BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//CRS (Center for Remembering & Sharing) - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://jp.crsny.org
X-WR-CALDESC:Events for CRS (Center for Remembering & Sharing)
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220312T190000
DTEND;TZID=America/New_York:20220312T203000
DTSTAMP:20260404T105057
CREATED:20220211T191737Z
LAST-MODIFIED:20220311T212425Z
UID:21146-1647111600-1647117000@jp.crsny.org
SUMMARY:POSTPONED: Crossing Boundaries Vol. 16: FOCUSING ON HER (Benefit for Survivors of the 3.11 East Japan Earthquake)
DESCRIPTION:(イベントは、キャンセル・延期になりました）\n  \nCRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を3月12日（土）午後7時からTenri Cultural Instituteにて、開催します。\nこのコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。\nAMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。\nビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \n公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。次回は、Crossing Boundaries Vol. 17：EYES FROMHERは6月24日にCRSにて。そして、Crossing Boundaries Vol. 1８は7月16日にthe National Opera CenterのMarc A. Scorca Hallで開催されます。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。このコンサートは、2011年3月11日の東日本大震災及び津波の11周年を記念したものであり、コンサートの収益はすべて仙台チェンバーアンサンブルに寄付されます。仙台チェンバーアンサンブルは災害を受けたのち、音楽で東北を笑顔にと、被災した各地で精力的にボランティアコンサート活動を続けています。寄付はeventbrite.comでも行うことができます。 \n5歳以上のすべてのお客様は、写真付きの身分証明書の提示、2回のワクチン接種を受けたことを証明する必要があります（Johnson＆Johnsonワクチンの1回接種を受けた人を除く）。例外はありません。 。また、会場ではマスクを着用してください。 \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \n  \n  \n  \n\n\nTRANSLATE with  x\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n \n\n      \n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n   \n   Back\n   \n\n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\nEnable collaborative features and customize widget: Bing Webmaster Portal\nBack
URL:https://jp.crsny.org/index.php/event/20220312/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/gif:https://jp.crsny.org/wp-content/uploads/2022/02/220312_Crossing_Boundaries_16_advertisement_AdobeCreativeCloudExpress-1.gif
GEO:40.7363801;-73.9960877
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tenri Cultural Institute 43A W 13th St New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=43A W 13th St:geo:-73.9960877,40.7363801
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220417T160000
DTEND;TZID=America/New_York:20220417T170000
DTSTAMP:20260404T105057
CREATED:20220331T061134Z
LAST-MODIFIED:20220331T061343Z
UID:21412-1650211200-1650214800@jp.crsny.org
SUMMARY:第23回 ニューヨークの四季 - 日本音楽の彩り-《ライブコンサート》
DESCRIPTION:is there any senior actor that you’re close to and that you can turn when you feel stuck or frustrated while acting?\nJY: A couple years ago I used to talk to 2PM’s Junho hyung about these things\n【コロナ感染防止対策】\n＊感染予防のためご来場の方々には、ワクチン証明書・ID のご提示、検温をさせていただきます。マスクの着用をお願いいたします。 \n【Event website】 木村伶香能ウェブサイト:\nhttps://www.yokoreikanokimura.com/calendar/ \n【Contact】*ライブコンサートのご予約、ご質問などは、どうぞ下記までお問い合わせ下さい。\ninfo@yokoreikanokimura.com \n\n\n 
URL:https://jp.crsny.org/index.php/event/springconcert%ef%bc%94%e2%88%9217%e2%88%9222/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/03/crs_spring_fb.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220417T160000
DTEND;TZID=America/New_York:20220417T170000
DTSTAMP:20260404T105057
CREATED:20220331T204250Z
LAST-MODIFIED:20220401T100850Z
UID:21418-1650211200-1650214800@jp.crsny.org
SUMMARY:第23回 ニューヨークの四季 - 日本音楽の彩り-《ライブコンサート》
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 23\n第23回 ニューヨークの四季 – 日本音楽の彩り-\n\n共催:Center for Remembering and Sharing\, 木村伶香能\n後援:(有)邦楽ジャーナル、Mar Creation\, Inc.\n【Date】 Sunday\, April 17th\, 2022\, 4:00 pm (EST) *当公演は、ライブコンサートのみです。 \n【Venue】 Center for Remembering and Sharing\, White Room (123 4th Ave #3\, New York\, NY) \n《コンサートシリーズについて》  \n箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ。2015年秋に開始以来、四季折々 に山田流箏曲・地歌を主体に50曲以上の作品を紹介。第23回公演は、賛助出演にラルフ・サミュエル ソン氏(琴古流尺八奏者)を迎え、山田検校作曲「熊野」、中能島欣一作曲「春の歌」をお届けしま す。「熊野」は山田流箏曲の中でも最も大切にされている「奥の四つ物」の一つで、謡曲「熊野」か ら主題を得ています。桜爛漫の中、東国に病床の母を残す熊野の心情が語られます。 \nラルフ・サミュエル ソン氏(琴古流尺八奏者)\n  \n\n《木村伶香能 (きむられいかの) 略歴》 \n\n箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \n \n【Tickets】
　​ライブコンサート：$35（mochi-Rinによる季節の御菓子付き）\n​​●ご予約受付：info@yokoreikanokimura.com \n​​＊ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。 \n​​＊コロナ感染防止対策の都合上、お席が限られておりますので、お早めのご予約を​​お勧め致します。要マスク、ワクチン証明書、ブースターショットの確認をさせて​​頂きます。ご理解ご協力のほど、宜しくお願い申しあげます。\n​​＊ご精算は当日CRSにて承ります。（キャッシュのみ） \n  \n【Event website】 木村伶香能ウェブサイト https://www.yokoreikanokimura.com/calendar/  \n【Contact】 info@yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/spring-reikano2022/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/03/crs_spring_fb.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220611T130000
DTEND;TZID=UTC:20220611T150000
DTSTAMP:20260404T105057
CREATED:20220602T115032Z
LAST-MODIFIED:20220602T115144Z
UID:21512-1654952400-1654959600@jp.crsny.org
SUMMARY:Sufi Dance Class with Paola García
DESCRIPTION:Learn the ancient practice of meditative whirling known as Sufi dance or Sema (Sama in Iranian). You will learn the techniques of whirling\, but Sema is not about reproducing a certain form or aesthetic. Rather\, the technique serves as a vehicle for inner journeying. Sema means spiritual listening. Together we’ll create a sacred space in which we can safely listen to and share our true selves and experience oneness with the Divine. \nEach class consists of some explanation of the theory and technique\, exercises\, practice whirling\, and sharing and discussion of what you experienced and felt. \nEach class is $30.\nTo register\, please contact paolasufidance@gmail.com \nPlease remember to wear comfortable clothing like yoga pants or leggings and T shirts (no tube tops or short pants/skirts\, solid colors are recommended\, avoiding prints and shiny material which might distract the eye while whirling) and wear socks or soft soled shoes. If you have a whirling skirt\, please feel free to bring it. \nPlease avoid eating a large meal for two hours before class. \nWhirling commonly induces dizziness or nausea. Over time\, through whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control. We empty our minds of all thoughts of the individual self as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn. Into this emptiness floods a divine fullness\, which sometimes gives rise to a state known as “mystical intoxication\,” a reflection of knowing and experiencing that you and I and the Divine are One. \nPAOLA GARCÍA teaches Sufi dance and performs with the CRS Sufi dance community and elsewhere. She has studied extensively with Sufi dance artist Rana Gorgani in NYC and in Europe and was awarded the International Sufi Dance Certification Of Cid UNESCO by her\, granting Paola authority to teach Gorgani’s method of Sufi dance training. She has performed in multiple venues including Mana Contemporary\, Alwan Center for the Arts\, The Cathedral of Saint John the Divine\, From the Horse’s Mouth\, The Outlet Dance Project\, Dixon Place\, MODArts Dance Collective\, Queens Library\, and Jamaica Center for the Arts among others. Paola holds a Master’s Degree in Islamic Studies from Columbia University and a J.D. from Columbia Law School. She is a writer\, Middle Eastern Studies researcher\, lawyer\, translator and student of Sufism.
URL:https://jp.crsny.org/index.php/event/sufi-dance-class-with-paola-garcia/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/06/23f5f27af7cc929c6c02e02544f4929b-scaled.jpg
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220612T190000
DTEND;TZID=UTC:20220612T200000
DTSTAMP:20260404T105057
CREATED:20220524T142643Z
LAST-MODIFIED:20220524T143001Z
UID:21470-1655060400-1655064000@jp.crsny.org
SUMMARY:『Wanderlust 』アゼルバイジャン人アーティスト・Elya OsmanovaによるPoetry\,Movement & Visuals の夕べ
DESCRIPTION:CRS (Center for Remembering & Sharing) は、アゼルバイジャン出身のアーティスト、Elya Osmanova　（エリヤ・オスマノヴァ）を迎え、6月12日午後7時よりWanderlustというイベントを開催します。この旅するアーティストは、詩、ムーブメント、映像など様々な分野のアートを使い、私たちが家や所有するものに与える意味を明らかにするための旅へと、私たちを導きます。 \n家とは何だろう？　所有物って何？　私たちは私たちが話す言語に属しているのか、それとも私たちが考える言語に属しているのか？ \nこれらのコンセプトを探求しながら、Wanderlustは、彼女の進行中のプロジェクトの一環として、観客に探求のプロセスの一部となり、コミュニティとして共有する場を提供します。 \nチケットは$20、Eventbriteからオンラインで購入できます。売り切れでなければ当日券もあります（現金のみ）。 \n入場には予防接種の証明書が必要です（例外はありません）。マスクは必ず着用してください。座席には限りがありますが、フロア席も用意いたします。 \nElya previously performed at CRS in the Dec 11\, 2021 Paradise Laboratory concert by musicians Galen Passen (sitar) & gamin (piri & saenghwang)\, where she read text by playwright Mia Chung. \nElya Osmanova is an Azerbaijani dancer\, model\, actor based in New York. \nAs a dancer she has worked with artists such as Najla Gilliam\, Sun Kim\, J9 Dance\, Chun Yun Chun\, Elsa Nilsson and many others. \nElya was a selected dancer at Jazz Foundation of America in 2019. She was also a guest performer in the musical Gunfighter Meets His Match at Joe’s Pub\, which was one of the musicals selected for the New York Musical Festival in 2018. \nElya made her narrative film acting debut in “My Heart Is My Only Country” directed by Iva Gocheva\, which will be screened as part of Rooftop Film series on June 22nd in Central Park. \nwww.elyaos.com
URL:https://jp.crsny.org/index.php/event/concert20220612/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/05/image_6487327.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220616
DTEND;VALUE=DATE:20220623
DTSTAMP:20260404T105057
CREATED:20220531T140231Z
LAST-MODIFIED:20220531T140745Z
UID:21477-1655337600-1655942399@jp.crsny.org
SUMMARY:Save the Date! M³ Festival Co-Presented with Winter Jazzfest 6/16 – 6/18\, 6/21 –6/22
DESCRIPTION:ミュージシャンのための相互メンターシップ（M³）は、ニューヨークのグリニッジハウスミュージックスクールで開催されるM³の最初の対面式フェスティバルです。19のライブパフォーマンスと6つの新しいデュオコミッションを発表します。  \n下記のフルラインナップ/スケジュールをご覧ください。 M³ Festival / WJF Playlistから彼らの音楽をこちらで聴いてください。 プレスリリースはこちらをご覧ください。 \n  \nTickets here:\nhttps://www.eventbrite.com/e/m3-festival-co-presented-with-winter-jazzfest-tickets-327588876147 \nAll events at Greenwich House Music School\, 46 Barrow Street\, NYC \nM³ Festival Schedule (EDT time zone): \nThursday\, June 16\, 2022 \n6:00pm: CN’s La permanencia de los ecos – Hamburg/Argentina \n7:15pm: Malika Zarra quintet – Paris\, France \n8:30pm: Michele Rosewoman‘s Textured Trio – NYC \n9:45pm: Maya Keren’s Careful In the Sun – NYC \n11:00pm: Lesley Mok‘s The Living Collection – NYC \nFriday\, June 17\, 2022 \n6:00pm: Jen Shyu‘s Zero Grasses: Ritual for the Losses (excerpts) – NYC \n7:15pm: Miriam Elhajli – Brooklyn\, NY \n8:30pm: Monnette Sudler – Philadelphia\, PA \n9:45pm: Caroline Davis‘ Portals – Brooklyn\, NY \n11:00pm: Romarna Campbell Showcase – London\, UK \nSaturday\, June 18\, 2022 \n7:15pm: aden – NYC \n8:30pm: Fay Victor‘s SoundNoiseFUNK – NYC \n9:45pm: Samantha Boshnack’s Uncomfortable Subjects – Seattle/NYC \n11:00pm: Cleo Reed – NYC \nTuesday\, June 21\, 2022 \n6:00pm: Shanta Nurullah‘s Sitarsys – Chicago \n7:15pm: Sumi Tonooka – Philadelphia\, PA \n8:30pm: Sara Serpa – NYC/Lisbon \n9:45pm: Alchemy Sound Project: Erica Lindsay’s Meditation on Transformation – Rosendale\, NY \n11:00pm: Rémèd: Val-Inc aka Val Jeanty SoundChemist – Haiti/Boston \nWednesday\, June 22\, 2022 \n6:00pm – 9:00pm: World Premiere Screenings of Cohort 4 duo commissions & Closing Night Gala (Tickets for gala will be on sale soon.) \n  \nProof of Covid-19 vaccination required to enter the venue for all events. \nM³ Festival is made possible in part by our sponsors and funders Winter Jazzfest\, South Arts\, Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, & Brooklyn Music School.
