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SUMMARY:「Life Is Art Is Motherhood Is Art 」展覧会
DESCRIPTION:  \nCRSでは、Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltounト（アメリカ）、Satomi Shirai・白井里実（日本）の母である5人のアーティストによる展覧会「Life Is Art Is Motherhood Is Art」を開催します。CRSの共同設立者であるクリストファー・ペルハムのキュレーションによるこの展覧会は、2025年7月21日から26日までニューヨークのTenri Cultural Instituteで開催されます。 \nこの展覧会では、世界中の母親アーティストによる心を動かす作品を紹介し、母性とアート制作の深い結びつきを探ります。さまざまな写真や2D作品を通して、働く母親アーティストが抱える課題を考え、母性や子育てそのものが創造的な行為であり、アートと切り離せない大切なものとして、愛情と尊敬、支援が必要だと感じていただければと思います。 \n展覧会スケジュール\nMonday\, July 21 – July 26\, 2025 (closed July 25)\nMon – Thu 12 – 6 pm\, Sat 12 – 3 pm \nTENRI GALLERY 所在地\nTenri Cultural Institute of New York\,\n43A W 13th St\, New York\, NY 10011\n212.645.2800 \n上記のギャラリー時間に加え、展覧会に関連して開催されるいくつかのレセプションやサロンでも展示をご覧いただけます。 \nJuly 21 7 pm　\nオープニングレセプション＆アーティストサロン\nアーティストのEunbi Kim（キム・ウンビ）によるライブ音楽＋Q&A \nJuly 23 7pm\nアーティストサロン\nアーティストのGoussy CelestinとAmma Whattによるライブ音楽＋アーティストおよび「This Is a Movement」共同創設者Niama Safia SandyとのQ&A \nJuly 24 7 pm\nアーティストサロン\nアーティストの Layale Chaker（バイオリン）とMaeve Gilchrist （ハープ）によるライブ音楽＋Q&A   \nJuly 26 3 pm ドアオープン / 3:30 pm プログラムスタート\nクロージングレセプション＆アーティストサロン\nSita Chay（バイオリン）とRema Hasumi（キーボード）によるライブ音楽＋展覧会アーティストとのQ&A＋作家でアーティストのLe Ly Hayslipによる「ベトナム戦争から学ばれなかった教訓」についてのトーク\nドリンクはLê Phin Vietnamese cafe提供   \n\nアーティストであることは、精神と感覚が生き生きと実験的に交錯する生活を送ることです。一方で、親であることは、原始的で触覚的、そして生命を肯定する豊かな経験です。なぜこの二つが今なお相容れないものと見なされるのでしょうか？\n— Jeffrey Boloten＆Juliet Hacking『How Not to Exclude Artist Mothers (and other parents)』序文\n\n男性に仕事と子育ての両立についてどのくらい尋ねますか？ 母親には芸術を創作する時間がない、または母性や子育ては創造的でない、あるいは芸術の主題として価値が低いと、どれほど頻繁に思い込んでいますか？ 妊娠や育児には時間とエネルギーが必要で、女性がその大きな役割を担うのは驚くことではありません。しかし、それだけでは、ギャラリーや美術館での母親や女性アーティストの作品が相対的に少ない理由を説明できません。実は、今日の美術学校では、卒業生の女性が男性を上回っています。女性アーティストが直面する多くの障壁が取り除ける可能性があると知れば、きっと心が躍るでしょう。\n\n親であることと仕事の両立の難しさは、どの職業の親にとっても課題ですが、芸術の世界は特に不安定です。非公式で一時的な関係性が多いこの世界では、雇用契約や産休、昇給、年金などの福利厚生はほとんど期待できません。展覧会やアーティスト・イン・レジデンスといった機会は稀で、時には一生に一度のチャンスです。創造性と家庭、どちらかを選ばなければならないのでしょうか？\n\n— Jeffrey Boloten＆Juliet Hacking『How Not to Exclude Artist Mothers (and other parents)』序文\n\n社会的な期待や偏見、制約が、母親の公共の場での創造的表現を抑圧してきたにもかかわらず、母親たちは常に創造力を発揮してきました。心を奪う芸術作品を生み出すには、他者が見過ごすものに目を向け、判断せずに受け止め、創造的に応答することが求められます。子育ても同じです。子どもをありのままに見つめ、誠実で想像力豊かに対応するプロセスです。どちらも直感的で、受け取り与える行為であり、無条件の愛に基づく創造的な実践です。\n\n「母性と芸術の実践は、互いを豊かにするものでなければなりません。社会は、この二つが調和し得ることをほとんど知りません。」\n—  Catherine Rickets\,『Artist/Mother Podcast: 160: The World Needs Art that Only Mothers Can Make with Catherine Ricketts』2024年11月4日\n\n私たちは、母親アーティストの感動的な芸術と人生、そしてプロのアーティストでない母親たちの創造的で生命を肯定する貢献に、より大きな光を当てたいと考えています。これらの貢献は、しばしば見過ごされ、過小評価され、時には忘れ去られてしまいます。私たちが目指すのは、インスピレーション、創造、相互のケア、無条件の愛が尊重され、差別なく生活のあらゆる面に織り込まれる社会です。\n\nこの展覧会は、2026年4月13日から5月10日まで、京都のギャラリー・マロニエにて、京都市国際写真フェスティバル（Kyotographie）期間中に開催されます。\n\nABOUT THE ARTISTS \n\n \nStuck by Daniela Kostova \n\nDaniela Kostova is an interdisciplinary artist whose work spans photography\, installation\, video\, and performance. She explores themes of geography\, cultural identity\, and the complexities of translation and communication across borders. Her projects have been exhibited internationally at institutions including the Queens Museum of Art\, Kunsthalle Wien\, Centre d’Art Contemporain (Geneva)\, and Kunsthalle Fridericianum (Kassel)\, among others. In 2019\, she created one of Europe’s largest public art installations\, Future Dreaming\, covering Vienna’s Ringturm building. \nKostova has received numerous awards and fellowships\, including the Unlimited Award for Contemporary Bulgarian Art and residencies at A.I.R. Gallery (NYC)\, ZK/U Berlin\, and ArtsLink at the Cleveland Institute of Art. She has also contributed as a curator\, notably leading the BioArt Initiative at RPI\, where she taught digital