BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//CRS (Center for Remembering & Sharing) - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://jp.crsny.org
X-WR-CALDESC:Events for CRS (Center for Remembering & Sharing)
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Berlin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230114T170000
DTEND;TZID=America/New_York:20230114T183000
DTSTAMP:20260404T182919
CREATED:20221228T150034Z
LAST-MODIFIED:20221228T150354Z
UID:22171-1673715600-1673721000@jp.crsny.org
SUMMARY:CRS Presents “Being Now Together” Concert with SACO & As It Is
DESCRIPTION:CRS (Center for Remembering & Sharing) は、SACO & As It Is と共に、2023年、新年を祝い「Being Now Together」コンサートを開催します。この10人編成のアンサンブルの自由なスピリットが、私たちが共に創造し美しい波動を体験できる、銀河の愛と調和の空間へとあなたを誘いこむことでしょう。One Love! \nチケットは20ドルで、Eventbriteから購入できます。また、当日券もご購入できます（現金のみ）。お席に限りがありますので、事前のチケット購入をお勧めします。 \nワクチン予防接種の証明は必要ありませんが、マスクの着用をお勧めします。 \n\nSaco Myoji: Vocal\, Keyboard\, Mbira\nSakurako Kataoka: Spoken-word\nMichael T.A. Thompson: Percussion\nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nThe multi-instrumentalist\, Saco Myoji (aka Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan.\nhttps://www.sacoyasuma.com/\nhttps://www.youtube.com/@saco1love \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org
URL:https://jp.crsny.org/index.php/event/concert230114/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/12/Saco-Cetral-Park-2.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230128T190000
DTEND;TZID=America/New_York:20230128T203000
DTSTAMP:20260404T182919
CREATED:20221228T141846Z
LAST-MODIFIED:20221228T151150Z
UID:22104-1674932400-1674937800@jp.crsny.org
SUMMARY:Crossing Boundaries Concert Series #19: Careful in the Sun
DESCRIPTION:CRSでは、Maya KerenのキュレーションによるCrossing Boundaries Concert Series Vol.19を開催します。\n『Careful In The Sun』は、Maya Keren（ピアノ・声）のループと歌に基づいた豊かな即興演奏をEliza Salem（ドラム）、Anna Abondolo（フレットレスベース・声）、Emmanuel Michael（エレクトリックギター）、Eden Girma（声・エレクトロニクス）とのコラボレーションでお届けします。\n彼らの瑞々しいハーモニーとカタルシス溢れるフック、そして奇妙で自然な夢のロジックが彼らの音楽の中心となっています。このコンサートで、歌に息吹を吹き込み、つながり、癒し、そして喜びをともに体験する空間をご一緒しましょう。 \nチケットはeventbrite.comで20ドル（学生10ドル）、または当日現金でお求めいただけます。 \nワクチン予防接種の証明は必要ありませんが、マスクの着用をお勧めします（必須ではありません）。 \n\nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n \nABOUT THE ARTISTS \nAnna Abondolo is a bassist and composer from Los Angeles\, California. She is currently based in Brooklyn developing an interdisciplinary collective entitled\, “Rainbow Princess.” https://www.facebook.com/people/Anna-Abondolo/100008127379473/ \nEden Girma is a multi-instrumental musician and vocalist hailing from Madison\, WI. Through a genre-bending compositional ear and a poetic lyricism\, Eden aspires to create music that not only resonates with individual hearts\, but brings people closer together in a spirit of intimacy and empathy. https://edengirma.me/ \nEliza Salem is a drummer currently based in Brooklyn. She is a Metro DC native who learned her craft in the Washington area’s vibrant musical scene under the guidance of mentors Paul Carr and Chris Allen. In the spring of 2021\, she received her Bachelor’s degree from the University of Michigan where she had the privilege of studying with professors including Michael Gould\, Sean Dobbins\, Ellen Rowe\, Dennis Wilson\, Robert Hurst\, and Benny Green\, among others. In the summer of 2019\, she studied at Brooklyn’s School for Improvisational Music\, where she worked closely with Ralph Alessi\, Andy Milne\, Gerald Cleaver\, Kris Davis\, Tim Berne\, and other distinguished improvisers. In 2021\, Eliza was one of 15 fellows selected to take part in the Ravinia Steans Music Institute’s renowned jazz program where she had the opportunity to learn from and workshop original compositions with masters Rufus Reid\, Billy Childs and Steve Wilson. Over the last several years she has worked professionally as a bandleader and side person in the greater Detroit and D.C. areas at renowned venues such as Cliff Bell’s\, the Blue Llama Jazz Club\, Columbia Station\, An Die Musik\, the Keystone Korner\, Twins\, and Jojo’s. Since moving to New York City in 2021\, she has performed at acclaimed performance spaces such as Dizzy’s\, Smalls Jazz Club\, the Django\, Ornithology Jazz Club\, the Harlem Museum of Jazz\, 55 Bar\, the McKittrick Hotel\, and more. In the summer of 2022 Eliza had the opportunity to perform at the Newport Jazz Festival as a part of the Michael Dudley trio. Currently\, Eliza is enjoying working full-time as a freelance musician and drum teacher\, and can be found playing in the band Careful In the Sun led by pianist and composer Maya Keren\, crocheting\, and hanging out with her roommate’s cat Azula. https://metropolisensemble.org/artists-collection/eliza-salem \nEmmanuel Michael has been a part of various diverse ensembles and has had the honor to work with a wide variety of artists such as Rufus Reid\, Wycliff Gordon\, Matt Wilson\, Keyon Harrold\, and Immanuel Wilkins. Michael was also a member of the Herbie Hancock Institute of Jazz Peer-to-Peer All-Star Sextet of 2019\, giving him the honor of touring and holding workshops through several schools within the state of Oklahoma with jazz icons Steve Wilson and Lisa Henry\, under the direction of Dr. J.B Dyas and Bart Marantz. Michael also toured throughout parts of China and Taiwan under Carnegie Hall’s NYO Jazz 2019 with Sean Jones and Kurt Elling\, allotting him the honor of working for two weeks in New York with artists such as Shammie Royston\, Obed Calvaire\, Erika Von Kleist\, and Mathew Stevens. Michael now attends the Manhattan School of Music and works as a professional musician in New York City. https://www.sfjb.org/emmanuel-michael \nMaya Keren is a Brooklyn-based pianist\, vocalist\, composer\, and songwriter from Philadelphia. They are interested in the process of environing people\, voices\, instruments\, and sounds in ways that invite connection with one’s erotic instinct\, embody compassionate and queer relations with the self and the collective\, and destabilize learned systems of domination. Sites of learning include the Creative Music Program in Philly\, Banff International Workshop in Jazz and Creative Music\, Mutual Mentorship for Musicians and the Ida B. Wells JUST Data Lab. Maya graduated from Princeton University in 2022 with a Bachelor’s degree in Music and a certificate in African American Studies. They currently live in Brooklyn where they teach at Brooklyn Conservatory and write songs\, loops\, and words for their band Careful In The Sun\, drawing inspiration from Gwendolyn Brooks\, Clarice Lispector\, Pinegrove\, and the Wissahickon. https://www.mayakerenmusic.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/concert-230128/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2022/12/image1.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230204T140000
DTEND;TZID=America/New_York:20230204T160000
DTSTAMP:20260404T182919
CREATED:20230117T152514Z
LAST-MODIFIED:20230117T152814Z
UID:22265-1675519200-1675526400@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。その後は、ソーシャルタイムのひとときを楽しみます。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20230204/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T200000
DTEND;TZID=America/New_York:20230218T213000
DTSTAMP:20260404T182919
CREATED:20221228T143915Z
LAST-MODIFIED:20221228T181323Z
UID:22109-1676750400-1676755800@jp.crsny.org
SUMMARY:Shoko Nagai’s Tokala with violinist Sita Chay & percussionist Satoshi Takeishi
DESCRIPTION:CRS (Center for Remembering & Sharing) は、永井晶子 (ピアノ/アコーディオン)、武石聡 (パーカッション)、Sita Chay (ヴァイオリン) をフィーチャーした、TOKALA アンサンブルをご紹介します。 TOKALAは、シルクロードを通じて日本と中東の間に築かれた古代のつながりを探求し、この文化的・商業的交流の経路は、日本文化の不可欠な一部となる足跡を残しました。 \n日本と韓国の民俗音楽、ポップ ミュージック、中東音楽を融合させたTOKALAは、これらの伝統の間の何世紀にもわたるつながりに光を当てていきます。 \nチケットは20ドル（学生は10ドル）。Eventbriteから購入できます。また、当日券もご購入できます（現金のみ）。 \nワクチン予防接種の証明は必要ありませんが、マスクを着用することをお勧めします。 \n“We have seen the art works\, instruments\, and other artistic objects from the Persian empire preserved in Imperial storage in Nara\, Japan. We can but only imagine what it was like for musicians of Japan to hear the sounds of Persian court music. We are sure that it has left strong imprints deep in the Japanese traditional culture.” — Shoko Nagai \nTokala received a grant from NYFA (New York Fine Arts) for City Artist Corps 2021. \nABOUT THE ARTISTS \nShoko Nagai is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. As a teenager in her native Japan\, Nagai was trained on Yamaha’s electronic organ\, the “Electone\,” to perform popular music. Since moving to the U.S. from Japan and studying classical\, jazz music\, and compositions at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordions\, and other keyboard instruments\, often inspired by the minimalist approach of composer Toru Takemitsu. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound. http://www.shokonagai.net/ \n“Whether traipsing over a steady\, rolling rhythm or swimming through a collage of abstract sound\, Nagai\, a pianist\, treat every moment as an opportunity for deep synchronicity.” — GIOVANNI RUSSONELL\, New York Times \nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York. \nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University.  \nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.” http://www.sitachay.com \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org
URL:https://jp.crsny.org/index.php/event/concert230218/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/12/IMG_0997-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230304T160000
DTEND;TZID=America/New_York:20230304T173000
DTSTAMP:20260404T182919
CREATED:20230214T182204Z
LAST-MODIFIED:20230214T182204Z
UID:22356-1677945600-1677951000@jp.crsny.org