URL:https://jp.crsny.org/index.php/event/m%c2%b3-festival2022/
LOCATION:Greenwich House Music School\,\, 46 Barrow Street\, NYC\, NYC\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/05/Savethedatefinal.jpeg-980x980-1.jpg
GEO:40.7321499;-74.004512
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Greenwich House Music School 46 Barrow Street NYC NYC United States;X-APPLE-RADIUS=500;X-TITLE=46 Barrow Street\, NYC:geo:-74.004512,40.7321499
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220625T190000
DTEND;TZID=UTC:20220625T203000
DTSTAMP:20260404T105057
CREATED:20220531T201144Z
LAST-MODIFIED:20220531T201857Z
UID:21498-1656183600-1656189000@jp.crsny.org
SUMMARY:Crossing Boundaries Vol. 17: Through Her Eyes
DESCRIPTION:CRSでは、ホワイトルームにて、2022年6月25日午後7時よりCrossing Boundaries Concert Series Vol.17: 「THROUGH HER EYES」を開催します。このプログラムでは、gamin（ピリ、セングァン）、Jacqueline Kerrod（エレクトリックハープ）、Mariel Roberts（チェロ）の3人の女性ミュージシャンと、Sook Jin Joによるブラジルと韓国で、2014年4月16日に韓国の済州島に向かう途中で高校生を中心に304人が亡くなったセウォル号事故への追悼した304灯のインスタレーションを含んだアート映像を上映します。このコンサートは、星となった美しい魂に捧げられるものです。 \nマルチ・インストゥルメンタリストのgaminがキュレーションしたこの第5シーズンのCrossing Boundariesは、女性および女性アイデンティティのミュージシャンによるWOMEN IN MUSICをテーマとした3つのコンサートで構成されています。演奏後には、コンサートや音楽業界におけるジェンダーというテーマについて、質疑応答が予定されています。 \nチケットは20ドルから30ドルで、eventbrite.comからオンラインで購入できます。売り切れでなければ、当日券も現金で購入できます。座席数には限りがあり、ブランケットを敷いたフロア席もあります。入場には、例外なく予防接種の証明書を提示をお願いします。また、マスクの着用が義務付けられています。 \n  \nPhoto credits: The photo of the beach is a still from the video of “Crossroads\,” a one-hour installation & performance copyright @ 2008 by Sook Jin Jo\, which took place in Itaparica\, Brazil in 2008\, sponsored by the Sacatar Foundation. The photo of the stars is of “The Face of Heaven\,” a 304 LED light Installation copyright @ 2016 by Sook Jin Jo\, which was a commissioned work that appeared in April: the Eternal Voyage\, an exhibition memorializing the 304 victims of the Sewol ferry disaster in 2014. \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \n“Cellist Mariel Roberts has evolved to become one of the most adventurous figures on New York’s new music scene—one with a thorough grounding in classical tradition but a ravenous appetite for and tireless discipline in new work.” — Bandcamp Daily \n“Many people think of original music in a hierarchical sense\, looking down on pure improvisation as something that doesn’t require mastery or discipline. One listen to Jacqueline Kerrod’s solo harp debut will serve as an epiphany for those cynics. In fact\, I found myself awestruck by Kerrod’s seemingly limitless expressive range.”\n— Yoshi Maclear Wall The Whole Note \n“Jo’s work operates at the intersection of abstraction and human need\, creating intimate spaces and experiences of peace and solace that acknowledge emotional or spiritual connections.” — Sculpture \nCrossing Boundaries Vol. 18:  FREEDOM will be held on July 16 in Marc A. Scorca Hall at the National Opera Center. Crossing Boundaries Vol. 16:  FOCUSING ON HER\, co-presented by Tenri Cultural Institute of NY\, has been re-scheduled for Dec 10\, 2022 at Tenri. \nTHE PROGRAM \nFace of Heaven\n“The Face of Heaven” is a memorial Installation for the Sewol Ferry disaster in which 304 people\, mostly high school students\, died en route from Incheon to Jeju\, South Korea on April 16\, 2014. \nThe work is an experiental installation composed of 304 lights shining like stars through different size holes; offering a metaphor of longing\, remembrance and comfort for those who died in the Sewol ferry tragedy\, and shedding light on the dark reality of an unsolved issue.\n“When he shall die\,\nTake him and cut him out in little stars\,\nAnd he will make the face of heaven so fine\nThat all the world will be in love with night\nAnd pay no worship to the garish sun.”\n– William Shakespeare \nCrossroads\nInspired by: “It is a true philosophy to meditate on death.”\nWhile working at a Sacatar Foundation residency in Brazil in late 2007 and early 2008\, the artist spent a great deal of time observing nature: The sun rising in the morning and the coming of night everyday….The water coming in and out everyday. The ebb and flow of the tide which is different every day. \n“Leaving with nothing…leaving with just memory…the cycle of nature…the cycle of life and death.”\nThis is a piece to reflect the artist’s observations\, experiences and thoughts. \nWooden grave markers\, reminiscent of primitive crossroad signs\, were placed in an elemental meeting of earth\, sea\, and sky. Installed at sunset on the shore at low tide\, I gathered them up before they washed away. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nInaugurated in 2018\, Crossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n   \nABOUT THE ARTISTS \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \nhttp://gaminmusic.com \nClassically trained from the age of 9\, South African harpist JACQUELINE KERROD has worked at the highest level in the classical\, pop\, free jazz and improvised music worlds. Her debut solo record “17 Days In December” (2021) released on LA-based label Orenda Records was noted as a best debut 2021 by The New York City Jazz Record and selected as an album to listen to by JazzIs Magazine (December 2021). She has toured nationally and internationally with composer and multi-reedist Anthony Braxton\, both in duo and as part of his ZIM music ensemble. Their live duo recording was released on Italian label I dischi di Angelica (2020). She was a founding member and co-songwriter of the pop duo Addi & Jacq\, who were winners of NYC’s Battle of the Boroughs WNYC 2015\, and toured her show “Harps Uncovered” featuring vocalist Hannah Sumner through twelve states of the US. She has played principal harp with top orchestras and performed with elite chamber groups\, contemporary music ensembles\, and pop superstars including Anohni\, Rufus Wainwright and Kanye West. \n\nhttp://jacquelinekerrod.com/ \n\nAmerican cellist and composer MARIEL ROBERTS is widely recognized not just for her virtuosic performances\, but as a “fearless explorer” in her field (Chicago Reader). Her ravenous appetite for collaboration and experimentation as an interpreter\, improvisor\, and composer have helped create a body of work which bridges avant-garde\, contemporary\, classical\, improvised\, and traditional music. Roberts is widely recognized for her “technical and interpretive mastery” (I care if you listen) and for performances which seethe with “excruciating intensity” (The Whole Note). \nRoberts has appeared as a soloist and chamber musician across four continents\, most notably asa member and co-director of the Wet Ink Ensemble (named “The Best Classical Music Ensemble of 2018” by The New York Times)\, as well as with the International Contemporary Ensemble (ICE)\, Mivos Quartet\, Bang on a Can All Stars\, and Ensemble Signal. She performs regularly on major stages for new music such as the Lincoln Center Festival (NYC)\, Wien Modern (Austria)\, Lucerne Festival (Switzerland)\, Cervantino Festival (Mexico)\, Klang Festival (Denmark)\, Shanghai New Music Week (China)\, Darmstadt Internationalen Ferienkurse für Neue Musik (Germany)\, and Aldeburgh Music Festival (UK). \nRoberts’ compositions have been performed at venues such as Merkin Hall and Miller Theater in New York City. \nwww.marielroberts.com \n\nKorean born\, New York based artist SOOK JIN JO is a multidisciplinary artist. Over the past 30 years\, Sook Jin Jo has produced drawings\, collages\, photographs\, sculptural assemblages\, performances\, installations\, public works\, and architectural design works. Originally because canvas was too expensive for her as a young artist\, she started to use plywood and began to explore found wooden materials. Continuing her work with this medium\, she has discovered infinite possibilities for painting\, sculpture\, installation and beyond. She often chose marginalized sites for her outdoor installations and public artworks. Most of them are site-specific and collaborative\, working with professionals and local peoples from diverse communities in many countries\, including Sweden\, India\, Poland\, Switzerland\, Korea\, Bolivia\, Nicaragua\, Brazil and the United States. \nJo’s works can be seen in numerous public collections\, including the National Museum of Contemporary Art in Korea; the Seoul Museum of Art in Korea; Gyeonggi Museum of Modern Art\, Ansan\, Korea; the Erie Museum of Art in Pennsylvania; the Huntington Museum of Art in West Virginia; the Housatonic Museum of Art in Connecticut; the Arko Art Center in Seoul\, Korea; the LA Metro Detention Center in Los Angeles; and the Margulies Collection at the Warehouse in Miami. She completed the construction of Art House\, a nondenominational chapel in Tipitapa\, Nicaragua in 2018. \nhttp://www.sookjinjo.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \n  \n  \n 
URL:https://jp.crsny.org/index.php/event/concert20220625/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/gif:https://jp.crsny.org/wp-content/uploads/2022/05/220625-CB17-animated-gif.gif
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220711T193000
DTEND;TZID=UTC:20220711T203000
DTSTAMP:20260404T105057
CREATED:20220518T122841Z
LAST-MODIFIED:20220518T123129Z
UID:21462-1657567800-1657571400@jp.crsny.org
SUMMARY:ヒーリングコンサート with Neda Boin
DESCRIPTION:CRSは、私たちの親愛なる友人であり、数々の賞を受賞しているオランダ・ペルシャ出身のシンガーソングライター、Neda Boinを迎え、ホワイトルームにてソウルフルな音楽の夕べを開催します。\nNedaの音楽は心に響き、パワフルにそして深く結びつき、あなた自身が本来持っている愛の源に触れるような感覚を呼び起こしてくれるでしょう。 \nコンサートのチケットはEventbriteでの寄付制です（当日券は現金のみ）。お席に限りがございますので、お早めにお申し込みください。現時点では、入場には完全なワクチン接種の証明が必要で、終始マスクの着用が義務付けられています。遅刻された方の入場は保証されません。 \nアルバム『Remember You’re Dreaming』のジャケット（by NEDA BOINNEDA）ニューアルバム『Remember You’re Dreaming』をリリースしたばかりです。このアルバムは、彼女自身の恐れから愛への旅へを表現した、深いインスピレーションのこもった楽曲が収録されています。 \n“On the 21st of December\, a Persian holiday where the return of the light is celebrated\, singer-songwriter Neda Boin\, who got known for her four-chair-turn blind audition on The Voice\, released her new album\, ‘Remember You’re Dreaming.’ In a time where cases of depression are massively growing and where social media tends to hide our true face\, Neda honestly shares her own process of grief\, feeling lost and trying to find her way back home in this beautiful and heart-touching album. Neda recorded the album in Victoria BC\, where she worked together with multi-Grammy award winning producer Joby Baker. The warm and inspiring songs are there for anyone who could use some extra light during dark times.” — music journalist and producer Rick Jamm \nOrder new album: https://nedaboin.com/shop \n\n“Listening to Neda sing brings forth an experience of Divine Love within. She has a gift of expressing the sound of Heaven so we can all remember the Love that exists within each one of us. Neda’s music makes me feel pure joy. She has the voice of an angel.” — Corinne Zupko\, Ed.S.\, author of From Anxiety to Love \n“Neda’s music is a way to merge with the Spirit and feel the absolute glory of Divine Love. Her amazing voice enhances the lyrics from Heaven\, and my soul is lifted every time I listen.” — David Hoffmeister\, author of Unwind Your Mind Back to God \nHer first album\, “The Light Has Come\,” won Best Album of the Year at the Rotterdam Music Awards. Amazingly\, Neda\, then a student of A Course in Miracles (ACIM) for 8+ years\, channeled all the songs on the album in just two weeks\, all inspired from ACIM Workbook lessons\, making it the first album inspired by ACIM to win album of the year. Profoundly spiritual in nature\, the songs are deeply satisfying as songs\, with beautiful and irresistible music colored with soul\, jazz and world music inflections\, brought to soaring life by Neda’s angelic voice. \n\nFor more info about Neda\, visit:\nhttps://nedaboin.com/neda-boin/ \nListen on Spotify: https://open.spotify.com/album/0uaakWJVtW4N040gkuxagL\nFollow on Instagram: https://www.instagram.com/neda_boin/\nFollow on youtube: https://www.youtube.com/user/NedaBoin?sub_confirmation=1\nTour schedule: https://nedaboin.com/events\nVoice Liberation program: https://www.members.nedaboin.com/promotion
URL:https://jp.crsny.org/index.php/event/20220711neda-boin/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2022/05/Concert-CRS-copy.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220716T190000
DTEND;TZID=UTC:20220716T203000
DTSTAMP:20260404T105057
CREATED:20220621T215611Z
LAST-MODIFIED:20220712T203603Z
UID:21521-1657998000-1658003400@jp.crsny.org
SUMMARY:Crossing Boundaries Vol. 18: Freedom
DESCRIPTION:CRSは、Crossing Boundaries コンサートシリーズ Vol. 18 『FREEDOM』を、7月16日午後7時より、The National Opera Center – OPERA AmericaのMarc A. Scorca Hallにて開催します。女性を称えるこのプログラムでは、異なるバックグラウンドを持つ女性ミュージシャン6名による自由な即興演奏を披露します。\n出演は、Ayumi Ishito （サックス）、gamin（韓国管楽器）、Gelsey Bell（ボーカル）、Layale Chaker（バイオリン）、Lesley Mok（パーカッション）、Shoko Nagai（ピアノ、アコーディオン）。各アーティストは、自分の声を自由に表現すると同時に、他のアーティストと連携して作品を作り上げていきます。\n\nマルチ・インストゥルメンタリストのgaminがキュレーションしたこの第5シーズンのCrossing Boundariesは、女性および女性アイデンティティのミュージシャンによるWOMEN IN MUSICをテーマとした3つのコンサートで構成されています。演奏後には、コンサートや音楽業界におけるジェンダーというテーマについて、質疑応答が予定されています。\nCrossing Boundaries Vol.16: FOCUSING ON HERは、Tenri Cultural Institute of NYとの共同開催で、2022年12月10日に再スケジュールされました。会場は、Tenriが予定されています。\n\nチケットは$20 – $30、eventbrite.comからオンラインで購入できます。売り切れでなければ、当日券は現金で購入できます。入場される方は、例外なくワクチン接種の証明書をご提示いただく必要があります。また、終始マスクの着用が義務付けられています。\n\n\n“Shoko Nagai\, one of New York’s most individualistic and intense performers on the avant-garde side of jazz – dazzles with her glimmering\, darkly necromantic and blues-tinged piano.” — Time Out NY” \nGelsey Bell is “one of New York’s most adventurous musicians….” — New York Times \n“A Gorgeously Kinetic\, Restless New Album by Haunting\, Dynamic Violinist Layale Chaker…the leading contender for best album of 2019 so far.” — New York Music Daily  \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \n“Ishito is among a cadre of musicians in New York incorporating everything they love about music into the jazz lexicon\, imparting micro innovations that are not only adding fresh layers but attracting new audiences to jazz that wouldn’t otherwise.” — Jazz Views with CJ Shearn \n“Lesley Mok stood out for her expansive curiosity\, rigor in artistic practice\, and embrace of different practices — not only making provocative and authentic connections\, but also playing with and deepening our understanding of form and expression.” — Elena Park\, Asian American Arts Alliance Van Lier Fellowship panelist \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nInaugurated in 2018\, Crossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n   \nABOUT THE ARTISTS \nAYUMI ISHITO was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects\, Open Question\, received a four-star review in DownBeat magazine in 2022.  Another project\, The Spacemen\, was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band has released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \n\n\n\nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \nhttp://gaminmusic.com \n\n\n\nGELSEY BELL is a singer\, songwriter\, and scholar. Described by the New York Times as “one of New York’s most adventurous musicians\,” she is a core member of thingNY\, Varispeed\, and the Chutneys. She is a resident artist at the HERE Arts Center and Pioneer Works. She has received awards from the Foundation for Contemporary Arts\, Opera American\, and the Japan Foundation\, and recent residencies at Mount Tremper Arts and the Kinosaki Arts Center in Japan. Her recent works include the sound walk Cairns (included on the New York Times Best Theater of 2020 list)\, shuffleyamamba: Yamamba as a Bear (created with Yasuko Yokoshi)\, SubtacTTTTTTTTT (created with thingnY)\, and Skylight (created with Erin Rogers). Performance highlights also include Dave Malloy’s Natasha\, Pierre\, & the Great Comet of 1812 (Broadway) and Ghost Quartet\, Robert Ashley’s Improvement and Crash\, Kate Soper’s Here Be Sirens\, and Gregory Whitehead’s On the Shore Dimly Seen. \nhttps://gelseybell.com \n\n\n\nDeemed a “Rising Star” by BBC Music Magazine and raised on the verge of several musical streams since her childhood\, Lebanese violinist and composer LAYALE CHAKER debuted her musical training at the National Higher Conservatory of Beirut in her native Lebanon.  