imaging. Her work has been featured in major publications such as The New York Times\, Brooklyn Rail\, and Art in America. Now based in New York City\, she has served as Director of Curatorial Projects at Radiator Gallery\, Artist Mentor at NYFA’s Immigrant Artist Program and Board Member of CEC Artslink. \nhttps://danielakostova.com \n\n \nPhoto by Aline Müller \n\nPhotographer Aline Müller\, born in the Brazilian Amazon and now working between Rio and New York\, brings an elemental understanding of nature’s power to her intimate portraits of women. In her series curated for Life is Art Motherhood is Art\, she captures mothers at different stages of their journey through evocative\, almost surreal photographs that reveal the mystical within the everyday of a mother. \nMüller’s mothers emerge water-soaked from rivers\, beaches\, and showers with goddess-like splendor. They inhabit moments of joyous presence captured in delicate close-ups that refuse to hide or pose\, but rather document dreamlike moments of maternal reality. \nWith her generous and almost metaphysical gaze\, Aline has the uncanny ability to depict what photography often editorializes out of women’s lives: fluids\, curves\, small gestures\, and all that seems small and menial in life\, yet speaks volumes to the internal world of women. \nhttps://www.alinemuller.com \n  \n  \n\n \nPhoto by Alex Nguyễn \n\nQuỳnh “Alex” Nguyễn is a writer\, photographer\, and independent cultural practitioner based in Central Vietnam. Her interdisciplinary approach\, spanning journalism\, interviews\, photography\, artistic programs\, and nurturing of daily life itself\, stems from a desire to explore alternative narratives rather than accepting the mainstream\, deemed self-evident. She believes that the interpretations we hear profoundly shape our beliefs and responses to life’s issues. Furthermore\, the challenges faced by modern society are inherently interconnected as consequences of the many problems layered atop one another. Through flexible artistic forms\, she seeks to expand the possibilities of alternative narratives\, guiding those around her and her readers to explore new dimensions of contemporary issues. \nhttps://alexnguyen.contently.com \n\n  \n  \n\n\n \nStudio Interruptions by Katie Heller Saltoun \n\nKatie Heller Saltoun is a visual artist based in DUMBO\, Brooklyn\, New York. Her work primarily utilizes oil paint\, ink\, photographic collages\, and woodcut printing to explore the multifaceted experiences of motherhood and caregiving. Saltoun captures the humor\, frustration\, monotony\, and profound love inherent in caregiving\, drawing inspiration from her own life and the diverse narratives of mothers and caretakers she encounters. Her compositions often depict dynamic scenes of energy and chaos\, as well as repetitive imagery such as refrigerator shelves\, spice racks\, and rows of snacks\, reflecting the repetitive yet vital tasks of domestic life. \nSaltoun holds a BFA from the University of Michigan\, an MA from Columbia University\, and an MFA from Pratt Institute. Her recent exhibition\, “Bifocal: Motherhood and Creativity\,” was held at the Elza Kayal Gallery in Tribeca\, New York. This multidisciplinary show explored the intricate interplay between creativity and motherhood\, highlighting the often-overlooked experiences of artists who navigate both roles. Additionally\, her work was featured in The American Scholar magazine in an article titled “Tenderness and Grit.” \nSaltoun continues to create and exhibit work that resonates with audiences\, offering a profound and authentic portrayal of the complexities inherent in caregiving and domestic life. For more information and to view her portfolio\, please