SUMMARY:CRS Presents Hot Wrk Ensemble: 『WRKin it Out 』コンサート
DESCRIPTION:3月4日午後4時より、CRSホワイトルームにて、Hot Wrk Ensemble: の『WRKin It Out』コンサートを開催します。パーカッションにJ Brooks Marcus (J Why)、サックスにLois Hicks-Wozniak、バリトンサックス＆木管楽器にBrad Hubbardを迎え、バッハ＆スカルラッティから現代アートミュージック、ジャズ風フュージョンに即興とアンサンブルメンバーによる作曲と、多様でジャンルにとらわれない室内楽演奏です。観客は質問をしたり、アイデアを出し合ったりして、音楽制作の一部を体験することができます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comで事前にお求めいただけますが、当日の購入は現金のみとなります。 \n予防接種の証明は必要ありませんが、マスク着用を強くお勧めします。CRSは階段のみでのアクセスとなりますので、ご注意ください。 \nBrad Hubbard is a Composer who plays Baritone Saxophone\, Flute\, and Bass Clarinet. Brad has performed throughout the world in many diverse settings. In addition to performing as a solo recitalist and with the Hot Wrk Ensemble\, Brad is a member of 3rd Bell\, a quartet that combines jazz\, world\, and electronic music filtered through a singer/songwriter mentality. He is also a member of David Sanford’s Pittsburgh Collective an innovative 20 piece big band and Neil Alexander’s X Ensemble\, a modern Chamber Jazz Octet. He commissioned and premiered Benjamin Boone’s “Concerto for Baritone Saxophone and Orchestra” as well as pieces from Sherwood Shaffer\, Monica Ashton\, Mark Taylor and Michael Bellar. He is also involved as a composer and performer with Composers Concordance in New York City. As a sideman Brad has appeared with a broad range of artist including Corey Glover of Living Colour\, Nancy Wilson\, Pinetop Perkins\, Lew Tabackin\, Lenny Pickett\, Boots Randolph\, Roy Clark\, The Monica Ashton Jazz Band and various local groups in the Hudson Valley. \nBrad was a member of the New Century Saxophone Quartet from 1988-2004. During his tenure with the quartet\, the ensemble was the first of its kind to win the prestigious Concert Artist Guild competition in New York City in 1992. The quartet toured throughout the United States and the World performing in major concert venues including Carnegie Hall\, Chicago’s Pick-Staiger Concert Hall\, Atlanta’s Spivey Concert Hall\, Boston’s Symphony Hall and Isabella Stewart Gardner Museum\, New York’s Merkin Concert Hall and the Kosciuszko Foundation Townhouse\, Washington\, D.C’s Strathmore Hall\, Alaska’s Juneau Jazz and Classics Festival\, the Villla Schönberg in Zurich\, Switzerland\, the Conservatoire de Musique in Esch Luxembourg\, the Macau International Music Festival and the Academy for the Performing Arts in Hong Kong\, China. New Century was also the first saxophone quartet to perform at La Huaca del Complejo Atlapa in Panama City\, Panama. NCSQ has also appeared in unique concert settings including two command performances for President Clinton in the White House to a concerto performance with the United States Navy Band. Brad appears on the first 6 New Century recordings on the Channel Classics label. \nBrad is currently the Woodwind Instructor at The Beacon Music Factory in Beacon NY\, where he lives with his family. \nJ. Brooks Marcus (aka J Why) is a multi-instrumentalist and composer who studied jazz\, classical\, electronic and experimental music at California Institute of the Arts\, Berklee College of Music\, and San Francisco State University. He has composed for dance\, film\, puppet theater\, and podcasts. Collaborators have included: multi-instrumentalist and composer Julz A\, dance filmmaker Anna Brady Nuse\, and choreographer Sasha Welsh. J has composed music for filmmaker Amir Bar-Lev\, Los Angeles theater company About Productions\, dance filmmaker Susan Osberg\, and animator/puppet theater artist Susan Simpson. In 2017 he formed the collaborative production duo Obsidian Soundsystem with musician and engineer Jonny Taylor. As a performer\, he has played with Pamela Z\, Gwen Laster’s Gameboard\, and Andy Rinehart. J teaches composition at SUNY New Paltz and percussion\, clarinet and computer music at Beacon Music Factory. His music can be found at https://soundcloud.com/j-why-1 and https://obsidiansoundsystem.bandcamp.com/music. \nLois Hicks-Wozniak is an active concert saxophonist and educator in the New York Metropolitan and the Hudson Valley region\, committed to community engagement through new music and Global Music styles. A D’Addario Woodwinds Artist\, her many awards include winning the Special Presentation Winners Recital Series\, sponsored by Artists International Presentations; earning her a New York Recital Debut at Weill Recital Hall in Carnegie Hall. She is described in performance as having “tremendous technique and fidelity to tone without sacrificing musical line\,” and a “beautiful soprano saxophone sound…preserving the beauty and consistency of her sound regardless of the technical or musical demands of the moment” (Saxophone Symposium). An active soloist\, she has performed and recorded within many ensembles to include the Albany Symphony\, the Hudson Valley Philharmonic\, and with Pat Waing master\, Kyaw-Kyaw Naing and the first Burmese-American Hsiang Waing ensemble. Her album Playback: Music for Saxophone and Bass Trombone is with Matt Wozniak and Nadine Shank\, piano. She is a featured educator in the textbook\, World Music Pedagogy Vol VII: Teaching World Music in Higher Education (Routledge 2020). She co-founded the saxophone and percussion chamber group\, Hot Wrk Ensemble\, featuring improvisatory music\, arrangements\, and original works\, to include her own compositions. She previously served active duty in the U.S. Army as a saxophonist with the West Point Band and taught at Marist College\, Montclair State University\, and SUNY New Paltz. She holds degrees from Florida State University and Montclair State University. Her sixth grade band director suggested she play the saxophone\, and although she cried when she first saw the instrument\, she has no regrets.\nhttp://loishickswozniak.com/ \n  \n 
URL:https://jp.crsny.org/index.php/event/20230304hot-wrk-ensemble/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/02/Image-1-17-23-at-3.09-PM-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230311T140000
DTEND;TZID=America/New_York:20230311T153000
DTSTAMP:20260404T182919
CREATED:20230124T152443Z
LAST-MODIFIED:20230127T024903Z
UID:22304-1678543200-1678548600@jp.crsny.org
SUMMARY:CRS Presents INTERWOVEN International Chamber Ensemble at Resobox
DESCRIPTION:3月11日（土）午後2時、Resobox East Villageにて、国際的な室内楽アンサンブル「INTERWOVEN」を、CRSとResoboxとの初コラボレーションでお届けします。\nINTERWOVENのメンバーである木村伶香能（三味線/声楽）、Andy Lin（二胡/ビオラ）、Emilie-Anne Gendron、徳永慶子（バイオリン）、Nan-Cheng Chen（チェロ）による演奏。JungYoon Wieの「A Popular Tune」、中能島欣一の「赤壁賦」、Theodore Wiprudの「Chimera」、Takuma Itouの「Crosscurrents」、Ravelの「String Quartet (First and Second Mv)」と、和・漢・洋で構成された楽曲をお楽しみいただけます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comから購入できるほか、当日会場で現金でも購入できます。 \nINTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities\, events\, classes\, art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake\, tsunami\, and ongoing nuclear disaster\, and we’d like to dedicate this concert to those who were lost\, those left behind\, and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable\, and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \n  \nVENUE LOCATION:\nResobox East Village\n91 E 3rd St\nNew York\, NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St\, 6 train to Bleecker St or Astor Place\, R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON\, lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing\,” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro\, as well as acclaimed groups such as A Far Cry\, Argento Chamber Ensemble\, Chamber Music Society of Lincoln Center\, Chamber Orchestra of Philadelphia\, Iris Orchestra (as one of its concertmasters)\, Orpheus Chamber Orchestra\, Talea Ensemble\, and Sejong Soloists. She is a founding member of Ensemble Échappé\, a new-music sinfonietta\, and of Gamut Bach Ensemble\, in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician\, Ms. Gendron is a longtime member of the Momenta Quartet\, whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo\, founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet\, specializing in innovative educational outreach and community engagement\, since 2009. Toomai\, one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program\, helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S.\, ranging from grade school to university level. As a member of the Momenta Quartet\, Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools\, universities\, and conservatories in the U.S. and as far afield as Bolivia\, Indonesia\, and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division\, NYU\, and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia\, Finland\, Indonesia\, South Korea\, and Jordan; and major venues across the Americas\, Europe\, and Asia\, in collaboration with such artists as Teddy Abrams\, Rachel Barton Pine\, Bruno Canino\, Leon Fleisher\, Richard Goode\, Anthony McGill\, Edgar Meyer\, Shlomo Mintz\, Anthony Newman\, Samuel Rhodes\, Marcy Rosen\, Gil Shaham\, and Jörg Widmann\, among many others. Her performances have been broadcast over radio and television in the U.S.\, U.K.\, Switzerland\, New Zealand\, Canada\, Denmark\, Japan\, and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents\, and a dual citizen of the U.S. and Canada\, Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay\, Won-Bin Yim\, Hyo Kang\, David Chan\, and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study\, both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University\, and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work\, especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu\, and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra\, Chamber Orchestra of Philadelphia\, Children’s Orchestra Society\, Grant Park Symphony Orchestra\, Incheon Philharmonic\, the Juilliard Orchestra\, Milwaukee Symphony\, New York Classical Players\, Orford Academy Orchestra\, Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet\, the Amphion String Quartet\, and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman\, playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert\, as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast\, Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist\, Nan-Cheng has collaborated with Simon Bolivar Orchestra\, Queens Symphony Orchestra\, Metro-West Symphony\, Quincy Symphony and Symphony Pro Musica\, and has toured North American\, South America\, Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency\, Sarasota Music Festival\, Heifetz Institute\, Encore School for Strings\, and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival\, a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator\, Nan-Cheng has given cello masterclasses at Penn State University\, University of Wisconsin\, University of Calgary as well as universities in Panama\, Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School\, and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\ncrsny.org
