BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//CRS (Center for Remembering & Sharing) - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:CRS (Center for Remembering & Sharing)
X-ORIGINAL-URL:https://jp.crsny.org
X-WR-CALDESC:Events for CRS (Center for Remembering & Sharing)
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230528T120000
DTEND;TZID=America/New_York:20230528T160000
DTSTAMP:20260404T173407
CREATED:20230127T151405Z
LAST-MODIFIED:20230302T230436Z
UID:22319-1685275200-1685289600@jp.crsny.org
SUMMARY:2023年春・香咲弥須子東京セミナー
DESCRIPTION:2023年春の東京イベント \n《『奇跡のコース』『奇跡講座』 春の香咲弥須子東京セミナーについて》 \n5月28日、東京中野サンプラザにおいて、香咲弥須子さん『奇跡のコース』東京セミナーを開催します。 \n＜清らな知覚＞～知覚を正して奇跡を経験する～ \nテキスト第3章「無垢なる知覚」に焦点を当てた、レクチャー、瞑想、ワーク、祈りによって構成されるセミナーです。 \n「無垢なる知覚」とは、罪悪感、欠落感、恐れのメガネを外し、無垢で清らかな心でまっすぐに見ること、つまり「ほんとうに見ること」です。「違う見方をすること」です。 \nするとそこに今まで見えたことのない風景を目撃することになり、結果として、自己イメージも一新します。 \nそのプロセスの中に奇跡が詰まっています。 \nそのプロセスを丁寧にたどり、経験していく時間をご一緒しましょう。 \n香咲弥須子 \n～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～ \nわたし達の心の発露が与え合い・受けとり合う時、どんな気づきに出会え～どんな心の変容へ導かれ、包まれ～そしてわたし達の知覚は何をどんな風景として見るようになるのか～ゆるしが導く新たな知覚（心眼＝ヴィジョン）の確かさを実感しましょう。 \n初めての方や学び始めてまだ日の浅い方も、一人で学んでいる方も、長年セミナーに参加してくださっている方も、喜びと気づきの分かち合いに、ぜひご一緒ください。 \n…長年東京セミナーでお世話になった中野サンプラザは、新たな建物へ生まれ変わるにあたり今春の開催をもって、しばらくお別れとなります…感謝 \n東京オーガナイザー 佐藤直子 \n【詳細】\n◎日時：5月28日（日）PM12:00～PM4:00　（休憩あり4時間）\n◎会場：中野サンプラザ　13階　スカイルーム\nhttps://www.sunplaza.jp/access/ \n◎参加費：20\,000円（※ヒーリングpractice両日参加の場合は18\,000円） \n＊ヒーリングpracticeはヒーリングのワークを中心としたクラスです。香咲弥須子第四期オンラインコースを受講し、これまで第一期～第三期オンラインコースのどれか一つを受講経験のある方を対象としています。継続クラスなので、欠員が出た場合のみ、数名の新規募集をさせていただきます。 \n◎受付開始：3月7日（火）AM10:00～ こちらのフォームより\nhttps://www.acim-yasukokasaki.net/東京セミナー/2023東京予約フォーム/ \n是非、お日にちをお取置きください。
URL:https://jp.crsny.org/index.php/event/2023spring-tokyo-seminar/
LOCATION:中野サンプラザ\, 東京都中野区中野4-1-1\, 東京\, 1648512\, Japan
CATEGORIES:In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/01/image1-1.jpeg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
GEO:35.7075813;139.6647403
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=中野サンプラザ 東京都中野区中野4-1-1 東京 1648512 Japan;X-APPLE-RADIUS=500;X-TITLE=東京都中野区中野4-1-1:geo:139.6647403,35.7075813
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230604T130000
DTEND;TZID=America/New_York:20230604T183000
DTSTAMP:20260404T173407
CREATED:20230515T205252Z
LAST-MODIFIED:20230529T030041Z
UID:22445-1685883600-1685903400@jp.crsny.org
SUMMARY:CRS Presents 禅を見つけよう | 瞑想の科学
DESCRIPTION:CRSでは、倉島隆行禅師と著名な音楽プロデューサー中脇雅裕氏（坂本龍一、Perfume、きゃりーぱみゅぱみゅなど）による日本発の最先端のサウンド瞑想体験をお楽しみいただけます。このイベントは、 2023 年 6 月 4 日の午後 1 時、 3 時、 5 時の３回、 CRS のホワイト ルームにて開催します。 \n  \n【イベントについて】\n日常生活の喧騒の中で、私たちは十分にリラックスして自分自身と調和する時間を作るのが難しいと感じることがよくあります。 しかし、忙しいスケジュールの合間をぬって、セルフケアの方法として瞑想を行うことは有効です。\n日本の伝統的な禅瞑想のテクニックを使用した「Real Zen Mind（禅脳）」は、シンギングボウルの生演奏と共に心身のリラックスに効果的な音楽を聞きながら瞑想セッションを行います。このプログラムは、四天王寺第54世住職である倉島隆行氏と日本を代表する音楽プロデューサー中脇雅裕氏という、それぞれの分野の専門家2名がプロデュースしています。\nこのイベントでは、倉島氏と中脇氏が、このプログラムの説明をし、その後の瞑想つまり「Real Zen Mind（禅脳）」を体験します。 説明の中では、皆さんは「Real Zen Mind（禅脳）」の科学的また医療的な効果について学び、その後、専門家のリードによる瞑想体験に浸ります。\nそしてこのプログラムは、日頃から瞑想に取り組んでいる経験者だけでなく、まったくの初心者も歓迎しています。誰もが「「Real Zen Mind（禅脳）」の素晴らしさを理解し、自宅では体験できない「場」に導かれることでしょう。 \n【プログラム】\n「禅マインド」メソッド紹介（25～30分）\n「禅マインド」瞑想（20分）\n休憩+質疑応答（15～20分）\n※全プログラムの所要時間は約1～1時間15分となります。\n**体験中は床に座りやすい服装でお越しください。 動きやすいパンツがおすすめです。\n***床に座りたくないお客様のために椅子をご用意しております。 \nこのプログラムは日本語と英語で行われます。\n各回、定員がありますので、こちらのリンクから必ずご参加希望の回をお選びの上、お申し込みください。eventbrite.com:\nhttps://bit.ly/3MdczX3\n当日、空きがある場合はご参加いただけますので、その場合は会場にて現金$25をお支払いください。（クレジットカードでのお支払いの場合は、必ず上記のEventbrite.comから手続きをお願いします）\nお問合せ先： aloha88hula@gmail.com (Yoshiko） \n  \n【講師について】\n・倉島隆行氏 \n\n三重県津市四天王寺曹洞宗第54代住職 | 元全日本曹洞宗青年僧侶協会会長 | 世界仏教青少年連盟顧問。\n倉島氏は大本山永平寺での2年間の修行を終えた後、ヨーロッパで禅の修行を続けた。 帰国後、宗教の垣根を越えて宗教間の対話を促進する活動を開始し、伊勢国際宗教フォーラムでの世話人を務めました。\nまた、人々の心の健康のために20年以上にわたり毎週日曜日に座禅教室を開催し、一般向けに禅体験講座も開催しています。\n自立生活支援介護施設「四天王庵」を設立し、身体活動だけでなく「Real Zen Mind（禅脳）」と呼ばれる座禅法も取り入れ、介護体制の向上を目指しています。\nまた、この四天王寺は、推古天皇の命により聖徳太子が建立した千年以上の歴史を持つ禅寺です。 \n・中脇雅裕氏 \n\n中脇氏は大学時代からCM音楽の制作を始め、数々の企業に楽曲を提供してきました。 大学卒業後、財団法人ヤマハ音楽振興会にて音楽教育研究および講師のトレーナーとして活動。 その後、音楽プロデューサーとしてPerfume、きゃりーぱみゅぱみゅ、CAPSULE、手嶌葵、SMAP、坂本龍一など様々なアーティストの制作に携わりました。また 教育心理学研究の経歴を活かし、独自の自己啓発メソッドを開発、企業や教育機関で講演を行っています。その他に、東京大学とのAIによる音楽生成の共同研究プロジェクトに参加。南カリフォルニア大学では「日本のエンターテインメント・ビジネス」についての講演などを行っています。\n近年は統合医療の一環として音楽の効果について研究しており、四天王寺住職の倉島氏とも音楽を使って瞑想の効果を更に深める「Real Zen Mind（禅脳）」の開発にも力を注いでいる。 \n  \n 
URL:https://jp.crsny.org/index.php/event/230604/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/05/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230618T170000
DTEND;TZID=America/New_York:20230618T183000
DTSTAMP:20260404T173407
CREATED:20230512T132843Z
LAST-MODIFIED:20230512T132843Z
UID:22437-1687107600-1687113000@jp.crsny.org
SUMMARY:CRS Presents Jessica Ackerley\, Sarah Manning\, and Alma Laprida in Concert
DESCRIPTION:CRS is delighted to present M³ (Mutual Mentorship for Musicians)’ Winter Solstice 2021 Cohort member Jessica Ackerley (guitar) with Sarah Manning (saxophone) and Alma Laprida (tromba marina) on June 18\, 2023 at 5pm in the award-winning White Room at CRS. An audience Q&A will take place following the concert.  \nThis trio’s music is mostly centered around improvisation with a melding of modern jazz and ambient music. But the ensemble is highly unique with the addition of the string instrument tromba marina\, especially in this context because it was originally an instrument for Rennaissance music. \nA tromba marina\, marine trumpet or nuns’ fiddle\, (Fr. trompette marine; Ger. Marientrompete\, Trompetengeige\, Nonnengeige or Trumscheit\, Pol. tubmaryna) is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century. The tromba marina consists of a body and neck in the shape of a truncated cone resting on a triangular base. It is usually four to seven feet long\, and is a monochord (although some versions have sympathetically-vibrating strings). It is played without stopping the string\, but playing natural harmonics by lightly touching the string with the thumb at nodal points. Its name comes from its trumpet like sound due to the unusual construction of the bridge\, and the resemblance of its contour to the marine speaking-trumpet of the Middle Ages. — from Wikipedia\, the free encyclopedia \nTickets are $20 general admission and $10 for students and are available in advance on eventbrite.com. If not sold out\, tickets will also be available at the door for cash only. Some seating may be on blankets on the floor.  \nThe concert will take place in the award-winning White Room at CRS. Please note that the venue is accessible only via a flight of stairs and is not wheelchair accessible. Proof of vaccination is not required but the wearing of masks is encouraged. \nThe White Room at CRS is located between 12th & 13th streets\, above Think Coffee\, in Manhattan. The nearest subway station is 14th St / Union Square (4/5/6\, N/R/Q/W\, L). \nABOUT THE ARTISTS \nSarah Manning is a saxophonist and composer. She has released four critically acclaimed albums. Harmonious Creature (Posi-Tone 2014) received 4 stars in Down Beat Magazine\, and was on multiple jazz top ten lists including the Los Angeles Times. She is a recipient of a 2021 NYSCA composer commission and a MAP Fund 2020 and 2021 grantee for We Will Not Be Composed\, a new multimedia work with author and activist Soraya Chemaly to challenge perceptions of women’s anger in America. In addition to being a MacDowell Fellow in composition (2012\, 2021)\, she can most recently be heard on William Hooker’s 2021 release Big Moon. \nhttps://www.sarahmanningmusic.com \nAlma Laprida explores the territories among composition\, improvisation\, performance and installation. She works with trumpet marine\, field recordings\, synthesizers\, lyre and other non- conventional instruments and objects. Her work was presented in Argentina\, Brazil\, Colombia\, Chile\, Italy\, Mexico and the United States. \nAlma released three solo albums\, two collaboration albums and several pieces in compilations. She’s currently part of Hypnotized Chickens\, the Bureau of Sensory Affairs and GEXLAT. After living and working in Buenos Aires for ten years\, she’s been based in Maryland\, USA\, since 2021. \nhttps://almalaprida.wordpress.com \nJessica Ackerley is a Canadian guitarist\, improviser and composer based in Hawai’i and a current PhD candidate at University of Hawai’i after a decade of living in New York City. Ackerley continually develops a hybrid musical language drawing on the influences of Black American Music and avant-garde improvisers\, as well as the culture of the thriving New York City and Toronto rock and noise scenes. Since 2017\, Ackerley has released thirteen albums to much critical acclaim with features in Wire Magazine\, Pitchfork\, BBC Radio\, and Bandcamp. They has been commissioned by Adult Swim\, M³ (Mutual Mentorship for Musicians\, and New Music USA as well as received funding from Canada Council for the Arts and Foundation for Contemporary Arts. \nhttps://www.jessicaackerley.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world.  \nCurrently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/concert20230618/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/05/230618-concert-image-for-Eventbrite.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230624T183000