visit her website at www.katiehellersaltoun.com. \nhttps://www.katiehellersaltoun.com/ \n\n \nPhoto by Satomi Shirai \n\nSatomi Shirai playfully explores themes of cultural identity\, feminism\, motherhood\, and the evolving meaning of home\, both in the context of migration and as a universal psycho-spiritual experience. Her photographs\, often set in domestic spaces\, reveal the quiet tensions between order and chaos\, belonging and estrangement\, the visible and the unseen. \nShirai’s work has been exhibited widely\, including at the Tokyo Metropolitan Museum of Photography\, the National Portrait Gallery in London\, and the Smithsonian National Portrait Gallery in Washington\, D.C. Her photographs are held in the collections of the Tokyo Metropolitan Museum of Photography and the Kiyosato Museum of Photographic Arts (K’MoPA). \nAfter earning a Full-Time Certificate from the International Center of Photography in 2007 and an MFA from Hunter College (CUNY) in 2010\, Shirai lived and worked in New York City for over a decade. In 2015\, she returned to Japan to raise her daughter and now lives and works in Tokyo and Chiba Prefecture. Though she has exhibited less frequently since her return\, she continues to create new work\, often in collaboration with her daughter. \nhttps://satomishirai.com
URL:https://jp.crsny.org/index.php/event/art-exhibition20250721-0726/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20250721T190000
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SUMMARY:Life Is Art Is Motherhood Is Art:オープニングレセプション & マザーアーティストサロン with pianist Eunbi Kim
DESCRIPTION:写真：ニューメディアアーティストXuanのビデオ『Saturn Years』からの静止画\n\n\n\n\n\n\n\n\n\n2025年7月21日（月）の午後7時から9時まで、展示会「Life Is Art Is Motherhood Is Art」のオープニングレセプションにご参加ください。レセプションでは、母でありアーティストのEunbi Kimがソロピアノパフォーマンスを行い、母性、音楽、アイデンティティの変容的なつながりについての思索を共有します。Kimと彼女の夫は最近、第二子を迎えたばかりです。\nイベントはニューヨークのTenri Cultural Instituteで開催されます。入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\n\n\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの第一弾です。詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。\n\n\nアーティストとプログラムについて\nピアニストのEunbi Kimは、音楽、ビジュアルプロジェクション、語りテキストを組み合わせたマルチメディアプログラムを通じて、子どもの頃、家族、アイデンティティを探求します。彼女は、過去、現在、未来の自己が共存する音の回顧録を創り出し、観客にそれらを瞑想する機会を提供します。新米の母となった直後に制作した「it feels like a dream」では、観客に「私たちが抱く夢とは何か？ 私たちが次に渡す夢とは何か？」と問いかけます。最先端の作曲家や異なるメディアのアーティストと密接にコラボレーションしながら、彼女は観客が無意識の記憶、夢、欲望のプールに触れる機会を提供するプロジェクトを創出しています。\nhttps://www.eunbikimmusic.com\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEXHIBITION HOURS\nMonday\, July 21 – July 26\, 2025 (closed July 25)
Mon – Thu 12 – 6 pm\, Sat 12 – 3 pm\nTENRI GALLERY LOCATION\nTenri Cultural Institute of New York\, 43A W 13th St\, New York\, NY 10011
212.645.2800
URL:https://jp.crsny.org/index.php/event/exhibition20250721/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20250723T190000
DTEND;TZID=America/New_York:20250723T203000
DTSTAMP:20260416T134329
CREATED:20250625T152306Z
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SUMMARY:Life Is Art Is Motherhood Is Art:マザーアーティストサロン with THIS IS A MOVEMENT
DESCRIPTION:2025年7月23日（水）の午後7時から8時30分まで、THIS IS A MOVEMENT（TIAM）によるアーティストサロンにご参加ください。母であるアーティスト、Goussy Celestin とAmma Whattによるライブ音楽と、TIAM共同設立者のNiama Safia Sandyとの対話が行われます。TIAMは、2022年に開始されたイニシアチブで、交差する黒人フェミニストの視点を通じて、より公平な音楽業界を目指し、非階層的で協働的かつ想像力豊かな創作と組織の方法を中心に活動しています。\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの一つです。詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。\nイベントはニューヨークのTenri Cultural Instituteで開催されます。