditional Music. She has performed around the world. At her 2008 Kioi Hall concert in Japan\, she was honored with the presence of Her Majesty the Empress of Japan\, Michiko. Minegishi Issui won the bronze prize in the division “1-2 string musical instruments” at Delphic 2009 (The Art and Cultural Olympic Games) in Jeju\, Korea. She received Asian Cultural Council grants in 2010 and in 2013. \nRalph Samuelson\, a performer and teacher of the Japanese bamboo flute\, shakuhachi\, was trained in the classical tradition of the Kinko School of shakuhachi by the late Living National Treasure Goro Yamaguchi as well as by Shudo Yamato and Kodo Araki V\, both in Japan and in the graduate world music program at Wesleyan University. He performs traditional and contemporary music throughout North America\, Asia\, and Europe\, and has recorded for Innova\, CBS Masterworks\, Lyrichord\, Music of the World\, Tzadik\, XI Records\, Pogus\, and other labels. He was shakuhachi soloist in the New York City Ballet production of Jerome Robbins’ “Watermill”\, and his annual “Flutes of Hope” concert\, commemorating the victims of the earthquake/tsunami in Japan\, has been presented in New York’s Carnegie Hall and the Cathedral of St. John the Divine. In 2011 and 2013 he was artist in residence at the Lou Harrison House in Joshua Tree\, California. He is an international advisor for the Seoul Institute of the Arts in Korea and is senior advisor and former director of the Asian Cultural Council. \nElizabeth Brown combines a composing career with a diverse performing life\, playing flute\, shakuhachi\, and theremin in a wide variety of musical circles. She is celebrated both here and in Japan for her compositions combining eastern and western sensibilities. A Juilliard graduate and Guggenheim Fellowship recipient\, her music has been heard in Japan\, the Soviet Union\, Colombia\, Australia\, South Africa and Vietnam as well as across the US and Europe. She has received grants\, awards and commissions from Orpheus\, St. Luke’s Chamber Ensemble\, Newband\, the Asian Cultural Council\, the Japan/US Friendship Commission\, Meet the Composer\, the Electronic Music Foundation\, the Cary Trust\, and NYFA. She has two solo CDs: Elizabeth Brown: Mirage (New World) and Blue Minor: Chamber Music by Elizabeth Brown (Albany)\, and her music is also available on CRI\, Innova\, and Music and Arts. http://elizabethbrowncomposer.com
URL:https://jp.crsny.org/index.php/event/100817/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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