DTEND;TZID=America/New_York:20230624T220000
DTSTAMP:20260404T173407
CREATED:20230524T143729Z
LAST-MODIFIED:20230524T143729Z
UID:22461-1687631400-1687644000@jp.crsny.org
SUMMARY:An Ecstatic Solstice Celebration
DESCRIPTION:Please join us in celebrating the Summer Solstice with NOoSPHERE Arts as they kick off their WE ARE NATURE: Rising and Falling annual rooftop series. Held in the spectacular\, one-of-a-kind setting of wildflower meadows stretching across the roofs of an industrial plant against the iconic backdrop of the NYC skyline\, the event will be centered around a Sufi opening ritual honoring nature’s cycles\, performed by Whirling Dervish Farima Berenji. Farima—a Sufi Master and Magi from the bloodline of Iranian Zoroastrian Magi—and her sacred dancers will be accompanied by the klezmer music and Sephardic folk melodies of The Shul Band. The ceremony has been designed as a unique blend of Muslim and Jewish elements— epitomizing the possibility of interfaith collaboration. Join us at Sunset to mark this special occasion! \nThe main event will involve solo acts\, duets and a whirling performance in which several participants— including Cyr wheelers—will interpret the movements of individual planets around a star. The show will also feature poetry readings and storytelling by Master Farima and be accompanied by the live music of the Shul Band. Following the whirlers’ performances\, The Shul Band will continue playing against the darkening night sky. \nCRS is one of the supporters of the event. \nTickets are available via Eventbrite:\nhttps://www.eventbrite.com/e/rooftop-season-opening-event-an-ecstatic-solstice-celebration-tickets-640904210747 \nA Sema Gathering (free) and two Whirling workshops (Basic and advanced Whirling practices) will be offered on the day following the event (Sun\, Jun 25: Beginner: 12-1:30 pm\, Advanced: 2-3:30 pm).\nhttps://www.eventbrite.com/e/soul-of-the-sema-whirling-workshops-tickets-638797419277 \nFarima Berenji is an internationally acclaimed dance artist\, ethnologist\, choreographer\, instructor\, and archaeologist specializing in ancient\, sacred\, classical\, and folk dances spanning the millenniums of Persian civilization\, the Silk Road\, and the Near East.\nhttp://farimadance.com/ \n  \nThe Shul Band\, led by Adam Feder\, plays music rooted in Jewish folk music but drawing on the musical wellsprings of New York City and of the whole world. It is equally prayerful and raucous\, meditative and joyful. The band has performed at major venues such as Carnegie Hall.\nhttps://www.theshulband.com/ \nThis is the fourth iteration of the NOoSPHERE Art’s annual rooftop series. Each season’s theme references an aspect of systems thinking\, an approach to environmental sustainability spearheaded by leading thinker Fritjof Capra\, a longtime NOoSPHERE Arts collaborator. This view considers all the major problems of our time—including energy\, economics\, climate change\, and inequality—as interconnected and interdependent. In 2023\, the summer series explores the theme of Nature’s Cycles. A cycle is an interval of time during which a characteristic event occurs\, often repeated regularly or in a sequence of events. There are cycles in everything—seasons\, circadian rhythms\, cellular life\, planetary systems\, politics\, and economics—and cycles in one realm affect cycles in others. Thinking about cycles can help us to discern structure\, order\, and patterns in the world around us\, and to realize that everything in life will ebb and flow—an encouraging thought in times of darkness. \nNOoSPHERE Arts is a 501c3 organization and cultural center led by a team of international creatives whose backgrounds blend the arts and sciences. Its freewheeling\, multidisciplinary approach engages diverse audiences and builds community through a range of vibrant public events in its indoor-outdoor home in Brooklyn\, NYC. The only multidisciplinary arts center in the Greenpoint neighborhood\, it is a welcoming platform where resident and migrant artists alike connect with locals. Uniting music\, dance\, visual arts\, theater\, film\, poetry & prose\, its collaborative productions at the nexus of art and eco-awareness harness the power of art to drive action towards green living\, fair play\, and oneness.\nhttps://www.noosphere-arts.nyc/
URL:https://jp.crsny.org/index.php/event/an-ecstatic-solstice-celebration230624/
LOCATION:NOoSPHERE Arts\, 520 Kingsland Ave\, Brooklyn\, NY\, 11222\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/05/Image-5-22-23-at-3.51-PM.jpg
GEO:40.734369;-73.9433754
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NOoSPHERE Arts 520 Kingsland Ave Brooklyn NY 11222 United States;X-APPLE-RADIUS=500;X-TITLE=520 Kingsland Ave:geo:-73.9433754,40.734369
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230625T203000
DTEND;TZID=America/New_York:20230625T213000
DTSTAMP:20260404T173407
CREATED:20230620T143010Z
LAST-MODIFIED:20230620T143010Z
UID:22501-1687725000-1687728600@jp.crsny.org
SUMMARY:Paradise Laboratory: Hell in Paradise — Li-Chin Li & Jeonghyeon Joo
DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Hell in Paradise」の次回作として、伝統と実験の境界線を超えた音楽を、アジアン・カルチュラル・カウンシル2023ウィンターフェローのLi-Chin Li（中国語笙とエレクトロニクス）と、特別ゲストのカリフォルニア芸術大学教授Jeonghyeon Joo（韓国のヘグム）によってお届けします。コンサートは2023年6月25日午後8時から、CRSのホワイトルームで開催される予定です。 \nThe program will include the US premieres of three compositions for sheng performed solo with electronics\, composed by Francisco Uberto\, Heng Chen\, and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris\, as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung\, Taiwan\, Li-Chin Li is a Sheng soloist\, composer\, and performer. Majored in Chinese Music at the Tainan National University of the Arts\, Li-Chin received solid training in traditional music education. After graduation\, she worked for the most selective and prestige Orchestra\, Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work\, she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021\, Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture\, Taiwan\, she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France\, culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program\, “Journal de la Création\,” making a significant impact on the exchange of contemporary music between Taiwan and France\, as well as elevating Taiwan’s sheng music to an international stage. \nRecently\, she has been selected as a member of IRCAM concert de l’atelier d’improvisation\, ManiFeste-2022\, and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least\, she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer\, composer\, improviser\, and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic\, corporeal relationship between musical instrument and body\, frequently collaborating with composers\, performers\, visual artists\, choreographers\, film directors\, and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20230625/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Hell in Paradise」の次回作として、伝統と実験の境界線を超えた音楽を、アジアン・カルチュラル・カウンシル2023ウィンターフェローのLi-Chin Li（中国語笙とエレクトロニクス）と、特別ゲストのカリフォルニア芸術大学教授Jeonghyeon Joo（韓国のヘグム）によってお届けします。コンサートは2023年6月25日午後8時から、CRSのホワイトルームで開催される予定です。 \nThe program will include the US premieres of three compositions for sheng performed solo with electronics composed by Francisco Uberto Heng Chen and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung Taiwan Li-Chin Li is a Sheng soloist composer and performer. Majored in Chinese Music at the Tainan National University of the Arts Li-Chin received solid training in traditional music education. After graduation she worked for the most selective and prestige Orchestra Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021 Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture Taiwan she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program “Journal de la Création” making a significant impact on the exchange of contemporary music between Taiwan and France as well as elevating Taiwan’s sheng music to an international stage. \nRecently she has been selected as a member of IRCAM concert de l’atelier d’improvisation ManiFeste-2022 and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer composer improviser and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic corporeal relationship between musical instrument and body frequently collaborating with composers performers visual artists choreographers film directors and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230702T170000
DTEND;TZID=America/New_York:20230702T183000
DTSTAMP:20260404T173407
CREATED:20230620T143824Z
LAST-MODIFIED:20230620T143824Z