URL:https://jp.crsny.org/index.php/event/interwoven20230311/
LOCATION:Resobox East Village\, 91 E 3rd St\, New York\,\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/01/55BECB3A-2553-4E28-9453-5A2CBB2E4E6C-scaled-1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.724831;-73.9877549
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:3月11日（土）午後2時、Resobox East Villageにて、国際的な室内楽アンサンブル「INTERWOVEN」を、CRSとResoboxとの初コラボレーションでお届けします。\nINTERWOVENのメンバーである木村伶香能（三味線/声楽）、Andy Lin（二胡/ビオラ）、Emilie-Anne Gendron、徳永慶子（バイオリン）、Nan-Cheng Chen（チェロ）による演奏。JungYoon Wieの「A Popular Tune」、中能島欣一の「赤壁賦」、Theodore Wiprudの「Chimera」、Takuma Itouの「Crosscurrents」、Ravelの「String Quartet (First and Second Mv)」と、和・漢・洋で構成された楽曲をお楽しみいただけます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comから購入できるほか、当日会場で現金でも購入できます。 \nINTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities events classes art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake tsunami and ongoing nuclear disaster and we’d like to dedicate this concert to those who were lost those left behind and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \n  \nVENUE \nResobox East Village\n91 E 3rd St\nNew York NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St 6 train to Bleecker St or Astor Place R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro as well as acclaimed groups such as A Far Cry Argento Chamber Ensemble Chamber Music Society of Lincoln Center Chamber Orchestra of Philadelphia Iris Orchestra (as one of its concertmasters) Orpheus Chamber Orchestra Talea Ensemble and Sejong Soloists. She is a founding member of Ensemble Échappé a new-music sinfonietta and of Gamut Bach Ensemble in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician Ms. Gendron is a longtime member of the Momenta Quartet whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet specializing in innovative educational outreach and community engagement since 2009. Toomai one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S. ranging from grade school to university level. As a member of the Momenta Quartet Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools universities and conservatories in the U.S. and as far afield as Bolivia Indonesia and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division NYU and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia Finland Indonesia South Korea and Jordan; and major venues across the Americas Europe and Asia in collaboration with such artists as Teddy Abrams Rachel Barton Pine Bruno Canino Leon Fleisher Richard Goode Anthony McGill Edgar Meyer Shlomo Mintz Anthony Newman Samuel Rhodes Marcy Rosen Gil Shaham and Jörg Widmann among many others. Her performances have been broadcast over radio and television in the U.S. U.K. Switzerland New Zealand Canada Denmark Japan and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents and a dual citizen of the U.S. and Canada Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay Won-Bin Yim Hyo Kang David Chan and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra Chamber Orchestra of Philadelphia Children’s Orchestra Society Grant Park Symphony Orchestra Incheon Philharmonic the Juilliard Orchestra Milwaukee Symphony New York Classical Players Orford Academy Orchestra Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet the Amphion String Quartet and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019 and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021 Keiko founded an online concert series Jukebox Concerts in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers but also to residents of nursing homes hospitals and assisted living facilities across the country. Later in the year she created INTERWOVEN a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013 and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist Nan-Cheng has collaborated with Simon Bolivar Orchestra Queens Symphony Orchestra Metro-West Symphony Quincy Symphony and Symphony Pro Musica and has toured North American South America Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency Sarasota Music Festival Heifetz Institute Encore School for Strings and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator Nan-Cheng has given cello masterclasses at Penn State University University of Wisconsin University of Calgary as well as universities in Panama Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts she studied at Institute of Traditional Japanese Music an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama Akiko Nishigata and Senko Yamabiko a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki NPR’s Performance Today and WKCR. As a koto soloist Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum Piestro Mascagni’s Iris by American Symphony Orchestra Basil Twist’s Dogugaeshi Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015 and featured at Chamber Music America’s 2016 National Conference and performed at the John F. Kennedy Center in 2017. In 2019 the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=91 E 3rd St:geo:-73.9877549,40.724831
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230326T170000
DTEND;TZID=America/New_York:20230326T183000
DTSTAMP:20260404T182919
CREATED:20230218T154701Z
LAST-MODIFIED:20230218T191912Z
UID:22362-1679850000-1679855400@jp.crsny.org
SUMMARY:SACO & As It Is: 「Gratitude to Spring」 コンサート
DESCRIPTION:CRS (Center for Remembering & Sharing) は、SACO & As It Is とスペシャルゲストのKevin Nathaniel (ムビラ) とともに、“Gratitude to Spring”（春への感謝）をお届けしたいと思います。春の育むエネルギーに感謝し、それを受け入れ、歌と踊りで一緒に祝いましょう！ \n11人編成のジャンルを超えた音楽アンサンブルであるSACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々の心を一つにと導いてくれます。 \nチケットは20ドル、Eventbriteにてご購入できます。また当日は会場にて（現金のみ）お求めいただけます。\n座席数には限りがありますので、事前のチケット購入をお勧めします。ワクチン接種の証明は不要ですが、マスク着用を強くお勧めします。 \nSaco Myoji: ヴォーカル、キーボード、ムビラ、カリンバ \nSakurako Kataoka:スポークン・ワード \nMichael T.A. Thompson: パーカッション \nONE NOTE ONE SPIRIT コーラス: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nスペシャルゲスト：Kevin Nathaniel: ムビラ \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \n\nkevinnathaniel.com/ \n\n\n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/saco-as-it-is20230326/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/02/DSC09883-2.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230402T160000
DTEND;TZID=America/New_York:20230402T173000
DTSTAMP:20260404T182919
CREATED:20230108T152249Z
LAST-MODIFIED:20230222T200839Z
UID:22255-1680451200-1680456600@jp.crsny.org
SUMMARY:第27回 ニューヨークの四季 - 日本音楽の彩り
DESCRIPTION:箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ「第27回 ニューヨークの四季 – 日本音楽の彩り-」公演を、4月2日（日）4:00~よりCRS・ホワイトルームにて開催いたします。箏、三味線の音色を、四季折々 に体感して頂くシリーズとして、2015年秋よりスタートしました。これまでに箏曲の古典作品から現代の作品 まで、60曲に及ぶ作品を紹介しています。 第27回公演は、尺八のジェームス如楽シュレファー をゲストにお迎えします。 \n\n\n\n共催:Center for Remembering and Sharing\, 木村伶香能\n後援:(有)邦楽ジャーナル、Mar Creation\, Inc. \n【Date】 Sunday\, April 2\, 2022\, 4:00 pm (EST) \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n【Tickets】 $30 ●ご予約受付　info@yokoreikanokimura.com\n*ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。\n*お席が限られておりますので、お早めのご予約をお勧め致します。\n*ご精算は当日CRSにて承ります。(キャッシュのみ） \nマスクご着用のご協力をお願いしております。 \n【Event website】 木村伶香能ウェブサイト https://www.yokoreikanokimura.com/calendar/\n【Contact】 info@yokoreikanokimura.com \n\n\n\n  \n尺八　ジェームス如楽シュレファー\nニューヨークを拠点に尺八奏者、作曲家として活躍するジェームス如楽シュレファーは、ニューヨーク・タイムス紙において、「尺八のマスター」と絶賛される。2001年、「大師範」の免状を取得。2008年、京都の無住庵道場から二つ目の師範の免状を授与される。ロニー如月セルディンに尺八の手ほどきを受け、以来、青木鈴慕、横山勝也、倉橋義雄、谷口嘉信、三橋貴風の各氏に師事。ニューヨーク市、クイーン ズ・カレッジにてフルートと音楽学の修士課程を修了。現在、コロンビア大学で尺八、そしてニューヨーク市立大学で音楽史の教鞭を取る。現在まで、カーネギー・ホール、リンカーン・センター、ケネディ・センター、タングルウッドの小澤ホール、BAM（ブルックリン・アカデミー・オブ・ミュージック）、メトロポリタン美術館を始め、ジュリアード音楽院、マンハッタン音楽学校、イーストマン音楽学校など、全米各地の大学で演奏活動を行う。これまで4枚のソロ・アルバムをリリース、NPR(ナショナル・パブリック・ラジオ)の「オール・シングス・コンシダード」で紹介される。尺八のソリストとして、ニューヨーク・シティー・オペラ・オーケストラ、英国ストラトフォードのオーケストラ・オブ・ザ・ スワン等と共演。北米、南米、アジア、ヨーロッパ各地の音楽祭等で演奏、ワークショップを行う。日本楽器の表記法に関する書籍、 及び尺八練習曲を二冊執筆・出版。作曲家として、弦楽四重奏団と尺八の為の五重奏曲、尺八協奏 曲等、和楽器の為の作品を数多く手がける。「虚心庵アーツ」創設者、代表。 \n  \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \n\n\n\n\n\n\nWebsite: yokoreikanokimura.com \n\n\n\n  \n\n\n\n  \n  \n 
URL:https://jp.crsny.org/index.php/event/four-seasons230402/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/01/230402-Four-Seasons-in-NY-27.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230514T130000
DTEND;TZID=America/New_York:20230514T173000
DTSTAMP:20260404T182919
CREATED:20230120T224910Z
LAST-MODIFIED:20230212T172717Z
UID:22285-1684069200-1684085400@jp.crsny.org
SUMMARY:香咲弥須子 山陰セミナー
DESCRIPTION:ご予約受付中　https://ws.formzu.net/fgen/S342845058/\nお問い合わせは、https://www.flends-learning-acim.net/お問合せ/ \n  \n  \n 