A Ruth Anderson 2017 Competition Prize winner\, she is also the recipient of the Royal Academy of Music’s 2018 Guinness Award\, a finalist of the Rolex Mentor and Protégé 2018 Prize\, the recipient of the Lili et Nadia Boulanger 2019 Prize and of Silkroad’s inaugural 2020 Seeds Award. “Inner Rhyme”\, her debut release with Sarafand\, was listed as “Top of The World” by Songlines with a 5-star review\, Top 10 NPR Best Releases\, #1 for several weeks on the World Charts of iTunes and Amazon Music\, and received features and praises by the New York Times\, The Strad\, Strings Magazine\, Jazz World\, and Rootsworld among others. She has debuted her first violin concerto with the Bayreuther Philharmoniker as the orchestra’s first-ever commissioned composer in January 2018. A recent commission from Newlands Festival has also invited her for a collaboration with Holland Baroque. Layale Chaker was also recently granted the Diaphonique 2019 Franco-British Commission Fund\, along with London-based Notes Inegales ensemble and musicians of the Orchestra of the Age of Enlightenment\, for a creation in May 2019. As a member of Daniel Barenboim’s West-Eastern Divan\, she performs around the year in concert halls such as the Royal Albert Hall\, Teatro Colon\, Mozarteum Salzburg\, Philharmonie de Paris\, Salzburg Festspiele and der Philharmonie Berlin among others. \nhttps://layalechaker.com \n\n\n\nLESLEY MOK is a drummer\, composer\, and improviser based in Brooklyn\, NY. Interested in the ways social conditions shape our beings\, Lesley’s work focuses on transposing\, augmenting\, and overacting humanness to explore ideas about normalcy\, alienness\, and privilege. She likes to write in a way that considers the whole expressive range of each instrument\, often utilizing extreme ranges and dynamic timbres in her writing as a framework for individuality and personal expression. Her ongoing explorations with composition and improvisation are most notably documented in her nine-piece improvising chamber ensemble\, The Living Collection. Lesley’s work has been recognized by the ASCAP Foundation and the Asian American Arts Alliance\, and has been performed by International Contemporary Ensemble\, Metropolis Ensemble\, and JACK Quartet. She has collaborated with Tomeka Reid\, Fay Victor\, William Parker\, Cory Smythe\, Jen Shyu\, Sara Serpa\, Elias Stemeseder\, David Leon\, Anna Webber\, Adam’ O’Farrill\, and Edi Kwon. \nhttps://lesleymok.com \n\n\n\nSHOKO NAGAI is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. Since moving to the U.S. from Japan and studying classical and jazz music at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordion\, Moog synthesizer\, and other instruments. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound. A veteran of the New York downtown music scene\, she performs with John Zorn\, Erik Friedlander\, Marc Ribot\, Miho Hatori (Cibo Matto)\, Satoshi Takeishi\, Elliot Sharp and many eclectic performers. Nagai is winner of CMA 2021\, NYFA and City Artist Corps 2022. \nhttps://shokonagai.net \n\n\n\nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-vol-18-freedom/
LOCATION:The National Opera Center — OPERA America\, 330 Seventh Ave\, New York\,\, 10001
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/06/220716-artist-photos-for-FB-event.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7477463;-73.9933782
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The National Opera Center — OPERA America 330 Seventh Ave New York 10001;X-APPLE-RADIUS=500;X-TITLE=330 Seventh Ave:geo:-73.9933782,40.7477463
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220722T200000
DTEND;TZID=UTC:20220722T220000
DTSTAMP:20260404T105057
CREATED:20220626T151910Z
LAST-MODIFIED:20220627T120827Z
UID:21531-1658520000-1658527200@jp.crsny.org
SUMMARY:『奇跡のコース』2022夏の香咲弥須子オンライン集中講座
DESCRIPTION:奇跡のコース』香咲弥須子夏のセミナーは、春に続き『集中講座』として、オンラインにて集います。 \n日本時間:7月23日(土)午前9:00-11:00 二時間\nニューヨーク時間：7月22日(金)午後8:00-10:00  二時間 \nどなたでも、世界のどこからでも、この集中講座のみ単独でも、集中講座を組み込んだオンラインコース第三期のご登録と一緒でも、当日参加ができなくても、録画配信が付いていますので、安心して参加できます。 \nまた、今夏は、集中講座に参加したみなさんも参加していただける 《インテンシブなクラス》 を開催いたします。少人数で行われるディスカッション型の貴重なクラスです。 \nお申込み・詳細は下記をご覧ください。 \n会場開催を待ち望まれているみなさん、春に開催したワークショプという形を秋にも予定しております。 \n今回はオンラインにてお目にかかれると嬉しいです。 \n久保田智子 \n香咲弥須子事務局 \n〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜 \n＊ 香咲弥須子さんからのメッセージ ＊ \n  \n “損得”のない世界で生きる練習 \n長年開催してきた春セミナーに代わっての集中講座に続いて、夏セミナーに代わっての集中講座です。 \n   オンラインコース第三期参加者の皆さんはもちろん、今期参加できなかった方、初めての方、『奇跡のコース』ビギナーの方、 \nどなたも歓迎します。 \n　エゴの世界は、「人にあげてしまえば自分のものは減る」という力学でできています。「頑張れば疲れる」し、 \n「年々、死が迫ってくる」のです。損得の勘定は、ケチな人だけが行うことではなく、誰もが、常にしていることです。でも、私たちは、そうではない世界、「与えるほどに増え」「持てる力は使えば使うほど輝き磨かれ」「いのちは確かに永遠」だということを経験する世界に移行することができると学んできました。そしてそれを経験し続ける練習をしています。 \n　今一度、この練習についての理解を明確にし、実際に一緒に練習し、その世界をあらためて経験する二時間です。 \n多くの皆さんと分かち合えることを願っています。お会いできるのを楽しみに。 \n  \n　香咲弥須子  \n〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜 \n【日　　時】\n日本時間:7月23日(土)午前9:00ー11:00\,\nニューヨーク時間：7月22日(金)午後8:00-10:00 \n【参加費】 10\,000円(税込)　＊米ドル建 ＄80\n＊録画配信6ヶ月付　 \nお申込受付中 (受付締め切りは7月20日(水)午後3時) 日本時間 \nお申込フォーム  \n＊＊＊ オンラインコース第三期に登録している方は、プログラムに含まれています。 \n  \n☆☆インテンシブなクラス☆☆ \n①集中講座参加　②オンラインコース第三期登録　③テキスト精読を年間購読している \n①②③いずれかに該当される方が対象となります。 \n日々の学びの中で、集中講座に参加して、またシェア会や勉強会など開催していて、わからないことや疑問に思ったことを少人数だからこそできるディスカッションの時間です。 \n  \n【日　時】\n日本時間：①7月30日(土) 　②7月31日(日)  両日共に午前7:30ー9:30\nニューヨーク時間：①7月29日(金)  ②7月30日(土)  両日共に午後6:30ー8:30 \n【参加費】 15\,000円(税込)　＊米ドル建 ＄120 \n注）香咲さんのレクチャー、参加のみなさんのお話を聴く時間ではなく、参加型のクラスです。\nビデオON(お顔出し)にてとなります。 \n日本時間：7月7日(木)午前10時受付開始 \nお申込フォーム \n＊＊＊ お申込み多数の場合、抽選となります。
URL:https://jp.crsny.org/index.php/event/2022summer-seminar/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/06/1655910607.jpg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220723T130000
DTEND;TZID=UTC:20220723T150000
DTSTAMP:20260404T105057
CREATED:20220629T135913Z
LAST-MODIFIED:20220629T140011Z
UID:21544-1658581200-1658588400@jp.crsny.org
SUMMARY:ヒーリング・クリニック開催のお知らせ
DESCRIPTION:ヒーリング・クリニック開催のお知らせ \n  \nCRSの18歳バースディ記念として、久しぶりのヒーリング・クリニックをホワイトルームにて行います。 \n短い瞑想会からスタートし、その後お一人10分～15分ほどのスピリチュアル・ヒーリングをさせていただきます。 \n7/23（土）午後1時から3時。要事前予約　12名まで。ドネーション制\n参加資格は、どなたでも。お申し込み多数の場合は、先着順とさせていただきます。\nただし、マスク着用とさせていただきます。 \n事前申込は、etsuko@crsny.org 坂本までメールにて。（お申し込み開始日は、後日お知らせします。）
URL:https://jp.crsny.org/index.php/event/20220723healingclinic/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220723T190000
DTEND;TZID=UTC:20220723T190000
DTSTAMP:20260404T105057
CREATED:20220707T152427Z
LAST-MODIFIED:20220707T182059Z
UID:21552-1658602800-1658602800@jp.crsny.org
SUMMARY:Paradise Laboratory: DERELICT PORTENT by Jay Afrisando with gamin and Okvan Pramudya
DESCRIPTION:CRS（Center for Remembering＆Sharing）は、Jay Afrisandoによるソロ音楽およびマルチメディアコンサート– DERELICT PORTENTを紹介します。 gamin（韓国）とOkvan Pramudya（パーカッション）がこのコンサートに参加します。 Derelict Portentは、聴覚の多様性（聴覚プロファイルの多様性）、音響生態学、そしてしばしば見過ごされがちな日常にある不可思議に対し意識を高めることを目的とした、音楽作曲とマルチメディアアートにおけるジェイアフリサンドの作品を紹介します。 \n多感覚のアプローチを通して、ジェイは私たちに人間、生き物、そして宇宙全体との共存を再考するように観客を誘うでしょう。 彼のソロコンサートでは、即興で共同制作された作曲、参加型の作品、フィールドレコーディング作品、実験的な映画など、学際的なアプローチを提示します。 \n  \nThis event is supported in part by Jerome Foundation through Jerome Hill Artist Fellowship 2021-2022. \n \nTickets are $20 and are available online through eventbrite.com and at the door for cash only\, if not sold out. All patrons must show proof of vaccination at the door in order to be admitted\, no exceptions. In addition\, masks must be worn throughout. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nJay Afrisando is an award-winning multimedia artist\, music composer\, researcher\, and educator. Employing multisensory approaches\, he shares awareness of aural diversity\, acoustic ecology\, and everyday technological interactions. His works invite others to (re)examine our notions of living entities\, ecosystems\, and technology. He challenges conventional artistic disciplines and boundaries using various approaches\, including video\, spatial audio\, fixed media\, improvisation\, and various collaborative methods. \nHe is a Jerome Hill Artist Fellow 2021-22. He also received the Ambassador’s Award for Excellence 2019 by the Ambassador of the Republic of Indonesia for the United States and the 2016 Minnesota Emerging Composer Award by the American Composers Forum. He is also a OneBeat Fellow 2015 and a Cultural Partnership Initiative Fellow at the 2014 International Fellowship in Study of Korean Music at the National Gugak Center. \nHe has published various works\, including a book chapter “Music-making in Aurally Diverse Communities” in Aural Diversity (Routledge\, 2022—forthcoming) and a telematic improvisational film “Expanding the Frame Live” in collaboration with Lee Noble (Walker Art Center’s Bentson Mediatheque\, 2021). \nhttps://www.jayafrisando.com/ \ngamin is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. \n“Gamin is one of the most celebrated piri\, taepyeongso and saengwhang performers in Korea today.” — Silkroad \nhttp://gaminmusic.com \nOkvan Pramudya is a drummer who was born and raised in Indonesia. He first learned to play drums at the age of seven and began playing with bands since junior high school. In 2010\, he moved to Yogyakarta to pursue his bachelor’s degree at Gadjah Mada University. In Yogyakarta\, he formed a band called Airbatu and released an album with the band. Besides\, he also joined Solo Big Band\, Jay & Gatra Wardaya\, and Aditya Ong Trio as drummer. In 2020\, he moved to the United States and started working for the Consulate General of the Republic of Indonesia in New York at the Division of Culture. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPhoto of Jay Afrisando by Terry Perdanawati. Photo of gamin by Christopher Pelham
URL:https://jp.crsny.org/index.php/event/20220723/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/07/220723-Derelict-Portent-for-FB-event.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering＆Sharing）は、Jay Afrisandoによるソロ音楽およびマルチメディアコンサート– DERELICT PORTENTを紹介します。 gamin（韓国）とOkvan Pramudya（パーカッション）がこのコンサートに参加します。 Derelict Portentは、聴覚の多様性（聴覚プロファイルの多様性）、音響生態学、そしてしばしば見過ごされがちな日常にある不可思議に対し意識を高めることを目的とした、音楽作曲とマルチメディアアートにおけるジェイアフリサンドの作品を紹介します。 \n多感覚のアプローチを通して、ジェイは私たちに人間、生き物、そして宇宙全体との共存を再考するように観客を誘うでしょう。 彼のソロコンサートでは、即興で共同制作された作曲、参加型の作品、フィールドレコーディング作品、実験的な映画など、学際的なアプローチを提示します。 \n  \nThis event is supported in part by Jerome Foundation through Jerome Hill Artist Fellowship 2021-2022. \n \nTickets are $20 and are available online through eventbrite.com and at the door for cash only if not sold out. All patrons must show proof of vaccination at the door in order to be admitted no exceptions. In addition masks must be worn throughout. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nJay Afrisando is an award-winning multimedia artist music composer researcher and educator. Employing multisensory approaches he shares awareness of aural diversity acoustic ecology and everyday technological interactions. His works invite others to (re)examine our notions of living entities ecosystems and technology. He challenges conventional artistic disciplines and boundaries using various approaches including video spatial audio fixed media improvisation and various collaborative methods. \nHe is a Jerome Hill Artist Fellow 2021-22. He also received the Ambassador’s Award for Excellence 2019 by the Ambassador of the Republic of Indonesia for the United States and the 2016 Minnesota Emerging Composer Award by the American Composers Forum. He is also a OneBeat Fellow 2015 and a Cultural Partnership Initiative Fellow at the 2014 International Fellowship in Study of Korean Music at the National Gugak Center. \nHe has published various works including a book chapter “Music-making in Aurally Diverse Communities” in Aural Diversity (Routledge 2022—forthcoming) and a telematic improvisational film “Expanding the Frame Live” in collaboration with Lee Noble (Walker Art Center’s Bentson Mediatheque 2021). \nhttps://www.jayafrisando.com/ \ngamin is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010 gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants including Artist-in-Residence at the Asian Cultural Council and has collaborated in cross-cultural improvisation with world-acclaimed musicians presenting premieres at Roulette Theater New School and Metropolitan Museum. gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with the founder Yo-Yo Ma. For 2020 gamin was selected as artist-in-residency at the HERE Arts Center NYC and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début accompanied by Nangye Gugak Orchestra scheduled for March 2020 was postponed by Covid 19. \n“Gamin is one of the most celebrated piri taepyeongso and saengwhang performers in Korea today.” — Silkroad \nhttp://gaminmusic.com \nOkvan Pramudya is a drummer who was born and raised in Indonesia. He first learned to play drums at the age of seven and began playing with bands since junior high school. In 2010 he moved to Yogyakarta to pursue his bachelor’s degree at Gadjah Mada University. In Yogyakarta he formed a band called Airbatu and released an album with the band. Besides he also joined Solo Big Band Jay & Gatra Wardaya and Aditya Ong Trio as drummer. In 2020 he moved to the United States and started working for the Consulate General of the Republic of Indonesia in New York at the Division of Culture. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPhoto of Jay Afrisando by Terry Perdanawati. Photo of gamin by Christopher Pelham;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220724T190000
DTEND;TZID=UTC:20220724T203000
DTSTAMP:20260404T105057
CREATED:20220707T153632Z
LAST-MODIFIED:20220712T203014Z
UID:21557-1658689200-1658694600@jp.crsny.org
SUMMARY:Paradise Laboratory: LOOKING-MIND by Hyo Jee Kang
