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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211005
DTEND;VALUE=DATE:20211011
DTSTAMP:20260403T171646
CREATED:20210914T161711Z
LAST-MODIFIED:20211003T050536Z
UID:20817-1633392000-1633910399@jp.crsny.org
SUMMARY:The Ibiza Enlight Festival Online (イビザ島での”伝説の”8日間リトリート録画公開)
DESCRIPTION:『奇跡のコース』『奇跡講座』のスピリチュアル・プラクティスを共に経験した、スペイン、イビザ島での”伝説の”8日間リトリートが、無料録画で公開されることになりました！ \nどうぞアクセスしてスピリットの輝きを感じとってください。 \n英語またはスペイン語が理解できる方は、内容すべて聴き取って学んでいただけます。 \n現地では、日本語の通訳を藤本昌枝さんが引き受けてくださいましたが、この録画には含まれていません。申し訳ありません。 \nこのビデオ内の学びはすべて、スペイン語と英語の相互翻訳となっています。\n30か国の教師と世界中からの参加者との6日間のライブワークショップ、トーク、瞑想などを撮影しています。 \n教師陣： \nAna Carolina Figueredo（アルゼンチン）、Andreas Prohl（ドイツ）、Anna Maria Palay（スペイン）、Cacaya（コロンビア）、Carolina Corada（ベネズエラ-イビザ）、EfratSar-Shalomなどの参加者と教師を含む30の無料ビデオを用意しました。 （イスラエル）、ヒルダ・ヌニェス（スペイン）、ジェームズ・ケリー（スコットランド）、ジョルディ・プルネス（スペイン）、ケイト・ブレナン（イングランド）、ミシェル・ゲイマード（メキシコ）、ホセ・ルイス・モリーナ（スペイン）、ソル・ブリズエラ（アルゼンチン）、スティーブ・トンプソン（イギリス）、ユリシーズ・リブレ（スペイン）、ザビ・デ・メロ（スペイン）、そして香咲弥須子（日本）です。 \n期間は、2021年10月5日から10日 \nこのオンラインフェスティバルの無料チケットはこちら↓\nhttps://yasuko–biz1.thrivecart.com/enlight-online-2021-en/ \nお申し込み手順は、こちらをクリックすると→「無料パス申請」日本語の説明が表示されます。こちらを参考にパスを所得してください。
URL:https://jp.crsny.org/index.php/event/ibiza-festival/
LOCATION:NY
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2021/09/Screen-Shot-2021-07-29-at-12.50.20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211023
DTEND;VALUE=DATE:20211025
DTSTAMP:20260403T171646
CREATED:20210906T141642Z
LAST-MODIFIED:20210912T155003Z
UID:20751-1634947200-1635119999@jp.crsny.org
SUMMARY: 2021 秋の香咲弥須子セミナー　事務局主催オンラインセミナー
DESCRIPTION:香咲弥須子セミナー事務局主催オンラインセミナー\n\n『奇跡のコース』 『奇跡講座』 \n2021 秋の香咲弥須子セミナーは、10 月 23 日(土) 24 日(日) \n〜 〜 時世は変わり、時勢に助けられて自分が変わる 〜 〜\n変わる先にあるのは、ついに完全な自分を受け入れること、つまり、救いです。 救われたい、という心の奧の声に素直に耳を傾ける時、その声は、まもなく、救いのための言葉、叡智の導きに変化します。 そのような、真の変容を、この秋、ご一緒に経験しませんか。\n後悔や疑い、恐れや不安のない、救われた、完全な自分自身とはどんな自分か、それは、共にその状態を 目指して心を合わせることでより速やかに実感できるものと、わたしたちは、思っています。\n初めての方も、いつもご一緒に学んでいる方も、今をどう生き抜くかを一緒に体感しましょう・・・世界中 からの参加をお待ちしております。 \n\n\n\n\n\n\n香咲弥須子セミナー事務局 久保田智子 佐藤直子\n\n\n\n\n\n\n\n  \n******************** \n二週にわたってのプログラムとなります。詳細をご確認ください。 \n【セミナー二日間】※日本時間を基準としています。 \n《日時》一日目: 10 月 23 日(土) 午後 1:00- 3:00 二日目: 10 月 24 日(日) 午後 1:00- 3:00 \n《参加費:一般参加者》\n一日のみ参加: 8\,000 円…テキスト精読購読者: 6\,000 円\n両 日 参 加:15\,000 円…テキスト精読購読者:12\,000 円 \n《参加費:オンラインコース参加者》\n一日のみ参加: 6\,000 円…テキスト精読購読者:4\,000 円\n両 日 参 加:12\,000 円…テキスト精読購読者:9\,000 円 \n※両日参加の場合、録画配信付きです。\n10 月 25 日(月)から 11 月 7 日(日):14 日間の配信を予定しております。 \n\n\n\n\n  \n\n\n\n\n  \n\n\n\n\n【ヒーリングについてのお話 Part3】 香咲弥須子ヒーリングの学びを重ねているみなさんと一緒にお話を聞いてみませんか。 今回のセミナー両日参加された方、春セミナーの時に参加していない方も参加していただけます。 \n《日 時》 11 月 6 日(土)午前 10:45 – 11:15 オンラインコース第二期に参加されている方は、「瞑想の日」の配信の後の時間です。\n《参加費用》 2\,000円税込\n【ヒーリングクラス】*新規募集はありません。 ホーリースピリットからのメッセージを受け取ります。二日にわたり確認したことを存分に使ったスピリチュ アル・ヒーリングを学びます。\n内容をご確認ください → https://www.y-s-inn.com/ヒーリングクラスについて/\n《日 時》 11 月 6 日(土)午前 11:30 – 12:30 \n  \n【インテンシブなクラス】 少人数クラス(定員 10 名) セミナー両日参加及びテキスト精読を年間購読している方、もしくは 2021 オンラインコース第二期に参加し ている方が対象です。 セミナー二日間を受講して、また日々の学びの中やシェア会や勉強会など開催している中で、わからないこと や疑問に思ったことを、香咲弥須子さんやご一緒するみなさんとディスカッションしていきます。\nzoom はビデオ ON の状態での参加となります。\n《日 時》 11 月 7 日(日) 午前 10:00-12:00 午後 2:00-4:00\n《参加費用》 15\,000円税込 \n\n\n \n\n\n\nお申し込みは、こちら　https://www.acim-yasukokasaki.net/イベント予約/セミナー予約/\n※お手続きの締め切りは 10 月 18 日(月)午後 3 時(日本時間)です。 \n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/2021-fall-seminar/
LOCATION:NY
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211024T151500
DTEND;TZID=America/New_York:20211024T163000
DTSTAMP:20260403T171646
CREATED:20211005T140547Z
LAST-MODIFIED:20211017T133443Z
UID:20893-1635088500-1635093000@jp.crsny.org
SUMMARY:2021 秋の香咲弥須子セミナー　テキスト精読のためのクラス
DESCRIPTION:朗報です！香咲弥須子podcast『テキスト精読』https://acimclassroom.org/ 　を、長年購読している方、最近始められた方、この秋も第二弾として、精読のための大事なポイントなどをレクチャーしていただく機会を作ることができました。\n \nワークブックとテキストの両方があって『奇跡のコース』『奇跡講座』の学びは進んでいきます。。。\n今後のモチベーションを持続させるためにも、この機会をご利用ください。\n\nこのテキスト精読を購読していなくても、『テキスト』って？と気になっているという方も、\nぜひご一緒してください。\n\n\n《日　時》日本時間：10月24日(日)午後3:15ー4:30\n秋セミナー二日目終了後となります。\nライブ参加のみ、録画配信は付きません。\n \n\n《参加費》①5\,000円\n②セミナー両日参加する(テキスト精読購読していない)方は、 2\,000円 税込③テキスト精読年間購読中の方は、 1\,000円 税込④テキスト精読年間購読中で、セミナー両日参加する方は、無料\n\n\n◇秋セミナーの参加申込完了している、予約フォームを送信済みの方は、テキスト精読のためのクラス専用予約フォーム\n◇これから秋セミナーのお申し込みをする方は、こちら秋セミナー予約フォームから一緒にお申し込みください。
URL:https://jp.crsny.org/index.php/event/2021fall-readingclass/
LOCATION:NY
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211030T130000
DTEND;TZID=America/New_York:20211030T150000
DTSTAMP:20260403T171646
CREATED:20210914T232055Z
LAST-MODIFIED:20211006T194011Z
UID:20847-1635598800-1635606000@jp.crsny.org
SUMMARY:2021年プチカンファレンスin福岡　(オンライン）
DESCRIPTION:  \n  \nオンライン開催による 2021年プチカンファレンスin福岡 \n《日  時》 10月 30 日（土） 午後 1:00- 3:00 \n《参加費》 10\,000円(録画配信付き) \n※11/14(日)関西セミナー参加の方：8\,000円(録画配信付き) \nお申し込み開始は、９月15日(水)午前9時からです。 \n《予約先》 terasakifumiko@gmail.com \n\n氏名(漢字)\n氏名(ローマ字)\nメールアドレス\n携帯電話番号\n関西セミナー　参加する・参加しない\n\n上記、お知らせください。折り返し、お手続きの返信をいたします。 \n参加のためのzoomの参加用メールの配信がありますので、お手続き完了期日は、10月25日(月)午後3時 \n  \n関西セミナー (11月14日)は、末吉愛さんがオーガナイズされる香咲弥須子さんのオンラインセミナーです。 \nプチカンファレンスin福岡と両方の参加をされる方は、参加費それぞれに2\,000円の割引適用があります。 \n福岡のお手続き完了後に、関西セミナーの参加をお決めになった方には、参加費の変更に伴い、後日2\,000円の返金をいたします。(振込手数料のご負担はお願いいたします) \n  \n《録画配信について》 \nセミナー当日のライブ配信は、配信サイトONLYLOVETVより期間限定にて、ご視聴いただけます。リアルでの参加が難しい方もプチカンファレンスの風を感じていただけます。 \n《キャンセルについて》 \nお申込みされた全てに於いて、お振込み手続きの前のキャンセルであっても、連絡をお願いします。ご入金後のキャンセルは、10月25日(月)までにメールにてお知らせください。振込手数料及び事務手続料¥1\,000を差し引いた金額を一週間以内に返金いたします。 \n10月26日(火)以降にキャンセルについては、返金不可能となります。ご了承ください。 \nご予約は、terasakifumiko@gmail.com　寺﨑史子まで
URL:https://jp.crsny.org/index.php/event/2021fall-fukuoka/
LOCATION:NY
CATEGORIES:ACIM-Related Event,In Japan
ATTACH;FMTTYPE=application/pdf:https://jp.crsny.org/wp-content/uploads/2021/09/209433790f1862a01460dcdbba19e60b.pdf
ORGANIZER;CN="%E5%AF%BA%E5%B4%8E%E5%8F%B2%E5%AD%90":MAILTO:terasakifumiko@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211103T140000
DTEND;TZID=America/New_York:20211103T163000
DTSTAMP:20260403T171646
CREATED:20211023T140359Z
LAST-MODIFIED:20211024T152529Z
UID:20931-1635948000-1635957000@jp.crsny.org
SUMMARY:禅と奇跡のコース （向令孝さん、阿部敏郎さん、香咲弥須子 トークイベント）
DESCRIPTION:禅と奇跡のコース\n  \nこの世界には沢山の宗教や哲学や精神的教えがあります。 \nしかしそれらはすべて、たった一つの真実に帰結します。 \nもしそうでないものがあれば、それは発信側のマインドによる創作でしかありません。 \nそれでは私たちが知るべきたった一つの真実とは何なのか。 \nそれは、「私たちは何者か」という明確な答えです。 \nこの一点によって、そのほか全ての答えも同時に与えられます。 \n宇宙と時空間に関すること、神仏の存在、生命の神秘もなにもかもです。 \n私たちは何者なのか。 \nこのことを追求する最もダイレクトな道の一つが日本で完成された「禅」であることは、いまや世界が認めるところです。 \n禅はそれを言葉ではなく、直接体験として掴めと教えます。 \n不立文字です。 \nその一方で１９７０年代に入り、禅とは異なる宗教を背景にした西洋の文化圏から、表現は違えどまったく同じことを説く教えが広まりました。 \n現在活躍している世界中の精神的教師たちに多大な影響を与えたこの教えは、「奇跡のコース」（A Course in Miracles）と呼ばれています。 \nこの教えが目指すものもただ一つ「私たちは何者か」に尽きます。 \n禅と奇跡のコース \nこの度ご縁により、この二つの分野のスペシャリストが出会うことになりました。 \n無位の真人として本来あるべき禅僧の姿を貫く向令孝禅師と、世界各地で奇跡のコースを教える第一人者でニューヨーク在住の香咲弥須子さんです。 \nお互い一度の顔合わせはあるものの、本格的な対談は今回が初めてとなります。 \n初対面の時には、お互いに好印象を持たれたようでした。 \n向師がご住職を務める浜松の祥光寺での対談となります。 \n進行役は阿部敏郎が務めさせていただきます。 \n洋の東西のメッセージが出会うこの日は、たった一つの真実が浮き彫りになる日となることでしょう。 \n【日時】 \n２０２１年１１月３日　１４：００～１６：３０ (日本時間） \nオンラインによる配信で、終了後もアーカイブで繰り返しご覧いただけます。 \n【出演】 \n向令孝・香咲弥須子・阿部敏郎 \n【受講費】 \n６６００円（税込） \nお申し込みは１０月２５日開始になります。\n１０月２５日と２６日の両日は、早期お申込み特典として２５％オフでご案内します。 \nお申し込みはコチラから。 \n 
URL:https://jp.crsny.org/index.php/event/211103-zen-talk/
LOCATION:NY
CATEGORIES:In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2021/10/4c2e5c787bff02e6f9e68d343fb1d37f.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211106
DTEND;VALUE=DATE:20211107
DTSTAMP:20260403T171646
CREATED:20210906T142425Z
LAST-MODIFIED:20210912T155040Z
UID:20753-1636156800-1636243199@jp.crsny.org
SUMMARY:2021 秋の香咲弥須子セミナー  ヒーリングについてのお話 Part 3