UID:22504-1688317200-1688322600@jp.crsny.org
SUMMARY:CRS Presents Paradise Laboratory: Sonic Cartography — gamin and Devon
DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Sonic Cartography」の次回作として、gamin（韓国のピリ笛）とDevon（尺八）による伝統と実験の境界線を超えた音楽イベントを開催します。 \nプログラムは以下の通りです。 \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence (2014) at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. Gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. \nSince 2018\, gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center\, NYC and released her 4th album\, “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player\, composer\, improviser\, cat lover\, electronics lover\, failed orchestral bassoonist\, partner to Kanoko\, amateur cook\, and bad artist. Their music draws influence from their Japanese roots\, experiences as a jeweler and painter\, improvisations with plants\, and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US\, Europe\, Australia\, China and Japan. In their spare time\, they enjoy painting\, cooking\, and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh\, PA)\, the Thin Edge New Music Collective (Toronto Canada)\, and the Oh My Ears! Festival (Phoenix\, AZ). They have been an artist in residence at Leveld Kunstnartun (Ål\, Norway)\, Listhús AiR (Olafsfjördur\, Iceland)\, and La Pantographe (Moutier\, Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague\, Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals\, and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University\, Columbia University\, the Herb Alpert School of Music at UCLA\, and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \ncrsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory-20230702/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image-1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Sonic Cartography」の次回作として、gamin（韓国のピリ笛）とDevon（尺八）による伝統と実験の境界線を超えた音楽イベントを開催します。 \nプログラムは以下の通りです。 \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence (2014) at the Asian Cultural Council and Ministry of Culture Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. Gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019 as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. \nSince 2018 gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center NYC and released her 4th album “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player composer improviser cat lover electronics lover failed orchestral bassoonist partner to Kanoko amateur cook and bad artist. Their music draws influence from their Japanese roots experiences as a jeweler and painter improvisations with plants and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US Europe Australia China and Japan. In their spare time they enjoy painting cooking and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh PA) the Thin Edge New Music Collective (Toronto Canada) and the Oh My Ears! Festival (Phoenix AZ). They have been an artist in residence at Leveld Kunstnartun (Ål Norway) Listhús AiR (Olafsfjördur Iceland) and La Pantographe (Moutier Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University Columbia University the Herb Alpert School of Music at UCLA and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230708T110000
DTEND;TZID=America/New_York:20230708T130000
DTSTAMP:20260404T173407
CREATED:20230704T153027Z
LAST-MODIFIED:20230704T160158Z
UID:22543-1688814000-1688821200@jp.crsny.org
SUMMARY:UCDM Universal -トークイベント 香咲弥須子　
DESCRIPTION:7/8 （日）コロンビア発信インターナショナル・ACIMコミュニティで、「人間関係の癒し」をテーマに香咲がトークします。 \nニューヨーク時間午前11時開始です。 \n\nこちらのリンクから視聴できます。YouTube Live\nhttps://www.youtube.com/watch?v=FqLSQTiFlxw
URL:https://jp.crsny.org/index.php/event/ucdm20230708/
LOCATION:online
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230709T140000
DTEND;TZID=America/New_York:20230709T160000
DTSTAMP:20260404T173407
CREATED:20230629T145625Z
LAST-MODIFIED:20230629T181538Z
UID:22538-1688911200-1688918400@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20230709/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230716T170000
DTEND;TZID=America/New_York:20230716T183000
DTSTAMP:20260404T173407
CREATED:20230627T142159Z
LAST-MODIFIED:20230627T142327Z
UID:22518-1689526800-1689532200@jp.crsny.org
SUMMARY:SACO & As It Is: Resonance of Water 　　　　サマーコンサート
DESCRIPTION:CRSでは、SACO＆As It Isと共に「Resonance of Water」を開催します。母なる地球は水の惑星であり、私たちはほとんど水から作られています。水と交わりながら、一緒に流れ、この季節を祝いましょう。音楽でお互いの “水 “を感じられたら素晴らしい！ \nジャンルを超えた11人編成の音楽アンサンブル、SACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々を自然に繋ぎます。即興的な動きとWhirling Prayerが、音楽に視覚的な体験を加えています。 \nSaco Myoji: Vocal\, Keyboard\, Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Fusako Miyaji\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \n 
URL:https://jp.crsny.org/index.php/event/saco-as-it-is20230716/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image-2.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、SACO＆As It Isと共に「Resonance of Water」を開催します。母なる地球は水の惑星であり、私たちはほとんど水から作られています。水と交わりながら、一緒に流れ、この季節を祝いましょう。音楽でお互いの “水 “を感じられたら素晴らしい！ \nジャンルを超えた11人編成の音楽アンサンブル、SACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々を自然に繋ぎます。即興的な動きとWhirling Prayerが、音楽に視覚的な体験を加えています。 \nSaco Myoji: Vocal Keyboard Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg Fusako Miyaji Kashimi Asai Miyoko Satoh Motoi Urano Senko Nishimura Takemi Kitamura Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues Funk Rock Bossa Nova Salsa Jazz and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs galleries festivals and healing/wellness events in Japan and U.S. mostly in the New York City area including the Celebrating Women Composer Festival the Vision Festival the WHAM Festival and other venues and events. Saco offers various configurations of the ensemble; solo duo trio and often brings the choir extra percussionists and dancers depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit the unique sound community for everyone and ATOWA the piano duo with the celestial sound creator; composer pianist and crystal singing bowl player Naoe Moriya who lives in Yokohama Japan. \n ;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230805T160000
DTEND;TZID=America/New_York:20230805T173000
DTSTAMP:20260404T173407
CREATED:20230726T143755Z
LAST-MODIFIED:20230726T145431Z
UID:22603-1691251200-1691256600@jp.crsny.org
SUMMARY:第28回 ニューヨークの四季 - 日本音楽の彩り -
DESCRIPTION:第28回「ニューヨークの四季 – 日本音楽の彩り-」、8月5日（土）午後4時より、CRSのホワイトルームにて開催します。この夏公演では、ビジュアルアーティストの大野廣子氏をゲストにお迎えします。大野廣子氏は、ニューヨーク、日本での長年に渡る活動の中で数々の受賞を受け、ご自身の個展を開催されてきました。お祖母様は、なんと！中能島欣一先生（山田流箏曲の名人、人間国宝）の直門でいらしたとのこと。今回は、大野氏の「銀河」シリーズの大作を特別に展示し、夜空や大海原への憧れが込められている中能島作品、「新潮」ほか3曲を演奏いたします。 \n共催:　Center for Remembering and Sharing\, 木村伶香能\n後援:　(有)邦楽ジャーナル、Mar Creation\, Inc. \nお席は限られております、事前予約のほどお名前・枚数を明記の上、下記フォームよりご予約下さい。\nhttps://www.yokoreikanokimura.com/contact/ \n  \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \n \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \nWebsite: yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/four-seasons20230805/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/image-2.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230910T170000
DTEND;TZID=America/New_York:20230910T183000
DTSTAMP:20260404T173407
CREATED:20230725T151739Z
LAST-MODIFIED:20230726T151311Z
UID:22596-1694365200-1694370600@jp.crsny.org
SUMMARY:Paradise Laboratory: Ayumi Ishito\, Rema Hasumi & Yuko Togami\, with Special Guest Tamio Shiraishi
DESCRIPTION:今回のパラダイス ラボラトリー コンサート シリーズでは、テナーサックス・エレクトロニクスのAyum（石当あゆみ）、シンセサイザー・Rema（蓮見令麻) 、ドラムスのYuko（戸上優子) をお迎えします。この３人のトリオによるアンビエントで雰囲気溢れる即興音楽をお楽しみください。 特別ゲストには、アルトサックスの極限ともいえる高音の炸裂で知られる伝説のアルトサックス奏者、白石民生氏（アルトサックス、エレクトロニクス）が登場します。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-meg-brennan-winds-hannah-marks-bass-tickets-671695448167\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is\, along with Keiji Haino\, a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and\, regardless of the lack of formal education in music\, has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range\, somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions\, Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20230910/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/image-1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:今回のパラダイス ラボラトリー コンサート シリーズでは、テナーサックス・エレクトロニクスのAyum（石当あゆみ）、シンセサイザー・Rema（蓮見令麻) 、ドラムスのYuko（戸上優子) をお迎えします。この３人のトリオによるアンビエントで雰囲気溢れる即興音楽をお楽しみください。 特別ゲストには、アルトサックスの極限ともいえる高音の炸裂で知られる伝説のアルトサックス奏者、白石民生氏（アルトサックス、エレクトロニクス）が登場します。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-meg-brennan-winds-hannah-marks-bass-tickets-671695448167\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is along with Keiji Haino a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and regardless of the lack of formal education in music has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa Japan. At the age of 19 she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007 Ayumi received a scholarship to attend Berkee College of Music in Boston Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T200000