DESCRIPTION:CRS (Center for Remembering & Sharing) は、ソウルを拠点に活動するピアニストHyo Jee Kangが、演奏中にfNIRS (functional near-infrared spectroscopy) 装置で測定した脳活動のデータをリアルタイムで視覚的に提示しながら、後期バッハと即興演奏を行うユニークで画期的なパフォーマンス「LOOKING-MIND」をご紹介します。このプログラムでは、創作活動と脳活動に関する研究についてのプレゼンテーションを行い、さらに米国初となるこの装置のデモンストレーションと解説を行う予定です。同様のプログラムは、先月、韓国ソウルのロッテ・コンサートホールでKang氏が初演した「Bach-Brain」でも紹介されました。 \nThe musical program includes: \n\nJ.S. Bach’s “Die Kunst der Fuge BWV 1080” with fNIRS scan\nHyo Jee Kang’s “Mind Improvisation” with video by Joo Hun Lee and sound by Jinok Cho and Hyo Jee Kang\nJ.S. Bach’s “The art of Fugue BWV 1080” with fNIRS scan\n\n“The art of Fugue BWV 1080” is known as the last piece of music Bach composed\, the notes recorded by someone else at his sickbed. Fugue is a technique of composition that is very structured with several voices\, inviting questions about how the brain processes and carries out the “speaking” or performing of multiple voices simultaneously. \nWhile Kang plays\, the NIRSIT Lite — a portable fNIRS device developed by Korea Advanced Institute of Science & Technology (KAIST) Professor Hyunmin Bae and produced by OBE Lab — measures the activation level of hemoglobin in the prefrontal cortex of the brain. The measured brain activity is graphically presented in real time via video projection. \nIn “Mind Improvisation\,”  the data of this device is transformed into synthesized sound and projected visuals. Kang started with the question of “how the brain moves when humans perform artistic actions.” First\, she scans her own brain\, transmits the data in real time\, and uses it as a value for sound formation. This is again used as a value for the image transformation\, and the sound and visual image being transformed by the performer’s brain action causes an instantly improvised transformation of the performer again. In other words\, a situation develops where the input and output of sound\, image\, and the performer’s brain activity and performance continuously transform each other. \nTickets are $20 and are available online through eventbrite.com and at the door for cash only\, if not sold out. All patrons must show proof of vaccination at the door in order to be admitted\, no exceptions. In addition\, masks must be worn throughout. \nDuring Kang’s three-week residency in New York City\, she will also lead workshop demonstrations of the device. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT HYO JEE KANG \nHyo Jee Kang has been focusing on transformation between media and objects to create a new art form. She works with media artists and live electronic performers presenting improvisation and recomposed composition as well as her originals. Her activity as a composer\, performer\, creator and improviser has been featured throughout the world in Germany\, Spain\, Italy\, Korea\, Japan\, USA\, Israel\, and so on. Hyo Jee currently resides in Seoul and serves as a faculty member at Korea National University of Transportation. In May 2018\, she gave her solo performance with great success at Lincoln Center\, including the Conceptual Transformation Performance “Pyung Yang.” She was one of 12 artists from around the world selected to participate in Seminar in Taipei\, a platform for in-depth exchange in both theoretical and practical fields\, at the 2018 Taipei Arts Festival X in Taiwan. Seminar in Taipei is an initiative of Pro Helvetia\, the Swiss Arts Council\, in partnership with the National Culture and Arts Foundation of Taiwan\, Korea Arts Management Service\, the National Arts Council of Singapore\, and the Arts and Theatre Institute of the Czech Republic\, realized in collaboration with the Taipei Arts Festival. FLY IN WATER\, created by Hyo Jee and other members of MAG performance group\, was presented by CRS in August 2019. \nHer work “Yut-Nori” is an interactive performance that consists of real-time Yut-nori ( Korean more than 1000 year-old game) performed on stage and selected music play and the sound of throwing Yut(half-rounded stick) in real time through the symbol of the yut boardplate. It was premiered by two pianists and two yutnori actors\, and the visual art works of the game board expressing the image of Yut-board in this work were invited to the Concept Arts exhibition in New York\, USA. \nHer work “This Is Not Me” was commissioned and world premiered by Korean traditional music player Kim Hyeon-Hee as a conceptual music work. Contemporary dancer Jeong Jae-woo interpreted as movement and music\, and film director Heo Cheol-Nyeong interpreted it as a documentary film. \nAs a promising artist (MAP artist) of the Seoul Foundation for Arts and Culture\, she successfully held a musical monologue “Do or not” directed by Park Sang-Yeon. She opened up new possibilities of performing arts that constantly exchanges multifaceted\, improvised\, but philosophical messages between a creator\, interpreters\, and audience. \nIn 2017 Hyo Jee released “G.Ligeti-H.J.Kang Lux Aeterna\,” a collaboration with a wearable artist\, combining Korean dance and media art with colleague Kyoung Mi Kim. \nHyo Jee Kang has won numerous prizes including the monthly music contest at the age of 10\, the youngest grand prize in the Teenager Competition\, 2nd prize in the Ihwa Kyunghyang Competition\, and was selected as a young artist in Kumho for a solo recital. \nShe went on to study at Seoul National University and continued her music studies at the Hanover College of Music\, theater\, and media in Germany where she majored in piano and composition under Johannes Schoellhorn. She then went on to study and major in piano at the Konzertexamen course under the supervision of Professor Matti Raekallio. For Yisang Yun’s Shao Yang Yin and other performances performed at the Mönchhaus Museum der modernen Kunst in Goslar\, Germany\, world-renowned professor Arie Vardi said\, “I love her unique personality and her outstanding musicality as a pianist\, composer\, improviser\, and creator. ”  She appeared in a commemorative concert\, Schumann Brahms Festival Chamber Music Series in Bucheon City and held a duo concert with violinist Kwon Hyuk-Ju as an opening concert of Sonata Series of Baroque Chamber Hall. \nShe has appearances in various series performances such as Park Chang-Soo’s The House Concert\, Daegu Music Festival\, the 20th anniversary of the Hongga Art Museum in Taiwan\, and Listen to Tomorrow at the Hanover University of Music. \nHyo Jee’s YouTube channel is youtube.com/hyojeekang. \nHer web site is http://www.hyojeekang.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nGreenwich House Music School\n46 Barrow Street\nNew York\, NY 10014\n212-991-0003 \nDIRECTIONS:   \nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \n 
URL:https://jp.crsny.org/index.php/event/20220724/
LOCATION:Greenwich House Music School\,\, 46 Barrow Street\, NYC\, NYC\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/07/220724-Hyo-Jee-Kang-for-FB-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7321499;-74.004512
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) は、ソウルを拠点に活動するピアニストHyo Jee Kangが、演奏中にfNIRS (functional near-infrared spectroscopy) 装置で測定した脳活動のデータをリアルタイムで視覚的に提示しながら、後期バッハと即興演奏を行うユニークで画期的なパフォーマンス「LOOKING-MIND」をご紹介します。このプログラムでは、創作活動と脳活動に関する研究についてのプレゼンテーションを行い、さらに米国初となるこの装置のデモンストレーションと解説を行う予定です。同様のプログラムは、先月、韓国ソウルのロッテ・コンサートホールでKang氏が初演した「Bach-Brain」でも紹介されました。 \nThe musical program includes: \n\nJ.S. Bach’s “Die Kunst der Fuge BWV 1080” with fNIRS scan\nHyo Jee Kang’s “Mind Improvisation” with video by Joo Hun Lee and sound by Jinok Cho and Hyo Jee Kang\nJ.S. Bach’s “The art of Fugue BWV 1080” with fNIRS scan\n\n“The art of Fugue BWV 1080” is known as the last piece of music Bach composed the notes recorded by someone else at his sickbed. Fugue is a technique of composition that is very structured with several voices inviting questions about how the brain processes and carries out the “speaking” or performing of multiple voices simultaneously. \nWhile Kang plays the NIRSIT Lite — a portable fNIRS device developed by Korea Advanced Institute of Science & Technology (KAIST) Professor Hyunmin Bae and produced by OBE Lab — measures the activation level of hemoglobin in the prefrontal cortex of the brain. The measured brain activity is graphically presented in real time via video projection. \nIn “Mind Improvisation”  the data of this device is transformed into synthesized sound and projected visuals. Kang started with the question of “how the brain moves when humans perform artistic actions.” First she scans her own brain transmits the data in real time and uses it as a value for sound formation. This is again used as a value for the image transformation and the sound and visual image being transformed by the performer’s brain action causes an instantly improvised transformation of the performer again. In other words a situation develops where the input and output of sound image and the performer’s brain activity and performance continuously transform each other. \nTickets are $20 and are available online through eventbrite.com and at the door for cash only if not sold out. All patrons must show proof of vaccination at the door in order to be admitted no exceptions. In addition masks must be worn throughout. \nDuring Kang’s three-week residency in New York City she will also lead workshop demonstrations of the device. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT HYO JEE KANG \nHyo Jee Kang has been focusing on transformation between media and objects to create a new art form. She works with media artists and live electronic performers presenting improvisation and recomposed composition as well as her originals. Her activity as a composer performer creator and improviser has been featured throughout the world in Germany Spain Italy Korea Japan USA Israel and so on. Hyo Jee currently resides in Seoul and serves as a faculty member at Korea National University of Transportation. In May 2018 she gave her solo performance with great success at Lincoln Center including the Conceptual Transformation Performance “Pyung Yang.” She was one of 12 artists from around the world selected to participate in Seminar in Taipei a platform for in-depth exchange in both theoretical and practical fields at the 2018 Taipei Arts Festival X in Taiwan. Seminar in Taipei is an initiative of Pro Helvetia the Swiss Arts Council in partnership with the National Culture and Arts Foundation of Taiwan Korea Arts Management Service the National Arts Council of Singapore and the Arts and Theatre Institute of the Czech Republic realized in collaboration with the Taipei Arts Festival. FLY IN WATER created by Hyo Jee and other members of MAG performance group was presented by CRS in August 2019. \nHer work “Yut-Nori” is an interactive performance that consists of real-time Yut-nori ( Korean more than 1000 year-old game) performed on stage and selected music play and the sound of throwing Yut(half-rounded stick) in real time through the symbol of the yut boardplate. It was premiered by two pianists and two yutnori actors and the visual art works of the game board expressing the image of Yut-board in this work were invited to the Concept Arts exhibition in New York USA. \nHer work “This Is Not Me” was commissioned and world premiered by Korean traditional music player Kim Hyeon-Hee as a conceptual music work. Contemporary dancer Jeong Jae-woo interpreted as movement and music and film director Heo Cheol-Nyeong interpreted it as a documentary film. \nAs a promising artist (MAP artist) of the Seoul Foundation for Arts and Culture she successfully held a musical monologue “Do or not” directed by Park Sang-Yeon. She opened up new possibilities of performing arts that constantly exchanges multifaceted improvised but philosophical messages between a creator interpreters and audience. \nIn 2017 Hyo Jee released “G.Ligeti-H.J.Kang Lux Aeterna” a collaboration with a wearable artist combining Korean dance and media art with colleague Kyoung Mi Kim. \nHyo Jee Kang has won numerous prizes including the monthly music contest at the age of 10 the youngest grand prize in the Teenager Competition 2nd prize in the Ihwa Kyunghyang Competition and was selected as a young artist in Kumho for a solo recital. \nShe went on to study at Seoul National University and continued her music studies at the Hanover College of Music theater and media in Germany where she majored in piano and composition under Johannes Schoellhorn. She then went on to study and major in piano at the Konzertexamen course under the supervision of Professor Matti Raekallio. For Yisang Yun’s Shao Yang Yin and other performances performed at the Mönchhaus Museum der modernen Kunst in Goslar Germany world-renowned professor Arie Vardi said “I love her unique personality and her outstanding musicality as a pianist composer improviser and creator. ”  She appeared in a commemorative concert Schumann Brahms Festival Chamber Music Series in Bucheon City and held a duo concert with violinist Kwon Hyuk-Ju as an opening concert of Sonata Series of Baroque Chamber Hall. \nShe has appearances in various series performances such as Park Chang-Soo’s The House Concert Daegu Music Festival the 20th anniversary of the Hongga Art Museum in Taiwan and Listen to Tomorrow at the Hanover University of Music. \nHyo Jee’s YouTube channel is youtube.com/hyojeekang. \nHer web site is http://www.hyojeekang.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nGreenwich House Music School\n46 Barrow Street\nNew York NY 10014\n212-991-0003 \nDIRECTIONS:   \nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \n ;X-APPLE-RADIUS=500;X-TITLE=46 Barrow Street\, NYC:geo:-74.004512,40.7321499
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220729
DTEND;VALUE=DATE:20220731
DTSTAMP:20260404T105057
CREATED:20220626T152653Z
LAST-MODIFIED:20220627T120700Z
UID:21536-1659052800-1659225599@jp.crsny.org
SUMMARY:2022年夏のインテンシブなクラス
DESCRIPTION:☆☆インテンシブなクラス☆☆\n①集中講座参加　②オンラインコース第三期登録　③テキスト精読を年間購読している \n①②③いずれかに該当される方が対象となります。 \n日々の学びの中で、集中講座に参加して、またシェア会や勉強会など開催していて、わからないことや疑問に思ったことを少人数だからこそできるディスカッションの時間です。 \n  \n【日　時】\n日本時間：①7月30日(土) 　②7月31日(日)  両日共に午前7:30ー9:30\nニューヨーク時間：①7月29日(金)  ②7月30日(土)  両日共に午後6:30ー8:30 \n【参加費】 15\,000円(税込)　＊米ドル建 ＄120 \n注）香咲さんのレクチャー、参加のみなさんのお話を聴く時間ではなく、参加型のクラスです。\nビデオON(お顔出し)にてとなります。 \n日本時間：7月7日(木)午前10時受付開始 \nお申込フォーム \n＊＊＊ お申込み多数の場合、抽選となります。
URL:https://jp.crsny.org/index.php/event/2022summer-intensive/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/06/1655910607.jpg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220731T190000
DTEND;TZID=UTC:20220731T200000
DTSTAMP:20260404T105057
CREATED:20220710T144641Z
LAST-MODIFIED:20220710T144641Z
UID:21565-1659294000-1659297600@jp.crsny.org
SUMMARY:Paradise Laboratory: Pulses with Maya Angelou and Elsa Nilsson: Thyme