DESCRIPTION:【ヒーリングについてのお話 Part3】 香咲弥須子ヒーリングの学びを重ねているみなさんと一緒にお話を聞いてみませんか。 \n今回のセミナー両日参加された方、春・夏のセミナーの時に参加していない方も参加していただけます。 \n《日 時》 11 月 6 日(土)午前 10:45 – 11:15 オンラインコース第二期に参加されている方は、「瞑想の日」の配信の後の時間です。\n《参加費用》 2\,000円税込 \n  \n【ヒーリングクラス】*新規募集はありません。 ホーリースピリットからのメッセージを受け取ります。二日にわたり確認したことを存分に使ったスピリチュ アル・ヒーリングを学びます。\n内容をご確認ください → https://www.y-s-inn.com/ヒーリングクラスについて/\n《日 時》 11 月 6 日(土)午前 11:30 – 12:30 \n\n\n\n\n\n\n\n\n\n\n\n  \nお申し込みは、こちら　https://www.acim-yasukokasaki.net/イベント予約/セミナー予約/\n※お手続きの締め切りは 10 月 18 日(月)午後 3 時(日本時間)です。 \n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/2021-fall-healingclass/
LOCATION:NY
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211107
DTEND;VALUE=DATE:20211108
DTSTAMP:20260403T171646
CREATED:20210906T142716Z
LAST-MODIFIED:20210912T155109Z
UID:20755-1636243200-1636329599@jp.crsny.org
SUMMARY:2021 秋の香咲弥須子セミナー・intensiveなクラス
DESCRIPTION:【インテンシブなクラス】 少人数クラス(定員 10 名) \nセミナー両日参加及びテキスト精読を年間購読している方、もしくは 2021 オンラインコース第二期に参加し ている方が対象です。 セミナー二日間を受講して、また日々の学びの中やシェア会や勉強会など開催している中で、わからないこと や疑問に思ったことを、香咲弥須子さんやご一緒するみなさんとディスカッションしていきます。\nzoom はビデオ ON の状態での参加となります。 \n《日 時》 11 月 7 日(日) 午前 10:00-12:00 午後 2:00-4:00 \n《参加費用》 15\,000円税込 \n\n\n \n\n\n\n\n\n\n\n\n\n\nお申し込みは、こちら　https://www.acim-yasukokasaki.net/イベント予約/セミナー予約/\n※お手続きの締め切りは 10 月 18 日(月)午後 3 時(日本時間)です。 \n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/2021fall-intensiveclass/
LOCATION:NY
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211107T140000
DTEND;TZID=America/New_York:20211107T160000
DTSTAMP:20260403T171646
CREATED:20211102T134856Z
LAST-MODIFIED:20211102T141339Z
UID:20969-1636293600-1636300800@jp.crsny.org
SUMMARY:An Afternoon of Music\, Miracle Stories & Healing with Neda Boin
DESCRIPTION:CRSではオランダを拠点とするNeda Boinの来訪を歓迎して、音楽、奇跡の物語、グループエクササイズなどを通じたイベントをご用意しました。ユニークで心温まる土曜日の午後をご一緒しませんか。 \nNeda Boinは心に響くシンガーソングライターであり、彼女の音楽を癒しのツールとして使用するVoice Liberatorです。 2018年には、デビューアルバムと受賞歴のあるアルバム『The Light Has Come』をリリースしました。彼女の音楽はすべて、A Course in Miraclesの非二次元的思考システムからインスパイヤーされたものです。 \nまた、Nedaは刑務所でも、声を使うことで、私たちに潜在する愛を邪魔するものを引き出し、”解放する方法”を教えています。 \n彼女は現在、2021年12月にリリースされる予定のセカンドアルバム「Remember You’re Dreaming」に取り組んでいます。 \n \nイベント参加には、マスク着用、コロナ予防接種の証明と写真付き身分証明書の提示をお願いいたします。\n（例外はありません） \nスペースに限りがありますので、どうぞ、お早めのご予約を。（ご予約後の返金や交換はありません。）\nwww.nedaboin.com \n \nミニドキュメンタリーTheLight Has Come： \n \nここからNedaの瞑想　”power-of-forgiveness”（無料）を登録できます： \nSign up for the power of forgiveness! \n \n無料ダウンロード曲 TheLight Has Come：https://acimmusic.nedaboin.com/free-download-thelighthascome \nYoutubeチャンネル：https://www.youtube.com/user/NedaBoin?sub_confirmation=1 \nInstagramでフォロー：https://www.instagram.com/neda_boin/ \nSpotifyで聞く： \n \nFacebookのページ：https://www.facebook.com/nedaboinmusic \n予約はメールにて：info@nedaboin.com
URL:https://jp.crsny.org/index.php/event/211107-neda-boin/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211114T130000
DTEND;TZID=America/New_York:20211114T150000
DTSTAMP:20260403T171646
CREATED:20210912T155547Z
LAST-MODIFIED:20211006T182804Z
UID:20783-1636894800-1636902000@jp.crsny.org
SUMMARY:2021秋の関西セミナー
DESCRIPTION:今回のテーマは、\nHappy Dream〜すべては自分の鏡だからこそ〜ということで、幸せな夢について香咲さんにお話していただきます。コースでは、わたしたちが見るものや人々は自分の鏡であると述べられています。これはいったい、どういう意味なのでしょうか。悪いことを考えたら、悪いことが起こる。\nポジティブシンキングでいれば、人生がうまくいくと考えたり、\n相手が自分に冷たいのは、自分が冷たい性格だからなのかなと思いがちですがすべては自分の鏡だと言っても、\n世界や人々、自分自身のことを「良い」「悪い」という基準で判断するよう促されているわけではありません。「内側の状況が、外側に映し出されている」ということは、何より自分の内側をよく見て、自分の心を変える必要があるわけです。自分を否定したり責めたりして、本当の自分を忘れているわたしたちにとって、それは大切なことです。 \n本当の自分を思い出す道、それを奇跡のコースは示してくれています。 \n\nわたしたちの内なるガイド、ホーリースピリットが、この鏡の世界、夢の世界を優しく導いてくれて、\n奇跡に満ちた幸せな夢を経験できるように助けてくれます。そのためには何が大切なのでしょうか？\n\nシフトを経験するためのエッセンスを香咲さんにお話していただく予定です。 \n\n\n初めての方も、遠方の方も、どうぞお気軽にご参加ください。\nみなさまと心をひとつに・・ご一緒できますことを楽しみにしております。 \n関西セミナーオーガナイザー\n末吉 愛 \n▼詳細はこちら\nhttps://lumiere-et-verite.com/2021acim/ \n 
URL:https://jp.crsny.org/index.php/event/2021fall-osaka/
LOCATION:NY
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E6%9C%AB%E5%90%89%E6%84%9B":MAILTO:info＠salon-lumiere.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211121T160000
DTEND;TZID=America/New_York:20211121T170000
DTSTAMP:20260403T171646
CREATED:20211105T131546Z
LAST-MODIFIED:20211105T134737Z
UID:21008-1637510400-1637514000@jp.crsny.org
SUMMARY:第21回 ニューヨークの四季 - 日本音楽の彩り-《ライブコンサート&オンライン配信》
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 21\n\n第21回 ニューヨークの四季 – 日本音楽の彩り-\n《ライブコンサート&オンライン配信》\n共催:Center for Remembering and Sharing\, 木村伶香能 / 後援:(有)邦楽ジャーナル、Mar Creation\, Inc.\n\n\n【Date】\n＊ライブコンサート    Sunday\, November 21\, 2021\, 4:00 pm (EST)\n＊オンライン配信\nSunday\, November 28\, 2021\, 8:00 pm (EST) プレミア配信〜Thursday\, December 2\, 2021\, 11:30 pm まで\n(プレミア以降、期間中は何回でもご視聴頂けます。) \n【Venue】\nライブコンサート Center for Remembering and Sharing\, White Room\n(123 4th Ave #3\, New York\, NY) \n\n\n\n\n\n\n\n【Details of the Event】\n《コンサートシリーズについて》 箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ。2015年秋に開始 以来、親密な空間で、箏・三味線の生音を四季折々に楽しむシリーズとして、これま でに50曲に及ぶ名曲を紹介。第21回公演は、晩秋の野に住む妖狐の物語「那須野」 (山田検校作曲)、三味線と尺八が織りなす「明鏡」(杵屋正邦作曲)、「箏歌」 (細川俊夫作曲)を演奏。ゲストに尺八奏者のジェームズ・如楽・シュレファーを迎 えます。コロナ禍以来、久しぶりのライブコンサートとなります。併せて、後日オン ライン配信されます。 \n《木村伶香能 (きむられいかの) 略歴》\n箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて 第一位を受賞。ソリストとして、カルテット、オーケストラと多数共演、玉木光との デュオ夢乃でも活躍。 \n\n\n\n\n\n\n  \n【Tickets】 \n\n\n\n\nライブコンサート:$30(オンライン配信も併せてご覧頂けます)\n●ご予約受付:info@yokoreikanokimura.com \n*ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。\n*コロナ感染防止対策の都合上、お席が限られておりますので、お早 めのご予約をお勧め致します。 *ご精算は当日CRSにて承ります。(キャッシュのみ) \nオンライン配信:$20 (Eventbriteの手数料込み)\n●お申し込み:下記Eventbriteリンクより承ります。\n*チケット申し込み後、配信情報がEventbriteより通知されます。\n* Eventbriteリンクは下記のURL、またはQ Rコードよりご覧頂けます。\nhttps://www.eventbrite.com/e/four-seasons-in-new-york-gems-of-japanese-music-vol-21- tickets-201922153597 \n【Event website】 木村伶香能ウェブサイト:\nhttps://www.yokoreikanokimura.com/calendar/ \n【Contact】*ライブコンサートのご予約、ご質問などは、どうぞ下記までお問い合わせ下さい。\ninfo@yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/211121-fourseasons/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211231T183000
DTEND;TZID=America/New_York:20211231T190000
DTSTAMP:20260403T171646
CREATED:20211218T143519Z
LAST-MODIFIED:20211231T232308Z
UID:21036-1640975400-1640977200@jp.crsny.org
SUMMARY:2021年 年末特別瞑想会
DESCRIPTION:地上には、たくさんのバイブレーションが複雑に交差しながら行き交っています。心の本当の声が、どのバイブレーションに加わりたいのか、あるいは、あらゆるバイブレーションをさらに超えたところにいきたいのか、その声に静かに耳を澄ませ、新年に向けてリセットするひとときを、ぜひご一緒しましょう。 \n  \n＊＊年末特別瞑想会 (Zoom )＊＊ \n香咲弥須子によるガイド瞑想（英語） \n12月31日（金） 6:30 – 7 pm（ニューヨーク時間） \n＊zoom\n当日こちらのリンクからお入りください。（時間厳守）\nZoom Meeting Link:  https://us02web.zoom.us/j/81541160040\nMeeting ID: 815 4116 0040.     One tap mobile: 1-929-436-2866
URL:https://jp.crsny.org/index.php/event/20211231meditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2021/12/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220213T160000
DTEND;TZID=America/New_York:20220213T170000
DTSTAMP:20260403T171646
CREATED:20220118T165254Z
LAST-MODIFIED:20220124T160358Z
UID:21057-1644768000-1644771600@jp.crsny.org
SUMMARY:第22回 ニューヨークの四季 - 日本音楽の彩り-《ライブコンサート&オンライン配信》
