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DTSTART;VALUE=DATE:20160223
DTEND;VALUE=DATE:20160426
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SUMMARY:個展【REGENERATION】安倍知子
DESCRIPTION:REGENERATION\n安倍知子　　２月２３日－４月２５日\nオープニングレセプション　２月２７日（土）　６ｐｍー８ｐｍ \nCRS (Center for Remembering & Sharing)  では、安倍知子氏によるコラージュ作品の展示を２月２３日から４月２５日までの期間、開催いたします。\nアーティストを迎えてのオープニングレセプションは、２月２７日の６時から８時まで。 \n作品は、オブジェや セラミックス、ガラス、そして紙を使い、キャンパスの上を３Dのようにたくさんの泡たちが溢れるように構成されています。キャンパスに散らばったものの中には、わたしたち人間社会が放り出した自然環境の中に残骸となるものなど、美しさとは対極のようにあるものを思い起こし、その矛盾さえも定義しているように感じます。\n彼女が再生しているものは、朽ちていくであろうオブジェたちの声を再び聞き取り、変容してもなおかつ、この世界の中で長く生き残るもののようです。\n最初に直面するのは、不釣り合いな突き出した星座のように見えるバブルたち。空想的で太陽が一つの命をこっそり盗んだようにキャンバスが焦げていたりします。不思議に思うのは、残存するものを近くによって覗きこんでみると、これらのものの思考状態を改めて体験しているように感じること。そしてこの複雑な考えに思いを巡らせてみると、わたしたちと環境とのほろ苦い関係性に気づかずにはいられません。 \nリジェネレーションー再生\nいつもの海岸での散歩道、波打ち際が泡立っている。\n砂の上で消えていく細かい泡が今日はどんどん雲のように膨らんでいる。\nいつ生まれたか消えていったか分からない無数の泡を見ていると、不思議な安心感を感じるのだが、今日の泡は消えない。手にとってみると洗剤の香りがした。\nこんな風に少し美しくて悲しい風景が今回の展覧会のインスピレーションになっている。\n儚い自然の中に再生や治癒力を感じられる、そんな作品ができたら嬉しい。 \nアーティストステイトメント\nここ数年、風や泡などつかみどころのない自然の要素をインスタレーションに表現している。大量生産によって廃棄されるゴミを土で型取り、窯で焼成する。その型をもとにガラスやセラミックの作品を作ったり、道で拾った金属やゴム、木片や貝などを合わせてインスタレーションを作ったりもする。\n背景にそれらの影を映したCyanotype print（青写真）を使うこともあるが、白く抜けた影が時の経過を表しているようでもあり、また一人歩きしているスピリットのようにも見える。\n壁面に散りばめられた陶片やガラスは時を忘れた宇宙のちりのようだ。眺めていると一時我々から必要もなくなって捨てられたものが、またこのインスタレーションによって息吹を取り戻すようにも感じられるが、同時にいかに人間が小さい存在かを感じるのかもしれない。 \n安倍　知子\nEdinburgh College of Art 絵画科を卒業（BA\, First class Honour)、在学中ERASMUS奨学金を受けスペイン、サラマンカ大学のEscuela de Bellas Artesで絵画を学ぶ。\nその後国内外での展示を続け、Royal Scottish Academy (First class Honor Prize)を含む数々の賞を受賞する。500 Raku 、ニューヨークタイムズ、Ceramic Art and Perceptionなどのメディアに掲載される。現在は絵画の他、陶芸やガラスのインスタレーションを中心に活動している。
URL:https://jp.crsny.org/index.php/event/tomoko_abe/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=UTC:20160404T130000
DTEND;TZID=UTC:20160404T140000
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SUMMARY:Butoh Workshop with Gio Kusanagi
DESCRIPTION:CRS presents an 8-week drop-in Butoh workshop with visiting artist Gio Kusanagi. Gio Kusanagi studied Butoh (Japanese avant-garde dance) with Moe Yamamoto\, Toru Iwashita\, Kunisuke Kamiryo\, Yoshito Ohno (son of Kazuo Ohno)\, Yukio Waguri\, Seisaku & Yuri\, Ko Muroboshi\, and Kayo Mikami and a Butoh-inspired interpretive dance with Akira Kasai. \nCRS has a long history of presenting Butoh performance and training. Butoh artists to teach at CRS in the past include Shinichi Momo Koga\, Tanya Calamoneri\, and Mariko Endo\, among others. \nThe workshop will take place on Mondays from 1 – 2 pm from April 4 – May 23\, 2016 and will cost $15/session. In conjunction with the workshop\, Gio will present an evening of original dance performance with live music at CRS on Saturday\, March 26\, 2016 at 8 pm. \nIn this workshop\, Gio will introduce \n\nKunisuke Kamiryo’s system of instilling the movement impetus within the body by using the sound of vowels\, along with Akira Kasai’s spoken words visualization system;\nYuri’s warming-up system of movements\, along with basic Butoh walking taught by both Moe Yamamoto\, Kayo Mikami\, and Yoshito Ohno;\nconcepts of “Shin (core)\,” “softness and hardiness\,” “lightness and heaviness\,” “eyes at the back\,” and “movements from the heart\,” taught by Yoshito Ohno;\nSelection of Butoh-fu with the active use of images that Gio learned from Yukio Waguri\, Moe Yamamoto\, and Seisaku\, as he reorganizes the various Buto-fu through the Rudolf Laban’s four dimensions of efforts: (a) weight (light and heavy); (b) time (sudden and sustained); (c) space (direct focus and multifocus); (d) flow (bound flow and free flow).  