DESCRIPTION:CRS (Center for Remembering & Sharing) は、2022年7月31日午後7時より、CRSのホワイトルームにて、ジャズカルテット Elsa Nilsson: ThymeとMaya Angelouの詩を聴く、イベントを開催します。ユニークかつ深いリスニング体験をご一緒に。 \nチケットは学生/シニアが10ドル、一般が20ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nMany species use sound to communicate. Elsa Nilsson\, Santiago Leibson\, Marty Kenney and Rodrigo Recabarren asked themselves; what is the line that makes sound music? If beauty is in the eye of the beholder\, then isn’t music in the ear of the listener? As they listened to words around them they became enchanted with the subtleties in the sounds of voices. It began with Rodrigo playing rhythms along with speeches where he wanted to accentuate the meanings of what was being said. He sent Elsa Maya Angelou’s “On the Pulse Of Morning” full of rocks\, rivers and trees. Elsa fell in love with the deep musicality present in every sound. She listened and heard echoes of Ornette Coleman in how Maya Angelou ended her phrases. She heard thematic development and musical build in the pitch materials. \nTogether this band took the time to hear the musical communication in the sounds of Maya Angelou’s words. They play with her voice\, enhancing the music that is already there and bringing to light the full depth of her sonic brilliance along with her poetic brilliance. \nJohn Cage heard music in every sound. Groove in a tin can. Humor and art co-existing. This band takes a similar approach to communication. Intentionality does not require a plan\, directionality does not imply rigidity. With the wide open space of the music ahead they stand together with their toes over the edge and jump. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nFlute Player\, Composer and Educator Elsa Nilsson was born and raised in Gothenburg\, Sweden and currently resides in Brooklyn\, New York. She can often be found playing at The 55 Bar\, Bar Bayeux and other New York Jazz venues. Nilsson approaches music with an attitude of inclusiveness. She believes there is a space to be found in music that gives us the freedom to be exactly who we are. This leads her to make some unconventional choices as an improviser and composer where the lines between styles become blurred and rules get bent in order to serve the ultimate goal of sincere communication. Nilsson draws inspiration from every aspect of life and music that moves her\, combining them through the lens of Jazz to create a deeply personal expression that she hopes is universally relatable. Nilsson is on Faculty at The New School College for Performing Arts. \nhttps://www.elsanilssonmusic.com/ \nSantiago Leibson is a Brooklyn based\, Argentinian born jazz pianist and composer. His music is situated in the frontier of jazz\, improvised music\, classical and contemporary music.  As a bandleader\, he has released five records: Amon (2014)\, Pendular (2015)\, Out of Orden (2016)\, Episodes (2018) and Little Pieces (2020). JazzTrail says about Episodes: “Episodes is a swinging album with abundant evocations of past grandeur. Thence\, the trio of performers lay bare their solid command of time and space to create new narratives.” \nhttps://www.santiagoleibson.com/ \nMarty Kenney has performed with musicians such as Art Lande\, Billy Drummond\, Rich Perry\, Steve Slagle\, Allan Harris\, Rez Abbasi\, Brandon Seabrook\, Brian Krock’s Big Heart Machine\, David Berkman\, and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle\, Allan Harris\, Brian Krock’s liddle featuring Matt Mitchell\, Olli Hirvonen featuring Water Smith III\, and toured throughout the United States and Europe with Allan Harris\, liddle\, and New Helsinki\, including performances at the Montreux Jazz Festival\, Pori Jazz Festival\, the Mosaic Festival in Romania\, Umbria Winter Jazz Festival\, Porretta Soul Festival\, and many notable venues around the world including the Bimhuis\, Shinjuku Pit Inn\, Jazzclub Unterfahrt\, Smalls Jazz Club\, Mezzrow\, Dazzle Jazz Club\, Birdland\, Red Rocks Amphitheater\, and Blue Note NYC. \nhttps://linktr.ee/martykenney \nBorn in Santiago de Chile\, Rodrigo Recabarren has been in NYC since 2009. He has worked with artists as Guillermo Klein\, Brad Shepik\, Melissa Aldana\, Camila Meza\, Claudia Acuña\, Rafal Sarnecki and Andre Carvallo among many others. Has performed in Europe\, the United States\, Asia and Latin-America in prestigious venues like the Blue Note\, 55 bar\, Smalls and Jazz at Lincoln Center\, among many others. He is the founder of Tresillo music School in Santiago de Chile and has produced dozens of albums and tours around the world with this projects. \nhttps://www.rodrigorecabarren.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nhttps://bit.ly/3ySEeFY \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square
URL:https://jp.crsny.org/index.php/event/20220731/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2022/07/IMG_2850.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) は、2022年7月31日午後7時より、CRSのホワイトルームにて、ジャズカルテット Elsa Nilsson: ThymeとMaya Angelouの詩を聴く、イベントを開催します。ユニークかつ深いリスニング体験をご一緒に。 \nチケットは学生/シニアが10ドル、一般が20ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nMany species use sound to communicate. Elsa Nilsson Santiago Leibson Marty Kenney and Rodrigo Recabarren asked themselves; what is the line that makes sound music? If beauty is in the eye of the beholder then isn’t music in the ear of the listener? As they listened to words around them they became enchanted with the subtleties in the sounds of voices. It began with Rodrigo playing rhythms along with speeches where he wanted to accentuate the meanings of what was being said. He sent Elsa Maya Angelou’s “On the Pulse Of Morning” full of rocks rivers and trees. Elsa fell in love with the deep musicality present in every sound. She listened and heard echoes of Ornette Coleman in how Maya Angelou ended her phrases. She heard thematic development and musical build in the pitch materials. \nTogether this band took the time to hear the musical communication in the sounds of Maya Angelou’s words. They play with her voice enhancing the music that is already there and bringing to light the full depth of her sonic brilliance along with her poetic brilliance. \nJohn Cage heard music in every sound. Groove in a tin can. Humor and art co-existing. This band takes a similar approach to communication. Intentionality does not require a plan directionality does not imply rigidity. With the wide open space of the music ahead they stand together with their toes over the edge and jump. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nFlute Player Composer and Educator Elsa Nilsson was born and raised in Gothenburg Sweden and currently resides in Brooklyn New York. She can often be found playing at The 55 Bar Bar Bayeux and other New York Jazz venues. Nilsson approaches music with an attitude of inclusiveness. She believes there is a space to be found in music that gives us the freedom to be exactly who we are. This leads her to make some unconventional choices as an improviser and composer where the lines between styles become blurred and rules get bent in order to serve the ultimate goal of sincere communication. Nilsson draws inspiration from every aspect of life and music that moves her combining them through the lens of Jazz to create a deeply personal expression that she hopes is universally relatable. Nilsson is on Faculty at The New School College for Performing Arts. \nhttps://www.elsanilssonmusic.com/ \nSantiago Leibson is a Brooklyn based Argentinian born jazz pianist and composer. His music is situated in the frontier of jazz improvised music classical and contemporary music.  As a bandleader he has released five records: Amon (2014) Pendular (2015) Out of Orden (2016) Episodes (2018) and Little Pieces (2020). JazzTrail says about Episodes: “Episodes is a swinging album with abundant evocations of past grandeur. Thence the trio of performers lay bare their solid command of time and space to create new narratives.” \nhttps://www.santiagoleibson.com/ \nMarty Kenney has performed with musicians such as Art Lande Billy Drummond Rich Perry Steve Slagle Allan Harris Rez Abbasi Brandon Seabrook Brian Krock’s Big Heart Machine David Berkman and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle Allan Harris Brian Krock’s liddle featuring Matt Mitchell Olli Hirvonen featuring Water Smith III and toured throughout the United States and Europe with Allan Harris liddle and New Helsinki including performances at the Montreux Jazz Festival Pori Jazz Festival the Mosaic Festival in Romania Umbria Winter Jazz Festival Porretta Soul Festival and many notable venues around the world including the Bimhuis Shinjuku Pit Inn Jazzclub Unterfahrt Smalls Jazz Club Mezzrow Dazzle Jazz Club Birdland Red Rocks Amphitheater and Blue Note NYC. \nhttps://linktr.ee/martykenney \nBorn in Santiago de Chile Rodrigo Recabarren has been in NYC since 2009. He has worked with artists as Guillermo Klein Brad Shepik Melissa Aldana Camila Meza Claudia Acuña Rafal Sarnecki and Andre Carvallo among many others. Has performed in Europe the United States Asia and Latin-America in prestigious venues like the Blue Note 55 bar Smalls and Jazz at Lincoln Center among many others. He is the founder of Tresillo music School in Santiago de Chile and has produced dozens of albums and tours around the world with this projects. \nhttps://www.rodrigorecabarren.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nhttps://bit.ly/3ySEeFY \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220819T214500
DTEND;TZID=UTC:20220819T221500
DTSTAMP:20260404T105057
CREATED:20220801T191907Z
LAST-MODIFIED:20220802T142913Z
UID:21610-1660945500-1660947300@jp.crsny.org
SUMMARY:テキスト精読のためのクラス
DESCRIPTION:テキスト精読のためのクラス \n  \n香咲弥須子podcast『テキスト精読』https://acimclassroom.org/ 　を、長年購読している方、最近始められた方、 \nこれから始めようかと考え中の方、精読のための大事なポイントなど、レクチャーを受けることができます。 \nワークブックとテキストの両方があって『奇跡のコース』『奇跡講座』の学びは進んでいきます。 \n今後のモチベーションを持続させるためにも、この機会をご利用ください。 \nこのテキスト精読を購読していなくても、『テキスト』って？と気になっている方も、是非ご参加ください。 \n＊ このクラスは不定期に開催されていますが、継続参加していなくても、安心して受けていただけます。 \n  \n《日　　時》　\n8月 20日（土） 　午前 10:45 – 11:15 終了（日本時間）\n8月 19日（金） 　午後 9:45 – 10 :15 終了（ニューヨーク時間） \n  \n＊＊ 1ヶ月の録画配信付き ＊＊ \n《参 加 費》 \n①5\,000円 　＊米ドル建＄40 \n②オンラインコース第三期に登録している方は、 3\,000円 税込　＊米ドル建　＄25　 \n③テキスト精読年間購読中(一年間自動引落または一年間アクセス可能)の方は、 1\,000円 税込　＊米ドル建＄10　 \n④テキスト精読年間購読中(一年間自動引落または一年間アクセス可能)で、第三期に登録している方は、無料 \n【予約フォーム】 \nhttps://www.acim-yasukokasaki.net/イベント予約/テキスト精読のためのクラス/
URL:https://jp.crsny.org/index.php/event/textreadingclass20220820/
LOCATION:Kyoto
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220828T160000
DTEND;TZID=UTC:20220828T170000
DTSTAMP:20260404T105057
CREATED:20220801T140717Z
LAST-MODIFIED:20220801T140944Z
UID:21601-1661702400-1661706000@jp.crsny.org
SUMMARY:第24回　ニューヨークの四季 -日本音楽の彩り-
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 24\n第24回　ニューヨークの四季 –日本音楽の彩り–\n\n共催：Center for Remembering and Sharing\, 木村伶香能 後援：（有）邦楽ジャーナル、Mar Creation\, Inc. \n【Date】 Sunday\, August 28\, 2022\, 4:00 pm (EST)\n*当公演は、ライブコンサートのみです。 \n【Venue】 Center for Remembering and Sharing\, White Room\n(123 4th Ave #3\, New York\, NY) \n【Details of the Event】\n《第24回公演について》 \n第24回公演は、夏らしく古典の人気作品「千鳥曲」（吉沢検校作曲）、アメリカ初演となる「千鳥を主題とせる三弦曲」（中能島欣一作曲）他を演奏。ゲストに、エリザベス・ブラウン氏（琴古流尺八）を迎えます。\n箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ。2015年以来、これまで四季折々に山田流箏曲・地歌を主体に50曲以上の作品をお届けしています。 \n《木村伶香能 (きむられいかの) 略歴》\n 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとして、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n【Tickets】\nライブコンサート：$30\n●ご予約受付：info@yokoreikanokimura.com\n＊ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。\n＊コロナ感染防止対策の都合上、お席が限られておりますので、お早めのご予約を お勧め致します。要マスク、ワクチン証明書、ブースターショットの確認をさせて 頂きます。ご理解ご協力のほど、宜しくお願い申しあげます。\n＊ご精算は当日CRSにて承ります。（キャッシュのみ） \n【Event website】 木村伶香能ウェブサイトhttps://www.yokoreikanokimura.com/calendar/ \n【Contact】 info@yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/fourseasons20220828/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/08/24-square.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220924T193000
DTEND;TZID=UTC:20220924T210000
DTSTAMP:20260404T105057
CREATED:20220820T133814Z
LAST-MODIFIED:20220820T143617Z
UID:21665-1664047800-1664053200@jp.crsny.org
SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 1
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの最初のコンサートをCRS のホワイト ルームで、開催します。 第一回目のコンサートは9月24日（土）午後7時30分より、木村伶香能（箏・三味線）、徳永慶子（ヴァイオリン）、Kyle Miller（ヴィオラ）、玉木光　（チェロ）が出演。 日本や西洋の作曲家による作品を演奏する予定です。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \nチケットは 30 ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \nシリーズの第 2 回コンサートは 10 月 8 日、韓国の管楽器奏者gaminが 2 つのバイオリンとビオラでKi Young Kim\, Theodore Wiprud\, William Cooper\, と共に演奏予定。 3 回目のコンサートは 10 月 29 日、Andy Lin (二胡/ヴィオラ) が出演し、Chen Yi の弦楽四重奏のためのフィドル組曲やその他の作品を演奏します。 \nチケットリンク:\nhttps://www.eventbrite.com/e/interwoven-ami-1-tickets-403776054047 \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n  \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\nABOUT THE ARTISTS \nHIKARU TAMAKI concertizes regularly as a soloist\, chamber musician and orchestral player in the US and Japan. He served as the principal cellist of the Fort Wayne Philharmonic and was a member of the Freimann String Quartet from 2001 until 2013. Solo performances with the Fort Wayne Philharmonic have included numerous major concertos in the cello repertoire. Tamaki was a prizewinner in the prestigious All Japan Viva Hall Cello Competition in 2000. \nTamaki is the founder of Duo YUMENO and regularly collaborates with koto/shamisen player\, Yoko Reikano Kimura. The duo was awarded the Chamber Music America Classical Commissioning Program grant in 2014\, and received the Aoyama Baroque Saal Award in the following year. \nFrom 2016\, he has served as the principal cellist of the Berkshire Opera Festival and is also a member of the Albany Symphony Orchestra and the Allentown Symphony Orchestra. He has performed in such venues as Carnegie Hall\, Symphony Space\, Town Hall and Fisher Performing Arts Center. \nBorn in Kyoto\, Tamaki’s studies in Japan were with Noboru Kamimura and Peter Seidenberg. Studies in the United States began at the Eastman School of Music\, where he was named a George Eastman Scholar\, and continued at Rice University and Northwestern University for his graduate degree. His teachers were Paul Katz and Hans Jorgen Jensen.\nhikarucello.com | duoyumeno.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nViolist KYLE MILLER made his concerto debut in 2005 with the Reading (Pennsylvania) Symphony Orchestra as ‘the dog’ in P.D.Q. Bach’s Canine Cantata\, Wachet Arf! After that watershed performance\, Kyle went on to study at the New England Conservatory\, the Eastman School of Music\, and The Juilliard School\, where he received Master of Music degrees in both viola performance and historical performance. A member of ACRONYM\, Diderot String Quartet\, Four Nations Ensemble\, New York Baroque Incorporated\, and Quodlibet Ensemble\, Kyle also has appeared onstage with A Far Cry\, the American Classical Orchestra\, Apollo’s Fire\, the English Concert\, Handel and Haydn Society\, House of Time\, the Knights\, Mercury\, Opera Lafayette\, the Sebastians\, Seraphic Fire\, Tafelmusik Baroque Orchestra\, Teatro Nuovo\, TENET\, Trinity Baroque Orchestra\, and the Washington National Cathedral Baroque Orchestra. Kyle has performed at the Carmel Bach Festival\, the Portland Bach Experience\, and the Staunton Music Festival; and as a member of Diderot String Quartet\, he has served as a guest artist and coach at Oberlin College’s Baroque Performance Institute. In 2017 and 2018\, Kyle wore a wig and frock coat on Broadway\, where he performed in a run of Claire van Kampen’s play Farinelli and the King. Kyle’s primary teachers include Hsin-Yun Huang\, Monica Huggett\, Cynthia Roberts\, Carol Rodland\, and Steven Tenenbom. In his spare time\, Kyle enjoys playing card and board games and eating pizza by the slice. \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\ncrsny.org
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-1/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/08/IMG_1026-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221002T170000
DTEND;TZID=UTC:20221002T181500
DTSTAMP:20260404T105057
CREATED:20220901T145826Z
LAST-MODIFIED:20220901T145826Z
UID:21717-1664730000-1664734500@jp.crsny.org
SUMMARY:Saxophonist Caroline Davis: Oscillations