入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE MISSION OF THIS IS A MOVEMENT \nTHIS IS A MOVEMENT (TIAM) was conceived in 2021 by a set of musicians\, scholars\, and leaders who often crossed paths and noticed a fragmentation in the field. The #MeToo movement had activated conversations and actions around gender justice\, but the efforts were more disparate – artists were organizing\, gathering\, and taking action on the bandstand\, educators were creating curriculum and writings within the academic space\, and producers and presenters were raising standards and focusing on diversity. TIAM was launched with the hope that it could be a centralized place for this community to discuss different perspectives\, share resources\, and advance conversations around equitable representation. The name – This Is A Movement – was chosen to signal that a larger movement is happening in the field and to hold the organizers accountable to the mentality and long-term commitment that movement-building requires. \nThis Is A Movement asks what transformation looks like\, with the goal of creating a robust community network that will work to cultivate a liberated music industry\, placing equity at the forefront. \nWomen\, those of underrepresented gender identities\, and their allies are claiming a space that challenges the status quo of the jazz and creative music scene. This movement is changing ways of thinking\, ways of working\, and ways of living while confronting structural inequities based on gender\, age\, race\, and culture. It is asking the essential question: What does a freer\, fairer\, and more representative music industry look like? To reimagine and remake our ecosystem\, we invite numerous organizations\, institutions\, and individuals\, bringing together artists\, activists\, organizers\, and creatives to share their experience\, their dreams\, and their plans. \nThis Is A Movement offers historical context\, academic data studies\, relevant dialogues\, and special guest speakers to an engaged and diverse audience of industry professionals\, educators\, students\, performers\, and the general public. This Is A Movement invites those leading change in the field\, as well as those for whom these conversations are difficult. It aims to create an incubator for new ideas that will bring about the future change we need in our cultural spaces. \nhttps://www.thisisamovement.com/ \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE MUSICAL ARTISTS \n\n\n\n\n\n\n\n\n\n\n\nBrooklyn-born Haitian-American artist GOUSSY CÉLESTIN interchanges the roles of pianist\, composer\, vocalist\, dancer\, educator\, and arranger with ease. \nWhile managing WeBop\, an early childhood music program\, Goussy is raising two sons\, her “greatest creative compositions\,” leading workshops\, composing for her ensemble\, in addition to holding a faculty position at BerkleeNYC. \nGoussy’s awards include\, Laundromat Project: Create Change Fellow\,  Queens Council on the Arts\, Gardarev Residency\, Field Leadership Fund\,  Space @ Ryder Farm Residency\, NYC Women’s Fund\, and received a commissioning grant from Mutual Mentorship for Musicians.  \nShe’s recently been awarded the Jazz Leadership Fellow by the Brooklyn Conservatory of Music and a New York State Council on the Arts’ Support For Artists Award\, for her KongoNola project. \nhttps://www.goussycelestin.com/ \nhttps://www.instagram.com/goussycelestin_ayitibrass/ \n  \n\n  \nVocalist\, performer\, and activist AMMA WHATT is a dynamic force in music. Praised by the New York Times for her ‘silk-infused vocals\,’ she effortlessly captivates audiences. Her musical story began with learning African chants and West-African dance from her performing parents\, and blossomed into her writing and performing with acclaimed bands like Grammy-nominated Nate Smith and Kinfolk\, empowering children through self-expression and rhythm\, and gracing stages across Europe and the US!  \nAmma was recognized by Pop Matters magazine as “a distinctive soul singer who absolutely seduces your ear\,” and her latest music represents a fusion of modern pop with Soul\, Afro-Caribbean styles\, House\, and Jazz\, featuring evocative storytelling on themes of love\, pain\, and hope. Her viral a cappella videos dedicated to the religious music of Orisha worshippers worldwide exemplify her dedication to incorporating 29 years of faith as a Yoruba-Lukumi priest into her artistic expression. \nWhile she balances music and her family life in New York\, Amma is deeply engaged in global social justice causes and serves as vice president of the executive board of the Egbe Iwa Rites of Passage program. Through her volunteer work and musical activism\, Amma seeks to leverage her voice as a powerful tool for advocacy and allyship. \nhttps://ammawhatt.bandcamp.com/ \nhttps://www.instagram.com/ammawhatt/ \n\n\n\nNIAMA SAFIA SANDY is a New York-based multidisciplinary artist\, curator\, and change agent. \nSandy’s work across disciplines delves into the human story through the application and critical lenses of culture\, healing\, history\, migration\, music\, race\, and ritual. Her creative practice often is an examination of the ways history\, economics\, migration\, and other social forces and constructs have shaped modern realities. Her aim is to use the visual\, written\, and performing arts to tell stories we know in ways we have not yet thought to tell them and to lift us all to a higher state of ontological and spiritual wholeness in the process. \nShe is a co-founder of THIS IS A MOVEMENT. She currently teaches graduate and undergraduate students at Columbia University\, School of the Arts\, and Pratt Institute\, School of Art. \nhttps://www.instagram.com/___niama___/ \nhttps://www.thisisamovement.com/ \nhttps://www.instagram.com/this.is.a.movement/ \n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEXHIBITION HOURS\nMonday\, July 21 – July 26\, 2025 (closed July 25)
Mon – Thu 12 – 6 pm\, Sat 12 – 3 pm\nTENRI GALLERY LOCATION
T\nTenri Cultural Institute of New York\, 43A W 13th St\, New York\, NY 10011
212.645.2800\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/exhibition20250723/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/webp:https://jp.crsny.org/wp-content/uploads/2025/06/250723-TIAM-1-scaled-1.webp
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250724T190000
DTEND;TZID=America/New_York:20250724T210000
DTSTAMP:20260416T134329
CREATED:20250625T153804Z
LAST-MODIFIED:20250718T235705Z
UID:23357-1753383600-1753390800@jp.crsny.org
SUMMARY:Life Is Art Is Motherhood Is Art:マザー アーティストサロン with Layale Chaker and Maeve Gilchrist
DESCRIPTION:2025年7月24日（木）の午後7時から9時まで、アーティストサロンにご参加ください。Layale Chaker （ヴァイオリン）とMaeve Gilchrist（ハープ）の2人のアーティストによるライブ音楽と対話が行われます。彼女たちは活発なツアースケジュールをこなしながら、幼い子どもの世話という要求を両立しています。 \nイベントはニューヨークのTenri Cultural Instituteで開催されます。入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの一部です。\n詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE PROGRAM \nChaker and Gilchrist come together in an exploration of the threads that stitch our inherited worlds—the whispers of old tales passed down by grandmothers\, the shadowed weight of mythologies\, superstitions\, and lullabies\, scattered across time and distance. \nDrawing from the musical vocabularies of their respective lineages—Celtic and Levantine—this new duo traces melodic and rhythmical contours shaped by centuries of oral memory. They search for the places where their stories overlap: fields of exile\, haunted lands\, and songs that carry coded truths. \nThis is not a reimagining of the past\, but an exploration of a shared present—an exploration of what flows through