Furthermore\, Gio will introduce a technique to create a new Buto-fu on your own by translating a 2D image into 4D time-space-continuum.\n\nThe workshop will culminate with the last session in which participants will be encouraged to create their own Buto-fu and informally share each other’s original Butoh dance. \nThe purpose of this workshop is not to expose the participants to the entire scope of Butoh. Rather\, the workshop is designed to provide the participants with the opportunity to experience some of the essential elements of Butoh and thus allowing them to have an insight on how some of these Butoh principles and vocabularies can be applied to new choreographic ideas and inspirations.  This will be an excellent workshop for choreographers who are looking for new choreographic inspiration\, dancers or physical actors who wish to widen the range of their movement vocabularies\, or healthy adults who are seeking the self-exploration by deepening one’s understanding of the internal psyche\, as “the true goal of Butoh is not to impose choreographed movements from outside but to allow the movements to emerge from inside\, and structures are merely the gateways to the ‘inside\,’” according to Tatsumi Hijikata. \n ABOUT INSTRUCTOR GIO KUSANAGI \nGio Kusanagi is an interpretive dancer/performance artist who is a native of Japan. He studied Butoh (Japanese avant-garde dance) with Moe Yamamoto\, Toru Iwashita\, Kunisuke Kamiryo\, Yoshito Ohno (son of Kazuo Ohno)\, Yukio Waguri\, Seisaku & Yuri\, Ko Muroboshi\, and Kayo Mikami; a Butoh-inspired interpretive dance with Akira Kasai; Japanese sword dance with Kensei Namiki; traditional style swordsmanship with Ken Morita; Ballet at various dance schools including Morgantown Dance Studio\, Modern Dance with Bill Evans\, Kista Tucker\, Don Halquis\, Angela Dennis\, Kristina Isabella\, and Pilobolous Dance Company; Jazz Dance with Liz Rossi; Contact Improvisation with Jordan Fuchs and Contact Improvisation groups in Philladelphia; Break Dance at Harajuku Dance Academy; Central Asian Dance\, Persian Dance\, and Middle Eastern Dance with Narah Bint Durr; West African Dance with Jonathan Burbank; and Eurythmy (a form of modern dance founded by Rudolf Steiner) with both Akira Kasai and with Jolanda Frischknecht. He was also trained in Mime\, Laban Movements Analysis (Bill Evans and Kista Tucker)\, Bartenieff Fundamental (Bill Evans and Don Halquis)\, Alexander Technique (Suzanne Oliiver)\, Qigong\, Tai Chi\, and various other forms of martial arts. He has integrated the essences of all the movement-arts he has learned and performs originally choreographed interpretive dance repertories in collaboration with artists of various disciplines. Gio also teaches classes and workshops on  Butoh dance\, Tai Chi\, Qigong\, and dance therapy for self-exploration through various locations in West Virginia\, Maryland\, and New York.  