DESCRIPTION:脳波をモデルにした音の治療使用を研究し、高い評価を得ているサックス奏者で学者のキャロライン デイビスによるディスカッションおよびライブ パフォーマンスをCRSのホワイトルームにて10 月 2 日 (日) 午後 5 時より開催します。貴重なこの機会をお見逃しなく。\n\nチケットは20ドル（学生・シニアは10ドル）で、Eventbriteから前売り、または当日（現金のみ）でお求めいただけます。\n  \nDiscussion: Oscillations is an immersive experience encouraging synchronicity through the study of brain rhythms. Simultaneous patterns in the brain create a complex scene of wild oscillations in our bodies and minds. Given research in neuroscience\, the hope is that oscillating rhythms can provide a new sense of focus and clarity\, similar to a dream state. Anecdotal evidence suggests that for some listeners it may reveal new ways of hearing ourselves and the world providing both comfort\, hope\, and healing. \nPerformance: Caroline Davis will perform a solo saxophone set inspired by research on oscillations in the brain. Watch her last video in the series for a sneak peak: \n \n\n\n\nABOUT CAROLINE DAVIS \nMobile since her birth in Singapore\, composer and saxophonist Caroline Davis’s music covers a wide range of styles\, owed to her shifting environment as a child. As a leader\, she has released six albums: Live Work & Play (2012)\, Doors: Chicago Storylines (2015)\, Heart Tonic (2018)\, Alula (2019)\, Anthems (2019)\, and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto-Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021).  Her work has garnered much praise from NPR\, The New York Times\, The Wire\, DownBeat\, JazzTimes\, and many international publications. \nDavis has worked with Lee Konitz\, Angelica Sanchez\, The Femme Jam\, Matt Mitchell\, Terry Riley\, Miles Okazaki\, Thana Alexa\, and Billy Kaye\, to name a few. She regularly collaborates with the experimental R&B band\, My Tree (Where the Grace Is\, AfterGlow). She has been in residence at MacDowell\, The Jazz Gallery\, and ICE Ensemble Evolution; and awarded Jerome Hill\, CMA\, and NYFA grants. Her compositions integrate science and music\, influenced by her Ph.D. Davis is an advocate for gender equity (This Is A Movement\, The New School) and abolition (Justice for Keith Lamar). \ncarolinedavis.org \nTICKET LINK:\nhttps://www.eventbrite.com/e/saxophonist-caroline-davis-oscillations-tickets-411539294107 \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/carolinedavis20221002/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/09/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:脳波をモデルにした音の治療使用を研究し、高い評価を得ているサックス奏者で学者のキャロライン デイビスによるディスカッションおよびライブ パフォーマンスをCRSのホワイトルームにて10 月 2 日 (日) 午後 5 時より開催します。貴重なこの機会をお見逃しなく。\n\nチケットは20ドル（学生・シニアは10ドル）で、Eventbriteから前売り、または当日（現金のみ）でお求めいただけます。\n  \nDiscussion: Oscillations is an immersive experience encouraging synchronicity through the study of brain rhythms. Simultaneous patterns in the brain create a complex scene of wild oscillations in our bodies and minds. Given research in neuroscience the hope is that oscillating rhythms can provide a new sense of focus and clarity similar to a dream state. Anecdotal evidence suggests that for some listeners it may reveal new ways of hearing ourselves and the world providing both comfort hope and healing. \nPerformance: Caroline Davis will perform a solo saxophone set inspired by research on oscillations in the brain. Watch her last video in the series for a sneak peak: \n \n\n\n\nABOUT CAROLINE DAVIS \nMobile since her birth in Singapore composer and saxophonist Caroline Davis’s music covers a wide range of styles owed to her shifting environment as a child. As a leader she has released six albums: Live Work & Play (2012) Doors: Chicago Storylines (2015) Heart Tonic (2018) Alula (2019) Anthems (2019) and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto-Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021).  Her work has garnered much praise from NPR The New York Times The Wire DownBeat JazzTimes and many international publications. \nDavis has worked with Lee Konitz Angelica Sanchez The Femme Jam Matt Mitchell Terry Riley Miles Okazaki Thana Alexa and Billy Kaye to name a few. She regularly collaborates with the experimental R&B band My Tree (Where the Grace Is AfterGlow). She has been in residence at MacDowell The Jazz Gallery and ICE Ensemble Evolution; and awarded Jerome Hill CMA and NYFA grants. Her compositions integrate science and music influenced by her Ph.D. Davis is an advocate for gender equity (This Is A Movement The New School) and abolition (Justice for Keith Lamar). \ncarolinedavis.org \nTICKET LINK:\nhttps://www.eventbrite.com/e/saxophonist-caroline-davis-oscillations-tickets-411539294107 \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221008T193000
DTEND;TZID=UTC:20221008T210000
DTSTAMP:20260404T105057
CREATED:20220820T140142Z
LAST-MODIFIED:20220820T143921Z
UID:21669-1665257400-1665262800@jp.crsny.org
SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 2
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの第２弾をCRS のホワイト ルームで開催します。 10月8日（土）午後7時30分から行われるこのコンサートでは、gamin（ピリ／セングァン）とAlex Fortes（ヴァイオリン）、徳永慶子（ヴァイオリン）、Ana Kim（チェロ）が、Ki Young KimとTheodore Wiprudの作品、そしてWilliam Cooperとgaminによるニューヨーク初演の楽曲を演奏する予定です。 \n韓国のピリとセンファンは、驚くほど大きくて素朴で異世界的な音を出すことができる小さな楽器です。韓国語のピッチの概念は非常に多様です。どの音も、上昇または下降するアタック、ミドル、リリースのジェスチャーになる可能性があります。このプログラムでは、韓国の作曲家の作品2曲と西洋の作曲家の作品2曲を組み合わせます。それぞれがインスピレーションを得て、韓国の木管楽器と西洋の弦楽器の異なる音と慣習を明確に異なるスリリングな方法で組み合わせ、それぞれの可能性を広げます。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \n  \nチケットは 30 ドルで、eventbrite.com　購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \n  \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \n第1回目のコンサートは９月２４日に行われ、グラミー賞やオスカー賞を受賞した作曲家・坂本龍一らの作品を木村玲香乃（箏）が演奏。3 回目のコンサートは 10 月 29 日、Andy Lin (二胡/ヴィオラ) が出演し、Chen Yi の弦楽四重奏のためのフィドル組曲やその他の作品を演奏します。 \n  \nチケットリンク:https://www.eventbrite.com/e/interwoven-ensemble-ami-concert-series-vol-2-tickets-404303722317 \n  \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n  \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\n\nABOUT THE MUSICIANS \nA native of San Diego\, New York-based violinist ALEX FORTES is recognized for his versatility and warmth. Recent performances have included concerts in France\, \nGermany\, Denmark\, Austria\, and Indonesia\, as well as throughout North America. His playing is featured on A Far Cry’s 2014 Grammy-nominated album\, Dreams and Prayers\, as well as on Law of Mosaics\, which The New Yorker’s Alex Ross hailed as one of the top ten albums of 2014. He can also be heard on a forthcoming album with the Henschel Quartett and pianist Donald Berman featuring the music of Chris Theofanidis. \nFortes holds a strong interest in finding new contexts in which to experience familiar music. His arrangements of Schubert lieder and chamber music were hailed by the Boston Globe as “uniformly resourceful and complementary…smart\, subtle.” In May 2016\, A Far Cry premiered his arrangement with Sarah Darling of Bach’s Goldberg Variations in collaboration with pianist Simone Dinnerstein. \nA strong advocate for the importance of social and civic engagement\, Alex spent a year working as an administrator and playing for the Longwood Symphony\, an orchestra associated with Boston’s medical community that uses its performances to raise funds and awareness for medical nonprofits. In May 2010\, he was chosen by former U.S. Senator and New School President Bob Kerrey to be the student speaker at the New School’s commencement ceremony\, where he spoke about the importance of interdisciplinary cooperation and civic engagement for fostering innovation and strong communities. \nAlex has participated in educational residencies in both English and Spanish related to entrepreneurship\, music performance and education\, at colleges and public schools throughout the United States. He holds music degrees from Mannes College and a B.A. in Government from Harvard College. \nIndiana-native ANA KIM is a versatile cellist based in New York\, who performs on modern and historical instruments with various ensembles throughout the United States\, Europe\, and South Korea. She performs with ensembles including the Sebastians\, American Classical Orchestra\, and Boston Baroque. \nAna has participated in festivals such as Yellow Barn\, Verbier Academy\, Music@ Menlo\, and International Musicians Seminar at Prussia Cove. She has received a Doctorate at the University of Southern California and has studied Historical Performance at Juilliard. \nHer teachers include János Starker\, Ralph Kirshbaum\, Laurence Lesser\, and Phoebe Carrai. With a keen interest in education\, Ana has participated in outreach residencies with Kneisel Hall Festival in Maine and Listen Closely in New York\, and the American Classical Orchestra’s Classical Music for Kids. She had taught at Pacific Union College and public schools in Napa Valley. She is currently teaching at the Browning School in New York City. \nGAMIN is a Korean-born multi-instrumentalist who specializes in traditional Korean wind instruments. She tours the world performing traditional Korean music and engages in numerous cross-disciplinary collaborations. She is a designated Yisuja\, official holder of South Korea’s Important Intangible Cultural Asset No. 46. \nFrom 2000 to 2010\, gamin was the principal piri player at the National Gugak Orchestra in Seoul. She has received several cultural exchange program grants and collaborated in cross-cultural new music works with world-acclaimed musicians. She was a featured artist at the Silkroad concert in Seoul (2018)\, performing on stage with the founder\, Yo-Yo Ma. \nHer album “Nong” was released by Innova Records. Her Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, was postponed due to the pandemic. Recently\, she was awarded the prestigious two-year Jerome Hill Foundation Artist Fellowship. \ngaminmusic.com/ \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute. \ninterwovenmusic.org \nABOUT THE COMPOSERS \nKI YOUNG KIM is an international\, genre-bending composer whose work defies categorization. Since becoming a recipient of the Asian Cultural Council Grant in 1995\, he has broadened his music career in Japan and New York while collaborating with dancers\, theater directors\, and visual artists. A classically-trained composer and scholar of Korean avant-garde theater\, Kim has received multiple commissions from the National Gugak Center\, Korea’s premier traditional music center. He is also the founder of CMB 567\, an organization examining intra-Asian relations through contemporary art and music. \nKim’s collaborators include pioneering artists like Shin-Ja Hong\, Asoon Ahn\, Gloria McLean\, Whitewave\, String Noise\, and Chang-Jin Lee. His compositions have premiered at La MaMa\, Dance Theater Workshop\, Tenri Gallery\, and other venues. He is currently based in New York\, where he directs Quiet Revolution\, a multidisciplinary performance combining Western and Korean instruments in ritualistic meditation. In 2019\, he became a composer-in-residence at Brandeis University. \nTHEODORE WIPRUD is a composer\, educator\, and arts leader. He is widely known for having served as Vice President\, Education\, at the New York Philharmonic from 2004-2018\, and as host of the iconic Young People’s Concerts. \nAt the same time\, he has produced a steady stream of works including a Sinfonietta (2016)\, premiered by the South Dakota Symphony; a Violin Concerto (Katrina)\, composed for Ittai Shapira\, and released with the Royal Liverpool Philharmonic on Champs Hill Records; a one-act opera\, My Last Duchess\, with libretto by Tom Dulack based on poetry by Robert Browning; a song cycle\, For Allegra\, on a variety of American poets; and a number of pieces based on gugak\, Korean traditional music\, and including gugak instruments like p’iri\, gayageum\, and haegeum. \nMany of Wiprud’s works explore spiritual experience\, like the orchestral Hosannas of the Second Heaven and Grail; his two string quartets; and a number of choral pieces. Other works respond to American literature\, including American Journal\, based on Robert Hayden’s poem\, and A Georgia Song\, a setting of Maya Angelou. \nWiprud graduated cum laude in biochemistry at Harvard and earned a master’s in theory and composition at Boston University\, where he worked with David Del Tredici. He also studied with Robin Holloway at Cambridge University\, and with Jacob Druckman and Bernard Rands at Aspen.  \nHailed by the San Francisco Chronicle for his richly soaring vocal lines\, WILLIAM DAVID COOPER is the composer of three operas and music for orchestra\, chamber ensembles\, Baroque instruments\, chorus\, film\, and dance. His operas have been performed by Fort Worth Opera\, West Edge Opera\, andthe National Opera Association\, among others. His music has also been performed by Augustin Hadelich\, Liza Stepanova\, The New York Virtuoso Singers\, C4\, Antico Moderno\, Splinter Reeds\, the Lysander Trio\, ECCE Ensemble\, the Calder Quartet\, the Slee Sinfonietta\, and the Juilliard Orchestra. An alumnus of UC Davis and the Juilliard School\, Cooper serves on the faculty of the Walnut Hill School for the Arts\, and as organist and choir master at St. James Episcopal Church in New London\, CT. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \n 
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/08/IMG_1026-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221029T130000
DTEND;TZID=UTC:20221029T150000
DTSTAMP:20260404T105057
CREATED:20221007T150016Z
LAST-MODIFIED:20221011T164125Z
UID:22004-1667048400-1667055600@jp.crsny.org
SUMMARY:ガイド瞑想＆スピリチュアル・ヒーリングクリニックwith 香咲弥須子とCRSヒーラー
DESCRIPTION:  \n瞑想と癒しをご一緒に！　CRSにて、静寂と心の平和を分かち合う、午後のひとときを過ごしませんか。 \n身体的、感情的、精神的、スピリチュアルな問題など、今直面しているどんな問題でもお持ちください。席に座り、目を閉じていただきます。（ヒーラーが近くに立ちますが、触れることはありません）　奇跡のコースとスピリチュアルリーディング・ヒーリングのトレーニングを受けたCRSヒーラーが、内なる目であなたを観察します。\nそして、ホーリースピリット（内なるガイド）に、あなたが抱えている問題の原因となっている思考の種に私たちを直接導いてくれるようお願いし、あなたのスピリットが、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊＊＊＊ \n私たちは静かに癒しを分かち合い、サポートし、偏見のない瞑想的な環境の中で、休息し、内省し、あなたが本当に誰であるかを思い出す機会を提供します。あなたが自分の本質と目的との調和に戻れますように。それは、「問題」に対する「解決策」を必要とするのではなく、自分が投影している問題以外、何の問題もないことに気づくはずです。 \n私たちはこれをスピリチュアルヒーリングと呼んでいますが、それは宗教的なものではなく、教会やグループとは関係ありません. それは単に私たちの本質について一緒に瞑想し、宇宙の精神/エネルギーまたはあなたが望むものとつながる練習です。 \n参加費は無料ですが、できる方は、ドネーション（＄２０：Suggested）をお願いしています。\nRSVPは etsuko@crsny.org まで。（先着順）席に限りがありますので、ご予約はお早めに。 \nワクチン証明の提示は必要ありませんが、出席中はマスクの着用をお願いします。また、COVID/風邪の症状がある方は、ご遠慮ください。 \n  \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20221029/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221029T193000
DTEND;TZID=UTC:20221029T210000
DTSTAMP:20260404T105057
CREATED:20220820T143030Z
LAST-MODIFIED:20220820T144050Z
UID:21677-1667071800-1667077200@jp.crsny.org
SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 3