DTSTAMP:20260404T173407
CREATED:20230830T145413Z
LAST-MODIFIED:20230830T145413Z
UID:22670-1694543400-1694548800@jp.crsny.org
SUMMARY:ガイド瞑想 & コンサート with 香咲弥須子 and 松下曜子（Yoko Cano Matsushita）
DESCRIPTION:CRSのホワイトルームにて、CRS創設者・香咲弥須子と彼女のACIMの教え子であり、アーティストで作詞作曲の教師である松下曜子氏をメキシコから迎え、再会を祝い、瞑想とコンサートのコラボレーションを開催します。 \nまず、香咲が瞑想をリードし、それから松下曜子氏が歌を演奏してスピリチュアルな人生の教訓を分かち合います。 最後にはディスカッションや交流の時間も設けています。 \n松下曜子は幼い頃にピアノを習い始め、音楽の修士号を取得後、ニューヨーク州、ニューヨーク市、ロングアイランドで10年間演奏と指導に携わりました。 現在、彼女はメキシコで作詞作曲を専門に音楽を教えています。 \n小さい頃、母親にピアノの練習を強要され、自分の人生を生きているのか母親の夢を生きているのか混乱したという辛い思い出があったため、音楽は常に彼女のジレンマでした。 \n現在彼女が情熱を捧げるのは、本当の自分を見つけ、他者の中に真実を見いだし、自分自身と他者の中にある光が輝くよう促すことです。 \nこのコンサートで彼女は自身のパッションと音楽を融合させたいと考えています。 \n彼女は自分自身の人生経験（葛藤、喜び、ジレンマ、幸福など…）を彼女自身の声を使い、新たな旅へとあなたを導くでしょう。彼女の声のバイブレーションがあなたに届き、癒し、喜び、希望をもたらすことを願っています。
URL:https://jp.crsny.org/index.php/event/concert20230912/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/https-cdn.evbuc_.com-images-584934419-266945216123-1-original.20230828-221808.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230921T190000
DTEND;TZID=America/New_York:20230921T230000
DTSTAMP:20260404T173407
CREATED:20230823T145537Z
LAST-MODIFIED:20230823T151440Z
UID:22648-1695322800-1695337200@jp.crsny.org
SUMMARY:M³ Festival Day 1
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians JenShyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 1 (Sept 21):  \n\nFay Victor with Rebekah Heller DUO Fay Victor (voice) & Rebekah Heller (bassoon)\nFrancesca Tanksley with Newman Taylor Baker – Piano/Percussion Duo: Francesca Tanksley (piano) & Newman Taylor Baker (percussion)\nDuo Maratín: Ria Modak + Ángela Varo Ria Modak (guitar\, voice) & Birsa Chatterjee (saxophone\, voice)\nBarTog + Cecilia Lopez Barbara Togander (turntables\, voice) & Cecilia Lopez (synthesizer)\nMilena Casado Milena Casado (trumpet) & Morgan Guerin (Synths\, ewi)\nLayale Chaker Layale Chaker (violin\, voice)\, Phillip Golub (piano\, microtonal keyboard) & Adriano Vincentino (drums)\n\nSee Day 2 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://jp.crsny.org/index.php/event/m3festival20230921/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T190000
DTEND;TZID=America/New_York:20230922T230000
DTSTAMP:20260404T173407
CREATED:20230823T150249Z
LAST-MODIFIED:20230823T150249Z
UID:22652-1695409200-1695423600@jp.crsny.org
SUMMARY:M³ Festival Day 2
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians JenShyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 2 (Sept 22):  \n\nSraya Murtikanti  Ni Nyoman Srayamurtikanti (Kendang\, Ceng-ceng\, Gender Wayang)\, Victoria Lo Mellin (Kendang\, Ceng-ceng\, Gender Wayang)\, & Liz Behrend (Kendang\, Ceng-ceng\, Klentong)\nThe Sabbath presenting The Adhan Project The Sabbath (vocals) and Liany Mateo (double bass)\nEl Cuerpo Rítmico\, Leonor Falcón\, Cecilia López El Cuerpo Rítmico (piano)\, Leonor Falcón (viola) and Cecilia López (electronics)\nGoussy Célestin & Frankie Patcher Ensemble Jessica Jones (tenor sax)\, Naomi Moon Siegel (trombone)\, Goussy Célestin (piano/vocals)\, Liany Mateo (upright bass) & Frankie Patcher (drums)\n\nSee Day 1 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://jp.crsny.org/index.php/event/m3festival20230922/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image-1.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230923T190000
DTEND;TZID=America/New_York:20230923T230000
DTSTAMP:20260404T173407
CREATED:20230823T150730Z
LAST-MODIFIED:20230823T150730Z
UID:22655-1695495600-1695510000@jp.crsny.org
SUMMARY:M³ Festival Day 3
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians JenShyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 3 \n\nNaomi Moon Siegel Quintet Naomi Moon Siegel (trombone)\, Leonor Falcón (violin)\, Jessica Ackerley (guitar)\, TBD (bass) & Frankie Patcher (drums)\nRuth Naomi Floyd and Vino Ruth Naomi Floyd (vocals)\, Vino (double bass)\, Sumi Tonooka (piano)\, Keith Loftis (tenor saxophone) & TBA (Drums)\nbright bright (Jessica Ackerley and Joan Sue) Jessica Ackerley (guitar) & Joan Sue (vocals + electronics)\nSONG and Saxreligious Quintet  SONG (voice and effects)\, Eli Maliwan AKA Saxreligious (tenor saxophone)\, Caili O’Doherty (keys)\, Ethan Cohn (bass) & Eliza Salem (Drums)\n\nSee Day 1 schedule. \nSee Day 2 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://jp.crsny.org/index.php/event/m3festival20230923/
LOCATION:Roulett\, 509 Atlantic Ave Brooklyn\,\, Brooklyn\,\, NY\, 11217\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image-2.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulett 509 Atlantic Ave Brooklyn Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave Brooklyn\,:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231006T200000
DTEND;TZID=America/New_York:20231006T220000
DTSTAMP:20260404T173407
CREATED:20230926T150356Z
LAST-MODIFIED:20230926T153104Z
UID:22692-1696622400-1696629600@jp.crsny.org
SUMMARY:『奇跡のコース』オンラインコース第五期集中講座①
DESCRIPTION:『奇跡のコース』オンラインコース第五期集中講座①\n  \nオンラインコース第五期のプログラム内、一回目の集中講座です。 \nひとつの心しか存在しない状態とは分離を見ないこと。 \n分離した関係が癒されることが、あらゆることの癒しであって、 \n心がひとつであることを目撃することで、分離を見ない。 \n第五期のテーマでもある、「心の力を如何に発揮するか」・・・自分の心を決める日にしたいですね。 \n自分自身の全てをホーリースピリットに使ってもらって、完全に一体となるヒーリングについて触れます。 \nどなたでも、世界のどこからでも、この集中講座のみ単独で、 \nあるいは、集中講座を組み込んだオンラインコース第五期の登録とご一緒でも、 \nまた、当日参加ができなくても、録画配信が付いていますので、安心して参加できます。 \n〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜　　〜〜〜・・〜〜〜 \n  \n【日　　時】10月6日（金）午後8時〜午後10時（ニューヨーク時間）\n10月 7日(土)午前9:00ー11:00（日本時間） \n【参加費】 ＊米ドル建 ＄80\n＊録画配信 　　1ヶ月付　 \nお申込受付中 (受付締め切りは10月3日(火)午前２時)（ニューヨーク時間） \nお申込フォーム \n＊＊＊ オンラインコース第五期に登録している方は、プログラムに含まれています。 \n  \n久保田智子\n香咲弥須子事務局 \n 
URL:https://jp.crsny.org/index.php/event/online-course5-20231006/
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/09/image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231012
DTEND;VALUE=DATE:20231016
DTSTAMP:20260404T173407
CREATED:20230606T163559Z
LAST-MODIFIED:20230606T192538Z
UID:22480-1697068800-1697414399@jp.crsny.org
SUMMARY:「UCDM Universal」リトリート in メキシコ
DESCRIPTION:メキシコ、グアダラハラは、「北米の真珠」と呼ばれる、それは美しい都市です。 \n10月、この地で、ACIMインターナショナル・カンファレンスが開催されます。\n各国から50名の教師が参加（香咲弥須子もその一人です）、より深い学習、瞑想、各種\nエクササイズ、ゆるしのためのステップ等々のプログラムが用意されています。\n香咲弥須子は、クラスの他、ヒーリング・クリニックも行う予定でいます。\n \nこのリトリートは、A Universal Course of Miraclesのサーバーチームによって組織されています。\n世界中で、コースの毎週のクラスを最も多く提供しているチームで、常にZoomとYouTubeチャンネルでライブ配信しています。\n（www.ucdmuniversal.org）\n \n \nテーマ：神との出会い\n \n日時：10月12日（木）午後4時〜15日（日）午後4時\n \n場所：グアダラハラ大学スポーツクラブ（ホテルIntercity 100 Hotelに集合、解散。大学までの往復は、バスにて。カンファレンス料金に含まれます）\n \n料金：3種類選べます。いずれも、3泊４日の全てのアクティビティへの参加、食事、宿泊、駐車場、ホテルからの送迎が含まれています。\n \n① 宿泊キャビン：5人部屋。シングルベッドです。$280 + tax fee\n②ダブル・ルーム：二人部屋。ベッドは二つ。$320 + tax fee\n③スイートルーム：キングサイズベッド一つ、居間、ソファ二つ。$350 + tax fee\n \nご案内zoom：6月25日（日）午前11時（ニューヨーク時間）全教師の紹介がzoomにて行われます。\n\n Zoom access link: https://bit.ly/3pv0iyW\n\n\n\n\nlaunch video: https://youtu.be/Q7GvGM7czAk \nstudent video: https://youtu.be/JGhnyte71w0\n \n\n  \n\nお申込み・お問い合わせは、info@crsny.org またはetsuko@crsny.orgへ。\n \n＊＊＊昨年は同オーガナイザーによるリトリートをコロンビア、ボゴタで行いました。すぐに定員に達したので、今年も、出来るだけ早い申し込みを強くお勧めします。日本から参加表明しているお仲間がすでに何名かいます。（含：事務局、久保田智子）\n＊＊＊カンファレンスの前後、観光の一日をご希望のお仲間と一緒にと、予定しています。
URL:https://jp.crsny.org/index.php/event/ucdn20131012/
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=application/pdf:https://jp.crsny.org/wp-content/uploads/2023/06/ESPECIFICACIONES-EN-INGLES-PRECIO-EN-US-dragged-5.pdf
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231029T170000
DTEND;TZID=America/New_York:20231029T183000
DTSTAMP:20260404T173407
CREATED:20231003T153433Z
LAST-MODIFIED:20231003T153433Z
UID:22700-1698598800-1698604200@jp.crsny.org
SUMMARY:CRS Presents SACO & As It Is with Special Guest Kevin Nathaniel
DESCRIPTION:CRS (Center for Remembering & Sharing) presents SACO & As It Is and special guest Kevin Nathanial (mbira). An eleven-piece\, cross-genre music ensemble\, SACO & As It Is creates uplifting and soothing sound experiences that unite people spontaneously. \nTickets are $20 and are available via Eventbrite and at the door (cash only). Seating is limited and advanced ticket purchase is highly recommended. Proof of vaccination is not required but you are encouraged to wear a mask. \nSaco Myoji: Vocal\, Keyboard\, Mbira\, Kalimba \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nSpecial guest Kevin Nathaniel: Mbira \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nhttps://www.sacoyasuma.com/ \nhttps://www.youtube.com/@saco1love \nhttps://sacoyasuma.bandcamp.com \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \nhttps://kevinnathaniel.com \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/saco20231029/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2023/10/https-cdn.evbuc_.com-images-611970669-266945216123-1-original.20231003-150709.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231105
DTEND;VALUE=DATE:20231106
DTSTAMP:20260404T173407
CREATED:20230708T185349Z
LAST-MODIFIED:20230731T151028Z