URL:https://jp.crsny.org/index.php/event/2023sanin-seminar/
LOCATION:米子コンベンションセンター
CATEGORIES:In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/01/00384ef0080b9e0812a886487b29f2e4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230521T140000
DTEND;TZID=America/New_York:20230521T150000
DTSTAMP:20260404T182919
CREATED:20230402T015233Z
LAST-MODIFIED:20230402T015716Z
UID:22391-1684677600-1684681200@jp.crsny.org
SUMMARY:BETA Quartet: Where We Come From
DESCRIPTION:CRSは、受賞歴のあるコンテンポラリーフルートアンサンブルBETA Quartetを迎え、BETA Quartetが委嘱したデトロイトを拠点とするサックス奏者／作曲家Marcus Elliotの「Where We Come From」の世界初演を中心としたプログラムを披露する予定です。\nWhere We Come From」は4つの楽章からなる作品で、「Divine Feminine」のテーマを中心に、女性のエネルギーと母なる自然を体現する力、美、優美さを示しています。\nBETA Quartet は、Kenneth Tse によって「最高の室内楽」、Barbara Siesel によって「ユニークで名手」と評された、受賞歴のあるフルート奏者 Eftihia Arkoudis、Tatiana Cassetta、Alyssa Schwartz、および Meg Brennan で構成されるアンサンブルです。\nコンサートは、CRSのホワイトルームで開催されます。なお、会場へは階段でのアクセスのみとなり、車椅子での入場はできません。ワクチン接種の証明は必要ありませんが、マスクの着用をお勧めします。お席に限りはありますが、残席がある場合、チケットは現金にてドアで購入することもできます。 \nMarcus Elliot is a saxophonist\, composer\, improviser\, and educator based in Detroit\, Michigan. Marcus is a 2020 Kresge Artist Fellow\, awarded by Kresge Arts in Detroit. He is the current director of the University of Michigan’s Creative Arts Orchestra. His compositions and improvisations have been described by the New York Times as “convincing and confident\, evolved in touch and tone…”\, and the Detroit Free Press has said\, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet\, Clockwork\, Balance\, Beyond Rebellious\, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan.\nhttps://www.marcuselliotmusic.com\nBETA Quartet is dedicated to exploring and promoting the cutting edge of modern flute music by premiering and performing works by living composers from around the world. The ensemble is actively engaged through concerts\, masterclasses\, and educational outreach across the country and abroad.\nAs strong competitors\, BETA has won First Prize at France Music Competition 2° (2020) and West Virginia Music Teachers National Association Chamber Music Competition (2016)\, First Prize at the Flute Society of Kentucky Quartet Competition (2017)\, and advanced to the semi-finals of the prestigious Fischoff National Chamber Music Competition (2017). The group has performed and presented workshops at the National Flute Association Convention\, Florida Flute Association Convention\, the Mid-Atlantic Flute Convention\, the Flute Society of Greater Philadelphia\, and the WVU International Flute Symposium.\nBETA’s activities have been partially funded by grants from The Friends of Flutes Foundation and West Virginia University\, and their recognition within the flute community resulted in sponsorship by Flute Specialists\, Inc. (Clawson\, MI). As of 2019\, BETA Quartet is also a Trevor James Low Flutes Ensemble.\nFollowing the release of their self-titled debut album (2017)\, BETA commissioned Detroit based composer Marcus Elliott to write a work celebrating the feminine divine (2019) and recorded the world premiere of Nuraghi Warriors Dance (Ples Bojevnikov Nuraghi) composed by Anže Rozman and dedicated to the group (2020). Both albums are released with Merandi Records and are available through Spotify\, iTunes\, YouTube and www.betaquartet.com.\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/betequartet20230521/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/webp:https://jp.crsny.org/wp-content/uploads/2023/04/https-cdn.evbuc_.com-images-464395059-266945216123-1-original.20230308-223641.webp
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230525T190000
DTEND;TZID=Europe/Berlin:20230525T200000
DTSTAMP:20260404T182920
CREATED:20230430T155652Z
LAST-MODIFIED:20230501T125247Z
UID:22401-1685041200-1685044800@jp.crsny.org
SUMMARY:DIVINE at DOCK 11\, commissioned by CRS
DESCRIPTION:CRS is thrilled to invite you to Berlin for the world premiere of DIVINE\, inspired by tragic tales of wronged and resilient women such as ballet’s “Giselle” and the classic Japanese Kaidan ghost story “Oiwa.”Supported by a commission from CRS\, Berlin-based butoh dance artist Yuko Kaseki and ballet artist Megumi Eda created and perform the work to an original sound score composed by Reiko Yamada.\nPerformances will take place May 25 – 28\, 2023 at 7pm at DOCK 11. Following the May 26 performance\, there will be a Q&A with the audience in collaboration with Theaterscoutings.\nTickets are 10/15 € and are available through DOCK 11.\nThese two dancers are like oil and water\, moon and turtle\, the North and South Pole\, a crane in rubbish…. By exchanging their polar opposite approaches to movement and performance\, they assume characters plagued with the discomfort and instability of unfamiliar\, distorted bodies. These two figures with different space/time/ dimensions meet where the eye of the corona appears to have passed\, which they cross in sympathy but filled with confusion and dissonance from wildly different types of existences. Their suffering and persistence echo the paths of Giselle and Oiwa and countless other women whose divine spirits have endured objectification\, coercion\, violence\, and imprisonment in images and lives not of their own choosing or making.\n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” – Laurie Anderson\nThis is only the second commission by CRS (Center for Remembering & Sharing) and the first production we have supported outside the United States. We became connected to Yuko Kaseki through the work of past CRS visiting instructor and performer Shinichi Momo Koga and through Yuko’s work with CAVE Art Space and Japan Society. We developed a relationship with Megumi when her daughter performed in ballet recitals at CRS under the direction of Rie Fukuzawa and through Megumi’s work with Yoshiko Chuma & the School of Hard Knocks. At Yoshiko’s suggestion\, CRS presented Megumi’s talk and documentary video art at CRS\, which grew out of Megumi’s work with Yoshiko. This project was\, in fact\, hatched at a School of Hard Kocks performance last October at Ki Smith Gallery\, and we are grateful for Yoshiko’s support and encouragement.\nMegumi Eda was born in Nagano\, Japan and had her professional debut with the Matsuyama Ballet Company at age 14 in Tokyo where she appeared in many of the ballet classics in repertoire. After appearing successfully in the Prix de Lausanne Competition\, she was invited to the Hamburg Ballet School and for the next 15 years\, as a member of the Hamburg Ballet\, the Dutch National Balletand the Rambert Dance Company\, she worked with many choreographers including John Neumeier\, Christopher Bruce\, Jiri Kylian\, Lindsey Kemp\, William Forsythe\, Hans van Manen\, Twyla Tharp and David Dawson. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance and has continued a close collaboration with Karole Armitage to this day. In addition to her work with Armitage she has begun to incorporate other art forms including sculpture and video into her own installations and performances. In New York\, she has developed her passion as a video editor and a director. She has been collaborating with Yoshiko Chuma since 2014 as a Performer/Filmmaker. She won a Bessie Award (NYC Dance & Performance Awards) in 2004. Megumi was named one of Dance Magazine’s BEST PERFORMERS 2015.  Since 2018 she has lived in Berlin and has recently presented her solo choreography in Venice and Berlin.\nmegumieda.com\nYuko Kaseki is a director\, choreographer\, teacher and Butoh dancer who has lived in Berlin long and short enough. She has been searching for a way to penetrate the space between physical and spiritual expression. Every day she trains her perception to find the moment of extraordinary in the ordinary.She studied Butoh dance and Performing Art in HBK Braunschweig with Anzu Furukawa and danced in her company Dance Butter Tokio and Verwandlungsamt in 1989-2000.\nin 1995\, Yuko Kaseki and Marc Ates founded the dance company cokaseki. cokaseki is as an ensemble for performative research around dance\, visual arts and experimental music in live events and improvisations at theater\, gallery\, site specific space\, and film… Since then various members have been part of the group in different roles and changing creative responsibilities. Collaborations have been taking place in numerous international projects with performers such as Christine Bonansea\, Sherwood Chen\, Shinichi Iova Koga\, 4RUDE\, Minako Seki\, Lisa Stertz\, Valentin Tszin\, Teo Vlad\, musicians such as Antonis Anissegos\, Kriton Beyer\, Audrey Chen\, Contagious\, Kirikoo Des\, Axel Dörner\, Echo Ho\, Emilio Gordoa\, miu\, Nguyễn + Transitory\, Yasumune Morishige\, Olaf Rupp\, Tot Onyx\, Sasha Pushkin\, SEQUOIA\, Kazuhisa Uchihashi\, Xenon\, and visual artists such as\, Nikhil Chopra\, Morvarid K\, Sarane Lecompte\, Arata Mori\, Justin Palermo\, Chiharu Shiota\, Peter Zach\, and more.\nSolo and ensemble performances\, collaborations\, and improvisations are performed throughout Europe\, Finland\, Norway\, Georgia\, Turkey\, Russia\, Japan\, Taiwan\, Korea\, Malaysia\, Thailand\, Indonesia\, India\, Burkina Faso\, Canada\, Mexico\, Brazil\, Chile\, Uruguay\, Argentina\, Australia\, and the USA.\nThese works are accumulations of poetic and vivid images that incorporate the spirit of Butoh\, and her performance aims to reflect the outsider’s existence.\nHer strong interest about breaking border of physical expression\, leads to projects with artists with mixed ability such as Theater Thikwa (Berlin)\, Roland Walter (Berlin)\, Sung Kuk Kang (Seoul)\, Zan-Chen Liao (Taipei).\nYuko Kaseki performs and organizes improvisation series “AMMO-NITE GIG” (Vol.1- 48 and on going) with international performers and musicians since 2004.