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 22\n\n第22回 ニューヨークの四季 – 日本音楽の彩り-　\n《ライブコンサート&オンライン配信》\n箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ。2015年秋に開始 以来、親密な空間で、箏・三味線の生音を四季折々に楽しむシリーズとして、これま でに50曲に及ぶ名曲を紹介。\n第22回公演は、平家物語でも特に愛されている「青葉の笛」の逸話から、山田流「須磨の嵐」をお届けします。賛助出演に、笛・太鼓奏者として世界中で演奏を続けていらっしゃる渡辺薫さん（元鼓童・アカデミー賞音楽部門ノミネート奏者）をお招きし、若くして戦下に散った平敦盛と、源氏方の熊谷直実の悲話を盛り上げて頂きます。また、年明けらしく箏曲の名曲「八段の調」、そして私のお師匠さんのお師匠さんであり、山田流の人間国宝として他に追随を許さない演奏と、革新的な作曲に定評のありました中能島欣一作曲による稀曲「三絃独奏曲 神仙調」を演奏いたします。併せて、後日オン ライン配信されます。 \n\n共催:Center for Remembering and Sharing\, 木村伶香能 / 後援:(有)邦楽ジャーナル、Mar Creation\, Inc.\n\n\n  \n【日時】\n＊ライブコンサート    2/13 (日)　4:00 pm (EST)\n＊オンライン配信\n2/27(日）8:00 pm (EST) 〜3/3（木）11:30 pm まで \n【会場】\nライブコンサート Center for Remembering and Sharing\, White Room\n(123 4th Ave #3\, New York\, NY) \n\n\n\n\n  \n[木村伶香能 (きむられいかの) 略歴]\n箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて 第一位を受賞。ソリストとして、カルテット、オーケストラと多数共演、玉木光との デュオ夢乃でも活躍。 \n\n\n\n\n\n\n  \n[渡辺　薫 略歴]\nニューヨークを拠点に革新的な作曲、演奏活動を展開している渡辺薫は、世界的な和楽器奏者の一人である。日本の音色を極め、クラッシックではヨーヨー・マ、ジャズではジェイソン・モラン、古典芸能では人間国宝の坂東玉三郎といった、世界の最高峰との共演を続ける傍、シドニー交響楽団のためのシンフォニーの作曲、ソリストとして共演や、ウェス・アンダーソン監督、マーティン・スコセッシ監督作品に、笛や太鼓といった伝統的な日本の音を、ダイナミックな即興やグローバルなリズムに融合させた、独特な楽曲を提供、演奏している。セントルイス交響楽団のバイオリン奏者の父、ハープ奏者の母、という音楽家の両親のもと、アメリカで生まれ育った渡辺は、名門マンハッタン音楽大学にてジャズの学位を取得、22歳で日本に渡り、佐渡の伝統音楽芸能集団「鼓童」にて奏者、作曲、演出家として、日本の郷土文化に根ざした音色を徹底的に修行したのち、2006年に独立、ニューヨークに戻り、型にはまらない自由で斬新な音楽を作っている。今日まで、カーネギーホール、リンカーンセンター、ボストンシンフォニーホール、ケネディセンター、メトロポリタン美術館、シドニーオペラハウス、歌舞伎座、京都四条南座といった名だたる舞台をはじめとし、全世界で公演を重ねている。渡辺の和楽器は、太鼓、雅楽器製造の老舗宮本卯之助商店、笛は千葉東金の笛師蘭照が製作。日本の和笛演奏家の多くが愛用するという笛師の蘭照から、渡辺の奏でる篠笛の音色が世界最高と評価されている。 \n【Tickets】 \n\n\n\n\nライブコンサート:$30(オンライン配信も併せてご覧頂けます)\n●ご予約受付:info@yokoreikanokimura.com\n＊ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。\n＊コロナ感染防止対策の都合上、お席が限られておりますので、お早 めのご予約をお勧め致します。 *ご精算は当日CRSにて承ります。(キャッシュのみ) \nオンライン配信:$20\n●お申し込み:下記Eventbriteリンクより承ります。\n*チケット申し込み後、配信情報がEventbriteより通知されます。\nhttps://www.eventbrite.com/e/four-seasons-in-new-york-gems-of-japanese-music-vol-22-tickets-253817393657?fbclid=IwAR2WL9SOjsVfhac4JH2ZCgpwaKBwVNXTxddvomRqqTGl0_hWadSphRS4sxE \n【コロナ感染防止対策】\n＊感染予防のためご来場の方々には、ワクチン証明書・ID のご提示、検温をさせていただきます。マスクの着用をお願いいたします。 \n【Event website】 木村伶香能ウェブサイト:\nhttps://www.yokoreikanokimura.com/calendar/ \n【Contact】*ライブコンサートのご予約、ご質問などは、どうぞ下記までお問い合わせ下さい。\ninfo@yokoreikanokimura.com \n\n\n 
URL:https://jp.crsny.org/index.php/event/20220213-fourseasons/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220312T190000
DTEND;TZID=America/New_York:20220312T203000
DTSTAMP:20260403T171646
CREATED:20220211T191737Z
LAST-MODIFIED:20220311T212425Z
UID:21146-1647111600-1647117000@jp.crsny.org
SUMMARY:POSTPONED: Crossing Boundaries Vol. 16: FOCUSING ON HER (Benefit for Survivors of the 3.11 East Japan Earthquake)
DESCRIPTION:(イベントは、キャンセル・延期になりました）\n  \nCRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を3月12日（土）午後7時からTenri Cultural Instituteにて、開催します。\nこのコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。\nAMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。\nビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \n公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。次回は、Crossing Boundaries Vol. 17：EYES FROMHERは6月24日にCRSにて。そして、Crossing Boundaries Vol. 1８は7月16日にthe National Opera CenterのMarc A. Scorca Hallで開催されます。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。このコンサートは、2011年3月11日の東日本大震災及び津波の11周年を記念したものであり、コンサートの収益はすべて仙台チェンバーアンサンブルに寄付されます。仙台チェンバーアンサンブルは災害を受けたのち、音楽で東北を笑顔にと、被災した各地で精力的にボランティアコンサート活動を続けています。寄付はeventbrite.comでも行うことができます。 \n5歳以上のすべてのお客様は、写真付きの身分証明書の提示、2回のワクチン接種を受けたことを証明する必要があります（Johnson＆Johnsonワクチンの1回接種を受けた人を除く）。例外はありません。 。また、会場ではマスクを着用してください。 \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \n  \n  \n  \n\n\nTRANSLATE with  x\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n \n\n      \n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n   \n   Back\n   \n\n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\nEnable collaborative features and customize widget: Bing Webmaster Portal\nBack
URL:https://jp.crsny.org/index.php/event/20220312/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220417T160000
DTEND;TZID=America/New_York:20220417T170000
DTSTAMP:20260403T171646
CREATED:20220331T061134Z
LAST-MODIFIED:20220331T061343Z
UID:21412-1650211200-1650214800@jp.crsny.org
SUMMARY:第23回 ニューヨークの四季 - 日本音楽の彩り-《ライブコンサート》
DESCRIPTION:is there any senior actor that you’re close to and that you can turn when you feel stuck or frustrated while acting?\nJY: A couple years ago I used to talk to 2PM’s Junho hyung about these things\n【コロナ感染防止対策】\n＊感染予防のためご来場の方々には、ワクチン証明書・ID のご提示、検温をさせていただきます。マスクの着用をお願いいたします。 \n【Event website】 木村伶香能ウェブサイト:\nhttps://www.yokoreikanokimura.com/calendar/ \n【Contact】*ライブコンサートのご予約、ご質問などは、どうぞ下記までお問い合わせ下さい。\ninfo@yokoreikanokimura.com \n\n\n 
URL:https://jp.crsny.org/index.php/event/springconcert%ef%bc%94%e2%88%9217%e2%88%9222/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220417T160000
DTEND;TZID=America/New_York:20220417T170000
DTSTAMP:20260403T171646
CREATED:20220331T204250Z
LAST-MODIFIED:20220401T100850Z
UID:21418-1650211200-1650214800@jp.crsny.org
SUMMARY:第23回 ニューヨークの四季 - 日本音楽の彩り-《ライブコンサート》
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 23\n第23回 ニューヨークの四季 – 日本音楽の彩り-\n\n共催:Center for Remembering and Sharing\, 木村伶香能\n後援:(有)邦楽ジャーナル、Mar Creation\, Inc.\n【Date】 Sunday\, April 17th\, 2022\, 4:00 pm (EST) *当公演は、ライブコンサートのみです。 \n【Venue】 Center for Remembering and Sharing\, White Room (123 4th Ave #3\, New York\, NY) \n《コンサートシリーズについて》  \n箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ。2015年秋に開始以来、四季折々 に山田流箏曲・地歌を主体に50曲以上の作品を紹介。第23回公演は、賛助出演にラルフ・サミュエル ソン氏(琴古流尺八奏者)を迎え、山田検校作曲「熊野」、中能島欣一作曲「春の歌」をお届けしま す。「熊野」は山田流箏曲の中でも最も大切にされている「奥の四つ物」の一つで、謡曲「熊野」か ら主題を得ています。桜爛漫の中、東国に病床の母を残す熊野の心情が語られます。 \nラルフ・サミュエル ソン氏(琴古流尺八奏者)\n  \n\n《木村伶香能 (きむられいかの) 略歴》 \n\n箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \n \n【Tickets】
　​ライブコンサート：$35（mochi-Rinによる季節の御菓子付き）\n​​●ご予約受付：info@yokoreikanokimura.com \n​​＊ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。 \n​​＊コロナ感染防止対策の都合上、お席が限られておりますので、お早めのご予約を​​お勧め致します。要マスク、ワクチン証明書、ブースターショットの確認をさせて​​頂きます。ご理解ご協力のほど、宜しくお願い申しあげます。\n​​＊ご精算は当日CRSにて承ります。（キャッシュのみ） \n  \n【Event website】 木村伶香能ウェブサイト https://www.yokoreikanokimura.com/calendar/  \n【Contact】 info@yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/spring-reikano2022/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220611T130000
DTEND;TZID=UTC:20220611T150000
DTSTAMP:20260403T171646
CREATED:20220602T115032Z
LAST-MODIFIED:20220602T115144Z
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SUMMARY:Sufi Dance Class with Paola García
DESCRIPTION:Learn the ancient practice of meditative whirling known as Sufi dance or Sema (Sama in Iranian). You will learn the techniques of whirling\, but Sema is not about reproducing a certain form or aesthetic. Rather\, the technique serves as a vehicle for inner journeying. Sema means spiritual listening. Together we’ll create a sacred space in which we can safely listen to and share our true selves and experience oneness with the Divine. \nEach class consists of some explanation of the theory and technique\, exercises\, practice whirling\, and sharing and discussion of what you experienced and felt. \nEach class is $30.\nTo register\, please contact paolasufidance@gmail.com \nPlease remember to wear comfortable clothing like yoga pants or leggings and T shirts (no tube tops or short pants/skirts\, solid colors are recommended\, avoiding prints and shiny material which might distract the eye while whirling) and wear socks or soft soled shoes. If you have a whirling skirt\, please feel free to bring it. \nPlease avoid eating a large meal for two hours before class. \nWhirling commonly induces dizziness or nausea. Over time\, through whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control. We empty our minds of all thoughts of the individual self as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn. Into this emptiness floods a divine fullness\, which sometimes gives rise to a state known as “mystical intoxication\,” a reflection of knowing and experiencing that you and I and the Divine are One. \nPAOLA GARCÍA teaches Sufi dance and performs with the CRS Sufi dance community and elsewhere. She has studied extensively with Sufi dance artist Rana Gorgani in NYC and in Europe and was awarded the International Sufi Dance Certification Of Cid UNESCO by her\, granting Paola authority to teach Gorgani’s method of Sufi dance training. She has performed in multiple venues including Mana Contemporary\, Alwan Center for the Arts\, The Cathedral of Saint John the Divine\, From the Horse’s Mouth\, The Outlet Dance Project\, Dixon Place\, MODArts Dance Collective\, Queens Library\, and Jamaica Center for the Arts among others. Paola holds a Master’s Degree in Islamic Studies from Columbia University and a J.D. from Columbia Law School. She is a writer\, Middle Eastern Studies researcher\, lawyer\, translator and student of Sufism.