us unseen\, like smoke through veins. This suite of music invites the audience to step into a newly formed world\, rooted in the past but written for the present day—a brand new mythology. \n  \nABOUT THE MUSICAL ARTISTS \nLAYALE CHAKER\, violinist\, singer and composer \nComposer and violinist Layale Chaker was raised on the verge of multiple musical streams in her native Lebanon. Her complex sound universe\, described by NPR as “beguiling” with “bright and beautiful strands… gorgeous\, wine-dark swirls\,” lies at the intersection of classical contemporary music\, jazz\, Arabic music\, and improvisation. Her practice is committed to art as both sanctuary and crossroads—a place where ancestral narratives meet contemporary voices in a continuous reimagination of the world we inherit\, live in\, and bequeath. A 2020-2022 Jerome Hill Fellow\, Chaker is also the recipient of the 2022 Opera America Discovery 2022 Award\, among many other accolades. \nIn 2024\, her work Qarar/Jawab premiered at the Venice Biennale\, and Dawning\, a double concerto\, premiered with the New York Philharmonic. Her debut chamber opera\, Ruinous Gods\, premiered at the 2024 Spoleto Festival before its European debut at Wuppertal Opera. She also recently released a double portrait album on In a Circle Records\, featuring both her classical works and chamber jazz quintet\, Sarafand. \n“Haunting yet quietly rigorous…” — The New York Times \nhttps://layalechaker.com \nMAEVE GILCHRIST\, harpist\, singer\, composer and producer \nEdinburgh-born harpist and composer Maeve Gilchrist has been credited as an innovator on her native instrument and taken the Celtic (lever) Harp to new levels of performance and visibility. Currently based in Kingston\, NY\, Maeve tours internationally as a solo artist and composer. She is a member of the Grammy-winning Silkroad ensemble and of Arooj Aftab’s Grammy-winning Vulture Prince Ensemble. She has performed and recorded with such luminaries as Yo-Yo Ma\, Frankie Gavin\, Esperanza Spalding\, Ambrose Akinmusire\, and Solas. \nAs a composer\, Maeve straddles the worlds of folk and classical music with pieces that include two original concertos for symphony Orchestra and Celtic Harp\, along with various works for harp and string quartet that have been played by such acclaimed groups as the Scottish Chamber Orchestra\, the Virginia Symphony Orchestra\, and the Aizuri String Quartet. She is a regular visiting artist at Berklee College of Music and has had several instructional books published by Hal Leonard and 80 Days Publishing. Maeve has released a number of albums under her name and is a featured soloist on the Dreamworks blockbuster movie soundtrack\, “How to Train Your Dragon: The Hidden World.” Her most recent album\, “The Harpweaver\,” has garnered international acclaim\, including a five-star review from the Irish Times\, which described it as “buoyant\, sprightly and utterly beguiling….a snapshot of a musician at the top of her game.” Maeve is the Artistic Director of the Rockport Celtic Festival\, an innovative new festival focused on cross-curation and the outer fringes of Celtic music. \n“Both Fascinating and Absorbing in equal measure\, an Original Voice” — Scotsman \nhttps://www.maevegilchristmusic.com \n\n\n\n\n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。\n\n\n\n\n\n\n\n展覧会スケジュール\n2025年7月21日（月）～7月26日（土）（7月25日は休館）\n月～木：12:00～18:00、土：12:00～15:00 \n天理ギャラリー所在地\n43A WEST 13TH STREET\, NEW YORK\, NY 10011\n電話：212.645.2800\n上記のギャラリー時間に加え、展覧会に関連して開催されるいくつかのレセプションやサロンでも展示をご覧いただけます。
URL:https://jp.crsny.org/index.php/event/exhibition20250724/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250726T150000
DTEND;TZID=America/New_York:20250726T173000