\nVarious collaboration\, AmaTerraz and quantsquat with Teo Vlad (Berlin)\, inkBoat (San Francisco)\, CAVE (New York)\, Tableau Stations (San Francisco)\, improvisation duo with Antonis Anissegos (Berlin)\, ITAKO with Kazuhisa Uchihashi (Berlin)\, Poema Theater (Moscow)\, Theater Salad (Seoul) and many others.\ncokaseki.com\nReiko Yamada is a composer and sound artist\, originally from Hiroshima\, Japan. She composes concert works\, creates sound art installations and works with interdisciplinary collaborators. Her work explores the aesthetic concept of imperfection in a variety of contexts. Yamada holds a D.Mus in composition from McGill University\, and is a recipient of numerous prestigious awards and fellowship. She was a 2015-16 Fellow at the Radcliffe Institute for Advanced Study of Harvard University\, the 2016-17 artist-in-residence at IEM (Institut für Elektronische Musik und Akustik)\, the 2018 Innovator-in-Residence at Colorado College\, and 2020-21 S+T+ARTS resident artist. Her various projects have been commissioned and/or funded by New Music USA\, the Canada Council for the Arts\, IRCAM (the Institute for Research and Coordination in Acoustics/Music)\, CIRMMT (the Centre for Interdisciplinary Research in Music Media and Technology)\, the Conseil des arts et des lettres du Québec\, Armitage Gone! Dance\, the Zentrum für Orgelforschung der Kunstuniversität Graz and the European Commission among others. Her works have been presented in venues such as The Metropolitan Museum Breuer (New York)\, and Sónar Festival (Barcelona). She is currently a postdoctral researcher at ICFO (Institute for Photonic Sciences)  and composer-in-residency at Phonos Foundation in Barcelona.\nhttps://www.reikoyamada.com/\n\n\n\n\nAdd to calendar
URL:https://jp.crsny.org/index.php/event/divine-at-dock-11/2023-05-25/
LOCATION:Dock 11\, Saal 3\, Kastanienallee 79 Berlin\, 10437 Germany\, Germany
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/04/A66D4253-CE0D-43B8-83C8-90C4556F88D1.jpeg
GEO:52.5398104;13.4103556
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Dock 11 Saal 3 Kastanienallee 79 Berlin 10437 Germany Germany;X-APPLE-RADIUS=500;X-TITLE=Kastanienallee 79 Berlin\, 10437 Germany:geo:13.4103556,52.5398104
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230527T120000
DTEND;TZID=America/New_York:20230527T160000
DTSTAMP:20260404T182920
CREATED:20230127T150851Z
LAST-MODIFIED:20230201T204934Z
UID:22316-1685188800-1685203200@jp.crsny.org
SUMMARY:2023年春の東京イベント 『ヒーリングpractice』
DESCRIPTION:2023年春の東京イベント 『ヒーリングpractice』 のお知らせ \n《ヒーリングpracticeについて》 \n5月27日、東京中野サンプラザにおいて、香咲弥須子さんによる《ヒーリングpractice》を開催します。 \n昨秋ヒーリング入門クラスにいらしてくださった皆さんと5年目になるヒーリングクラス生も一緒になり、全員で、身体感覚をつかい体験満載な4時間をご一緒します。 \n～～～～～～香咲弥須子さんよりメッセージ～～～～～～ \nヒーリングは、わたしたち全員の生きる目的です。言い換えれば、聖なる力に向かって自己変容を遂げていくプロセスが、わたしたちの人生のプロセスと言えます。　ヒーリングは、頭で考えて納得するものではないし、自己満足で済ませるものでもありません。身体ごと、誰も彼もが一緒に、変容を目撃する経験が、プロセスです。　五感をいっぱいに広げることで、ホーリースピリットの声（第六感）に心の扉を開きましょう。　この世の知覚とは別の、新しい視覚＝ビジョンを見る楽しい練習をご一緒します。 \n～～～～～～～～～～～～～～～～～～～～～～～～～～～ \n‘実感する’分かち合いを重ねていきましょう。 \n【詳細】\n◎日時：5月27日（土）PM12:00～PM4:00\n◎会場：中野サンプラザ　13階　スカイルーム\nhttps://www.sunplaza.jp/access/ \n◎参加費：25\,000円 \n※ヒーリングpracticeはヒーリングのワークを中心としたクラスです。\n香咲弥須子第四期オンラインコースを受講し、これまで第一期～第三期オンラインコースのどれか一つを受講経験のある方を対象としています。継続クラスなので、欠員が出た場合のみ、数名の新規募集をさせていただきます。\n  \n東京オーガナイザー 佐藤直子
URL:https://jp.crsny.org/index.php/event/2023spring-tokyo-healing/
LOCATION:中野サンプラザ\, 東京都中野区中野4-1-1\, 東京\, 1648512\, Japan
CATEGORIES:In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/01/image1-1.jpeg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
GEO:35.7075813;139.6647403
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=中野サンプラザ 東京都中野区中野4-1-1 東京 1648512 Japan;X-APPLE-RADIUS=500;X-TITLE=東京都中野区中野4-1-1:geo:139.6647403,35.7075813
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230528T120000
DTEND;TZID=America/New_York:20230528T160000
DTSTAMP:20260404T182920
CREATED:20230127T151405Z
LAST-MODIFIED:20230302T230436Z
UID:22319-1685275200-1685289600@jp.crsny.org
SUMMARY:2023年春・香咲弥須子東京セミナー
DESCRIPTION:2023年春の東京イベント \n《『奇跡のコース』『奇跡講座』 春の香咲弥須子東京セミナーについて》 \n5月28日、東京中野サンプラザにおいて、香咲弥須子さん『奇跡のコース』東京セミナーを開催します。 \n＜清らな知覚＞～知覚を正して奇跡を経験する～ \nテキスト第3章「無垢なる知覚」に焦点を当てた、レクチャー、瞑想、ワーク、祈りによって構成されるセミナーです。 \n「無垢なる知覚」とは、罪悪感、欠落感、恐れのメガネを外し、無垢で清らかな心でまっすぐに見ること、つまり「ほんとうに見ること」です。「違う見方をすること」です。 \nするとそこに今まで見えたことのない風景を目撃することになり、結果として、自己イメージも一新します。 \nそのプロセスの中に奇跡が詰まっています。 \nそのプロセスを丁寧にたどり、経験していく時間をご一緒しましょう。 \n香咲弥須子 \n～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～ \nわたし達の心の発露が与え合い・受けとり合う時、どんな気づきに出会え～どんな心の変容へ導かれ、包まれ～そしてわたし達の知覚は何をどんな風景として見るようになるのか～ゆるしが導く新たな知覚（心眼＝ヴィジョン）の確かさを実感しましょう。 \n初めての方や学び始めてまだ日の浅い方も、一人で学んでいる方も、長年セミナーに参加してくださっている方も、喜びと気づきの分かち合いに、ぜひご一緒ください。 \n…長年東京セミナーでお世話になった中野サンプラザは、新たな建物へ生まれ変わるにあたり今春の開催をもって、しばらくお別れとなります…感謝 \n東京オーガナイザー 佐藤直子 \n【詳細】\n◎日時：5月28日（日）PM12:00～PM4:00　（休憩あり4時間）\n◎会場：中野サンプラザ　13階　スカイルーム\nhttps://www.sunplaza.jp/access/ \n◎参加費：20\,000円（※ヒーリングpractice両日参加の場合は18\,000円） \n＊ヒーリングpracticeはヒーリングのワークを中心としたクラスです。香咲弥須子第四期オンラインコースを受講し、これまで第一期～第三期オンラインコースのどれか一つを受講経験のある方を対象としています。継続クラスなので、欠員が出た場合のみ、数名の新規募集をさせていただきます。 \n◎受付開始：3月7日（火）AM10:00～ こちらのフォームより\nhttps://www.acim-yasukokasaki.net/東京セミナー/2023東京予約フォーム/ \n是非、お日にちをお取置きください。
URL:https://jp.crsny.org/index.php/event/2023spring-tokyo-seminar/
LOCATION:中野サンプラザ\, 東京都中野区中野4-1-1\, 東京\, 1648512\, Japan
CATEGORIES:In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/01/image1-1.jpeg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
GEO:35.7075813;139.6647403
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=中野サンプラザ 東京都中野区中野4-1-1 東京 1648512 Japan;X-APPLE-RADIUS=500;X-TITLE=東京都中野区中野4-1-1:geo:139.6647403,35.7075813
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230604T130000
DTEND;TZID=America/New_York:20230604T183000
DTSTAMP:20260404T182920
CREATED:20230515T205252Z
LAST-MODIFIED:20230529T030041Z
UID:22445-1685883600-1685903400@jp.crsny.org
SUMMARY:CRS Presents 禅を見つけよう | 瞑想の科学
DESCRIPTION:CRSでは、倉島隆行禅師と著名な音楽プロデューサー中脇雅裕氏（坂本龍一、Perfume、きゃりーぱみゅぱみゅなど）による日本発の最先端のサウンド瞑想体験をお楽しみいただけます。このイベントは、 2023 年 6 月 4 日の午後 1 時、 3 時、 5 時の３回、 CRS のホワイト ルームにて開催します。 \n  \n【イベントについて】\n日常生活の喧騒の中で、私たちは十分にリラックスして自分自身と調和する時間を作るのが難しいと感じることがよくあります。 しかし、忙しいスケジュールの合間をぬって、セルフケアの方法として瞑想を行うことは有効です。\n日本の伝統的な禅瞑想のテクニックを使用した「Real Zen Mind（禅脳）」は、シンギングボウルの生演奏と共に心身のリラックスに効果的な音楽を聞きながら瞑想セッションを行います。このプログラムは、四天王寺第54世住職である倉島隆行氏と日本を代表する音楽プロデューサー中脇雅裕氏という、それぞれの分野の専門家2名がプロデュースしています。\nこのイベントでは、倉島氏と中脇氏が、このプログラムの説明をし、その後の瞑想つまり「Real Zen Mind（禅脳）」を体験します。 説明の中では、皆さんは「Real Zen Mind（禅脳）」の科学的また医療的な効果について学び、その後、専門家のリードによる瞑想体験に浸ります。\nそしてこのプログラムは、日頃から瞑想に取り組んでいる経験者だけでなく、まったくの初心者も歓迎しています。誰もが「「Real Zen Mind（禅脳）」の素晴らしさを理解し、自宅では体験できない「場」に導かれることでしょう。 \n【プログラム】\n「禅マインド」メソッド紹介（25～30分）\n「禅マインド」瞑想（20分）\n休憩+質疑応答（15～20分）\n※全プログラムの所要時間は約1～1時間15分となります。\n**体験中は床に座りやすい服装でお越しください。 動きやすいパンツがおすすめです。\n***床に座りたくないお客様のために椅子をご用意しております。 \nこのプログラムは日本語と英語で行われます。\n各回、定員がありますので、こちらのリンクから必ずご参加希望の回をお選びの上、お申し込みください。eventbrite.com:\nhttps://bit.ly/3MdczX3\n当日、空きがある場合はご参加いただけますので、その場合は会場にて現金$25をお支払いください。（クレジットカードでのお支払いの場合は、必ず上記のEventbrite.comから手続きをお願いします）\nお問合せ先： aloha88hula@gmail.com (Yoshiko） \n  \n【講師について】\n・倉島隆行氏 \n\n三重県津市四天王寺曹洞宗第54代住職 | 元全日本曹洞宗青年僧侶協会会長 | 世界仏教青少年連盟顧問。\n倉島氏は大本山永平寺での2年間の修行を終えた後、ヨーロッパで禅の修行を続けた。 帰国後、宗教の垣根を越えて宗教間の対話を促進する活動を開始し、伊勢国際宗教フォーラムでの世話人を務めました。\nまた、人々の心の健康のために20年以上にわたり毎週日曜日に座禅教室を開催し、一般向けに禅体験講座も開催しています。\n自立生活支援介護施設「四天王庵」を設立し、身体活動だけでなく「Real Zen Mind（禅脳）」と呼ばれる座禅法も取り入れ、介護体制の向上を目指しています。\nまた、この四天王寺は、推古天皇の命により聖徳太子が建立した千年以上の歴史を持つ禅寺です。 \n・中脇雅裕氏 \n\n中脇氏は大学時代からCM音楽の制作を始め、数々の企業に楽曲を提供してきました。 大学卒業後、財団法人ヤマハ音楽振興会にて音楽教育研究および講師のトレーナーとして活動。 その後、音楽プロデューサーとしてPerfume、きゃりーぱみゅぱみゅ、CAPSULE、手嶌葵、SMAP、坂本龍一など様々なアーティストの制作に携わりました。また 教育心理学研究の経歴を活かし、独自の自己啓発メソッドを開発、企業や教育機関で講演を行っています。その他に、東京大学とのAIによる音楽生成の共同研究プロジェクトに参加。南カリフォルニア大学では「日本のエンターテインメント・ビジネス」についての講演などを行っています。\n近年は統合医療の一環として音楽の効果について研究しており、四天王寺住職の倉島氏とも音楽を使って瞑想の効果を更に深める「Real Zen Mind（禅脳）」の開発にも力を注いでいる。 \n  \n 
URL:https://jp.crsny.org/index.php/event/230604/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/05/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230618T170000
DTEND;TZID=America/New_York:20230618T183000
DTSTAMP:20260404T182920
CREATED:20230512T132843Z
LAST-MODIFIED:20230512T132843Z
UID:22437-1687107600-1687113000@jp.crsny.org
SUMMARY:CRS Presents Jessica Ackerley\, Sarah Manning\, and Alma Laprida in Concert
DESCRIPTION:CRS is delighted to present M³ (Mutual Mentorship for Musicians)’ Winter Solstice 2021 Cohort member Jessica Ackerley (guitar) with Sarah Manning (saxophone) and Alma Laprida (tromba marina) on June 18\, 2023 at 5pm in the award-winning White Room at CRS. An audience Q&A will take place following the concert.  \nThis trio’s music is mostly centered around improvisation with a melding of modern jazz and ambient music. But the ensemble is highly unique with the addition of the string instrument tromba marina\, especially in this context because it was originally an instrument for Rennaissance music. \nA tromba marina\, marine trumpet or nuns’ fiddle\, (Fr. trompette marine; Ger. Marientrompete\, Trompetengeige\, Nonnengeige or Trumscheit\, Pol. tubmaryna) is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century. The tromba marina consists of a body and neck in the shape of a truncated cone resting on a triangular base. It is usually four to seven feet long\, and is a monochord (although some versions have sympathetically-vibrating strings). It is played without stopping the string\, but playing natural harmonics by lightly touching the string with the thumb at nodal points. Its name comes from its trumpet like sound due to the unusual construction of the bridge\, and the resemblance of its contour to the marine speaking-trumpet of the Middle Ages. — from Wikipedia\, the free encyclopedia \nTickets are $20 general admission and $10 for students and are available in advance on eventbrite.com. If not sold out\, tickets will also be available at the door for cash only. Some seating may be on blankets on the floor.  \nThe concert will take place in the award-winning White Room at CRS. Please note that the venue is accessible only via a flight of stairs and is not wheelchair accessible. Proof of vaccination is not required but the wearing of masks is encouraged. \nThe White Room at CRS is located between 12th & 13th streets\, above Think Coffee\, in Manhattan. The nearest subway station is 14th St / Union Square (4/5/6\, N/R/Q/W\, L). \nABOUT THE ARTISTS \nSarah Manning is a saxophonist and composer. She has released four critically acclaimed albums. Harmonious Creature (Posi-Tone 2014) received 4 stars in Down Beat Magazine\, and was on multiple jazz top ten lists including the Los Angeles Times. She is a recipient of a 2021 NYSCA composer commission and a MAP Fund 2020 and 2021 grantee for We Will Not Be Composed\, a new multimedia work with author and activist Soraya Chemaly to challenge perceptions of women’s anger in America. In addition to being a MacDowell Fellow in composition (2012\, 2021)\, she can most recently be heard on William Hooker’s 2021 release Big Moon. \nhttps://www.sarahmanningmusic.com \nAlma Laprida explores the territories among composition\, improvisation\, performance and installation. She works with trumpet marine\, field recordings\, synthesizers\, lyre and other non- conventional instruments and objects. Her work was presented in Argentina\, Brazil\, Colombia\, Chile\, Italy\, Mexico and the United States. \nAlma released three solo albums\, two collaboration albums and several pieces in compilations. She’s currently part of Hypnotized Chickens\, the Bureau of Sensory Affairs and GEXLAT. After living and working in Buenos Aires for ten years\, she’s been based in Maryland\, USA\, since 2021. \nhttps://almalaprida.wordpress.com \nJessica Ackerley is a Canadian guitarist\, improviser and composer based in Hawai’i and a current PhD candidate at University of Hawai’i after a decade of living in New York City. Ackerley continually develops a hybrid musical language drawing on the influences of Black American Music and avant-garde improvisers\, as well as the culture of the thriving New York City and Toronto rock and noise scenes. Since 2017\, Ackerley has released thirteen albums to much critical acclaim with features in Wire Magazine\, Pitchfork\, BBC Radio\, and Bandcamp. They has been commissioned by Adult Swim\, M³ (Mutual Mentorship for Musicians\, and New Music USA as well as received funding from Canada Council for the Arts and Foundation for Contemporary Arts. \nhttps://www.jessicaackerley.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world.  \nCurrently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/concert20230618/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/05/230618-concert-image-for-Eventbrite.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230624T183000
DTEND;TZID=America/New_York:20230624T220000
DTSTAMP:20260404T182920
CREATED:20230524T143729Z
LAST-MODIFIED:20230524T143729Z
UID:22461-1687631400-1687644000@jp.crsny.org
SUMMARY:An Ecstatic Solstice Celebration
DESCRIPTION:Please join us in celebrating the Summer Solstice with NOoSPHERE Arts as they kick off their WE ARE NATURE: Rising and Falling annual rooftop series. Held in the spectacular\, one-of-a-kind setting of wildflower meadows stretching across the roofs of an industrial plant against the iconic backdrop of the NYC skyline\, the event will be centered around a Sufi opening ritual honoring nature’s cycles\, performed by Whirling Dervish Farima Berenji. Farima—a Sufi Master and Magi from the bloodline of Iranian Zoroastrian Magi—and her sacred dancers will be accompanied by the klezmer music and Sephardic folk melodies of The Shul Band. The ceremony has been designed as a unique blend of Muslim and Jewish elements— epitomizing the possibility of interfaith collaboration. Join us at Sunset to mark this special occasion! \nThe main event will involve solo acts\, duets and a whirling performance in which several participants— including Cyr wheelers—will interpret the movements of individual planets around a star. The show will also feature poetry readings and storytelling by Master Farima and be accompanied by the live music of the Shul Band. Following the whirlers’ performances\, The Shul Band will continue playing against the darkening night sky. \nCRS is one of the supporters of the event. \nTickets are available via Eventbrite:\nhttps://www.eventbrite.com/e/rooftop-season-opening-event-an-ecstatic-solstice-celebration-tickets-640904210747 \nA Sema Gathering (free) and two Whirling workshops (Basic and advanced Whirling practices) will be offered on the day following the event (Sun\, Jun 25: Beginner: 12-1:30 pm\, Advanced: 2-3:30 pm).\nhttps://www.eventbrite.com/e/soul-of-the-sema-whirling-workshops-tickets-638797419277 \nFarima Berenji is an internationally acclaimed dance artist\, ethnologist\, choreographer\, instructor\, and archaeologist specializing in ancient\, sacred\, classical\, and folk dances spanning the millenniums of Persian civilization\, the Silk Road\, and the Near East.\nhttp://farimadance.com/ \n  \nThe Shul Band\, led by Adam Feder\, plays music rooted in Jewish folk music but drawing on the musical wellsprings of New York City and of the whole world. It is equally prayerful and raucous\, meditative and joyful. The band has performed at major venues such as Carnegie Hall.\nhttps://www.theshulband.com/ \nThis is the fourth iteration of the NOoSPHERE Art’s annual rooftop series. Each season’s theme references an aspect of systems thinking\, an approach to environmental sustainability spearheaded by leading thinker Fritjof Capra\, a longtime NOoSPHERE Arts collaborator. This view considers all the major problems of our time—including energy\, economics\, climate change\, and inequality—as interconnected and interdependent. In 2023\, the summer series explores the theme of Nature’s Cycles. A cycle is an interval of time during which a characteristic event occurs\, often repeated regularly or in a sequence of events. There are cycles in everything—seasons\, circadian rhythms\, cellular life\, planetary systems\, politics\, and economics—and cycles in one realm affect cycles in others. Thinking about cycles can help us to discern structure\, order\, and patterns in the world around us\, and to realize that everything in life will ebb and flow—an encouraging thought in times of darkness. \nNOoSPHERE Arts is a 501c3 organization and cultural center led by a team of international creatives whose backgrounds blend the arts and sciences. Its freewheeling\, multidisciplinary approach engages diverse audiences and builds community through a range of vibrant public events in its indoor-outdoor home in Brooklyn\, NYC. The only multidisciplinary arts center in the Greenpoint neighborhood\, it is a welcoming platform where resident and migrant artists alike connect with locals. Uniting music\, dance\, visual arts\, theater\, film\, poetry & prose\, its collaborative productions at the nexus of art and eco-awareness harness the power of art to drive action towards green living\, fair play\, and oneness.\nhttps://www.noosphere-arts.nyc/
URL:https://jp.crsny.org/index.php/event/an-ecstatic-solstice-celebration230624/
LOCATION:NOoSPHERE Arts\, 520 Kingsland Ave\, Brooklyn\, NY\, 11222\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/05/Image-5-22-23-at-3.51-PM.jpg
GEO:40.734369;-73.9433754
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NOoSPHERE Arts 520 Kingsland Ave Brooklyn NY 11222 United States;X-APPLE-RADIUS=500;X-TITLE=520 Kingsland Ave:geo:-73.9433754,40.734369
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230625T203000
DTEND;TZID=America/New_York:20230625T213000
DTSTAMP:20260404T182920
CREATED:20230620T143010Z
LAST-MODIFIED:20230620T143010Z
UID:22501-1687725000-1687728600@jp.crsny.org
SUMMARY:Paradise Laboratory: Hell in Paradise — Li-Chin Li & Jeonghyeon Joo
DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Hell in Paradise」の次回作として、伝統と実験の境界線を超えた音楽を、アジアン・カルチュラル・カウンシル2023ウィンターフェローのLi-Chin Li（中国語笙とエレクトロニクス）と、特別ゲストのカリフォルニア芸術大学教授Jeonghyeon Joo（韓国のヘグム）によってお届けします。コンサートは2023年6月25日午後8時から、CRSのホワイトルームで開催される予定です。 \nThe program will include the US premieres of three compositions for sheng performed solo with electronics\, composed by Francisco Uberto\, Heng Chen\, and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris\, as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung\, Taiwan\, Li-Chin Li is a Sheng soloist\, composer\, and performer. Majored in Chinese Music at the Tainan National University of the Arts\, Li-Chin received solid training in traditional music education. After graduation\, she worked for the most selective and prestige Orchestra\, Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work\, she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021\, Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture\, Taiwan\, she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France\, culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program\, “Journal de la Création\,” making a significant impact on the exchange of contemporary music between Taiwan and France\, as well as elevating Taiwan’s sheng music to an international stage. \nRecently\, she has been selected as a member of IRCAM concert de l’atelier d’improvisation\, ManiFeste-2022\, and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least\, she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer\, composer\, improviser\, and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic\, corporeal relationship between musical instrument and body\, frequently collaborating with composers\, performers\, visual artists\, choreographers\, film directors\, and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20230625/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Hell in Paradise」の次回作として、伝統と実験の境界線を超えた音楽を、アジアン・カルチュラル・カウンシル2023ウィンターフェローのLi-Chin Li（中国語笙とエレクトロニクス）と、特別ゲストのカリフォルニア芸術大学教授Jeonghyeon Joo（韓国のヘグム）によってお届けします。