URL:https://jp.crsny.org/index.php/event/sufi-dance-class-with-paola-garcia/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220612T190000
DTEND;TZID=UTC:20220612T200000
DTSTAMP:20260403T171646
CREATED:20220524T142643Z
LAST-MODIFIED:20220524T143001Z
UID:21470-1655060400-1655064000@jp.crsny.org
SUMMARY:『Wanderlust 』アゼルバイジャン人アーティスト・Elya OsmanovaによるPoetry\,Movement & Visuals の夕べ
DESCRIPTION:CRS (Center for Remembering & Sharing) は、アゼルバイジャン出身のアーティスト、Elya Osmanova　（エリヤ・オスマノヴァ）を迎え、6月12日午後7時よりWanderlustというイベントを開催します。この旅するアーティストは、詩、ムーブメント、映像など様々な分野のアートを使い、私たちが家や所有するものに与える意味を明らかにするための旅へと、私たちを導きます。 \n家とは何だろう？　所有物って何？　私たちは私たちが話す言語に属しているのか、それとも私たちが考える言語に属しているのか？ \nこれらのコンセプトを探求しながら、Wanderlustは、彼女の進行中のプロジェクトの一環として、観客に探求のプロセスの一部となり、コミュニティとして共有する場を提供します。 \nチケットは$20、Eventbriteからオンラインで購入できます。売り切れでなければ当日券もあります（現金のみ）。 \n入場には予防接種の証明書が必要です（例外はありません）。マスクは必ず着用してください。座席には限りがありますが、フロア席も用意いたします。 \nElya previously performed at CRS in the Dec 11\, 2021 Paradise Laboratory concert by musicians Galen Passen (sitar) & gamin (piri & saenghwang)\, where she read text by playwright Mia Chung. \nElya Osmanova is an Azerbaijani dancer\, model\, actor based in New York. \nAs a dancer she has worked with artists such as Najla Gilliam\, Sun Kim\, J9 Dance\, Chun Yun Chun\, Elsa Nilsson and many others. \nElya was a selected dancer at Jazz Foundation of America in 2019. She was also a guest performer in the musical Gunfighter Meets His Match at Joe’s Pub\, which was one of the musicals selected for the New York Musical Festival in 2018. \nElya made her narrative film acting debut in “My Heart Is My Only Country” directed by Iva Gocheva\, which will be screened as part of Rooftop Film series on June 22nd in Central Park. \nwww.elyaos.com
URL:https://jp.crsny.org/index.php/event/concert20220612/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220616
DTEND;VALUE=DATE:20220623
DTSTAMP:20260403T171646
CREATED:20220531T140231Z
LAST-MODIFIED:20220531T140745Z
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SUMMARY:Save the Date! M³ Festival Co-Presented with Winter Jazzfest 6/16 – 6/18\, 6/21 –6/22
DESCRIPTION:ミュージシャンのための相互メンターシップ（M³）は、ニューヨークのグリニッジハウスミュージックスクールで開催されるM³の最初の対面式フェスティバルです。19のライブパフォーマンスと6つの新しいデュオコミッションを発表します。  \n下記のフルラインナップ/スケジュールをご覧ください。 M³ Festival / WJF Playlistから彼らの音楽をこちらで聴いてください。 プレスリリースはこちらをご覧ください。 \n  \nTickets here:\nhttps://www.eventbrite.com/e/m3-festival-co-presented-with-winter-jazzfest-tickets-327588876147 \nAll events at Greenwich House Music School\, 46 Barrow Street\, NYC \nM³ Festival Schedule (EDT time zone): \nThursday\, June 16\, 2022 \n6:00pm: CN’s La permanencia de los ecos – Hamburg/Argentina \n7:15pm: Malika Zarra quintet – Paris\, France \n8:30pm: Michele Rosewoman‘s Textured Trio – NYC \n9:45pm: Maya Keren’s Careful In the Sun – NYC \n11:00pm: Lesley Mok‘s The Living Collection – NYC \nFriday\, June 17\, 2022 \n6:00pm: Jen Shyu‘s Zero Grasses: Ritual for the Losses (excerpts) – NYC \n7:15pm: Miriam Elhajli – Brooklyn\, NY \n8:30pm: Monnette Sudler – Philadelphia\, PA \n9:45pm: Caroline Davis‘ Portals – Brooklyn\, NY \n11:00pm: Romarna Campbell Showcase – London\, UK \nSaturday\, June 18\, 2022 \n7:15pm: aden – NYC \n8:30pm: Fay Victor‘s SoundNoiseFUNK – NYC \n9:45pm: Samantha Boshnack’s Uncomfortable Subjects – Seattle/NYC \n11:00pm: Cleo Reed – NYC \nTuesday\, June 21\, 2022 \n6:00pm: Shanta Nurullah‘s Sitarsys – Chicago \n7:15pm: Sumi Tonooka – Philadelphia\, PA \n8:30pm: Sara Serpa – NYC/Lisbon \n9:45pm: Alchemy Sound Project: Erica Lindsay’s Meditation on Transformation – Rosendale\, NY \n11:00pm: Rémèd: Val-Inc aka Val Jeanty SoundChemist – Haiti/Boston \nWednesday\, June 22\, 2022 \n6:00pm – 9:00pm: World Premiere Screenings of Cohort 4 duo commissions & Closing Night Gala (Tickets for gala will be on sale soon.) \n  \nProof of Covid-19 vaccination required to enter the venue for all events. \nM³ Festival is made possible in part by our sponsors and funders Winter Jazzfest\, South Arts\, Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, & Brooklyn Music School.
URL:https://jp.crsny.org/index.php/event/m%c2%b3-festival2022/
LOCATION:Greenwich House Music School\,\, 46 Barrow Street\, NYC\, NYC\, United States
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SUMMARY:Crossing Boundaries Vol. 17: Through Her Eyes
DESCRIPTION:CRSでは、ホワイトルームにて、2022年6月25日午後7時よりCrossing Boundaries Concert Series Vol.17: 「THROUGH HER EYES」を開催します。このプログラムでは、gamin（ピリ、セングァン）、Jacqueline Kerrod（エレクトリックハープ）、Mariel Roberts（チェロ）の3人の女性ミュージシャンと、Sook Jin Joによるブラジルと韓国で、2014年4月16日に韓国の済州島に向かう途中で高校生を中心に304人が亡くなったセウォル号事故への追悼した304灯のインスタレーションを含んだアート映像を上映します。このコンサートは、星となった美しい魂に捧げられるものです。 \nマルチ・インストゥルメンタリストのgaminがキュレーションしたこの第5シーズンのCrossing Boundariesは、女性および女性アイデンティティのミュージシャンによるWOMEN IN MUSICをテーマとした3つのコンサートで構成されています。演奏後には、コンサートや音楽業界におけるジェンダーというテーマについて、質疑応答が予定されています。 \nチケットは20ドルから30ドルで、eventbrite.comからオンラインで購入できます。売り切れでなければ、当日券も現金で購入できます。座席数には限りがあり、ブランケットを敷いたフロア席もあります。入場には、例外なく予防接種の証明書を提示をお願いします。また、マスクの着用が義務付けられています。 \n  \nPhoto credits: The photo of the beach is a still from the video of “Crossroads\,” a one-hour installation & performance copyright @ 2008 by Sook Jin Jo\, which took place in Itaparica\, Brazil in 2008\, sponsored by the Sacatar Foundation. The photo of the stars is of “The Face of Heaven\,” a 304 LED light Installation copyright @ 2016 by Sook Jin Jo\, which was a commissioned work that appeared in April: the Eternal Voyage\, an exhibition memorializing the 304 victims of the Sewol ferry disaster in 2014. \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \n“Cellist Mariel Roberts has evolved to become one of the most adventurous figures on New York’s new music scene—one with a thorough grounding in classical tradition but a ravenous appetite for and tireless discipline in new work.” — Bandcamp Daily \n“Many people think of original music in a hierarchical sense\, looking down on pure improvisation as something that doesn’t require mastery or discipline. One listen to Jacqueline Kerrod’s solo harp debut will serve as an epiphany for those cynics. In fact\, I found myself awestruck by Kerrod’s seemingly limitless expressive range.”\n— Yoshi Maclear Wall The Whole Note \n“Jo’s work operates at the intersection of abstraction and human need\, creating intimate spaces and experiences of peace and solace that acknowledge emotional or spiritual connections.” — Sculpture \nCrossing Boundaries Vol. 18:  FREEDOM will be held on July 16 in Marc A. Scorca Hall at the National Opera Center. Crossing Boundaries Vol. 16:  FOCUSING ON HER\, co-presented by Tenri Cultural Institute of NY\, has been re-scheduled for Dec 10\, 2022 at Tenri. \nTHE PROGRAM \nFace of Heaven\n“The Face of Heaven” is a memorial Installation for the Sewol Ferry disaster in which 304 people\, mostly high school students\, died en route from Incheon to Jeju\, South Korea on April 16\, 2014. \nThe work is an experiental installation composed of 304 lights shining like stars through different size holes; offering a metaphor of longing\, remembrance and comfort for those who died in the Sewol ferry tragedy\, and shedding light on the dark reality of an unsolved issue.\n“When he shall die\,\nTake him and cut him out in little stars\,\nAnd he will make the face of heaven so fine\nThat all the world will be in love with night\nAnd pay no worship to the garish sun.”\n– William Shakespeare \nCrossroads\nInspired by: “It is a true philosophy to meditate on death.”\nWhile working at a Sacatar Foundation residency in Brazil in late 2007 and early 2008\, the artist spent a great deal of time observing nature: The sun rising in the morning and the coming of night everyday….The water coming in and out everyday. The ebb and flow of the tide which is different every day. \n“Leaving with nothing…leaving with just memory…the cycle of nature…the cycle of life and death.”\nThis is a piece to reflect the artist’s observations\, experiences and thoughts. \nWooden grave markers\, reminiscent of primitive crossroad signs\, were placed in an elemental meeting of earth\, sea\, and sky. Installed at sunset on the shore at low tide\, I gathered them up before they washed away. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nInaugurated in 2018\, Crossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n   \nABOUT THE ARTISTS \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \nhttp://gaminmusic.com \nClassically trained from the age of 9\, South African harpist JACQUELINE KERROD has worked at the highest level in the classical\, pop\, free jazz and improvised music worlds. Her debut solo record “17 Days In December” (2021) released on LA-based label Orenda Records was noted as a best debut 2021 by The New York City Jazz Record and selected as an album to listen to by JazzIs Magazine (December 2021). She has toured nationally and internationally with composer and multi-reedist Anthony Braxton\, both in duo and as part of his ZIM music ensemble. Their live duo recording was released on Italian label I dischi di Angelica (2020). She was a founding member and co-songwriter of the pop duo Addi & Jacq\, who were winners of NYC’s Battle of the Boroughs WNYC 2015\, and toured her show “Harps Uncovered” featuring vocalist Hannah Sumner through twelve states of the US. She has played principal harp with top orchestras and performed with elite chamber groups\, contemporary music ensembles\, and pop superstars including Anohni\, Rufus Wainwright and Kanye West. \n\nhttp://jacquelinekerrod.com/ \n\nAmerican cellist and composer MARIEL ROBERTS is widely recognized not just for her virtuosic performances\, but as a “fearless explorer” in her field (Chicago Reader). Her ravenous appetite for collaboration and experimentation as an interpreter\, improvisor\, and composer have helped create a body of work which bridges avant-garde\, contemporary\, classical\, improvised\, and traditional music. Roberts is widely recognized for her “technical and interpretive mastery” (I care if you listen) and for performances which seethe with “excruciating intensity” (The Whole Note). \nRoberts has appeared as a soloist and chamber musician across four continents\, most notably asa member and co-director of the Wet Ink Ensemble (named “The Best Classical Music Ensemble of 2018” by The New York Times)\, as well as with the International Contemporary Ensemble (ICE)\, Mivos Quartet\, Bang on a Can All Stars\, and Ensemble Signal. She performs regularly on major stages for new music such as the Lincoln Center Festival (NYC)\, Wien Modern (Austria)\, Lucerne Festival (Switzerland)\, Cervantino Festival (Mexico)\, Klang Festival (Denmark)\, Shanghai New Music Week (China)\, Darmstadt Internationalen Ferienkurse für Neue Musik (Germany)\, and Aldeburgh Music Festival (UK). \nRoberts’ compositions have been performed at venues such as Merkin Hall and Miller Theater in New York City. \nwww.marielroberts.com \n\nKorean born\, New York based artist SOOK JIN JO is a multidisciplinary artist. Over the past 30 years\, Sook Jin Jo has produced drawings\, collages\, photographs\, sculptural assemblages\, performances\, installations\, public works\, and architectural design works. Originally because canvas was too expensive for her as a young artist\, she started to use plywood and began to explore found wooden materials. Continuing her work with this medium\, she has discovered infinite possibilities for painting\, sculpture\, installation and beyond. She often chose marginalized sites for her outdoor installations and public artworks. Most of them are site-specific and collaborative\, working with professionals and local peoples from diverse communities in many countries\, including Sweden\, India\, Poland\, Switzerland\, Korea\, Bolivia\, Nicaragua\, Brazil and the United States. \nJo’s works can be seen in numerous public collections\, including the National Museum of Contemporary Art in Korea; the Seoul Museum of Art in Korea; Gyeonggi Museum of Modern Art\, Ansan\, Korea; the Erie Museum of Art in Pennsylvania; the Huntington Museum of Art in West Virginia; the Housatonic Museum of Art in Connecticut; the Arko Art Center in Seoul\, Korea; the LA Metro Detention Center in Los Angeles; and the Margulies Collection at the Warehouse in Miami. She completed the construction of Art House\, a nondenominational chapel in Tipitapa\, Nicaragua in 2018. \nhttp://www.sookjinjo.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \n  \n  \n 
URL:https://jp.crsny.org/index.php/event/concert20220625/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTEND;TZID=UTC:20220711T203000
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SUMMARY:ヒーリングコンサート with Neda Boin