UID:22583-1699142400-1699228799@jp.crsny.org
SUMMARY:香咲弥須子ACIMイベント (2023年秋）
DESCRIPTION:香咲弥須子ACIMイベント \nみなさん、こんにちは。香咲弥須子です。\nこの秋、東京では2時間のトークと質疑応答、\nそしてワーク満載のヒーリングpractice 3時間半、\nこの二つの枠で皆さんとお会いします。\n健康上の問題、経済的問題、“誰かとの問題”、\nあらゆる“問題”は、その対象と、対象を見る自分の見方の中にある、\nと、私たちはACIMを通して学んできました。\nすなわち、一つの“問題”の解決を見るということは、\nあらゆるものとの関係性が癒される経験を受け取るということです。\nその経験のために、心の眼の使い方を、おさらいして、\n実践を深めていきたいと思っています。 \n第一部は、ACIMをよくご存知ない方も、お気軽に足をお運びください。\n第二部では、オンラインコースにてACIM実践中の方を対象に、\n第一部の内容をさらにご自身の五感に落とし込み、\nホーリースピリットの声を受け取る練習をしますので、\n参加資格をお持ちの方は、こちらも併せてご参加くださいますよう。 \n 尚、二日間セミナーは、今秋は会場を福岡に移します。\nそちらの詳細は、こちらでご覧いただけます。\n会場でお会いできるのを心から楽しみにしています。 \nありがとうございます。 \n～～～～～～～～～～～～～～～～～～～～～ \n香咲弥須子ACIMイベント·東京オーガナイザーの佐藤直子です。 \n《第一部トーク》\n今秋は『関係性の癒し』をテーマに、心の扉を開いて奇跡へのプロセスをご一緒したいと思います。\n思いがけず自分が怖がってしまうこの人あの人、この身体の症状、そしてこの出来事の数々、\n大事な人の問題のあれこれなど、じっくり落ち着いた心で見つめ返すとき、\n思いもよらぬ気づきと発見によって、わたし達は何を見て、どんな心の確かさに出会えるのか、\nそれがどこに運ばれることになるのか……心を定めて、心の手を繋ぎ合いましょう。\n心の奥に眠る「癒し」を知りたいというわたし達の本当の願いに辿り着けますように。\nご家族やお友達同士、お誘い合わせの上、是非この機会にご一緒ください。 \n【詳　　細】\n◎日時: 11月 5日(日)　PM12:00～PM14:00\n◎会場: 主婦会館　9階スズラン\nhttps://plaza-f.or.jp/index2/access/\n◎参加費:15\,000円（ヒーリングpractice登録者は同時申し込みの場合13\,000円） \n《第二部ヒーリングpractice》\n春に続いての第二弾です。目の前の人と向かい合い、 \nホーリースピリットの声(第六感)を受けとる経験をご一緒します。\n香咲さんの誘導で、心の中心へ向かうとき、\n自分の両手は閃き（インスピレーション）に出会うため、\nそして二人ともに受け取るメッセージのために使っていただくものへと変容する…\nそんな奇跡の実感を重ねていきましょう。 \n【詳　　細】\n◎日時: 11月 5日(日)　PM14:30～PM18:00\n◎会場: 主婦会館　9階：スズラン\nhttps://plaza-f.or.jp/index2/access/\n◎参加費:25\,000円 \n◎参加にあたり、\n昨秋から続く「ヒーリングpractice」クラスの登録者は参加対象です。\n加えて、これまでオンラインコース第一期～第四期のどれかひとつでも受講経験のある方で、\n今秋の第五期の受講登録をしている方をお迎えします。 \n◆お申し込みスタート◆\n8月 2日(水) 午前10時～\nこちらのリンクから→ https://www.acim-yasukokasaki.net/2023秋イベント受付フォーム/
URL:https://jp.crsny.org/index.php/event/acimevent20231105/
LOCATION:主婦会館
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/07/33E37557-AA42-4205-A8D3-3613F94C5201_4_5005_c.jpeg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231105T183000
DTEND;TZID=America/New_York:20231105T200000
DTSTAMP:20260404T173407
CREATED:20230823T155318Z
LAST-MODIFIED:20230823T164528Z
UID:22661-1699209000-1699214400@jp.crsny.org
SUMMARY:CRS Presents Crossing Boundaries 20: Jen Shyu\, Sumi Tonooka\, and Val Jeanty
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series Vol. 20\, curated by Jen Shyu\, featuring new work by Val Jeanty (SoundChemist)\, Jen Shyu (vocals\, Taiwanese moon lute\, Japanese biwa\, Korean gayageum)\, & Sumi Tonooka (piano). The concert will take place on Sunday\, November 5\, 2023 at 6:30 pm at the world-renowned Jazz Gallery. \nThe trio will present new material exploring the theme of immigration\, growing out of their own rich multi-ethnic family and musical histories\, from Africa\, Japan\, Timor\, Taiwan\, Haiti\, and beyond. This concert mixes music with movement and text\, further developing material which was first introduced during Jen Shyu’s spring residency at The Stone. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-20-jen-shyu-sumi-tonooka-val-jeanty-tickets-678337304137\n \nVENUE LOCATION:\nThe Jazz gallery\n1160 Broadway #5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located between 27th and 28th streets in Manhattan. \nNEAREST SUBWAY STATION:  \n28th Street N/R/W \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \nGuggenheim Fellow\, USA Fellow\, Doris Duke Artist\, multilingual multidisciplinary artist Jen Shyu  is “one of the most creative vocalists in contemporary improvised music” (The Nation). Born in Peoria\, Illinois to Taiwanese and East Timorese immigrants\, she’s produced eight albums available on her record label Autumn Geese Records on Bandcamp. She’s performed at Carnegie Hall\, Lincoln Center\, Metropolitan Museum of Art\, National Theater of Korea\, Rubin Museum\, was named Downbeat’s 2017 Rising Star Female Vocalist\, and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka\, Terri Lyne Carrington\, Nicole Mitchell\, Val Jeanty\, Ikue Mori\, Linda May Han Oh\, Anthony Braxton\, Wadada Leo Smith\, Mark Dresser\, Francis Wong\, Jon Jang\, Vijay Iyer\, Tyshawn Sorey\, Kenny Barron\, Reggie Workman\, Bill Frisell\, and Immanuel Wilkins. Her  “Song of Silver Geese” was among  The New York Times’ “Best Albums of 2017.” She’s currently touring her third solo production “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) across all 50 states and has received wide critical acclaim for her latest album of the same name\, with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist\, a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu \nhttps://www.jenshyu.com \nSumi Tonooka has been called a “fierce\, fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With fifteen recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic\, chamber\, dance and film\, she continues to be a creative force. Recently\, Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony\, Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke\, Creative Inflections Grant\, with vocalist/composer Jen Shyu\, for In The Green Room\, inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019\, premiering later this year for her trio plus Alchemy Sound Project\, a composers collective that she started in 2015. @sumitonooka \nhttp://sumitonooka.com \n\n\n\n\nVal Jeanty\, also known as Val-Inc\, is a Haitian electronic music composer\, drummer/turntablist\, and professor at Berklee College of Music. Jeanty is a pioneer of the electronic music sub-genre called Afro-Electronica (also called “Vodou-Electro”)\, incorporating Haitian Folkloric Culture with digital instrumentations. She uses technology to lead listeners into her dream-like expressionism of Afro-Electronica Soundscapes. Jeanty’s performances include The Whitney Museum\, The Museum of Modern Art\, and internationally at The Venice Biennale\, Saalfelden in Austria\, and Haus der Kulturen in Berlin. She is the recipient of various grants including the Van Lier Fellow in 2018\, New York State Council of the Arts/ New Music USA in 2019\, and the Toulmin Fellowship in 2022. @valjeanty \nhttps://val-inc.bandcamp.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries2021105/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/08/image-3.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231111
DTEND;VALUE=DATE:20231113
DTSTAMP:20260404T173407
CREATED:20230627T161114Z
LAST-MODIFIED:20230706T140441Z
UID:22525-1699660800-1699833599@jp.crsny.org
SUMMARY:香咲弥須子セミナー in 福岡
DESCRIPTION:『奇跡のコース』『奇跡講座』香咲弥須子セミナー in 福岡\n\n\n\n\nご予約は、こちらから 予約フォーム\n 
URL:https://jp.crsny.org/index.php/event/seminar-fukuoka20231111/
LOCATION:リファレンス駅東ビル5階
ORGANIZER;CN="%E5%AF%BA%E5%B4%8E%E5%8F%B2%E5%AD%90":MAILTO:terasakifumiko@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231119T160000
DTEND;TZID=America/New_York:20231119T173000
DTSTAMP:20260404T173407
CREATED:20231029T140722Z
LAST-MODIFIED:20231110T172324Z
UID:22713-1700409600-1700415000@jp.crsny.org
SUMMARY:第29回 ニューヨークの四季 - 日本音楽の彩り -
DESCRIPTION:第29回「ニューヨークの四季 – 日本音楽の彩り-」、11月19日（土）午後4時より、CRSのホワイトルームにて開催します。この秋の公演では、スペシャルゲストにElizabeth Brown (尺八）をお迎えします。 \n共催:　Center for Remembering and Sharing\, 木村伶香能\n後援:　(有)邦楽ジャーナル、Mar Creation\, Inc. \nチケットは＄30、現金のみ当日会場にてお支払いください。お席は限られております、事前予約のほどお名前・枚数を明記の上、下記よりご予約下さい。\ninfo@yokoreikanokimura.com \n  \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \n \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \nWebsite: yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/fourseasons20231119/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2023/10/vol.29.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231202T180000
DTEND;TZID=America/New_York:20231202T193000
DTSTAMP:20260404T173407
CREATED:20231107T152448Z
LAST-MODIFIED:20231107T152448Z
UID:22721-1701540000-1701545400@jp.crsny.org
SUMMARY:Paradise Laboratory: Sita Chay and Satoshi Takeishi
DESCRIPTION:CRSの実験音楽シリーズ「パラダイス・ラボラトリー」、次回プログラムは、韓国のヴァイオリニスト・Sita Chayと日本のパーカッショニスト・武石聡が共演します。現在ニューヨークを拠点に活動するCheyと武石は、永井晶子のトリオ「トカラ」の一員として数多く活動しています。今回は、ヴァイオリンとパーカッションを通して、韓国のシャーマニック音楽と宮廷音楽の系譜を探ります。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sita-chay-and-satoshi-takeishi-tickets-741826241257 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621\n\nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access.\n\nNEAREST SUBWAY STATIONS:\n4/5/6\, N/R/Q\, L trains to 14th St / Union Square\n\nABOUT THE ARTISTS\nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University.\n\nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.”\nhttp://www.sitachay.com\n\nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer.\n\nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York.\n\nABOUT THE PRESENTER\n\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.\n\nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org\n\n\n\n\nAdd to calendar