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの第３回目をCRS のホワイト ルームで開催します。 10月29日（土）午後7時30分から行われるこのコンサートでは、Andy Weiyan Lin (二胡/ヴィオラ)、Emilie-Anne Gendron (ヴァイオリン)、徳永慶子 (ヴァイオリン)、Matthew Cohen (ヴィオラ)、Nan-Cheng Chen (チェロ)、弦楽四重奏のためのChen Yi のフィドル組曲と、ドヴォルザーク、モーツァルトなどによる短いセレクションを演奏予定です。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \nチケットは 30 ドルで、eventbrite.com　購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \n第1回目のコンサートは９月２４日に行われ、グラミー賞やオスカー賞を受賞した作曲家・坂本龍一らの作品を木村玲香乃（箏）が演奏。２ 回目のコンサートは 10月 8日、韓国の管楽器奏者gamin. が 2 つのバイオリンとビオラでKi Young Kim\, Theodore Wiprud\, William Cooperと演奏。 \nチケットリンク:https://www.eventbrite.com/e/interwoven-ensemble-ami-concert-series-vol-2-tickets-404303722317 \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\nABOUT THE MUSICIANS \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work\, especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu\, and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra\, Chamber Orchestra of Philadelphia\, Children’s Orchestra Society\, Grant Park Symphony Orchestra\, Incheon Philharmonic\, the Juilliard Orchestra\, Milwaukee Symphony\, New York Classical Players\, Orford Academy Orchestra\, Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet\, the Amphion String Quartet\, and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman\, playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert\, as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nViolinist EMILIE-ANNE GENDRON\, lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing\,” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro\, as well as acclaimed groups such as A Far Cry\, Argento Chamber Ensemble\, Chamber Music Society of Lincoln Center\, Chamber Orchestra of Philadelphia\, Iris Orchestra (as one of its concertmasters)\, Orpheus Chamber Orchestra\, Talea Ensemble\, and Sejong Soloists. She is a founding member of Ensemble Échappé\, a new-music sinfonietta\, and of Gamut Bach Ensemble\, in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician\, Ms. Gendron is a longtime member of the Momenta Quartet\, whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo\, founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet\, specializing in innovative educational outreach and community engagement\, since 2009. Toomai\, one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program\, helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S.\, ranging from grade school to university level. As a member of the Momenta Quartet\, Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools\, universities\, and conservatories in the U.S. and as far afield as Bolivia\, Indonesia\, and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division\, NYU\, and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia\, Finland\, Indonesia\, South Korea\, and Jordan; and major venues across the Americas\, Europe\, and Asia\, in collaboration with such artists as Teddy Abrams\, Rachel Barton Pine\, Bruno Canino\, Leon Fleisher\, Richard Goode\, Anthony McGill\, Edgar Meyer\, Shlomo Mintz\, Anthony Newman\, Samuel Rhodes\, Marcy Rosen\, Gil Shaham\, and Jörg Widmann\, among many others. Her performances have been broadcast over radio and television in the U.S.\, U.K.\, Switzerland\, New Zealand\, Canada\, Denmark\, Japan\, and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents\, and a dual citizen of the U.S. and Canada\, Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay\, Won-Bin Yim\, Hyo Kang\, David Chan\, and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study\, both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University\, and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute. \ninterwovenmusic.org \nUkrainian-American violist MATTHEW COHEN is a dynamic and versatile artist whose captivating performances have made him one of the most sought-after violists of his generation. A prize winner at the prestigious Primrose International Viola Competition\, he was also awarded top prizes at the Citta di Cremona International Viola Competition in Italy\, Vivo International Music Competition and the Art of Duo International Competition. Particularly interested in advocating viola having a solo and unique voice\, he is challenging the misperception that viola has a limited repertoire by bringing attention to the lesser-played works as well as arrangements of other masterworks.  \nSince his first performance in Carnegie Hall’s Stern Auditorium was at the age of 15 as a soloist in the New York premiere of Tomas Svoboda’s Sonata No. 2 for orchestra and solo string quartet\, he has concertized as a soloist and chamber musician throughout North America and Europe in venues such as Lincoln Center’s Alice Tully Hall\, the Ford Amphitheater and Broad Stage in California\, the Arlene Schnitzer Concert Hall in Oregon\, Gstaad Menuhin Festival in Switzerland and the Casa della Musica in Cosenza\, Italy. Recent solo engagements include his European debut performing Hummel’s Potpourri with the Gstaad Festival Orchestra and Bartok’s Viola Concerto with the I Virtuosi Italiani orchestra in Cremona\, and presenting the world premiere of internationally recognized video game score composer Garry Schyman’s viola concerto “Zingaro” with the Los Angeles Jewish Symphony conducted by Dr. Noreen Green. Past appearances include concerti with ensembles such as the North Shore Symphony Orchestra\, Manchester Summer Chamber Music\, Symphony in C\, Ensemble Baroquelyn\, Juilliard Orchestra\, Colburn Orchestra\, Oregon Sinfonietta\, and Oregon Symphony/Oregon Ballet Theater.  \nA passionate chamber musician\, he has performed alongside many distinguished artists including members of the Borromeo\, Guarneri\, Orion\, Parker\, Tokyo\, and Vermeer string quartets and the Beaux Arts and Tempest piano trios\, and has been featured by numerous concert series and chamber music societies including Bargemusic\, Camerata Pacifica\, the Colburn Chamber Music Society\, Heifetz Celebrity Series\, Jupiter Symphony Chamber Players\, Ringwood Friends of Chamber Music\, Olmos Ensemble\, Red Barn Chamber Music\, and the Wolfeboro Friends of Chamber Music. Summer festival engagements include appearances at ChamberFest Cleveland\, Gstaad Menuhin Festival and Academy\, Heifetz International Music Institute\, the Meadowmount School for Strings\, Methow Valley Chamber Music Festival\, Music Academy of the West\, the Perlman Music Program\, Philadelphia Young Pianist’s Academy\, Ravinia’s Steans Music Institute\, and the Sarasota Music Festival. \nAs a recent graduate of the Juilliard School’s Master of Music program\, he was the proud recipient of a Kovner Fellowship; he earned his Bachelor of Music degree from Cleveland Institute of Music and received an Artist Diploma from Colburn Conservatory where he studied with Misha Amory\, Heidi Castleman\, Paul Coletti\, Jeffrey Irvine\, and Cynthia Phelps. He has served as a member of the chamber music faculty at the HeifetzPEG Institute and is the co-founder and Artistic Director of Fishin’ in C Chamber Music Series\, a concert series based in Fishtown\, Philadelphia that launched in Fall 2018. In addition to his musical activities\, he enjoys public speaking and has acted in a number of plays including various works of Shakespeare\, Peter Pan\, Auntie Mame\, and the musical Bugsy Malone. His recording of York Bowen’s Phantasy for viola and piano with acclaimed pianist Vivian Fan is available on the Soundset label. \ncohenviola.com \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast\, Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist\, Nan-Cheng has collaborated with Simon Bolivar Orchestra\, Queens Symphony Orchestra\, Metro-West Symphony\, Quincy Symphony and Symphony Pro Musica\, and has toured North American\, South America\, Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency\, Sarasota Music Festival\, Heifetz Institute\, Encore School for Strings\, and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival\, a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator\, Nan-Cheng has given cello masterclasses at Penn State University\, University of Wisconsin\, University of Calgary as well as universities in Panama\, Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School\, and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \ncrsny.org
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-3/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/08/IMG_1026-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221030T160000
DTEND;TZID=UTC:20221030T170000
DTSTAMP:20260404T105057
CREATED:20221019T173745Z
LAST-MODIFIED:20221019T174722Z
UID:22016-1667145600-1667149200@jp.crsny.org
SUMMARY:第25回　ニューヨークの四季 -日本音楽の彩り-
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 25\n第25回　ニューヨークの四季 –日本音楽の彩り–\n\nニューヨークも紅葉の季節ですね🍁さて、第25回になります「ニューヨークの四季 – 日本音楽の彩り- 」公演のご案内です。現代作品でのアウトプットが続いているので、こちらでは原点回帰したいと思います。今回は、私の大好きな秋の名曲、オール中能島作品を、３作品選びました。お席が限られていますので、事前のご予約をお願いしております。ニューヨークの皆様のご来場をお待ちしております。(木村伶香能) \n第25回 ニューヨークの四季 – 日本音楽の彩り- \n【日時】2022年10月30日（日）午後4時開演（3時半開場） \n【会場】The White Room\, Center for Remembering and Sharing \n【プログラム】\n秋静か（中能島欣一作曲）\n松風（中能島松声作曲）\n盤渉調（中能島欣一作曲） \n【チケット】＄30 \n【お申し込み】info@yokoreikanokimura.com \n共催：CRS\, 木村伶香能 \n《木村伶香能 (きむられいかの) 略歴》\n 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとして、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 木村伶香能ウェブサイトhttps://www.yokoreikanokimura.com/calendar/ \n 
URL:https://jp.crsny.org/index.php/event/fourseasons20221030/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/image1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221111
DTEND;VALUE=DATE:20221113
DTSTAMP:20260404T105057
CREATED:20220730T184907Z
LAST-MODIFIED:20220801T133614Z
UID:21582-1668124800-1668297599@jp.crsny.org
SUMMARY:福岡プチカンファレンスのご案内
DESCRIPTION:今年のテーマ「決断！その時、あなたが見たいものは」\n2022.秋「奇跡のコース」愛♡心はひとつ、と題して今年で、4回目を迎えます。\nあなたが愛の使者、愛の旅人であるならば、あなたの人生風景は、どんなものになるのでしょうか。 \n「今の住まいも、自分の身体も、自分の家族や身近な人たちも、この地上のあらゆるものも、大事に、ていねいに管理させていただいていることを忘れないこと、それが愛なのではないでしょうか。」 \nこのメッセージは、香咲弥須子さんの著書「愛とは、夢から目覚める力です」3-024の言葉です。\n昨年の暮れ、香咲さんの土曜クラスで、「本気でやりましょうよ」という言葉がわたしの心に強く残りました。 \n早速、ワークブックレッスンと一言コメントを、毎日Facebookに投稿するようにしました。また、ACIMの学びのお仲間の皆さんと、テキストを読み、祈りとシェアをする会を開催していて、そこで参加者全員が、与える事・受け取る事により、確実に心の繋がり、愛を感じることができると確信したのです。 \n私たちが「問題」と受け取ってしまう多くは、お金・人間関係・病気のこと。シェア会に初めて参加された六十歳手前の女性が、老後のお金の心配をして、毎日お金を使うことへの罪悪感、お金が減ることへの恐怖を語り、ついに「もう助けて～！」と叫んだのです。それが手放すことの第一歩です。それからみるみる状況は変化し、今では笑顔も見せてくれ、他の人のシェアに涙することもあるんです。みんなが、愛を与え受け取ることに、喜びと感謝を感じています。 \n今年も半分が過ぎ、これまで、それぞれがさまざまな決断をしてきたと思います。その結果は、いかがでしたか。想像を超えた結果を受け取られた方もいらっしゃるでしょうか。 \n「愛とは夢から目覚める力です。」 \nあなたが見たいもの、それは、既に受け取っていらっしゃいます。あとは、気づくだけです。\nそこで今回は、「決断！その時、あなたが見たいものは」をテーマに香咲弥須子さんにお話しをしていただきます。\n決断って、簡単なことではありません。それでも決意しなければならないことは、たくさんあります。\n幸せを選択する決意を一緒に経験しましょう。\nそのために、コロナ禍ではありますが、今回は、会場での開催を決断いたしました。\n相手をゆるしたとき、わたしの心は穏やかで、平和で満たされています。それが自分をゆるすということ。皆さんご一緒に十字架から降りましょう‼︎ \n《スケジュール》\n11月11日(金)　1日目　12:20～　受付開始 ～ 12：５０ ヒーリングクリニック(ご希望の方)\n受付が済んだ方は、香咲弥須子ヒーリングクラスのACIMヒーラー及び練習生からヒーリングを受けることができます。\nヒーラーが、約10分ほどであなたからの心の声を一緒に受け取ります。軽く目を閉じて、椅子に腰掛けていただくだけです。https://jp.crsny.org/index.php/healing-and-meditation/ \n13:00～15:45  香咲弥須子セミナー1日目\n15:45～16:00  休憩.懇親会会場へ移動\n16:00～17:00   懇親会(コース料理、ソフトドリンク付き)\n18:00～22:00 シェア会とお夜食タイム(自由参加)\nお夜食は、寺﨑史子の手作り食パンのサンドイッチとケーキ(お夜食タイムのみ香咲さんも参加です) \n11月12日(土) 　2日目\n07:00～08:00 　香咲弥須子さんのガイドによる瞑想及びワークブックレッスン\n08:00～　　       朝食(宿泊者以外の方は朝食代3\,800円)\n自由時間\n10:15～.            受付開始\n10:30～12:30  香咲弥須子セミナー2日目\n13:00   チェックアウト・ 解散 \n《参加費》\n①両日参加　28\,000円 (懇親会費含む、音声配信6ヶ月付)\n②両日参加宿泊付38\,000円 (懇親会費含む、音声配信6ヶ月付)、6人部屋朝食付)\n③11日(金)セミナー1日目のみ21\,000 (懇親会費含む、音声配信6ヶ月希望の方は別途1\,000円)\n④11日シェア会(お夜食付き)1\,000円\n⑤12日(土)セミナー2日目のみ10\,000円 \n《ご予約方法》acimfukuoka@gmail.com 宛に、メールでお申し込みください。\nお名前、メールアドレス、携帯電話番号、参加内容は＜参加費＞の①②③④⑤から選んでお知らせください。\n折り返し手続きのご案内を返信いたします。\n《会　場》 アゴーラ福岡山の上ホテル山の上ホテル&スパ\n福岡県福岡市中央区輝国1-1-33　　https://agorafukuoka-hilltop.com \n《キャンセルポリシー》\nお振込み手続き前のキャンセルであっても必ず連絡をお願いします。\nご入金後のキャンセルは、11月7日(月)13時までにメールで連絡をいただいた場合に限り、全額返金します。\nそれ以降のキャンセルは、懇親会費6\,000円を差し引いた金額をご返金します。\n宿泊予約をしている場合は、11月8日(火)より、キャンセル料が発生しますのでご注意ください。 \n＊＊＊お問い合わせ先＊＊＊\n寺﨑史子(テラサキフミコ)\n電話：070-5535-0743\nメール：acimfukuoka@gmail.com
URL:https://jp.crsny.org/index.php/event/2022fall-fukuoka/
LOCATION:アゴーラ福岡山の上ホテル＆スパ\, 福岡県福岡市中央区輝国１−１−３３\, Japan
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E5%AF%BA%E5%B4%8E%E5%8F%B2%E5%AD%90":MAILTO:terasakifumiko@gmail.com
GEO:33.5727606;130.3830037
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=アゴーラ福岡山の上ホテル＆スパ 福岡県福岡市中央区輝国１−１−３３ Japan;X-APPLE-RADIUS=500;X-TITLE=福岡県福岡市中央区輝国１−１−３３:geo:130.3830037,33.5727606
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221113T120000
DTEND;TZID=UTC:20221113T130000
DTSTAMP:20260404T105057
CREATED:20221103T131920Z
LAST-MODIFIED:20221103T132227Z
UID:22027-1668340800-1668344400@jp.crsny.org
SUMMARY:DIVINE
DESCRIPTION:FacebookTwitterSubscribe\n\n\n\nSupported by a commission from CRS\, Berlin-based butoh dance artist Yuko Kaseki and ballet artist Megumi Eda present the first showing of their new collaborative dance work-in-progress\, DIVINE\, inspired by tragic tales of wronged and resilient women such as ballet’s “Giselle” and the classic Japanese Kaidan ghost story “Oiwa.” The performance will take place on Nov 13\, 2022 at 6 pm in Studio 2 at Kunstquartier Bethanien\, Mariannenplatz 2\, 10997 Berlin. Tickets are 10 euros at the door. \nThese two dancers are like oil and water\, moon and turtle\, the North and South Pole\, a crane in rubbish…. By exchanging their polar opposite approaches to movement and performance\, they assume characters plagued with the discomfort and instability of unfamiliar\, distorted bodies. These two figures with different space/time/ dimensions meet where the eye of the corona appears to have passed\, which they cross in sympathy but filled with confusion and dissonance from wildly different types of existences. Their suffering and persistence echo the paths of Giselle and Oiwa and countless other women whose divine spirits have endured objectification\, coercion\, violence\, and imprisonment in images and lives not of their own choosing or making. \nThis is only the second commission by CRS (Center for Remembering & Sharing) and the first production we have supported outside the United States. We became connected to Yuko Kaseki through the work of past CRS visiting instructor and performer Shinichi Momo Koga and through Yuko’s work with CAVE Art Space and Japan Society. We developed a relationship with Megumi when her daughter performed in ballet recitals at CRS under the direction of Rie Fukuzawa and through Megumi’s work with Yoshiko Chuma & the School of Hard Knocks. At Yoshiko’s suggestion\, CRS presented Megumi’s talk and documentary video art at CRS\, which grew out of Megumi’s work with Yoshiko. This project was\, in fact\, hatched at a School of Hard Kocks performance last October at Ki Smith Gallery\, and we are grateful for Yoshiko’s support and encouragement. \nMegumi Eda was born in Nagano\, Japan and had her professional debut with the Matsuyama Ballet Company at age 14 in Tokyo where she appeared in many of the ballet classics in repertoire. After appearing successfully in the Prix de Lausanne Competition\, she was invited to the Hamburg Ballet School and for the next 15 years\, as a member of the Hamburg Ballet\, the Dutch National Balletand the Rambert Dance Company\, she worked with many choreographers including John Neumeier\, Christopher Bruce\, Jiri Kylian\, Lindsey Kemp\, William Forsythe\, Hans van Manen\, Twyla Tharp and David Dawson. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance and has continued a close collaboration with Karole Armitage to this day. In addition to her work with Armitage she has begun to incorporate other art forms including sculpture and video into her own installations and performances. In New York\, she has developed her passion as a video editor and a director. She has been collaborating with Yoshiko Chuma since 2014 as a Performer/Filmmaker. She won a Bessie Award (NYC Dance & Performance Awards) in 2004. Megumi was named one of Dance Magazine’s BEST PERFORMERS 2015.  Since 2018 she has lived in Berlin and has recently presented her solo choreography in Venice and Berlin. \nmegumieda.com \nYuko Kaseki is a director\, choreographer\, teacher and Butoh dancer who has lived in Berlin long and short enough. She has been searching for a way to penetrate the space between physical and spiritual expression. Every day she trains her perception to find the moment of extraordinary in the ordinary.She studied Butoh dance and Performing Art in HBK Braunschweig with Anzu Furukawa and danced in her company Dance Butter Tokio and Verwandlungsamt in 1989-2000. \nin 1995\, Yuko Kaseki and Marc Ates founded the dance company cokaseki. cokaseki is as an ensemble for performative research around dance\, visual arts and experimental music in live events and improvisations at theater\, gallery\, site specific space\, and film… Since then various members have been part of the group in different roles and changing creative responsibilities. Collaborations have been taking place in numerous international projects with performers such as Christine Bonansea\, Sherwood Chen\, Shinichi Iova Koga\, 4RUDE\, Minako Seki\, Lisa Stertz\, Valentin Tszin\, Teo Vlad\, musicians such as Antonis Anissegos\, Kriton Beyer\, Audrey Chen\, Contagious\, Kirikoo Des\, Axel Dörner\, Echo Ho\, Emilio Gordoa\, miu\, Nguyễn + Transitory\, Yasumune Morishige\, Olaf Rupp\, Tot Onyx\, Sasha Pushkin\, SEQUOIA\, Kazuhisa Uchihashi\, Xenon\, and visual artists such as\, Nikhil Chopra\, Morvarid K\, Sarane Lecompte\, Arata Mori\, Justin Palermo\, Chiharu Shiota\, Peter Zach\, and more. \nSolo and ensemble performances\, collaborations\, and improvisations are performed throughout Europe\, Finland\, Norway\, Georgia\, Turkey\, Russia\, Japan\, Taiwan\, Korea\, Malaysia\, Thailand\, Indonesia\, India\, Burkina Faso\, Canada\, Mexico\, Brazil\, Chile\, Uruguay\, Argentina\, Australia\, and the USA. \nThese works are accumulations of poetic and vivid images that incorporate the spirit of Butoh\, and her performance aims to reflect the outsider’s existence. \nHer strong interest about breaking border of physical expression\, leads to projects with artists with mixed ability such as Theater Thikwa (Berlin)\, Roland Walter (Berlin)\, Sung Kuk Kang (Seoul)\, Zan-Chen Liao (Taipei). \nYuko Kaseki performs and organizes improvisation series “AMMO-NITE GIG” (Vol.1- 48 and on going) with international performers and musicians since 2004. \nVarious collaboration\, AmaTerraz and quantsquat with Teo Vlad (Berlin)\, inkBoat (San Francisco)\, CAVE (New York)\, Tableau Stations (San Francisco)\, improvisation duo with Antonis Anissegos (Berlin)\, ITAKO with Kazuhisa Uchihashi (Berlin)\, Poema Theater (Moscow)\, Theater Salad (Seoul) and many others. \ncokaseki.com