DESCRIPTION:CRSは、私たちの親愛なる友人であり、数々の賞を受賞しているオランダ・ペルシャ出身のシンガーソングライター、Neda Boinを迎え、ホワイトルームにてソウルフルな音楽の夕べを開催します。\nNedaの音楽は心に響き、パワフルにそして深く結びつき、あなた自身が本来持っている愛の源に触れるような感覚を呼び起こしてくれるでしょう。 \nコンサートのチケットはEventbriteでの寄付制です（当日券は現金のみ）。お席に限りがございますので、お早めにお申し込みください。現時点では、入場には完全なワクチン接種の証明が必要で、終始マスクの着用が義務付けられています。遅刻された方の入場は保証されません。 \nアルバム『Remember You’re Dreaming』のジャケット（by NEDA BOINNEDA）ニューアルバム『Remember You’re Dreaming』をリリースしたばかりです。このアルバムは、彼女自身の恐れから愛への旅へを表現した、深いインスピレーションのこもった楽曲が収録されています。 \n“On the 21st of December\, a Persian holiday where the return of the light is celebrated\, singer-songwriter Neda Boin\, who got known for her four-chair-turn blind audition on The Voice\, released her new album\, ‘Remember You’re Dreaming.’ In a time where cases of depression are massively growing and where social media tends to hide our true face\, Neda honestly shares her own process of grief\, feeling lost and trying to find her way back home in this beautiful and heart-touching album. Neda recorded the album in Victoria BC\, where she worked together with multi-Grammy award winning producer Joby Baker. The warm and inspiring songs are there for anyone who could use some extra light during dark times.” — music journalist and producer Rick Jamm \nOrder new album: https://nedaboin.com/shop \n\n“Listening to Neda sing brings forth an experience of Divine Love within. She has a gift of expressing the sound of Heaven so we can all remember the Love that exists within each one of us. Neda’s music makes me feel pure joy. She has the voice of an angel.” — Corinne Zupko\, Ed.S.\, author of From Anxiety to Love \n“Neda’s music is a way to merge with the Spirit and feel the absolute glory of Divine Love. Her amazing voice enhances the lyrics from Heaven\, and my soul is lifted every time I listen.” — David Hoffmeister\, author of Unwind Your Mind Back to God \nHer first album\, “The Light Has Come\,” won Best Album of the Year at the Rotterdam Music Awards. Amazingly\, Neda\, then a student of A Course in Miracles (ACIM) for 8+ years\, channeled all the songs on the album in just two weeks\, all inspired from ACIM Workbook lessons\, making it the first album inspired by ACIM to win album of the year. Profoundly spiritual in nature\, the songs are deeply satisfying as songs\, with beautiful and irresistible music colored with soul\, jazz and world music inflections\, brought to soaring life by Neda’s angelic voice. \n\nFor more info about Neda\, visit:\nhttps://nedaboin.com/neda-boin/ \nListen on Spotify: https://open.spotify.com/album/0uaakWJVtW4N040gkuxagL\nFollow on Instagram: https://www.instagram.com/neda_boin/\nFollow on youtube: https://www.youtube.com/user/NedaBoin?sub_confirmation=1\nTour schedule: https://nedaboin.com/events\nVoice Liberation program: https://www.members.nedaboin.com/promotion
URL:https://jp.crsny.org/index.php/event/20220711neda-boin/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220716T190000
DTEND;TZID=UTC:20220716T203000
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SUMMARY:Crossing Boundaries Vol. 18: Freedom
DESCRIPTION:CRSは、Crossing Boundaries コンサートシリーズ Vol. 18 『FREEDOM』を、7月16日午後7時より、The National Opera Center – OPERA AmericaのMarc A. Scorca Hallにて開催します。女性を称えるこのプログラムでは、異なるバックグラウンドを持つ女性ミュージシャン6名による自由な即興演奏を披露します。\n出演は、Ayumi Ishito （サックス）、gamin（韓国管楽器）、Gelsey Bell（ボーカル）、Layale Chaker（バイオリン）、Lesley Mok（パーカッション）、Shoko Nagai（ピアノ、アコーディオン）。各アーティストは、自分の声を自由に表現すると同時に、他のアーティストと連携して作品を作り上げていきます。\n\nマルチ・インストゥルメンタリストのgaminがキュレーションしたこの第5シーズンのCrossing Boundariesは、女性および女性アイデンティティのミュージシャンによるWOMEN IN MUSICをテーマとした3つのコンサートで構成されています。演奏後には、コンサートや音楽業界におけるジェンダーというテーマについて、質疑応答が予定されています。\nCrossing Boundaries Vol.16: FOCUSING ON HERは、Tenri Cultural Institute of NYとの共同開催で、2022年12月10日に再スケジュールされました。会場は、Tenriが予定されています。\n\nチケットは$20 – $30、eventbrite.comからオンラインで購入できます。売り切れでなければ、当日券は現金で購入できます。入場される方は、例外なくワクチン接種の証明書をご提示いただく必要があります。また、終始マスクの着用が義務付けられています。\n\n\n“Shoko Nagai\, one of New York’s most individualistic and intense performers on the avant-garde side of jazz – dazzles with her glimmering\, darkly necromantic and blues-tinged piano.” — Time Out NY” \nGelsey Bell is “one of New York’s most adventurous musicians….” — New York Times \n“A Gorgeously Kinetic\, Restless New Album by Haunting\, Dynamic Violinist Layale Chaker…the leading contender for best album of 2019 so far.” — New York Music Daily  \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \n“Ishito is among a cadre of musicians in New York incorporating everything they love about music into the jazz lexicon\, imparting micro innovations that are not only adding fresh layers but attracting new audiences to jazz that wouldn’t otherwise.” — Jazz Views with CJ Shearn \n“Lesley Mok stood out for her expansive curiosity\, rigor in artistic practice\, and embrace of different practices — not only making provocative and authentic connections\, but also playing with and deepening our understanding of form and expression.” — Elena Park\, Asian American Arts Alliance Van Lier Fellowship panelist \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nInaugurated in 2018\, Crossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n   \nABOUT THE ARTISTS \nAYUMI ISHITO was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects\, Open Question\, received a four-star review in DownBeat magazine in 2022.  Another project\, The Spacemen\, was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band has released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \n\n\n\nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \nhttp://gaminmusic.com \n\n\n\nGELSEY BELL is a singer\, songwriter\, and scholar. Described by the New York Times as “one of New York’s most adventurous musicians\,” she is a core member of thingNY\, Varispeed\, and the Chutneys. She is a resident artist at the HERE Arts Center and Pioneer Works. She has received awards from the Foundation for Contemporary Arts\, Opera American\, and the Japan Foundation\, and recent residencies at Mount Tremper Arts and the Kinosaki Arts Center in Japan. Her recent works include the sound walk Cairns (included on the New York Times Best Theater of 2020 list)\, shuffleyamamba: Yamamba as a Bear (created with Yasuko Yokoshi)\, SubtacTTTTTTTTT (created with thingnY)\, and Skylight (created with Erin Rogers). Performance highlights also include Dave Malloy’s Natasha\, Pierre\, & the Great Comet of 1812 (Broadway) and Ghost Quartet\, Robert Ashley’s Improvement and Crash\, Kate Soper’s Here Be Sirens\, and Gregory Whitehead’s On the Shore Dimly Seen. \nhttps://gelseybell.com \n\n\n\nDeemed a “Rising Star” by BBC Music Magazine and raised on the verge of several musical streams since her childhood\, Lebanese violinist and composer LAYALE CHAKER debuted her musical training at the National Higher Conservatory of Beirut in her native Lebanon.  A Ruth Anderson 2017 Competition Prize winner\, she is also the recipient of the Royal Academy of Music’s 2018 Guinness Award\, a finalist of the Rolex Mentor and Protégé 2018 Prize\, the recipient of the Lili et Nadia Boulanger 2019 Prize and of Silkroad’s inaugural 2020 Seeds Award. “Inner Rhyme”\, her debut release with Sarafand\, was listed as “Top of The World” by Songlines with a 5-star review\, Top 10 NPR Best Releases\, #1 for several weeks on the World Charts of iTunes and Amazon Music\, and received features and praises by the New York Times\, The Strad\, Strings Magazine\, Jazz World\, and Rootsworld among others. She has debuted her first violin concerto with the Bayreuther Philharmoniker as the orchestra’s first-ever commissioned composer in January 2018. A recent commission from Newlands Festival has also invited her for a collaboration with Holland Baroque. Layale Chaker was also recently granted the Diaphonique 2019 Franco-British Commission Fund\, along with London-based Notes Inegales ensemble and musicians of the Orchestra of the Age of Enlightenment\, for a creation in May 2019. As a member of Daniel Barenboim’s West-Eastern Divan\, she performs around the year in concert halls such as the Royal Albert Hall\, Teatro Colon\, Mozarteum Salzburg\, Philharmonie de Paris\, Salzburg Festspiele and der Philharmonie Berlin among others. \nhttps://layalechaker.com \n\n\n\nLESLEY MOK is a drummer\, composer\, and improviser based in Brooklyn\, NY. Interested in the ways social conditions shape our beings\, Lesley’s work focuses on transposing\, augmenting\, and overacting humanness to explore ideas about normalcy\, alienness\, and privilege. She likes to write in a way that considers the whole expressive range of each instrument\, often utilizing extreme ranges and dynamic timbres in her writing as a framework for individuality and personal expression. Her ongoing explorations with composition and improvisation are most notably documented in her nine-piece improvising chamber ensemble\, The Living Collection. Lesley’s work has been recognized by the ASCAP Foundation and the Asian American Arts Alliance\, and has been performed by International Contemporary Ensemble\, Metropolis Ensemble\, and JACK Quartet. She has collaborated with Tomeka Reid\, Fay Victor\, William Parker\, Cory Smythe\, Jen Shyu\, Sara Serpa\, Elias Stemeseder\, David Leon\, Anna Webber\, Adam’ O’Farrill\, and Edi Kwon. \nhttps://lesleymok.com \n\n\n\nSHOKO NAGAI is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. Since moving to the U.S. from Japan and studying classical and jazz music at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordion\, Moog synthesizer\, and other instruments. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound. A veteran of the New York downtown music scene\, she performs with John Zorn\, Erik Friedlander\, Marc Ribot\, Miho Hatori (Cibo Matto)\, Satoshi Takeishi\, Elliot Sharp and many eclectic performers. Nagai is winner of CMA 2021\, NYFA and City Artist Corps 2022. \nhttps://shokonagai.net \n\n\n\nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-vol-18-freedom/
LOCATION:The National Opera Center — OPERA America\, 330 Seventh Ave\, New York\,\, 10001
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=UTC:20220722T200000
DTEND;TZID=UTC:20220722T220000
DTSTAMP:20260403T171647
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LAST-MODIFIED:20220627T120827Z
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SUMMARY:『奇跡のコース』2022夏の香咲弥須子オンライン集中講座
DESCRIPTION:奇跡のコース』香咲弥須子夏のセミナーは、春に続き『集中講座』として、オンラインにて集います。 \n日本時間:7月23日(土)午前9:00-11:00 二時間\nニューヨーク時間：7月22日(金)午後8:00-10:00  二時間 \nどなたでも、世界のどこからでも、この集中講座のみ単独でも、集中講座を組み込んだオンラインコース第三期のご登録と一緒でも、当日参加ができなくても、録画配信が付いていますので、安心して参加できます。 \nまた、今夏は、集中講座に参加したみなさんも参加していただける 《インテンシブなクラス》 を開催いたします。少人数で行われるディスカッション型の貴重なクラスです。 \nお申込み・詳細は下記をご覧ください。 \n会場開催を待ち望まれているみなさん、春に開催したワークショプという形を秋にも予定しております。 \n今回はオンラインにてお目にかかれると嬉しいです。 \n久保田智子 \n香咲弥須子事務局 \n〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜 \n＊ 香咲弥須子さんからのメッセージ ＊ \n  \n “損得”のない世界で生きる練習 \n長年開催してきた春セミナーに代わっての集中講座に続いて、夏セミナーに代わっての集中講座です。 \n   オンラインコース第三期参加者の皆さんはもちろん、今期参加できなかった方、初めての方、『奇跡のコース』ビギナーの方、 \nどなたも歓迎します。 \n　エゴの世界は、「人にあげてしまえば自分のものは減る」という力学でできています。「頑張れば疲れる」し、 \n「年々、死が迫ってくる」のです。損得の勘定は、ケチな人だけが行うことではなく、誰もが、常にしていることです。でも、私たちは、そうではない世界、「与えるほどに増え」「持てる力は使えば使うほど輝き磨かれ」「いのちは確かに永遠」だということを経験する世界に移行することができると学んできました。そしてそれを経験し続ける練習をしています。 \n　今一度、この練習についての理解を明確にし、実際に一緒に練習し、その世界をあらためて経験する二時間です。 \n多くの皆さんと分かち合えることを願っています。お会いできるのを楽しみに。 \n  \n　香咲弥須子  \n〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜 \n【日　　時】\n日本時間:7月23日(土)午前9:00ー11:00\,\nニューヨーク時間：7月22日(金)午後8:00-10:00 \n【参加費】 10\,000円(税込)　＊米ドル建 ＄80\n＊録画配信6ヶ月付　 \nお申込受付中 (受付締め切りは7月20日(水)午後3時) 日本時間 \nお申込フォーム  \n＊＊＊ オンラインコース第三期に登録している方は、プログラムに含まれています。 \n  \n☆☆インテンシブなクラス☆☆ \n①集中講座参加　②オンラインコース第三期登録　③テキスト精読を年間購読している \n①②③いずれかに該当される方が対象となります。 \n日々の学びの中で、集中講座に参加して、またシェア会や勉強会など開催していて、わからないことや疑問に思ったことを少人数だからこそできるディスカッションの時間です。 \n  \n【日　時】\n日本時間：①7月30日(土) 　②7月31日(日)  両日共に午前7:30ー9:30\nニューヨーク時間：①7月29日(金)  ②7月30日(土)  両日共に午後6:30ー8:30 \n【参加費】 15\,000円(税込)　＊米ドル建 ＄120 \n注）香咲さんのレクチャー、参加のみなさんのお話を聴く時間ではなく、参加型のクラスです。\nビデオON(お顔出し)にてとなります。 \n日本時間：7月7日(木)午前10時受付開始 \nお申込フォーム \n＊＊＊ お申込み多数の場合、抽選となります。
URL:https://jp.crsny.org/index.php/event/2022summer-seminar/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220723T130000
DTEND;TZID=UTC:20220723T150000
DTSTAMP:20260403T171647
CREATED:20220629T135913Z
LAST-MODIFIED:20220629T140011Z
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SUMMARY:ヒーリング・クリニック開催のお知らせ
DESCRIPTION:ヒーリング・クリニック開催のお知らせ \n  \nCRSの18歳バースディ記念として、久しぶりのヒーリング・クリニックをホワイトルームにて行います。 \n短い瞑想会からスタートし、その後お一人10分～15分ほどのスピリチュアル・ヒーリングをさせていただきます。 \n7/23（土）午後1時から3時。要事前予約　12名まで。ドネーション制\n参加資格は、どなたでも。お申し込み多数の場合は、先着順とさせていただきます。\nただし、マスク着用とさせていただきます。 \n事前申込は、etsuko@crsny.org 坂本までメールにて。（お申し込み開始日は、後日お知らせします。）