Further\, he has produced multiple dance theaters in various cities\, including\, but were not limited to NYC\, Dayton OH\, Cincinnati OH\, and Morgantown WV. \nGio Kusanagi was the Artist in Residence at Bronx Academy of Arts and Dance in June 2012\, was a commissioned choreographer for the Asian American Dance Festival in Lower Manhattan (“Variations in a Foreign Land #13” produced by Yangtze Repertory Theatre) in September 2012\, a featured choreographer at a June festival at Bronx Academy of Arts and Dance in 2011\, a featured choreographer at Judson Memorial Church Performance Series curated by Movement Research in 2010\,  a commissioned choreographer/dancer at Pittsburgh First Night on 2009\, 2010\, 2011\, and 2012\, a featured choreographer/dancer at Pittsburgh Gallery Crawl in 2010\, a featured artist at Pittsburgh Asian American Silk Screen Gala in 2009\, 2010\, 2011\, 2012\, and 2013\, a solicited and a featured choreographer/dancer at Dragon Boat Festival in Pittsburgh in 2010 and 2011\, a featured and commissioned chorographer/performer at Dayton Performance Art Festival in February 2008\, was a featured artist through the Dayton Circus Art Collectives at Dayton Urban Night in May 2007\, a featured choreographer/dancer at SOS Art in Cincinnati in the years of June 2007\, 2008\,2009\, 2010\, 2011\, and 2012\,  a guest choreographer/dancer at Yellow Spring Street Fair in June 2008\, a solicited and featured choreographer/dancer at Center for Remembering and Sharing in NYC in August 2008\,  a featured choreographer/dancer at Fridge-Fest in Philadelphia in September 2005\, and a featured and commissioned choreographer/performer at Binghamton July Fest in 2004\, 2005. \nABOUT BUTOH \nButoh was originally founded by Kazuo Ohno and Tatsumi Hijikata. Among the Butoh artists Gio studied wth\, Yoshito Ohno is a son of Kazuo Ohno and studied with both Kuzuo Ohno and Tatsumi Hijikata. \nAkira Kasai participated in the launch of first epoch of “Ankoku-Buth-Sha” (the first Butoh company) with Kazuo Ohno and Tatsumi Hijikata\, and Akira was in fact the person who came up with the name of “Butoh.”  Akira’s definition of Butoh is “Dyonesean dance” (where the impetus of movements come from within) rather than “Apollonian dance” (dance movements are structure externally) and Kunisuke Kamiryo\, who was one of highly recognized disciple of Akira\, was one of the individuals who had fully embodied this principle.  Gio’s first encounter with Butoh was Kunisuke Kamiryo’s dance\, which he was deeply inspired. \nMoe Yamamoto\, Yukio Waguri\, and Seisaku are direct disciples of Tatsumi Hijikata\, and they all inherited Tatsumi Hijikata’s Butoh-Fu (literally meaning\,’ Butoh Score’) that gave precise movement vocabularies to Butoh. Gio studied the system of Butoh-Fu with all three of them. Many of Hijikata’s Buto-fu were based on visual inspirations\, though some of them were also based on literary arts\, such as poetry. Toru Iwashita\, Ko Mutoboshi\, and Kayo Mikami are also direct students of Tatsumi Hijikata\, though Toru Iwashita is also known as one of the choreographers of Sankai-Juku and Kayo Mikami is the founder and choreographer of Torifune-Butoh-Sha. Both Toru Iwashita and Kayo Mikami incorporated Noguchi Gymnastic as the foundational exercise to prepare the dancers’ bodies for Butoh and Gio also studied this system. Ko Muroboshi developed his unique system of movements that included frozen motion and extreme release\, laced with sudden involuntary movements.
URL:https://jp.crsny.org/index.php/event/butoh-workshop-with-gio-kusanagi/2016-04-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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