DTSTAMP:20260416T134329
CREATED:20250625T161758Z
LAST-MODIFIED:20250718T235458Z
UID:23363-1753542000-1753551000@jp.crsny.org
SUMMARY:Life Is Art Is Motherhood Is Art: クロージングレセプション & マザーアーティストサロン
DESCRIPTION:2025年7月26日（土）の午後3時から5時30分まで（開場3時、プログラム開始3時30分）、展示会「Life Is Art Is Motherhood Is Art」のクロージングレセプションにご参加ください。レセプションでは、母であるアーティストのSita Chay（ヴァイオリン）とRema Hasumi （キーボード）がパフォーマンスを行い、展示会のアーティストたちと展示テーマについて対話します。イベントはTenri Cultural Institute of New Yorkで開催されます。\n入場は無料で、事前予約は不要です。子連れの家族も歓迎です！ \n対話の後、ベトナムの母でありアーティスト、作家、平和活動家、慈善家のLe Ly Hayslip が、ベトナム戦争（今年は終戦50周年であり、第二次世界大戦終戦80周年でもある）から学ばれなかった教訓について自身の考えを共有し、インスピレーション、創造、相互ケア、無条件の愛の価値が差別なく生活のあらゆる側面に認識され、統合される社会を構想する必要性について、より大きな対話に織り交ぜます。 \n入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの一部です。\n詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。 \n\n\n\nABOUT THE ARTISTS \n\nSITA CHAY is a violinist\, composer\, and performance artist who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist of the Flor de Toloache. She is an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Lower Manhattan Cultural Council’s Creative Engagement Grant\, and Foundation for Contemporary Arts\, and was invited for residencies at the Stone\, Joe’s Pub\, and the Cell Theatre for various projects she is envisioning. Her collaborators include Satoshi Takeishi\, Shoko Nagai\, Sidra Bell\, and Leo Genovese and with them she performed in numerous festivals such as Progressive Chamber Music Festival 2023\, Outfest 2024\, and Multicultural Music Festival 2024. \n\n\nHer most recent project\, “Multidimensionally Human\,” is an interdisciplinary series that she collaborates on with Dr. Nikolai Chapochnikov\, a neuroscientist and psychotherapist. Through this project\, she weaves the psychotherapy modality Internal Family Systems using narrative\, dance\, visual art\, and music as a performance artist. \n\n\nIn 2023\, she released a music narrative film “Ritual of Le Sac” which tells a story of a fish-like life of a baby swimming inside the womb. This project was inspired by her recent journey of becoming a mom and experiencing the kindness and gentle curiosity from various strangers on the street for carrying a life inside. She intended this film to reflect and rediscover the innate human capacity and desire to care and honor life. \n\n\nMs. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which international critics have called as a “delicate powerhouse.” For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flair from New York jazz scenes. SaaWee’s Return of Songbirds debuted at Lincoln Center as part of #Restartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. \n\nhttps://www.sitachay.com \nREMA HASUMI is a New York-based sound designer and improviser\, whose eclectic background spans classical\, jazz\, and experimental music. The foundation of her music is grounded in a wide range of pianistic expressions that are at times contemplative and at others assertive. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Hasumi’s music has been described as one that “is able to capture those elusive moments when silence becomes music and music becomes silence” (Jakob Baekgaard\, All About Jazz) and that “begins with a delicate piano rumination\, wandering\, searching\, finding a state of gentle deliberation that suddenly fades” (Dan McClenaghan\, All About Jazz). Her musical influences span across various musicians\, including Alice Coltrane\, Sun Ra\, Masabumi Kikuchi\, Paul Bley\, Terry Riley\, Arthur Russel\, and many more. \nHasumi’s “Mothers\,” a seven-track album dedicated to the collective experience of motherhood\, will be released digitally on July 1\, 2025. The music represents the journey of mothers striving to protect their creative