URL:https://jp.crsny.org/index.php/event/20220723healingclinic/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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DTSTART;TZID=UTC:20220723T190000
DTEND;TZID=UTC:20220723T190000
DTSTAMP:20260403T171647
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SUMMARY:Paradise Laboratory: DERELICT PORTENT by Jay Afrisando with gamin and Okvan Pramudya
DESCRIPTION:CRS（Center for Remembering＆Sharing）は、Jay Afrisandoによるソロ音楽およびマルチメディアコンサート– DERELICT PORTENTを紹介します。 gamin（韓国）とOkvan Pramudya（パーカッション）がこのコンサートに参加します。 Derelict Portentは、聴覚の多様性（聴覚プロファイルの多様性）、音響生態学、そしてしばしば見過ごされがちな日常にある不可思議に対し意識を高めることを目的とした、音楽作曲とマルチメディアアートにおけるジェイアフリサンドの作品を紹介します。 \n多感覚のアプローチを通して、ジェイは私たちに人間、生き物、そして宇宙全体との共存を再考するように観客を誘うでしょう。 彼のソロコンサートでは、即興で共同制作された作曲、参加型の作品、フィールドレコーディング作品、実験的な映画など、学際的なアプローチを提示します。 \n  \nThis event is supported in part by Jerome Foundation through Jerome Hill Artist Fellowship 2021-2022. \n \nTickets are $20 and are available online through eventbrite.com and at the door for cash only\, if not sold out. All patrons must show proof of vaccination at the door in order to be admitted\, no exceptions. In addition\, masks must be worn throughout. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nJay Afrisando is an award-winning multimedia artist\, music composer\, researcher\, and educator. Employing multisensory approaches\, he shares awareness of aural diversity\, acoustic ecology\, and everyday technological interactions. His works invite others to (re)examine our notions of living entities\, ecosystems\, and technology. He challenges conventional artistic disciplines and boundaries using various approaches\, including video\, spatial audio\, fixed media\, improvisation\, and various collaborative methods. \nHe is a Jerome Hill Artist Fellow 2021-22. He also received the Ambassador’s Award for Excellence 2019 by the Ambassador of the Republic of Indonesia for the United States and the 2016 Minnesota Emerging Composer Award by the American Composers Forum. He is also a OneBeat Fellow 2015 and a Cultural Partnership Initiative Fellow at the 2014 International Fellowship in Study of Korean Music at the National Gugak Center. \nHe has published various works\, including a book chapter “Music-making in Aurally Diverse Communities” in Aural Diversity (Routledge\, 2022—forthcoming) and a telematic improvisational film “Expanding the Frame Live” in collaboration with Lee Noble (Walker Art Center’s Bentson Mediatheque\, 2021). \nhttps://www.jayafrisando.com/ \ngamin is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \nhttp://gaminmusic.com \nOkvan Pramudya is a drummer who was born and raised in Indonesia. He first learned to play drums at the age of seven and began playing with bands since junior high school. In 2010\, he moved to Yogyakarta to pursue his bachelor’s degree at Gadjah Mada University. In Yogyakarta\, he formed a band called Airbatu and released an album with the band. Besides\, he also joined Solo Big Band\, Jay & Gatra Wardaya\, and Aditya Ong Trio as drummer. In 2020\, he moved to the United States and started working for the Consulate General of the Republic of Indonesia in New York at the Division of Culture. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPhoto of Jay Afrisando by Terry Perdanawati. Photo of gamin by Christopher Pelham
URL:https://jp.crsny.org/index.php/event/20220723/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering＆Sharing）は、Jay Afrisandoによるソロ音楽およびマルチメディアコンサート– DERELICT PORTENTを紹介します。 gamin（韓国）とOkvan Pramudya（パーカッション）がこのコンサートに参加します。 Derelict Portentは、聴覚の多様性（聴覚プロファイルの多様性）、音響生態学、そしてしばしば見過ごされがちな日常にある不可思議に対し意識を高めることを目的とした、音楽作曲とマルチメディアアートにおけるジェイアフリサンドの作品を紹介します。 \n多感覚のアプローチを通して、ジェイは私たちに人間、生き物、そして宇宙全体との共存を再考するように観客を誘うでしょう。 彼のソロコンサートでは、即興で共同制作された作曲、参加型の作品、フィールドレコーディング作品、実験的な映画など、学際的なアプローチを提示します。 \n  \nThis event is supported in part by Jerome Foundation through Jerome Hill Artist Fellowship 2021-2022. \n \nTickets are $20 and are available online through eventbrite.com and at the door for cash only if not sold out. All patrons must show proof of vaccination at the door in order to be admitted no exceptions. In addition masks must be worn throughout. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nJay Afrisando is an award-winning multimedia artist music composer researcher and educator. Employing multisensory approaches he shares awareness of aural diversity acoustic ecology and everyday technological interactions. His works invite others to (re)examine our notions of living entities ecosystems and technology. He challenges conventional artistic disciplines and boundaries using various approaches including video spatial audio fixed media improvisation and various collaborative methods. \nHe is a Jerome Hill Artist Fellow 2021-22. He also received the Ambassador’s Award for Excellence 2019 by the Ambassador of the Republic of Indonesia for the United States and the 2016 Minnesota Emerging Composer Award by the American Composers Forum. He is also a OneBeat Fellow 2015 and a Cultural Partnership Initiative Fellow at the 2014 International Fellowship in Study of Korean Music at the National Gugak Center. \nHe has published various works including a book chapter “Music-making in Aurally Diverse Communities” in Aural Diversity (Routledge 2022—forthcoming) and a telematic improvisational film “Expanding the Frame Live” in collaboration with Lee Noble (Walker Art Center’s Bentson Mediatheque 2021). \nhttps://www.jayafrisando.com/ \ngamin is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010 gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants including Artist-in-Residence at the Asian Cultural Council and has collaborated in cross-cultural improvisation with world-acclaimed musicians presenting premieres at Roulette Theater New School and Metropolitan Museum. gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with the founder Yo-Yo Ma. For 2020 gamin was selected as artist-in-residency at the HERE Arts Center NYC and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début accompanied by Nangye Gugak Orchestra scheduled for March 2020 was postponed by Covid 19. \n“Gamin is one of the most celebrated piri taepyeongso and saengwhang performers in Korea today.” — Silkroad \nhttp://gaminmusic.com \nOkvan Pramudya is a drummer who was born and raised in Indonesia. He first learned to play drums at the age of seven and began playing with bands since junior high school. In 2010 he moved to Yogyakarta to pursue his bachelor’s degree at Gadjah Mada University. In Yogyakarta he formed a band called Airbatu and released an album with the band. Besides he also joined Solo Big Band Jay & Gatra Wardaya and Aditya Ong Trio as drummer. In 2020 he moved to the United States and started working for the Consulate General of the Republic of Indonesia in New York at the Division of Culture. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPhoto of Jay Afrisando by Terry Perdanawati. Photo of gamin by Christopher Pelham;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220724T190000
DTEND;TZID=UTC:20220724T203000
DTSTAMP:20260403T171647
CREATED:20220707T153632Z
LAST-MODIFIED:20220712T203014Z
UID:21557-1658689200-1658694600@jp.crsny.org
SUMMARY:Paradise Laboratory: LOOKING-MIND by Hyo Jee Kang
DESCRIPTION:CRS (Center for Remembering & Sharing) は、ソウルを拠点に活動するピアニストHyo Jee Kangが、演奏中にfNIRS (functional near-infrared spectroscopy) 装置で測定した脳活動のデータをリアルタイムで視覚的に提示しながら、後期バッハと即興演奏を行うユニークで画期的なパフォーマンス「LOOKING-MIND」をご紹介します。このプログラムでは、創作活動と脳活動に関する研究についてのプレゼンテーションを行い、さらに米国初となるこの装置のデモンストレーションと解説を行う予定です。同様のプログラムは、先月、韓国ソウルのロッテ・コンサートホールでKang氏が初演した「Bach-Brain」でも紹介されました。 \nThe musical program includes: \n\nJ.S. Bach’s “Die Kunst der Fuge BWV 1080” with fNIRS scan\nHyo Jee Kang’s “Mind Improvisation” with video by Joo Hun Lee and sound by Jinok Cho and Hyo Jee Kang\nJ.S. Bach’s “The art of Fugue BWV 1080” with fNIRS scan\n\n“The art of Fugue BWV 1080” is known as the last piece of music Bach composed\, the notes recorded by someone else at his sickbed. Fugue is a technique of composition that is very structured with several voices\, inviting questions about how the brain processes and carries out the “speaking” or performing of multiple voices simultaneously. \nWhile Kang plays\, the NIRSIT Lite — a portable fNIRS device developed by Korea Advanced Institute of Science & Technology (KAIST) Professor Hyunmin Bae and produced by OBE Lab — measures the activation level of hemoglobin in the prefrontal cortex of the brain. The measured brain activity is graphically presented in real time via video projection. \nIn “Mind Improvisation\,”  the data of this device is transformed into synthesized sound and projected visuals. Kang started with the question of “how the brain moves when humans perform artistic actions.” First\, she scans her own brain\, transmits the data in real time\, and uses it as a value for sound formation. This is again used as a value for the image transformation\, and the sound and visual image being transformed by the performer’s brain action causes an instantly improvised transformation of the performer again. In other words\, a situation develops where the input and output of sound\, image\, and the performer’s brain activity and performance continuously transform each other. \nTickets are $20 and are available online through eventbrite.com and at the door for cash only\, if not sold out. All patrons must show proof of vaccination at the door in order to be admitted\, no exceptions. In addition\, masks must be worn throughout. \nDuring Kang’s three-week residency in New York City\, she will also lead workshop demonstrations of the device. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT HYO JEE KANG \nHyo Jee Kang has been focusing on transformation between media and objects to create a new art form. She works with media artists and live electronic performers presenting improvisation and recomposed composition as well as her originals. Her activity as a composer\, performer\, creator and improviser has been featured throughout the world in Germany\, Spain\, Italy\, Korea\, Japan\, USA\, Israel\, and so on. Hyo Jee currently resides in Seoul and serves as a faculty member at Korea National University of Transportation. In May 2018\, she gave her solo performance with great success at Lincoln Center\, including the Conceptual Transformation Performance “Pyung Yang.” She was one of 12 artists from around the world selected to participate in Seminar in Taipei\, a platform for in-depth exchange in both theoretical and practical fields\, at the 2018 Taipei Arts Festival X in Taiwan. Seminar in Taipei is an initiative of Pro Helvetia\, the Swiss Arts Council\, in partnership with the National Culture and Arts Foundation of Taiwan\, Korea Arts Management Service\, the National Arts Council of Singapore\, and the Arts and Theatre Institute of the Czech Republic\, realized in collaboration with the Taipei Arts Festival. FLY IN WATER\, created by Hyo Jee and other members of MAG performance group\, was presented by CRS in August 2019. \nHer work “Yut-Nori” is an interactive performance that consists of real-time Yut-nori ( Korean more than 1000 year-old game) performed on stage and selected music play and the sound of throwing Yut(half-rounded stick) in real time through the symbol of the yut boardplate. It was premiered by two pianists and two yutnori actors\, and the visual art works of the game board expressing the image of Yut-board in this work were invited to the Concept Arts exhibition in New York\, USA. \nHer work “This Is Not Me” was commissioned and world premiered by Korean traditional music player Kim Hyeon-Hee as a conceptual music work. Contemporary dancer Jeong Jae-woo interpreted as movement and music\, and film director Heo Cheol-Nyeong interpreted it as a documentary film. \nAs a promising artist (MAP artist) of the Seoul Foundation for Arts and Culture\, she successfully held a musical monologue “Do or not” directed by Park Sang-Yeon. She opened up new possibilities of performing arts that constantly exchanges multifaceted\, improvised\, but philosophical messages between a creator\, interpreters\, and audience. \nIn 2017 Hyo Jee released “G.Ligeti-H.J.Kang Lux Aeterna\,” a collaboration with a wearable artist\, combining Korean dance and media art with colleague Kyoung Mi Kim. \nHyo Jee Kang has won numerous prizes including the monthly music contest at the age of 10\, the youngest grand prize in the Teenager Competition\, 2nd prize in the Ihwa Kyunghyang Competition\, and was selected as a young artist in Kumho for a solo recital. \nShe went on to study at Seoul National University and continued her music studies at the Hanover College of Music\, theater\, and media in Germany where she majored in piano and composition under Johannes Schoellhorn. She then went on to study and major in piano at the Konzertexamen course under the supervision of Professor Matti Raekallio. For Yisang Yun’s Shao Yang Yin and other performances performed at the Mönchhaus Museum der modernen Kunst in Goslar\, Germany\, world-renowned professor Arie Vardi said\, “I love her unique personality and her outstanding musicality as a pianist\, composer\, improviser\, and creator. ”  She appeared in a commemorative concert\, Schumann Brahms Festival Chamber Music Series in Bucheon City and held a duo concert with violinist Kwon Hyuk-Ju as an opening concert of Sonata Series of Baroque Chamber Hall. \nShe has appearances in various series performances such as Park Chang-Soo’s The House Concert\, Daegu Music Festival\, the 20th anniversary of the Hongga Art Museum in Taiwan\, and Listen to Tomorrow at the Hanover University of Music. \nHyo Jee’s YouTube channel is youtube.com/hyojeekang. \nHer web site is http://www.hyojeekang.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nGreenwich House Music School\n46 Barrow Street\nNew York\, NY 10014\n212-991-0003 \nDIRECTIONS:   \nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \n 