URL:https://jp.crsny.org/index.php/event/divine20221113/
LOCATION:Kunstquartier Bethanien\, Mariannenpl. 2 Berlin\,\, Berlin\,\, 10997
CATEGORIES:CRS Presents
GEO:52.5038945;13.4240746
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kunstquartier Bethanien Mariannenpl. 2 Berlin Berlin 10997;X-APPLE-RADIUS=500;X-TITLE=Mariannenpl. 2 Berlin\,:geo:13.4240746,52.5038945
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221120T130000
DTEND;TZID=UTC:20221120T163000
DTSTAMP:20260404T105057
CREATED:20220811T152608Z
LAST-MODIFIED:20220811T181850Z
UID:21620-1668949200-1668961800@jp.crsny.org
SUMMARY:香咲弥須子・奇跡のコース　2022 関西セミナー
DESCRIPTION:香咲弥須子・奇跡のコース　2022 関西セミナー\n  \n大阪・梅田にて、末吉愛さんがオーガナイズのセミナーが11月20日に開催されます。 \n２０２０年、セミナーテーマは、Vision ～愛のまなざしで見える世界～\n真に幸せであるために、すべてを愛のまなざしで見る選択を選びませんか。\nビジョンを受け取り、あらゆる憂いから解き放され、心の平和を分かち合うために\nーー香咲弥須子がお話しします。\n  \n日時：11月20日（日）1：00 –  4：30 pm \n会場：コンペンションセンターU’S2 （大阪市北区梅田2−1−18　5F) \n50名限定のセミナーになります。どうぞ、お早めのお手続きをお願いします。 \n詳細・お申し込みは、こちらのリンクをご覧ください。\nhttps://lumiere-et-verite.com/2022kasaki/ \n  \n  \nhttps://lumiere-et-verite.com/2022kasaki/ \n 
URL:https://jp.crsny.org/index.php/event/kansaiseminar2022/
LOCATION:Kyoto
CATEGORIES:ACIM-Related Event,In Japan
ORGANIZER;CN="%E6%9C%AB%E5%90%89%E6%84%9B":MAILTO:info＠salon-lumiere.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221126
DTEND;VALUE=DATE:20221127
DTSTAMP:20260404T105057
CREATED:20220814T133049Z
LAST-MODIFIED:20220831T145704Z
UID:21646-1669420800-1669507199@jp.crsny.org
SUMMARY:2022年 秋の東京イベント 『ワークショップ』『ヒーリング入門クラス』　　　のお知らせ
DESCRIPTION:2022年　秋の東京イベント\n『ワークショップ』・『ヒーリング入門クラス』のお知らせ\n  \n《ワークショップについて》\n香咲弥須子さんによる『奇跡のコース』ワークショップのお知らせです。\n＜出会いはいつもヒーリングという新たな機会＞を実感するワークショップです。 \n誰に会うときも、それが神聖な出会いだということを思い出してください。 \nあなたはその人を見る通りに自分自身を見るのです。 \nその人を扱う通りに、自分自身を扱うのです。 \nその人について考える通りに自分自身について考えるのです。このことを決して忘れないでください。～～ \n二人の神の子が出会うときはいつでも、二人共に救いのための新たなチャンスが与えられています。 \n（奇跡のコース　T・8-Ⅲ-4より）　　　　 \n  \n国内外の社会情勢、自分の周囲を見渡し、確かさとは一体どこにあるのだろうか…そんな思いがよぎることがありませんか。\nわたし達の心の中心には、真実(愛)に向かって心を真っ直ぐ届かせたい〜癒しを知り、大事な人たち、ひいては誰も彼も全員と、\n癒しを確かめ合いたいという溢れる願いがあるのではありませんか。\nこの願い・祈りを心の中心に真っ直ぐ届かせるためにここに出会いがあるならば、もう一人のあなたがいてくれることで完成する奇跡をご一緒しましょう。\n2022年の締めくくりは、“本当のわたし”と“本当のあなた”という神聖な出会い（ヒーリングの機会）を実感する奇跡を受けとるワークショップで皆さんをお迎えしたいと思います。 \n香咲弥須子さんによるレクチャーと誘導で、”感じる・受けとる”更にもう一歩深く”ひたる・とどまる”という心の中心へ向かうプロセスを、身体感覚をつかって一緒に辿ってみましょう。 \n五感、第六感に磨きをかけることで、日頃考えることに慣れてしまった身体感覚からいっきに飛躍し、閃き(インスピレーション)という新鮮さ、みずみずしさ、清々しい発見、それが確かだとわかる満たす感覚などなど…その他たくさんの驚きに出会う奇跡の経験を分かち合いましょう。 \n神聖なる〈あなたとわたし〉というこの出会いがもたらす奇跡経験が、二人共をどこへ運んでくれるのか……確かめ合い、喜び合い、新しい秩序を再確認しましょう。 \n是非、会場で、お待ちしています。 \n◎日 時：11月26日（土）　12:00～15:30（休憩ありの3時間30分）\n◎会 場：中野サンプラザ11Fアネモルーム https://www.sunplaza.jp/access/\n◎参加費：18\,000円\n（第四期参加登録者15\,000円・テキスト精読年間購読者12\,000円）\n◎ワークショップのみの参加を希望される方は、9月30日(金)18:00までに予約フォームを送信してください。 \n  \n《ヒーリング入門クラスについて》\nお待たせしました！ \n大勢の皆さんよりご要望いただいておりましたヒーリングのクラスへ皆さんをお迎えできることとなりました。\nワークショップに参加される方が対象となります。ご興味ある方は是非ご参加ください。\n目の前の人と向かい合い、手を使うヒーリングの手法によって、ホーリースピリットのメッセージを受け取り、共に癒しを分かち合うことを目的としたヒーリング継続参加クラスは、この秋で4年目となります。\n今回、このクラスへお迎えする前に、初めの一歩として、ヒーリング入門クラスにて、皆さんをお迎えしたいと思います。 \nその人の心の中にいるホーリースピリットを通して、その人を見てください。そうすれば、あなたは自分の心の中にいるホーリースピリットを認識することができます。 \nあなたは自分が兄弟の中に認めるものを自分自身の中に認め、自分が分かち合うものを自分の中で強めていくのです。 \n(奇跡のコースT•5-Ⅲ-3 より) \n毎日がヒーリング(癒し)の機会だということの実感を深め、経験を重ねていきましょう。 \n◎日 時 ：11月26日（土）　16:30～18:30\n◎会 場 ：中野サンプラザ　11Ｆ　アネモルーム\n◎参加費：10\,000円\n◎ご参加にあたり\n・オンラインコース第一期・第二期・第三期のいずれかを受講していて、オンラインコース第四期の参加受付を完了している方が参加の対象となります。 \n※ご予約受付は9月1日(木)午前10:00より\n　但し、ヒーリング入門クラス参加について一回目の募集を9/15（木）に締め切ります。 \n予約フォーム　←こちらをクリック\n  \n  \n＊感染対策に徹し、人数制限をさせていただくことがあります。\n会場の定員に限りがあり、お申し込み多数の場合は、抽選となりますことをご了承ください。\n＊マスク着用をお願いします。 \n佐藤直子\n東京オーガナイザー
URL:https://jp.crsny.org/index.php/event/tokyoworkshop2022fall/
LOCATION:中野サンプラザ\, 東京都中野区中野4-1-1\, 東京\, 1648512\, Japan
CATEGORIES:ACIM-Related Event,In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/08/5CAABDB2-9359-45D2-896C-C32A87B3829B_4_5005_c.jpeg
GEO:35.7075813;139.6647403
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=中野サンプラザ 東京都中野区中野4-1-1 東京 1648512 Japan;X-APPLE-RADIUS=500;X-TITLE=東京都中野区中野4-1-1:geo:139.6647403,35.7075813
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221204T200000
DTEND;TZID=America/New_York:20221204T210000
DTSTAMP:20260404T105057
CREATED:20221128T180150Z
LAST-MODIFIED:20221128T180412Z
UID:22059-1670184000-1670187600@jp.crsny.org
SUMMARY:gamin: Nong (concert at Roulette)
DESCRIPTION:CRSは2022年12月4日、ブルックリンにあるRouletteとの初のコラボレーションを行います。CRS Crossing Boundariesのキュレーターgaminの最新アルバム「Nong」を記念したコンサートをCRSのサポートによりRouletteで開催、gaminとアンサンブルINTERWOVENメンバー、作曲家で電子音響アーティストYoon-Ji Leeが出演します \nNong is an ancient Korean term meaning “to play” — here\, the joy of discovering new ways of playing when different cultures intersect. gamin\, a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind\, along with her collaborators\, places instruments and concepts from traditional Korean music alongside a variety of American musical elements. \nOn the program\, Theodore Wiprud’s Mudang for Piri (a double-reed bamboo oboe) incorporates shamanic energy that ranges from meditation to ecstasy. Korean composer Yoon-Ji Lee dedicates her composition to ‘comfort women’ (local women enslaved throughout Japan-occupied East Asia\, 1932-1945) in her work for taepyungso (a double-reed shawn) and strings. Works by William David Cooper weave Western string instruments with Korean winds\, incorporating folk tunes and different tuning systems. Korean composer Ki-Young Kim reflects Korean traditional philosophical ideas in his new piece\, and gamin’s composition broadens the range of the new musical realm with her traditional improvisatory ideas of Korean folk music. \nWith Nong\, gamin and her collaborators—the string quartet Interwoven and electronic sound artist Yoon-Ji Lee—hope to diversify American audiences’ aesthetic understanding of East Asia\, which is all too often painted in broad strokes. They also intend to inspire new generations of American composers and musicians to embrace the inherent multiculturalism of American music\, inform their crafts with rich traditions from around the world\, and approach music-making with the distinct goal of bridging cultural divides. \ngamin is a Korean born NYC based multi-instrumentalist specialized for traditional Korean wind. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. \nFrom 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. \nSince 2018\, gamin curated performances at the Center for Remembering and Sharing. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album ‘Nong’ was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. For 2021-2022\, gamin was awarded the prestigious two year Fellowship by Jerome Hill Foundation. \ngaminmusic.com/
URL:https://jp.crsny.org/index.php/event/gamin-at-roulette20221204/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/11/61F45C87-56F7-4D1D-9975-8F307E6203DB.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221210T190000
DTEND;TZID=America/New_York:20221210T203000
DTSTAMP:20260404T105057
CREATED:20221116T161157Z
LAST-MODIFIED:20221128T191651Z
UID:22034-1670698800-1670704200@jp.crsny.org
SUMMARY:Crossing Boundaries Vol. 16: FOCUSING ON HER
DESCRIPTION:CRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を12月10日（土）午後7時からTenri Cultural Instituteにて、開催します。 このコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。 AMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。ビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。 \nパンデミックの経過を予測することは不確実であるため、入場には予防接種/ブースターの証明を提示するよう求める場合があります。また、天理内ではマスクの着用が求められる場合があります。コンサートの日程が近づいたら、ポリシーに関する発表を再度確認してください。 \n収益金は、仙台と福島の7人の音楽家によるボランティアグループ「仙台室内アンサンブル（SCE）」が、300を超える幼稚園、保育園、小中学校での演奏をはじめ、音楽で東北を笑顔にと被災された方々に元気を与えるためのコンサートを提供するために活用されます。SCEの癒しの活動を支援するためのオンライン寄付は、こちらで受け付けています。 \n \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee 이윤지 in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n  \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \n\nAmirtha Kidambi\, Elder Ones “Eat the Rich” from Amirtha Kidambi on Vimeo. \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \n \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \n\n\n\nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \n  \n  \n  \n\nTRANSLATE with  x\n\n\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n\n      \n\n\n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n\n   \n\n   Back\n\n  \n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\n\n\nEnable collaborative features and customize widget: Bing Webmaster Portal\n\nBack
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-vol-16/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/gif:https://jp.crsny.org/wp-content/uploads/2022/02/220312_Crossing_Boundaries_16_advertisement_AdobeCreativeCloudExpress-1.gif
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7363801;-73.9960877
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tenri Cultural Institute 43A W 13th St New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=43A W 13th St:geo:-73.9960877,40.7363801
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221217T180000
DTEND;TZID=America/New_York:20221217T200000
DTSTAMP:20260404T105057
CREATED:20221128T183804Z
LAST-MODIFIED:20221128T183804Z
UID:22065-1671300000-1671307200@jp.crsny.org
SUMMARY:Rumi’s Wedding Night: Evening Sema Gathering\, Zikr and Performance with Sufi Master Farima Berenji
DESCRIPTION:ブルックリンのグリーンポイントにあるLast Frontier NYCで行われるRumi’s Wedding Nightを祝うイベントに参加しませんか! \nJoin us for our next Sufi dance / music event\, a Sacred Dance\, Music and Healing Journey with visiting Sufi Master of Yarsan Order and Scholar\, Farima Berenji\, PhD at Last Frontier NYC in Greenpoint\, Brooklyn in celebration of Rumi’s Wedding Night! \nTickets: https://www.eventbrite.com/e/462455676377 \nSchedule: \n– 12/17/2022 from 6 – 8 pm\nRumi’s Wedding Night:\nEvening Sema Gathering\, Zikr and Performance $25 ($20 for those who attend workshop)\n$30 at the door \n– 12/18/2022 from 2 – 4pm\nWorkshop\n$50 \nJoin us on a path of healing and self-growth through the power of Sufism\, Sacred Circles\, music\, and Sacred Dance. In that journey\, the promptings of the Inner Divine are found\, and love\, kindness\, and compassion flow naturally into our daily life. \nWe will create a sacred\, supportive space where we can all release whatever energy no longer serves us\, relax and open our heart\, body\, and mind. We will discover the power and mystery of ancient Persian and Sufi dance and rituals – a gateway for self-growth and spiritual transformation–through prayers\, whirling\, music\, and love. Be moved by beautiful Sufi rituals\, sacred music\, songs\, chanting\, poetry\, and dance in prayers and Love! \nIn this workshop and gathering\, we will combine the sacred phrases\, chants\, music\, and movements from ancient Persian spiritual traditions of Khorasan and Yarsan to help touch the spiritual essence within us and to help us recognize it in others. These fundamental elements compose the ancient\, contemporary\, and devotional roots of sacred dance. \nIn this workshop/gathering we will experience:\n– Presence and surrender to Love.\n– Practice devotional embodiment and ancient Persian healing dance rituals.\n– The power of healing and love through poetry\, zikr\, and Sufi whirling (Iranian\, Central Asian\, and Turkish Rituals and Zikr)\n– The power of the sharing circle and acts of kindness and love toward self and others.\n– Dance and Music as prayer and spiritual transformation.\nThe workshop and gathering will also include:\n– Breathing meditations.\n– Basic whirling techniques for beginners (Iranian\, Turkish and Central Asian Sema and Semah)\n– Gwati and Iranian Zikr Rituals (Sufi Prayers and Ancient Medicine Healing Circles)\n– Sema Gathering\, Performances\, and Sohbet (Sufi Whirling Gathering and Spiritual Talk/Lectures)\, Q&A\, and Sharing Circles. \nParticipants are encouraged to bring a poem or story to share. Musicians feel free to bring your instruments to inspire and bring love into our circle! \nThis event is done with support from NOoSPHERE Arts and Center for Remembering and Sharing. \nFarima Berenji is an Iranian-American scholar and dance ethnologist\, an award winning internationally acclaimed dance artist\, a choreographer\, instructor\, and an archaeologist specializing in ancient\, sacred\, classical\, and folkloric dances of Persia\, Ionia\, and the Silk Road. She is a third generation artist—her devotion to the world of arts inspired by both her mother and grandmother as performing artists\, poets\, and musicians of Azerbaijani heritage. Farima has spent her lifetime studying Persian/Iranian and Central Asian dance\, culture\, and history. Recognized as one of the few world scholarly experts of ancient and mystical dance ethnology\, she travels worldwide to record\, research\, lecture\, perform\, educate\, and to inspire dynamic creativity and rejuvenation through dance and movement. \nAs a Sufi from the bloodline of St. Fateme and a Magi (Shaman) from the bloodline of Iranian Zoroastrian Magi\, Farima is strongly connected to spirituality and healing. She is one of the very few Iranian women granted by the Magi and Gwati tribes of Iran to perform ancient healing and sacred rituals. Her Shamanic healing therapies are now in use in hospitals in Iran and the US. Farima infuses spirituality into her dance and teachings to exceptionally impassion\, empower\, and inspire students to deeply understand the meaning of culture and dance and to explore dance as a powerful means to express emotion\, facilitate spiritual healing\, and bridge cultures. Using her own findings and techniques she makes the connection between soul and movement to create an artist not just a dancer. United in all her accomplishments is her contribution in advocating art\, culture\, and dance to help bridge cultural gaps and create respect among all people. She seeks to lead people to the historic beauty and richness of Persia and the Silk Road culture and to aid them find inner bliss through dance\, music\, and spirituality. \nhttp://farimadance.com
URL:https://jp.crsny.org/index.php/event/rumis-wedding-night20221217/
LOCATION:Last Frontier NYC\, 520 Kingsland Ave 520 Kingsland Ave \, NY 11222 United States\, Brooklyn\, NY\, 11222\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/11/IMG_1151.jpg
GEO:40.7343003;-73.9434116
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Last Frontier NYC 520 Kingsland Ave 520 Kingsland Ave  NY 11222 United States Brooklyn NY 11222 United States;X-APPLE-RADIUS=500;X-TITLE=520 Kingsland Ave 520 Kingsland Ave \, NY 11222 United States:geo:-73.9434116,40.7343003
END:VEVENT
END:VCALENDAR