paths while navigating the deep emotions that come with parenting and the process of redefining their identities. Each track explores a different emotional landscape\, yet all share excerpts of piano improvisation from a single recording session\, which serves as an undercurrent throughout the album. This undercurrent reflects the ongoing\, profound\, and dynamic experience of motherhood. The album features a series of collaged soundscapes\, consisting of synthesizers\, piano\, and vocals performed by Hasumi\, with contributions from Austin White on electric bass and synthesizers on three tracks. Each track’s sound elements are improvised separately and then combined using a collage approach rather than traditional composition. The final mix is designed to offer a three-dimensional\, holistic\, and stimulating listening experience. The album will be available for digital download and streaming\, with a beautiful cover photograph by Aline Müller. Her works\, including the album cover photo\, are part of the Life Is Art Is Motherhood Is Art exhibition. The development of “Mothers” was made possible\, in part\, by a grant provided by CRS (Center for Remembering & Sharing). \nhttps://rema-hasumi.com/ \nLE LY HAYSLIP is an internationally known Vietnamese-American author\, philanthropist\, peace activist\, and speaker. She grew up in Ky La (now known as Xa Hoa Quy)\, Vietnam during the American-Vietnam War. She wrote two best-selling memoirs—When Heaven and Earth Changed Places and Child of War\, Woman of Peace\, based on her painful and ultimately triumphant journey from a traumatizing childhood in war-ravaged Vietnam to her new life in America. Having grown up in Central Vietnam as a woman\, Le Ly shares a perspective that is unique when it comes to the Vietnam War. She received raving reviews for both books\, including from The New York Times and The Washington Post. When Heaven and Earth Changed Places was included in the 1990 edition of Reader’s Digest’s Today’s Best Nonfiction. Her memoirs\, having been published in 17 different languages throughout the world\, are now used in several universities as course material to study women in history\, the American/Vietnam War\, and other topics. In 1993\, the books were adapted into the film “Heaven & Earth\,” directed by the award-winning director Oliver Stone and starring Hiep Thi Le and Tommy Lee Jones. \nLe Ly’s life as a humanitarian began after she arrived in the US in 1970 and became a US citizen\, but she returned to her native Vietnam in 1986. Her shock from the devastation\, poverty\, and illness left by the war became the impetus for her two philanthropic organizations\, East Meets West Foundation and Global Village Foundation. Both organizations dedicate their efforts to humanitarian relief\, education\, and development to help rebuild Vietnam through providing basic needs (shelter\, clean water\, medical facilities\, education)\, establishing revolving loan programs\, and finding homes for several hundred orphaned children. Hayslip continues to lead groups and delegations in cultural and anthropological studies in her home village. \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。 \n  \n\n\n\n\n\n\n\n展覧会スケジュール\n2025年7月21日（月）～7月26日（土）（7月25日は休館）\n月～木：12:00～18:00、土：12:00～15:00 \n天理ギャラリー所在地\n43A W 13th St. NY.NY 10011、\n電話：212.645.2800\n上記のギャラリー時間に加え、展覧会に関連して開催されるいくつかのレセプションやサロンでも展示をご覧いただけます。
URL:https://jp.crsny.org/index.php/event/exhibition20250726/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/webp:https://jp.crsny.org/wp-content/uploads/2025/06/250726-Closing-Reception.webp
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7363801;-73.9960877
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