URL:https://jp.crsny.org/index.php/event/20220724/
LOCATION:Greenwich House Music School\,\, 46 Barrow Street\, NYC\, NYC\, United States
CATEGORIES:CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) は、ソウルを拠点に活動するピアニストHyo Jee Kangが、演奏中にfNIRS (functional near-infrared spectroscopy) 装置で測定した脳活動のデータをリアルタイムで視覚的に提示しながら、後期バッハと即興演奏を行うユニークで画期的なパフォーマンス「LOOKING-MIND」をご紹介します。このプログラムでは、創作活動と脳活動に関する研究についてのプレゼンテーションを行い、さらに米国初となるこの装置のデモンストレーションと解説を行う予定です。同様のプログラムは、先月、韓国ソウルのロッテ・コンサートホールでKang氏が初演した「Bach-Brain」でも紹介されました。 \nThe musical program includes: \n\nJ.S. Bach’s “Die Kunst der Fuge BWV 1080” with fNIRS scan\nHyo Jee Kang’s “Mind Improvisation” with video by Joo Hun Lee and sound by Jinok Cho and Hyo Jee Kang\nJ.S. Bach’s “The art of Fugue BWV 1080” with fNIRS scan\n\n“The art of Fugue BWV 1080” is known as the last piece of music Bach composed the notes recorded by someone else at his sickbed. Fugue is a technique of composition that is very structured with several voices inviting questions about how the brain processes and carries out the “speaking” or performing of multiple voices simultaneously. \nWhile Kang plays the NIRSIT Lite — a portable fNIRS device developed by Korea Advanced Institute of Science & Technology (KAIST) Professor Hyunmin Bae and produced by OBE Lab — measures the activation level of hemoglobin in the prefrontal cortex of the brain. The measured brain activity is graphically presented in real time via video projection. \nIn “Mind Improvisation”  the data of this device is transformed into synthesized sound and projected visuals. Kang started with the question of “how the brain moves when humans perform artistic actions.” First she scans her own brain transmits the data in real time and uses it as a value for sound formation. This is again used as a value for the image transformation and the sound and visual image being transformed by the performer’s brain action causes an instantly improvised transformation of the performer again. In other words a situation develops where the input and output of sound image and the performer’s brain activity and performance continuously transform each other. \nTickets are $20 and are available online through eventbrite.com and at the door for cash only if not sold out. All patrons must show proof of vaccination at the door in order to be admitted no exceptions. In addition masks must be worn throughout. \nDuring Kang’s three-week residency in New York City she will also lead workshop demonstrations of the device. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT HYO JEE KANG \nHyo Jee Kang has been focusing on transformation between media and objects to create a new art form. She works with media artists and live electronic performers presenting improvisation and recomposed composition as well as her originals. Her activity as a composer performer creator and improviser has been featured throughout the world in Germany Spain Italy Korea Japan USA Israel and so on. Hyo Jee currently resides in Seoul and serves as a faculty member at Korea National University of Transportation. In May 2018 she gave her solo performance with great success at Lincoln Center including the Conceptual Transformation Performance “Pyung Yang.” She was one of 12 artists from around the world selected to participate in Seminar in Taipei a platform for in-depth exchange in both theoretical and practical fields at the 2018 Taipei Arts Festival X in Taiwan. Seminar in Taipei is an initiative of Pro Helvetia the Swiss Arts Council in partnership with the National Culture and Arts Foundation of Taiwan Korea Arts Management Service the National Arts Council of Singapore and the Arts and Theatre Institute of the Czech Republic realized in collaboration with the Taipei Arts Festival. FLY IN WATER created by Hyo Jee and other members of MAG performance group was presented by CRS in August 2019. \nHer work “Yut-Nori” is an interactive performance that consists of real-time Yut-nori ( Korean more than 1000 year-old game) performed on stage and selected music play and the sound of throwing Yut(half-rounded stick) in real time through the symbol of the yut boardplate. It was premiered by two pianists and two yutnori actors and the visual art works of the game board expressing the image of Yut-board in this work were invited to the Concept Arts exhibition in New York USA. \nHer work “This Is Not Me” was commissioned and world premiered by Korean traditional music player Kim Hyeon-Hee as a conceptual music work. Contemporary dancer Jeong Jae-woo interpreted as movement and music and film director Heo Cheol-Nyeong interpreted it as a documentary film. \nAs a promising artist (MAP artist) of the Seoul Foundation for Arts and Culture she successfully held a musical monologue “Do or not” directed by Park Sang-Yeon. She opened up new possibilities of performing arts that constantly exchanges multifaceted improvised but philosophical messages between a creator interpreters and audience. \nIn 2017 Hyo Jee released “G.Ligeti-H.J.Kang Lux Aeterna” a collaboration with a wearable artist combining Korean dance and media art with colleague Kyoung Mi Kim. \nHyo Jee Kang has won numerous prizes including the monthly music contest at the age of 10 the youngest grand prize in the Teenager Competition 2nd prize in the Ihwa Kyunghyang Competition and was selected as a young artist in Kumho for a solo recital. \nShe went on to study at Seoul National University and continued her music studies at the Hanover College of Music theater and media in Germany where she majored in piano and composition under Johannes Schoellhorn. She then went on to study and major in piano at the Konzertexamen course under the supervision of Professor Matti Raekallio. For Yisang Yun’s Shao Yang Yin and other performances performed at the Mönchhaus Museum der modernen Kunst in Goslar Germany world-renowned professor Arie Vardi said “I love her unique personality and her outstanding musicality as a pianist composer improviser and creator. ”  She appeared in a commemorative concert Schumann Brahms Festival Chamber Music Series in Bucheon City and held a duo concert with violinist Kwon Hyuk-Ju as an opening concert of Sonata Series of Baroque Chamber Hall. \nShe has appearances in various series performances such as Park Chang-Soo’s The House Concert Daegu Music Festival the 20th anniversary of the Hongga Art Museum in Taiwan and Listen to Tomorrow at the Hanover University of Music. \nHyo Jee’s YouTube channel is youtube.com/hyojeekang. \nHer web site is http://www.hyojeekang.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nGreenwich House Music School\n46 Barrow Street\nNew York NY 10014\n212-991-0003 \nDIRECTIONS:   \nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \n ;X-APPLE-RADIUS=500;X-TITLE=46 Barrow Street\, NYC:geo:-74.004512,40.7321499
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220729
DTEND;VALUE=DATE:20220731
DTSTAMP:20260403T171647
CREATED:20220626T152653Z
LAST-MODIFIED:20220627T120700Z
UID:21536-1659052800-1659225599@jp.crsny.org
SUMMARY:2022年夏のインテンシブなクラス
DESCRIPTION:☆☆インテンシブなクラス☆☆\n①集中講座参加　②オンラインコース第三期登録　③テキスト精読を年間購読している \n①②③いずれかに該当される方が対象となります。 \n日々の学びの中で、集中講座に参加して、またシェア会や勉強会など開催していて、わからないことや疑問に思ったことを少人数だからこそできるディスカッションの時間です。 \n  \n【日　時】\n日本時間：①7月30日(土) 　②7月31日(日)  両日共に午前7:30ー9:30\nニューヨーク時間：①7月29日(金)  ②7月30日(土)  両日共に午後6:30ー8:30 \n【参加費】 15\,000円(税込)　＊米ドル建 ＄120 \n注）香咲さんのレクチャー、参加のみなさんのお話を聴く時間ではなく、参加型のクラスです。\nビデオON(お顔出し)にてとなります。 \n日本時間：7月7日(木)午前10時受付開始 \nお申込フォーム \n＊＊＊ お申込み多数の場合、抽選となります。
URL:https://jp.crsny.org/index.php/event/2022summer-intensive/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220731T190000
DTEND;TZID=UTC:20220731T200000
DTSTAMP:20260403T171647
CREATED:20220710T144641Z
LAST-MODIFIED:20220710T144641Z
UID:21565-1659294000-1659297600@jp.crsny.org
SUMMARY:Paradise Laboratory: Pulses with Maya Angelou and Elsa Nilsson: Thyme
DESCRIPTION:CRS (Center for Remembering & Sharing) は、2022年7月31日午後7時より、CRSのホワイトルームにて、ジャズカルテット Elsa Nilsson: ThymeとMaya Angelouの詩を聴く、イベントを開催します。ユニークかつ深いリスニング体験をご一緒に。 \nチケットは学生/シニアが10ドル、一般が20ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nMany species use sound to communicate. Elsa Nilsson\, Santiago Leibson\, Marty Kenney and Rodrigo Recabarren asked themselves; what is the line that makes sound music? If beauty is in the eye of the beholder\, then isn’t music in the ear of the listener? As they listened to words around them they became enchanted with the subtleties in the sounds of voices. It began with Rodrigo playing rhythms along with speeches where he wanted to accentuate the meanings of what was being said. He sent Elsa Maya Angelou’s “On the Pulse Of Morning” full of rocks\, rivers and trees. Elsa fell in love with the deep musicality present in every sound. She listened and heard echoes of Ornette Coleman in how Maya Angelou ended her phrases. She heard thematic development and musical build in the pitch materials. \nTogether this band took the time to hear the musical communication in the sounds of Maya Angelou’s words. They play with her voice\, enhancing the music that is already there and bringing to light the full depth of her sonic brilliance along with her poetic brilliance. \nJohn Cage heard music in every sound. Groove in a tin can. Humor and art co-existing. This band takes a similar approach to communication. Intentionality does not require a plan\, directionality does not imply rigidity. With the wide open space of the music ahead they stand together with their toes over the edge and jump. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nFlute Player\, Composer and Educator Elsa Nilsson was born and raised in Gothenburg\, Sweden and currently resides in Brooklyn\, New York. She can often be found playing at The 55 Bar\, Bar Bayeux and other New York Jazz venues. Nilsson approaches music with an attitude of inclusiveness. She believes there is a space to be found in music that gives us the freedom to be exactly who we are. This leads her to make some unconventional choices as an improviser and composer where the lines between styles become blurred and rules get bent in order to serve the ultimate goal of sincere communication. Nilsson draws inspiration from every aspect of life and music that moves her\, combining them through the lens of Jazz to create a deeply personal expression that she hopes is universally relatable. Nilsson is on Faculty at The New School College for Performing Arts. \nhttps://www.elsanilssonmusic.com/ \nSantiago Leibson is a Brooklyn based\, Argentinian born jazz pianist and composer. His music is situated in the frontier of jazz\, improvised music\, classical and contemporary music.  As a bandleader\, he has released five records: Amon (2014)\, Pendular (2015)\, Out of Orden (2016)\, Episodes (2018) and Little Pieces (2020). JazzTrail says about Episodes: “Episodes is a swinging album with abundant evocations of past grandeur. Thence\, the trio of performers lay bare their solid command of time and space to create new narratives.” \nhttps://www.santiagoleibson.com/ \nMarty Kenney has performed with musicians such as Art Lande\, Billy Drummond\, Rich Perry\, Steve Slagle\, Allan Harris\, Rez Abbasi\, Brandon Seabrook\, Brian Krock’s Big Heart Machine\, David Berkman\, and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle\, Allan Harris\, Brian Krock’s liddle featuring Matt Mitchell\, Olli Hirvonen featuring Water Smith III\, and toured throughout the United States and Europe with Allan Harris\, liddle\, and New Helsinki\, including performances at the Montreux Jazz Festival\, Pori Jazz Festival\, the Mosaic Festival in Romania\, Umbria Winter Jazz Festival\, Porretta Soul Festival\, and many notable venues around the world including the Bimhuis\, Shinjuku Pit Inn\, Jazzclub Unterfahrt\, Smalls Jazz Club\, Mezzrow\, Dazzle Jazz Club\, Birdland\, Red Rocks Amphitheater\, and Blue Note NYC. \nhttps://linktr.ee/martykenney \nBorn in Santiago de Chile\, Rodrigo Recabarren has been in NYC since 2009. He has worked with artists as Guillermo Klein\, Brad Shepik\, Melissa Aldana\, Camila Meza\, Claudia Acuña\, Rafal Sarnecki and Andre Carvallo among many others. Has performed in Europe\, the United States\, Asia and Latin-America in prestigious venues like the Blue Note\, 55 bar\, Smalls and Jazz at Lincoln Center\, among many others. He is the founder of Tresillo music School in Santiago de Chile and has produced dozens of albums and tours around the world with this projects. \nhttps://www.rodrigorecabarren.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nhttps://bit.ly/3ySEeFY \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square