コンサートは2023年6月25日午後8時から、CRSのホワイトルームで開催される予定です。 \nThe program will include the US premieres of three compositions for sheng performed solo with electronics composed by Francisco Uberto Heng Chen and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung Taiwan Li-Chin Li is a Sheng soloist composer and performer. Majored in Chinese Music at the Tainan National University of the Arts Li-Chin received solid training in traditional music education. After graduation she worked for the most selective and prestige Orchestra Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021 Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture Taiwan she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program “Journal de la Création” making a significant impact on the exchange of contemporary music between Taiwan and France as well as elevating Taiwan’s sheng music to an international stage. \nRecently she has been selected as a member of IRCAM concert de l’atelier d’improvisation ManiFeste-2022 and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer composer improviser and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic corporeal relationship between musical instrument and body frequently collaborating with composers performers visual artists choreographers film directors and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230702T170000
DTEND;TZID=America/New_York:20230702T183000
DTSTAMP:20260404T182920
CREATED:20230620T143824Z
LAST-MODIFIED:20230620T143824Z
UID:22504-1688317200-1688322600@jp.crsny.org
SUMMARY:CRS Presents Paradise Laboratory: Sonic Cartography — gamin and Devon
DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Sonic Cartography」の次回作として、gamin（韓国のピリ笛）とDevon（尺八）による伝統と実験の境界線を超えた音楽イベントを開催します。 \nプログラムは以下の通りです。 \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence (2014) at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. Gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. \nSince 2018\, gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center\, NYC and released her 4th album\, “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player\, composer\, improviser\, cat lover\, electronics lover\, failed orchestral bassoonist\, partner to Kanoko\, amateur cook\, and bad artist. Their music draws influence from their Japanese roots\, experiences as a jeweler and painter\, improvisations with plants\, and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US\, Europe\, Australia\, China and Japan. In their spare time\, they enjoy painting\, cooking\, and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh\, PA)\, the Thin Edge New Music Collective (Toronto Canada)\, and the Oh My Ears! Festival (Phoenix\, AZ). They have been an artist in residence at Leveld Kunstnartun (Ål\, Norway)\, Listhús AiR (Olafsfjördur\, Iceland)\, and La Pantographe (Moutier\, Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague\, Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals\, and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University\, Columbia University\, the Herb Alpert School of Music at UCLA\, and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \ncrsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory-20230702/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image-1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Sonic Cartography」の次回作として、gamin（韓国のピリ笛）とDevon（尺八）による伝統と実験の境界線を超えた音楽イベントを開催します。 \nプログラムは以下の通りです。 \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence (2014) at the Asian Cultural Council and Ministry of Culture Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. Gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019 as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. \nSince 2018 gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center NYC and released her 4th album “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player composer improviser cat lover electronics lover failed orchestral bassoonist partner to Kanoko amateur cook and bad artist. Their music draws influence from their Japanese roots experiences as a jeweler and painter improvisations with plants and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US Europe Australia China and Japan. In their spare time they enjoy painting cooking and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh PA) the Thin Edge New Music Collective (Toronto Canada) and the Oh My Ears! Festival (Phoenix AZ). They have been an artist in residence at Leveld Kunstnartun (Ål Norway) Listhús AiR (Olafsfjördur Iceland) and La Pantographe (Moutier Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University Columbia University the Herb Alpert School of Music at UCLA and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230708T110000
DTEND;TZID=America/New_York:20230708T130000
DTSTAMP:20260404T182920
CREATED:20230704T153027Z
LAST-MODIFIED:20230704T160158Z
UID:22543-1688814000-1688821200@jp.crsny.org
SUMMARY:UCDM Universal -トークイベント 香咲弥須子　
DESCRIPTION:7/8 （日）コロンビア発信インターナショナル・ACIMコミュニティで、「人間関係の癒し」をテーマに香咲がトークします。 \nニューヨーク時間午前11時開始です。 \n\nこちらのリンクから視聴できます。YouTube Live\nhttps://www.youtube.com/watch?v=FqLSQTiFlxw
URL:https://jp.crsny.org/index.php/event/ucdm20230708/
LOCATION:online
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230709T140000
DTEND;TZID=America/New_York:20230709T160000
DTSTAMP:20260404T182920
CREATED:20230629T145625Z
LAST-MODIFIED:20230629T181538Z
UID:22538-1688911200-1688918400@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20230709/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230716T170000
DTEND;TZID=America/New_York:20230716T183000
DTSTAMP:20260404T182920
CREATED:20230627T142159Z
LAST-MODIFIED:20230627T142327Z
UID:22518-1689526800-1689532200@jp.crsny.org
SUMMARY:SACO & As It Is: Resonance of Water 　　　　サマーコンサート
DESCRIPTION:CRSでは、SACO＆As It Isと共に「Resonance of Water」を開催します。母なる地球は水の惑星であり、私たちはほとんど水から作られています。水と交わりながら、一緒に流れ、この季節を祝いましょう。音楽でお互いの “水 “を感じられたら素晴らしい！ \nジャンルを超えた11人編成の音楽アンサンブル、SACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々を自然に繋ぎます。即興的な動きとWhirling Prayerが、音楽に視覚的な体験を加えています。 \nSaco Myoji: Vocal\, Keyboard\, Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Fusako Miyaji\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \n 
URL:https://jp.crsny.org/index.php/event/saco-as-it-is20230716/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image-2.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、SACO＆As It Isと共に「Resonance of Water」を開催します。母なる地球は水の惑星であり、私たちはほとんど水から作られています。水と交わりながら、一緒に流れ、この季節を祝いましょう。音楽でお互いの “水 “を感じられたら素晴らしい！ \nジャンルを超えた11人編成の音楽アンサンブル、SACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々を自然に繋ぎます。即興的な動きとWhirling Prayerが、音楽に視覚的な体験を加えています。 \nSaco Myoji: Vocal Keyboard Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg Fusako Miyaji Kashimi Asai Miyoko Satoh Motoi Urano Senko Nishimura Takemi Kitamura Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues Funk Rock Bossa Nova Salsa Jazz and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs galleries festivals and healing/wellness events in Japan and U.S. mostly in the New York City area including the Celebrating Women Composer Festival the Vision Festival the WHAM Festival and other venues and events. Saco offers various configurations of the ensemble; solo duo trio and often brings the choir extra percussionists and dancers depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit the unique sound community for everyone and ATOWA the piano duo with the celestial sound creator; composer pianist and crystal singing bowl player Naoe Moriya who lives in Yokohama Japan. \n ;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230805T160000
DTEND;TZID=America/New_York:20230805T173000
DTSTAMP:20260404T182920
CREATED:20230726T143755Z
LAST-MODIFIED:20230726T145431Z
UID:22603-1691251200-1691256600@jp.crsny.org
SUMMARY:第28回 ニューヨークの四季 - 日本音楽の彩り -
DESCRIPTION:第28回「ニューヨークの四季 – 日本音楽の彩り-」、8月5日（土）午後4時より、CRSのホワイトルームにて開催します。この夏公演では、ビジュアルアーティストの大野廣子氏をゲストにお迎えします。大野廣子氏は、ニューヨーク、日本での長年に渡る活動の中で数々の受賞を受け、ご自身の個展を開催されてきました。お祖母様は、なんと！中能島欣一先生（山田流箏曲の名人、人間国宝）の直門でいらしたとのこと。今回は、大野氏の「銀河」シリーズの大作を特別に展示し、夜空や大海原への憧れが込められている中能島作品、「新潮」ほか3曲を演奏いたします。 \n共催:　Center for Remembering and Sharing\, 木村伶香能\n後援:　(有)邦楽ジャーナル、Mar Creation\, Inc. \nお席は限られております、事前予約のほどお名前・枚数を明記の上、下記フォームよりご予約下さい。\nhttps://www.yokoreikanokimura.com/contact/ \n  \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \n \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \nWebsite: yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/four-seasons20230805/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/image-2.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230910T170000
DTEND;TZID=America/New_York:20230910T183000
DTSTAMP:20260404T182920
CREATED:20230725T151739Z
LAST-MODIFIED:20230726T151311Z
UID:22596-1694365200-1694370600@jp.crsny.org
SUMMARY:Paradise Laboratory: Ayumi Ishito\, Rema Hasumi & Yuko Togami\, with Special Guest Tamio Shiraishi