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20231202/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/11/Satoshi-Takeishi-and-Sita-Chay-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSの実験音楽シリーズ「パラダイス・ラボラトリー」、次回プログラムは、韓国のヴァイオリニスト・Sita Chayと日本のパーカッショニスト・武石聡が共演します。現在ニューヨークを拠点に活動するCheyと武石は、永井晶子のトリオ「トカラ」の一員として数多く活動しています。今回は、ヴァイオリンとパーカッションを通して、韓国のシャーマニック音楽と宮廷音楽の系譜を探ります。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sita-chay-and-satoshi-takeishi-tickets-741826241257 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621\n\nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access.\n\nNEAREST SUBWAY STATIONS:\n4/5/6 N/R/Q L trains to 14th St / Union Square\n\nABOUT THE ARTISTS\nSita Chay is a violinist composer and producer who won a 2017 Latin Grammy Award for Best Mariachi Album as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund NYSCA/NYFA Artist Fellowship New Music USA’s Creator Development Fund Joe’s Pub Working Group and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual SaaWee which was received by international critics as a “delicate powerhouse”. For SaaWee she has interwoven her theatrical experiences from Broadway shows folkloric spirituality from Korean shaman rituals and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019 New York Musical Festival 2018 Seoul National University Colombia National University and Joong Ang University.\n\nSita often performs at artistically acclaimed venues such as Carnegie Hall Lincoln Center Jazz at Lincoln Center The Blue Note Apollo TheaterMadison Square Garden and was invited to the Montreal International Jazz Festival in 2015 London K-Music Festival in 2018 Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows My Fair Lady Miss Saigon Ain’t Too Proud Hello Dolly Sweeney Todd On the Town Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show” “Mozart in the Jungle” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke the Eagles Kenny Werner Billy Drewes Sandeep Das Frank London Edward Perez Balla Kouyate Emerson String Quartet Natalia Laforcade Duksoo Kim Bette Midler Alicia Hall Moran Alan FerberTaebaek Lee Pamela Frank Nadia Solemo Sonenberg Frank Huang and Robert Craft the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album Miho Hazama’s M Unit “Dancer in Nowhere Flor de Toloache “Las Caras Lindas.”\nhttp://www.sitachay.com\n\nSatoshi Takeishi drummer percussionist and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia Lucho Bermudes. In 1986 he returned to Miami U.S. where he began working as an arranger/producer as well as a performer.\n\nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre from world music jazz contemporary classical music to experimental electronic music with musicians such as Ray Barretto Carlos ‘Patato’ Valdes Eliane Elias Marc Johnson Eddie Gomez Randy Brecker Dave Liebman Anthony Braxton Mark Murphy Herbie Mann Paul Winter Consort Rabih Abu Khalil Erik Friedlander Ned Rothenberg MIchael Attias Shoko Nagai Paul Giger Toshiko Akiyoshi Big Band Ying String Quartet Metamorphosen Chamber Orchestra Dhafer Youssef Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural electronics and improvisational music with local musicians and composers in New York.\n\nABOUT THE PRESENTER\n\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.\n\nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org\n\n\n\n\nAdd to calendar;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231216T130000
DTEND;TZID=America/New_York:20231216T150000
DTSTAMP:20260404T173407
CREATED:20231122T153343Z
LAST-MODIFIED:20231122T153523Z
UID:22741-1702731600-1702738800@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20231216/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231217T170000
DTEND;TZID=America/New_York:20231217T183000
DTSTAMP:20260404T173407
CREATED:20230916T151502Z
LAST-MODIFIED:20230916T151709Z
UID:22681-1702832400-1702837800@jp.crsny.org
SUMMARY:Paradise Laboratory: Beyond Flute Trio
DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series\, this time with music by Cheryl Pyle (flutes)\, Rema Hasumi (synthesizer)\, and Yuko Togami (drums) inside the cocoon-like White Room at CRS. Working together long distance during the pandemic\, Cheryl and Rema recorded and released “Musique Libre Femmes 2022.” This will be their first time playing together live in the same room. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-beyond-flute-trio-tickets-720169294747\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nCheryl Pyle\, the versatile flutist received her BA in music from the University of California at Berkeley\, having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan\, Janet Maestre\, Francis Watson\, and Jayn Rosenfeld.Since moving to New York in the fall of 1980\, Ms. Pyle has been heard in a variety of settings. As well as composing \, Ms Pyle has performed and recorded with such fine musicians as Joe Lovano\, Fred Hersch\, Tom Harrell\, Billy Bang\, Danilo Perez\, Billy Hart\, Ben Monder\, Duduka Fonseca\, Charlie Haden\, James Williams\, John Abercrombie\, Paul Motian\, Bern Nix\, Ratzo Harris\, and many other great musicians.. Recording her first quartet cd her own 11th street music label\, her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20231217/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/09/https-cdn.evbuc_.com-images-599271469-266945216123-1-original.20230916-005246.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series this time with music by Cheryl Pyle (flutes) Rema Hasumi (synthesizer) and Yuko Togami (drums) inside the cocoon-like White Room at CRS. Working together long distance during the pandemic Cheryl and Rema recorded and released “Musique Libre Femmes 2022.” This will be their first time playing together live in the same room. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-beyond-flute-trio-tickets-720169294747\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nCheryl Pyle the versatile flutist received her BA in music from the University of California at Berkeley having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan Janet Maestre Francis Watson and Jayn Rosenfeld.Since moving to New York in the fall of 1980 Ms. Pyle has been heard in a variety of settings. As well as composing  Ms Pyle has performed and recorded with such fine musicians as Joe Lovano Fred Hersch Tom Harrell Billy Bang Danilo Perez Billy Hart Ben Monder Duduka Fonseca Charlie Haden James Williams John Abercrombie Paul Motian Bern Nix Ratzo Harris and many other great musicians.. Recording her first quartet cd her own 11th street music label her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231220T190000
DTEND;TZID=America/New_York:20231220T203000
DTSTAMP:20260404T173407
CREATED:20231124T191018Z
LAST-MODIFIED:20231124T191018Z
UID:22748-1703098800-1703104200@jp.crsny.org
SUMMARY:Crossing Boundaries 21: gamin x yuniya edi kwon: OO / LL / IM
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the 21st concert in its Crossing Boundaries series\, gamin x yuniya edi kwon: OO / LL / IM\, curated by gamin\, at Abrons Art Center as part of the @Abrons Series. OO / LL / IM is an interdisciplinary ritual performance – a passageway through which grief\, entanglements\, and historical cycles might reverberate and be witnessed. As artists of a diverse Korean continuum\, gamin and kwon approach performance as spiritual spaces containing at once tradition and experimentalism\, and through their explorations of improvisation\, composition\, text\, and movement\, they create openings for new syncretic lineages to emerge. \nAs a duo\, gamin and yuniya edi kwon will experiment with movement\, ancient / contemporary sounds\, improvised melody\, literature\, and space to create a ritualistic journey toward healing. gamin and edi enter the crossroads with different identities but similar interests. gamin was born in Korea and influenced by traditional culture while she practiced traditional music\, but she has a strong bond with contemporary music\, exploring ideas of openness and freedom. edi is Korean American\, influenced by American culture while practicing violin in various contexts but also strongly connecting with Korean shamanic ritual through her unique and beautiful presence. \nTICKET LINK:\nhttps://shorturl.at/blowz \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Piri Court Music and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea. gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. gamin’s scheduled Carnegie Hall début for 2020 March\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. Since 2018\, gamin has curated performances at the Center for Remembering and Sharing. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC and released her solo album\, “Nong” by Innova Records. In 2021\, the Jerome Foundation awarded gamin a 2-year Fellowship\, and Howard Foundation awarded their prestigious fellowship in 2023. gamin teaches graduate and undergraduate ethno-musicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nyuniya edi kwon (b. 1989 – also known as eddy kwon) is a violinist\, vocalist\, poet\, and interdisciplinary performance artist based in Lenapehoking\, or New York City. Her practice connects composition\, improvisation\, movement\, and ceremony to explore transformation & transgression\, ritual practice as a tool to queer space & lineage\, and the use of mythology to connect\, obscure\, and reveal. As a composer-performer and improviser\, she is inspired by Korean folk timbres & inflections\, textures & movement from natural environments\, and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints\, connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving\, interdisciplinary solo practice\, she performs and collaborates with artists of diverse disciplines\, including The Art Ensemble of Chicago\, Senga Nengudi\, Du Yun\, Tomeka Reid\, Holland Andrews\, International Contemporary Ensemble\, Kenneth Tam\, Isabel Crespo Pardo\, Moor Mother\, and Degenerate Art Ensemble. She has performed alongside Roscoe Mitchell\, Mary Halvorson\, Nicole Mitchell\, Cory Smythe\, Henry Threadgill\, Susan Alcorn\, Carla Kihlstedt\, Jessika Kenney\, Lesley Mok\, Satomi Matsuzaki\, and others. In 2023\, she founded SUN HAN GUILD\, a sound and performance collective with composer-improvisers Laura Cocks\, Jessie Cox\, DoYeon Kim\, and Lester St. Louis. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound\, an Arts Fellow at Princeton University’s Lewis Center for the Arts\, a Civitella Ranieri Fellow\, a Johnson Fellow at Americans for the Arts\, and a United States Artists Ford Fellow. \neddykwon.net \nTICKET LINK:\nhttps://shorturl.at/blowz\n \nTickets can be purchased online or at Abrons Art Center reception. The Abrons Art Center box office opens 1 hour prior to showtime. No phone sales. \nVENUE LOCATION:\nAbrons Art Center\n466 Grand St\nNew York\, NY 10002 \nDIRECTIONS:\nAbrons Art Center is located between Pitt and Willet streets in Manhattan. \nNEAREST SUBWAY STATIONS:  \nEast Broadway Station Essex Street (F train)\nDelancey Street Station at Essex Street (F/M/J/Z trains) \n“The @Abrons Series Program is a subsidized theater rental program that provides access to our spaces as well as subsidized production services including labor provided at-cost. While @Abrons is not curated\, priority is given to shows and events that align with our mission and that are committed to anti-oppression. For shows\, events or artistic projects working to build community projects that are socially or civically inclusive – yet have very small budgets – there is an application for an extra–subsidized rate.” \nOne of the first arts facilities in the nation designed for a predominately low-income population\, Abrons Arts Center is a home for contemporary interdisciplinary arts in Manhattan’s Lower East Side neighborhood. A core program of the historic Henry Street Settlement\, Abrons believes that access to the arts is essential to a free and healthy society. Through performances\, exhibitions\, education programs\, and residencies\, Abrons mobilizes communities with the transformative power of art.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-21-20231220/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/11/231220-CB21-gamin-x-yuniya-edi-kwon-5-scaled-e1700796599614.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents the 21st concert in its Crossing Boundaries series gamin x yuniya edi kwon: OO / LL / IM curated by gamin at Abrons Art Center as part of the @Abrons Series. OO / LL / IM is an interdisciplinary ritual performance – a passageway through which grief entanglements and historical cycles might reverberate and be witnessed. As artists of a diverse Korean continuum gamin and kwon approach performance as spiritual spaces containing at once tradition and experimentalism and through their explorations of improvisation composition text and movement they create openings for new syncretic lineages to emerge. \nAs a duo gamin and yuniya edi kwon will experiment with movement ancient / contemporary sounds improvised melody literature and space to create a ritualistic journey toward healing. gamin and edi enter the crossroads with different identities but similar interests. gamin was born in Korea and influenced by traditional culture while she practiced traditional music but she has a strong bond with contemporary music exploring ideas of openness and freedom. edi is Korean American influenced by American culture while practicing violin in various contexts but also strongly connecting with Korean shamanic ritual through her unique and beautiful presence. \nTICKET LINK:\nhttps://shorturl.at/blowz \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Piri Court Music and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence at the Asian Cultural Council and Ministry of Culture Republic of Korea. gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. gamin’s scheduled Carnegie Hall début for 2020 March as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. Since 2018 gamin has curated performances at the Center for Remembering and Sharing. For 2020 gamin was selected as artist-in-residency at the HERE Arts Center NYC and released her solo album “Nong” by Innova Records. In 2021 the Jerome Foundation awarded gamin a 2-year Fellowship and Howard Foundation awarded their prestigious fellowship in 2023. gamin teaches graduate and undergraduate ethno-musicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nyuniya edi kwon (b. 1989 – also known as eddy kwon) is a violinist vocalist poet and interdisciplinary performance artist based in Lenapehoking or New York City. Her practice connects composition improvisation movement and ceremony to explore transformation & transgression ritual practice as a tool to queer space & lineage and the use of mythology to connect obscure and reveal. As a composer-performer and improviser she is inspired by Korean folk timbres & inflections textures & movement from natural environments and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving interdisciplinary solo practice she performs and collaborates with artists of diverse disciplines including The Art Ensemble of Chicago Senga Nengudi Du Yun Tomeka Reid Holland Andrews International Contemporary Ensemble Kenneth Tam Isabel Crespo Pardo Moor Mother and Degenerate Art Ensemble. She has performed alongside Roscoe Mitchell Mary Halvorson Nicole Mitchell Cory Smythe Henry Threadgill Susan Alcorn Carla Kihlstedt Jessika Kenney Lesley Mok Satomi Matsuzaki and others. In 2023 she founded SUN HAN GUILD a sound and performance collective with composer-improvisers Laura Cocks Jessie Cox DoYeon Kim and Lester St. Louis. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound an Arts Fellow at Princeton University’s Lewis Center for the Arts a Civitella Ranieri Fellow a Johnson Fellow at Americans for the Arts and a United States Artists Ford Fellow. \neddykwon.net \nTICKET LINK:\nhttps://shorturl.at/blowz\n \nTickets can be purchased online or at Abrons Art Center reception. The Abrons Art Center box office opens 1 hour prior to showtime. No phone sales. \nVENUE \nAbrons Art Center\n466 Grand St\nNew York NY 10002 \nDIRECTIONS:\nAbrons Art Center is located between Pitt and Willet streets in Manhattan. \nNEAREST SUBWAY STATIONS:  \nEast Broadway Station Essex Street (F train)\nDelancey Street Station at Essex Street (F/M/J/Z trains) \n“The @Abrons Series Program is a subsidized theater rental program that provides access to our spaces as well as subsidized production services including labor provided at-cost. While @Abrons is not curated priority is given to shows and events that align with our mission and that are committed to anti-oppression. For shows events or artistic projects working to build community projects that are socially or civically inclusive – yet have very small budgets – there is an application for an extra–subsidized rate.” \nOne of the first arts facilities in the nation designed for a predominately low-income population Abrons Arts Center is a home for contemporary interdisciplinary arts in Manhattan’s Lower East Side neighborhood. A core program of the historic Henry Street Settlement Abrons believes that access to the arts is essential to a free and healthy society. Through performances exhibitions education programs and residencies Abrons mobilizes communities with the transformative power of art.;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231231T160000
DTEND;TZID=America/New_York:20231231T170000
DTSTAMP:20260404T173407
CREATED:20231128T154732Z
LAST-MODIFIED:20231228T133130Z
UID:22754-1704038400-1704042000@jp.crsny.org
SUMMARY:2023年 年末特別瞑想会
DESCRIPTION:＊＊年末特別瞑想会＊＊\n香咲弥須子によるガイド瞑想（英語） \n12月31日（日）午後4時より、CRS創設者の香咲弥須子による年末恒例のガイド付き瞑想会に参加しませんか？\n瞑想後、ささやかな懇談会を行う予定です。\nスペースに限りがあるため、お申し込みが必要です。参加ご希望の方は、etsuko@crsny.org までメールでお申し込みください。 \n  \n私たちが何者であるかを思い出すために静寂の中で心を合わせ、澄んだ心と愛だけを見て、分かち合うという新たな意図を持って\n新しい年を始める準備をしましょう。 \nWhat would love have me do?\nWhere would love have me go?\nWhat would love have me say\, and to whom?