URL:https://jp.crsny.org/index.php/event/20220731/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) は、2022年7月31日午後7時より、CRSのホワイトルームにて、ジャズカルテット Elsa Nilsson: ThymeとMaya Angelouの詩を聴く、イベントを開催します。ユニークかつ深いリスニング体験をご一緒に。 \nチケットは学生/シニアが10ドル、一般が20ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nMany species use sound to communicate. Elsa Nilsson Santiago Leibson Marty Kenney and Rodrigo Recabarren asked themselves; what is the line that makes sound music? If beauty is in the eye of the beholder then isn’t music in the ear of the listener? As they listened to words around them they became enchanted with the subtleties in the sounds of voices. It began with Rodrigo playing rhythms along with speeches where he wanted to accentuate the meanings of what was being said. He sent Elsa Maya Angelou’s “On the Pulse Of Morning” full of rocks rivers and trees. Elsa fell in love with the deep musicality present in every sound. She listened and heard echoes of Ornette Coleman in how Maya Angelou ended her phrases. She heard thematic development and musical build in the pitch materials. \nTogether this band took the time to hear the musical communication in the sounds of Maya Angelou’s words. They play with her voice enhancing the music that is already there and bringing to light the full depth of her sonic brilliance along with her poetic brilliance. \nJohn Cage heard music in every sound. Groove in a tin can. Humor and art co-existing. This band takes a similar approach to communication. Intentionality does not require a plan directionality does not imply rigidity. With the wide open space of the music ahead they stand together with their toes over the edge and jump. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nFlute Player Composer and Educator Elsa Nilsson was born and raised in Gothenburg Sweden and currently resides in Brooklyn New York. She can often be found playing at The 55 Bar Bar Bayeux and other New York Jazz venues. Nilsson approaches music with an attitude of inclusiveness. She believes there is a space to be found in music that gives us the freedom to be exactly who we are. This leads her to make some unconventional choices as an improviser and composer where the lines between styles become blurred and rules get bent in order to serve the ultimate goal of sincere communication. Nilsson draws inspiration from every aspect of life and music that moves her combining them through the lens of Jazz to create a deeply personal expression that she hopes is universally relatable. Nilsson is on Faculty at The New School College for Performing Arts. \nhttps://www.elsanilssonmusic.com/ \nSantiago Leibson is a Brooklyn based Argentinian born jazz pianist and composer. His music is situated in the frontier of jazz improvised music classical and contemporary music.  As a bandleader he has released five records: Amon (2014) Pendular (2015) Out of Orden (2016) Episodes (2018) and Little Pieces (2020). JazzTrail says about Episodes: “Episodes is a swinging album with abundant evocations of past grandeur. Thence the trio of performers lay bare their solid command of time and space to create new narratives.” \nhttps://www.santiagoleibson.com/ \nMarty Kenney has performed with musicians such as Art Lande Billy Drummond Rich Perry Steve Slagle Allan Harris Rez Abbasi Brandon Seabrook Brian Krock’s Big Heart Machine David Berkman and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle Allan Harris Brian Krock’s liddle featuring Matt Mitchell Olli Hirvonen featuring Water Smith III and toured throughout the United States and Europe with Allan Harris liddle and New Helsinki including performances at the Montreux Jazz Festival Pori Jazz Festival the Mosaic Festival in Romania Umbria Winter Jazz Festival Porretta Soul Festival and many notable venues around the world including the Bimhuis Shinjuku Pit Inn Jazzclub Unterfahrt Smalls Jazz Club Mezzrow Dazzle Jazz Club Birdland Red Rocks Amphitheater and Blue Note NYC. \nhttps://linktr.ee/martykenney \nBorn in Santiago de Chile Rodrigo Recabarren has been in NYC since 2009. He has worked with artists as Guillermo Klein Brad Shepik Melissa Aldana Camila Meza Claudia Acuña Rafal Sarnecki and Andre Carvallo among many others. Has performed in Europe the United States Asia and Latin-America in prestigious venues like the Blue Note 55 bar Smalls and Jazz at Lincoln Center among many others. He is the founder of Tresillo music School in Santiago de Chile and has produced dozens of albums and tours around the world with this projects. \nhttps://www.rodrigorecabarren.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nhttps://bit.ly/3ySEeFY \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220819T214500
DTEND;TZID=UTC:20220819T221500
DTSTAMP:20260403T171647
CREATED:20220801T191907Z
LAST-MODIFIED:20220802T142913Z
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SUMMARY:テキスト精読のためのクラス
DESCRIPTION:テキスト精読のためのクラス \n  \n香咲弥須子podcast『テキスト精読』https://acimclassroom.org/ 　を、長年購読している方、最近始められた方、 \nこれから始めようかと考え中の方、精読のための大事なポイントなど、レクチャーを受けることができます。 \nワークブックとテキストの両方があって『奇跡のコース』『奇跡講座』の学びは進んでいきます。 \n今後のモチベーションを持続させるためにも、この機会をご利用ください。 \nこのテキスト精読を購読していなくても、『テキスト』って？と気になっている方も、是非ご参加ください。 \n＊ このクラスは不定期に開催されていますが、継続参加していなくても、安心して受けていただけます。 \n  \n《日　　時》　\n8月 20日（土） 　午前 10:45 – 11:15 終了（日本時間）\n8月 19日（金） 　午後 9:45 – 10 :15 終了（ニューヨーク時間） \n  \n＊＊ 1ヶ月の録画配信付き ＊＊ \n《参 加 費》 \n①5\,000円 　＊米ドル建＄40 \n②オンラインコース第三期に登録している方は、 3\,000円 税込　＊米ドル建　＄25　 \n③テキスト精読年間購読中(一年間自動引落または一年間アクセス可能)の方は、 1\,000円 税込　＊米ドル建＄10　 \n④テキスト精読年間購読中(一年間自動引落または一年間アクセス可能)で、第三期に登録している方は、無料 \n【予約フォーム】 \nhttps://www.acim-yasukokasaki.net/イベント予約/テキスト精読のためのクラス/
URL:https://jp.crsny.org/index.php/event/textreadingclass20220820/
LOCATION:NY
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220828T160000
DTEND;TZID=UTC:20220828T170000
DTSTAMP:20260403T171647
CREATED:20220801T140717Z
LAST-MODIFIED:20220801T140944Z
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SUMMARY:第24回　ニューヨークの四季 -日本音楽の彩り-
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 24\n第24回　ニューヨークの四季 –日本音楽の彩り–\n\n共催：Center for Remembering and Sharing\, 木村伶香能 後援：（有）邦楽ジャーナル、Mar Creation\, Inc. \n【Date】 Sunday\, August 28\, 2022\, 4:00 pm (EST)\n*当公演は、ライブコンサートのみです。 \n【Venue】 Center for Remembering and Sharing\, White Room\n(123 4th Ave #3\, New York\, NY) \n【Details of the Event】\n《第24回公演について》 \n第24回公演は、夏らしく古典の人気作品「千鳥曲」（吉沢検校作曲）、アメリカ初演となる「千鳥を主題とせる三弦曲」（中能島欣一作曲）他を演奏。ゲストに、エリザベス・ブラウン氏（琴古流尺八）を迎えます。\n箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ。2015年以来、これまで四季折々に山田流箏曲・地歌を主体に50曲以上の作品をお届けしています。 \n《木村伶香能 (きむられいかの) 略歴》\n 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとして、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n【Tickets】\nライブコンサート：$30\n●ご予約受付：info@yokoreikanokimura.com\n＊ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。\n＊コロナ感染防止対策の都合上、お席が限られておりますので、お早めのご予約を お勧め致します。要マスク、ワクチン証明書、ブースターショットの確認をさせて 頂きます。ご理解ご協力のほど、宜しくお願い申しあげます。\n＊ご精算は当日CRSにて承ります。（キャッシュのみ） \n【Event website】 木村伶香能ウェブサイトhttps://www.yokoreikanokimura.com/calendar/ \n【Contact】 info@yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/fourseasons20220828/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220924T193000
DTEND;TZID=UTC:20220924T210000
DTSTAMP:20260403T171647
CREATED:20220820T133814Z
LAST-MODIFIED:20220820T143617Z
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SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 1
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの最初のコンサートをCRS のホワイト ルームで、開催します。 第一回目のコンサートは9月24日（土）午後7時30分より、木村伶香能（箏・三味線）、徳永慶子（ヴァイオリン）、Kyle Miller（ヴィオラ）、玉木光　（チェロ）が出演。 日本や西洋の作曲家による作品を演奏する予定です。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \nチケットは 30 ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \nシリーズの第 2 回コンサートは 10 月 8 日、韓国の管楽器奏者gaminが 2 つのバイオリンとビオラでKi Young Kim\, Theodore Wiprud\, William Cooper\, と共に演奏予定。 3 回目のコンサートは 10 月 29 日、Andy Lin (二胡/ヴィオラ) が出演し、Chen Yi の弦楽四重奏のためのフィドル組曲やその他の作品を演奏します。 \nチケットリンク:\nhttps://www.eventbrite.com/e/interwoven-ami-1-tickets-403776054047 \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n  \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\nABOUT THE ARTISTS \nHIKARU TAMAKI concertizes regularly as a soloist\, chamber musician and orchestral player in the US and Japan. He served as the principal cellist of the Fort Wayne Philharmonic and was a member of the Freimann String Quartet from 2001 until 2013. Solo performances with the Fort Wayne Philharmonic have included numerous major concertos in the cello repertoire. Tamaki was a prizewinner in the prestigious All Japan Viva Hall Cello Competition in 2000. \nTamaki is the founder of Duo YUMENO and regularly collaborates with koto/shamisen player\, Yoko Reikano Kimura. The duo was awarded the Chamber Music America Classical Commissioning Program grant in 2014\, and received the Aoyama Baroque Saal Award in the following year. \nFrom 2016\, he has served as the principal cellist of the Berkshire Opera Festival and is also a member of the Albany Symphony Orchestra and the Allentown Symphony Orchestra. He has performed in such venues as Carnegie Hall\, Symphony Space\, Town Hall and Fisher Performing Arts Center. \nBorn in Kyoto\, Tamaki’s studies in Japan were with Noboru Kamimura and Peter Seidenberg. Studies in the United States began at the Eastman School of Music\, where he was named a George Eastman Scholar\, and continued at Rice University and Northwestern University for his graduate degree. His teachers were Paul Katz and Hans Jorgen Jensen.\nhikarucello.com | duoyumeno.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nViolist KYLE MILLER made his concerto debut in 2005 with the Reading (Pennsylvania) Symphony Orchestra as ‘the dog’ in P.D.Q. Bach’s Canine Cantata\, Wachet Arf! After that watershed performance\, Kyle went on to study at the New England Conservatory\, the Eastman School of Music\, and The Juilliard School\, where he received Master of Music degrees in both viola performance and historical performance. A member of ACRONYM\, Diderot String Quartet\, Four Nations Ensemble\, New York Baroque Incorporated\, and Quodlibet Ensemble\, Kyle also has appeared onstage with A Far Cry\, the American Classical Orchestra\, Apollo’s Fire\, the English Concert\, Handel and Haydn Society\, House of Time\, the Knights\, Mercury\, Opera Lafayette\, the Sebastians\, Seraphic Fire\, Tafelmusik Baroque Orchestra\, Teatro Nuovo\, TENET\, Trinity Baroque Orchestra\, and the Washington National Cathedral Baroque Orchestra. Kyle has performed at the Carmel Bach Festival\, the Portland Bach Experience\, and the Staunton Music Festival; and as a member of Diderot String Quartet\, he has served as a guest artist and coach at Oberlin College’s Baroque Performance Institute. In 2017 and 2018\, Kyle wore a wig and frock coat on Broadway\, where he performed in a run of Claire van Kampen’s play Farinelli and the King. Kyle’s primary teachers include Hsin-Yun Huang\, Monica Huggett\, Cynthia Roberts\, Carol Rodland\, and Steven Tenenbom. In his spare time\, Kyle enjoys playing card and board games and eating pizza by the slice. \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\ncrsny.org
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-1/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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