DESCRIPTION:今回のパラダイス ラボラトリー コンサート シリーズでは、テナーサックス・エレクトロニクスのAyum（石当あゆみ）、シンセサイザー・Rema（蓮見令麻) 、ドラムスのYuko（戸上優子) をお迎えします。この３人のトリオによるアンビエントで雰囲気溢れる即興音楽をお楽しみください。 特別ゲストには、アルトサックスの極限ともいえる高音の炸裂で知られる伝説のアルトサックス奏者、白石民生氏（アルトサックス、エレクトロニクス）が登場します。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-meg-brennan-winds-hannah-marks-bass-tickets-671695448167\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is\, along with Keiji Haino\, a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and\, regardless of the lack of formal education in music\, has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range\, somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions\, Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20230910/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/image-1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:今回のパラダイス ラボラトリー コンサート シリーズでは、テナーサックス・エレクトロニクスのAyum（石当あゆみ）、シンセサイザー・Rema（蓮見令麻) 、ドラムスのYuko（戸上優子) をお迎えします。この３人のトリオによるアンビエントで雰囲気溢れる即興音楽をお楽しみください。 特別ゲストには、アルトサックスの極限ともいえる高音の炸裂で知られる伝説のアルトサックス奏者、白石民生氏（アルトサックス、エレクトロニクス）が登場します。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-meg-brennan-winds-hannah-marks-bass-tickets-671695448167\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is along with Keiji Haino a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and regardless of the lack of formal education in music has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa Japan. At the age of 19 she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007 Ayumi received a scholarship to attend Berkee College of Music in Boston Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T200000
DTSTAMP:20260404T182920
CREATED:20230830T145413Z
LAST-MODIFIED:20230830T145413Z
UID:22670-1694543400-1694548800@jp.crsny.org
SUMMARY:ガイド瞑想 & コンサート with 香咲弥須子 and 松下曜子（Yoko Cano Matsushita）
DESCRIPTION:CRSのホワイトルームにて、CRS創設者・香咲弥須子と彼女のACIMの教え子であり、アーティストで作詞作曲の教師である松下曜子氏をメキシコから迎え、再会を祝い、瞑想とコンサートのコラボレーションを開催します。 \nまず、香咲が瞑想をリードし、それから松下曜子氏が歌を演奏してスピリチュアルな人生の教訓を分かち合います。 最後にはディスカッションや交流の時間も設けています。 \n松下曜子は幼い頃にピアノを習い始め、音楽の修士号を取得後、ニューヨーク州、ニューヨーク市、ロングアイランドで10年間演奏と指導に携わりました。 現在、彼女はメキシコで作詞作曲を専門に音楽を教えています。 \n小さい頃、母親にピアノの練習を強要され、自分の人生を生きているのか母親の夢を生きているのか混乱したという辛い思い出があったため、音楽は常に彼女のジレンマでした。 \n現在彼女が情熱を捧げるのは、本当の自分を見つけ、他者の中に真実を見いだし、自分自身と他者の中にある光が輝くよう促すことです。 \nこのコンサートで彼女は自身のパッションと音楽を融合させたいと考えています。 \n彼女は自分自身の人生経験（葛藤、喜び、ジレンマ、幸福など…）を彼女自身の声を使い、新たな旅へとあなたを導くでしょう。彼女の声のバイブレーションがあなたに届き、癒し、喜び、希望をもたらすことを願っています。
URL:https://jp.crsny.org/index.php/event/concert20230912/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/https-cdn.evbuc_.com-images-584934419-266945216123-1-original.20230828-221808.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230921T190000
DTEND;TZID=America/New_York:20230921T230000
DTSTAMP:20260404T182920
CREATED:20230823T145537Z
LAST-MODIFIED:20230823T151440Z
UID:22648-1695322800-1695337200@jp.crsny.org
SUMMARY:M³ Festival Day 1
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians JenShyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 1 (Sept 21):  \n\nFay Victor with Rebekah Heller DUO Fay Victor (voice) & Rebekah Heller (bassoon)\nFrancesca Tanksley with Newman Taylor Baker – Piano/Percussion Duo: Francesca Tanksley (piano) & Newman Taylor Baker (percussion)\nDuo Maratín: Ria Modak + Ángela Varo Ria Modak (guitar\, voice) & Birsa Chatterjee (saxophone\, voice)\nBarTog + Cecilia Lopez Barbara Togander (turntables\, voice) & Cecilia Lopez (synthesizer)\nMilena Casado Milena Casado (trumpet) & Morgan Guerin (Synths\, ewi)\nLayale Chaker Layale Chaker (violin\, voice)\, Phillip Golub (piano\, microtonal keyboard) & Adriano Vincentino (drums)\n\nSee Day 2 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://jp.crsny.org/index.php/event/m3festival20230921/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T190000
DTEND;TZID=America/New_York:20230922T230000
DTSTAMP:20260404T182920
CREATED:20230823T150249Z
LAST-MODIFIED:20230823T150249Z
UID:22652-1695409200-1695423600@jp.crsny.org
SUMMARY:M³ Festival Day 2
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians JenShyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 2 (Sept 22):  \n\nSraya Murtikanti  Ni Nyoman Srayamurtikanti (Kendang\, Ceng-ceng\, Gender Wayang)\, Victoria Lo Mellin (Kendang\, Ceng-ceng\, Gender Wayang)\, & Liz Behrend (Kendang\, Ceng-ceng\, Klentong)\nThe Sabbath presenting The Adhan Project The Sabbath (vocals) and Liany Mateo (double bass)\nEl Cuerpo Rítmico\, Leonor Falcón\, Cecilia López El Cuerpo Rítmico (piano)\, Leonor Falcón (viola) and Cecilia López (electronics)\nGoussy Célestin & Frankie Patcher Ensemble Jessica Jones (tenor sax)\, Naomi Moon Siegel (trombone)\, Goussy Célestin (piano/vocals)\, Liany Mateo (upright bass) & Frankie Patcher (drums)\n\nSee Day 1 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://jp.crsny.org/index.php/event/m3festival20230922/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image-1.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230923T190000
DTEND;TZID=America/New_York:20230923T230000
DTSTAMP:20260404T182920
CREATED:20230823T150730Z
LAST-MODIFIED:20230823T150730Z
UID:22655-1695495600-1695510000@jp.crsny.org
SUMMARY:M³ Festival Day 3
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians JenShyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 3 \n\nNaomi Moon Siegel Quintet Naomi Moon Siegel (trombone)\, Leonor Falcón (violin)\, Jessica Ackerley (guitar)\, TBD (bass) & Frankie Patcher (drums)\nRuth Naomi Floyd and Vino Ruth Naomi Floyd (vocals)\, Vino (double bass)\, Sumi Tonooka (piano)\, Keith Loftis (tenor saxophone) & TBA (Drums)\nbright bright (Jessica Ackerley and Joan Sue) Jessica Ackerley (guitar) & Joan Sue (vocals + electronics)\nSONG and Saxreligious Quintet  SONG (voice and effects)\, Eli Maliwan AKA Saxreligious (tenor saxophone)\, Caili O’Doherty (keys)\, Ethan Cohn (bass) & Eliza Salem (Drums)\n\nSee Day 1 schedule. \nSee Day 2 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://jp.crsny.org/index.php/event/m3festival20230923/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image-2.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231006T200000
DTEND;TZID=America/New_York:20231006T220000
DTSTAMP:20260404T182920
CREATED:20230926T150356Z
LAST-MODIFIED:20230926T153104Z
UID:22692-1696622400-1696629600@jp.crsny.org
SUMMARY:『奇跡のコース』オンラインコース第五期集中講座①
DESCRIPTION:『奇跡のコース』オンラインコース第五期集中講座①\n  \nオンラインコース第五期のプログラム内、一回目の集中講座です。 \nひとつの心しか存在しない状態とは分離を見ないこと。 \n分離した関係が癒されることが、あらゆることの癒しであって、 \n心がひとつであることを目撃することで、分離を見ない。 \n第五期のテーマでもある、「心の力を如何に発揮するか」・・・自分の心を決める日にしたいですね。 \n自分自身の全てをホーリースピリットに使ってもらって、完全に一体となるヒーリングについて触れます。 \nどなたでも、世界のどこからでも、この集中講座のみ単独で、 \nあるいは、集中講座を組み込んだオンラインコース第五期の登録とご一緒でも、 \nまた、当日参加ができなくても、録画配信が付いていますので、安心して参加できます。 \n〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜 \n  \n【日　　時】10月6日（金）午後8時〜午後10時（ニューヨーク時間）\n10月 7日(土)午前9:00ー11:00（日本時間） \n【参加費】 ＊米ドル建 ＄80\n＊録画配信 　　1ヶ月付　 \nお申込受付中 (受付締め切りは10月3日(火)午前２時)（ニューヨーク時間） \nお申込フォーム \n＊＊＊ オンラインコース第五期に登録している方は、プログラムに含まれています。 \n  \n久保田智子\n香咲弥須子事務局 \n 
URL:https://jp.crsny.org/index.php/event/online-course5-20231006/
LOCATION:Kyoto
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/09/image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231012
DTEND;VALUE=DATE:20231016
DTSTAMP:20260404T182920
CREATED:20230606T163559Z
LAST-MODIFIED:20230606T192538Z
UID:22480-1697068800-1697414399@jp.crsny.org
SUMMARY:「UCDM Universal」リトリート in メキシコ
DESCRIPTION:メキシコ、グアダラハラは、「北米の真珠」と呼ばれる、それは美しい都市です。 \n10月、この地で、ACIMインターナショナル・カンファレンスが開催されます。\n各国から50名の教師が参加（香咲弥須子もその一人です）、より深い学習、瞑想、各種\nエクササイズ、ゆるしのためのステップ等々のプログラムが用意されています。\n香咲弥須子は、クラスの他、ヒーリング・クリニックも行う予定でいます。\n \nこのリトリートは、A Universal Course of Miraclesのサーバーチームによって組織されています。\n世界中で、コースの毎週のクラスを最も多く提供しているチームで、常にZoomとYouTubeチャンネルでライブ配信しています。\n（www.ucdmuniversal.org）\n \n \nテーマ：神との出会い\n \n日時：10月12日（木）午後4時〜15日（日）午後4時\n \n場所：グアダラハラ大学スポーツクラブ（ホテルIntercity 100 Hotelに集合、解散。大学までの往復は、バスにて。カンファレンス料金に含まれます）\n \n料金：3種類選べます。いずれも、3泊４日の全てのアクティビティへの参加、食事、宿泊、駐車場、ホテルからの送迎が含まれています。\n \n① 宿泊キャビン：5人部屋。シングルベッドです。$280 + tax fee\n②ダブル・ルーム：二人部屋。ベッドは二つ。$320 + tax fee\n③スイートルーム：キングサイズベッド一つ、居間、ソファ二つ。$350 + tax fee\n \nご案内zoom：6月25日（日）午前11時（ニューヨーク時間）全教師の紹介がzoomにて行われます。\n\n Zoom access link: https://bit.ly/3pv0iyW\n\n\n\n\nlaunch video: https://youtu.be/Q7GvGM7czAk \nstudent video: https://youtu.be/JGhnyte71w0\n \n\n  \n\nお申込み・お問い合わせは、info@crsny.org またはetsuko@crsny.orgへ。\n \n＊＊＊昨年は同オーガナイザーによるリトリートをコロンビア、ボゴタで行いました。すぐに定員に達したので、今年も、出来るだけ早い申し込みを強くお勧めします。日本から参加表明しているお仲間がすでに何名かいます。（含：事務局、久保田智子）\n＊＊＊カンファレンスの前後、観光の一日をご希望のお仲間と一緒にと、予定しています。
URL:https://jp.crsny.org/index.php/event/ucdn20131012/
LOCATION:Kyoto
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=application/pdf:https://jp.crsny.org/wp-content/uploads/2023/06/ESPECIFICACIONES-EN-INGLES-PRECIO-EN-US-dragged-5.pdf
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231029T170000
DTEND;TZID=America/New_York:20231029T183000
DTSTAMP:20260404T182920
CREATED:20231003T153433Z
LAST-MODIFIED:20231003T153433Z
UID:22700-1698598800-1698604200@jp.crsny.org
SUMMARY:CRS Presents SACO & As It Is with Special Guest Kevin Nathaniel
DESCRIPTION:CRS (Center for Remembering & Sharing) presents SACO & As It Is and special guest Kevin Nathanial (mbira). An eleven-piece\, cross-genre music ensemble\, SACO & As It Is creates uplifting and soothing sound experiences that unite people spontaneously. \nTickets are $20 and are available via Eventbrite and at the door (cash only). Seating is limited and advanced ticket purchase is highly recommended. Proof of vaccination is not required but you are encouraged to wear a mask. \nSaco Myoji: Vocal\, Keyboard\, Mbira\, Kalimba \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nSpecial guest Kevin Nathaniel: Mbira \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nhttps://www.sacoyasuma.com/ \nhttps://www.youtube.com/@saco1love \nhttps://sacoyasuma.bandcamp.com \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \nhttps://kevinnathaniel.com \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/saco20231029/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2023/10/https-cdn.evbuc_.com-images-611970669-266945216123-1-original.20231003-150709.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
END:VCALENDAR