URL:https://jp.crsny.org/index.php/event/2023newyears-eve-meditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2021/12/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240107T170000
DTEND;TZID=America/New_York:20240107T180000
DTSTAMP:20260404T173407
CREATED:20231128T155449Z
LAST-MODIFIED:20231128T155449Z
UID:22756-1704646800-1704650400@jp.crsny.org
SUMMARY:Paradise Laboratory: Caroline Davis and Lorin Benedict
DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series\, featuring Caroline Davis and Lorin Benedict\, who will be presenting a set of new compositions for saxophone and baritone voice. Honing their unique duo sound intermittently over the past 5 years\, their connection is rooted in the system of groove and line-inspired improvisation. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/c0136 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:\n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \n\nSaxophonist\, composer\, and vocalist Caroline Davis’s expression covers a wide range of styles\, owed to her shifting environment as a child\, though she calls New York her home. As an improviser and saxophonist\, she has released seven albums under her name and has won Downbeat’s Critic’s Poll Rising Star. Through the years\, her work continues to garner praise in domestic and international publications. Davis has shared musical moments with Lee Konitz\, John Zorn\, Angelica Sanchez\, The Femme Jam\, Matt Mitchell\, Terry Riley\, Nicole Mitchell\, Miles Okazaki\, Rajna Swaminathan\, and Billy Kaye\, among many others. She regularly sings and writes songs with the experimental R&B band\, My Tree. Her composition work has led her to be a resident fellow at MacDowell\, The Jazz Gallery\, The Rockefeller Estate\, and ICE Ensemble Evolution; and she has been awarded Jerome Hill\, CMA\, and NYFA fellowships. Her compositions often integrate science and music\, influenced by her Ph.D in Music Cognition. Caroline is an advocate for gender equity (This Is A Movement\, The New School) and carceral justice (Justice for Keith LaMar). \nhttps://carolinedavis.org/ \nLorin Benedict is an improvising vocalist (scat singer\, essentially) who works in the areas of jazz and related music. He co-leads several small groups dedicated to playing highly structured music in a manifestly loose and playful way. This includes the duo Bleeding Vector\, the trio The Holly Martins\, and duo projects with drummer Sam Ospovat\, vocalist Ron Heglin\, and bass player Logan Kane. He has also\, over the past two decades\, appeared as a side-man in groups led by musicians such as Howard Wiley and Sheldon Brown\, among many others. \nhttps://lorinbenedict.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20240107/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/11/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series featuring Caroline Davis and Lorin Benedict who will be presenting a set of new compositions for saxophone and baritone voice. Honing their unique duo sound intermittently over the past 5 years their connection is rooted in the system of groove and line-inspired improvisation. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/c0136 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:\n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \n\nSaxophonist composer and vocalist Caroline Davis’s expression covers a wide range of styles owed to her shifting environment as a child though she calls New York her home. As an improviser and saxophonist she has released seven albums under her name and has won Downbeat’s Critic’s Poll Rising Star. Through the years her work continues to garner praise in domestic and international publications. Davis has shared musical moments with Lee Konitz John Zorn Angelica Sanchez The Femme Jam Matt Mitchell Terry Riley Nicole Mitchell Miles Okazaki Rajna Swaminathan and Billy Kaye among many others. She regularly sings and writes songs with the experimental R&B band My Tree. Her composition work has led her to be a resident fellow at MacDowell The Jazz Gallery The Rockefeller Estate and ICE Ensemble Evolution; and she has been awarded Jerome Hill CMA and NYFA fellowships. Her compositions often integrate science and music influenced by her Ph.D in Music Cognition. Caroline is an advocate for gender equity (This Is A Movement The New School) and carceral justice (Justice for Keith LaMar). \nhttps://carolinedavis.org/ \nLorin Benedict is an improvising vocalist (scat singer essentially) who works in the areas of jazz and related music. He co-leads several small groups dedicated to playing highly structured music in a manifestly loose and playful way. This includes the duo Bleeding Vector the trio The Holly Martins and duo projects with drummer Sam Ospovat vocalist Ron Heglin and bass player Logan Kane. He has also over the past two decades appeared as a side-man in groups led by musicians such as Howard Wiley and Sheldon Brown among many others. \nhttps://lorinbenedict.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240114T170000
DTEND;TZID=America/New_York:20240114T183000
DTSTAMP:20260404T173407
CREATED:20231230T120040Z
LAST-MODIFIED:20231230T120340Z
UID:22777-1705251600-1705257000@jp.crsny.org
SUMMARY:Sound Bath with Beyond Flute Trio
DESCRIPTION:CRS invites you to lie down\, close your eyes\, and bathe in the sounds of Cheryl Pyle (flutes)\, Rema Hasumi (synthesizer)\, and Yuko Togami (drums) inside the cocoon-like White Room at CRS. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://bit.ly/3SO2TG3\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nCheryl Pyle\, the versatile flutist received her BA in music from the University of California at Berkeley\, having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan\, Janet Maestre\, Francis Watson\, and Jayn Rosenfeld.Since moving to New York in the fall of 1980\, Ms. Pyle has been heard in a variety of settings. As well as composing \, Ms Pyle has performed and recorded with such fine musicians as Joe Lovano\, Fred Hersch\, Tom Harrell\, Billy Bang\, Danilo Perez\, Billy Hart\, Ben Monder\, Duduka Fonseca\, Charlie Haden\, James Williams\, John Abercrombie\, Paul Motian\, Bern Nix\, Ratzo Harris\, and many other great musicians.. Recording her first quartet cd her own 11th street music label\, her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/sound-bath20240114/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2023/12/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS invites you to lie down close your eyes and bathe in the sounds of Cheryl Pyle (flutes) Rema Hasumi (synthesizer) and Yuko Togami (drums) inside the cocoon-like White Room at CRS. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://bit.ly/3SO2TG3\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nCheryl Pyle the versatile flutist received her BA in music from the University of California at Berkeley having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan Janet Maestre Francis Watson and Jayn Rosenfeld.Since moving to New York in the fall of 1980 Ms. Pyle has been heard in a variety of settings. As well as composing  Ms Pyle has performed and recorded with such fine musicians as Joe Lovano Fred Hersch Tom Harrell Billy Bang Danilo Perez Billy Hart Ben Monder Duduka Fonseca Charlie Haden James Williams John Abercrombie Paul Motian Bern Nix Ratzo Harris and many other great musicians.. Recording her first quartet cd her own 11th street music label her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240127T130000
DTEND;TZID=America/New_York:20240127T150000
DTSTAMP:20260404T173407
CREATED:20240103T140744Z
LAST-MODIFIED:20240103T150703Z
UID:22790-1706360400-1706367600@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \nヒーリング・クリニック1〜3時の後、ちょっとした懇親会を予定しています。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20240127/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
END:VCALENDAR