BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//CRS (Center for Remembering & Sharing) - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://jp.crsny.org
X-WR-CALDESC:Events for CRS (Center for Remembering & Sharing)
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231202T180000
DTEND;TZID=America/New_York:20231202T193000
DTSTAMP:20260404T054739
CREATED:20231107T152448Z
LAST-MODIFIED:20231107T152448Z
UID:22721-1701540000-1701545400@jp.crsny.org
SUMMARY:Paradise Laboratory: Sita Chay and Satoshi Takeishi
DESCRIPTION:CRSの実験音楽シリーズ「パラダイス・ラボラトリー」、次回プログラムは、韓国のヴァイオリニスト・Sita Chayと日本のパーカッショニスト・武石聡が共演します。現在ニューヨークを拠点に活動するCheyと武石は、永井晶子のトリオ「トカラ」の一員として数多く活動しています。今回は、ヴァイオリンとパーカッションを通して、韓国のシャーマニック音楽と宮廷音楽の系譜を探ります。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sita-chay-and-satoshi-takeishi-tickets-741826241257 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621\n\nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access.\n\nNEAREST SUBWAY STATIONS:\n4/5/6\, N/R/Q\, L trains to 14th St / Union Square\n\nABOUT THE ARTISTS\nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University.\n\nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.”\nhttp://www.sitachay.com\n\nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer.\n\nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York.\n\nABOUT THE PRESENTER\n\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.\n\nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org\n\n\n\n\nAdd to calendar
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20231202/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/11/Satoshi-Takeishi-and-Sita-Chay-scaled-1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSの実験音楽シリーズ「パラダイス・ラボラトリー」、次回プログラムは、韓国のヴァイオリニスト・Sita Chayと日本のパーカッショニスト・武石聡が共演します。現在ニューヨークを拠点に活動するCheyと武石は、永井晶子のトリオ「トカラ」の一員として数多く活動しています。今回は、ヴァイオリンとパーカッションを通して、韓国のシャーマニック音楽と宮廷音楽の系譜を探ります。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sita-chay-and-satoshi-takeishi-tickets-741826241257 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621\n\nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access.\n\nNEAREST SUBWAY STATIONS:\n4/5/6 N/R/Q L trains to 14th St / Union Square\n\nABOUT THE ARTISTS\nSita Chay is a violinist composer and producer who won a 2017 Latin Grammy Award for Best Mariachi Album as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund NYSCA/NYFA Artist Fellowship New Music USA’s Creator Development Fund Joe’s Pub Working Group and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual SaaWee which was received by international critics as a “delicate powerhouse”. For SaaWee she has interwoven her theatrical experiences from Broadway shows folkloric spirituality from Korean shaman rituals and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019 New York Musical Festival 2018 Seoul National University Colombia National University and Joong Ang University.\n\nSita often performs at artistically acclaimed venues such as Carnegie Hall Lincoln Center Jazz at Lincoln Center The Blue Note Apollo TheaterMadison Square Garden and was invited to the Montreal International Jazz Festival in 2015 London K-Music Festival in 2018 Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows My Fair Lady Miss Saigon Ain’t Too Proud Hello Dolly Sweeney Todd On the Town Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show” “Mozart in the Jungle” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke the Eagles Kenny Werner Billy Drewes Sandeep Das Frank London Edward Perez Balla Kouyate Emerson String Quartet Natalia Laforcade Duksoo Kim Bette Midler Alicia Hall Moran Alan FerberTaebaek Lee Pamela Frank Nadia Solemo Sonenberg Frank Huang and Robert Craft the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album Miho Hazama’s M Unit “Dancer in Nowhere Flor de Toloache “Las Caras Lindas.”\nhttp://www.sitachay.com\n\nSatoshi Takeishi drummer percussionist and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia Lucho Bermudes. In 1986 he returned to Miami U.S. where he began working as an arranger/producer as well as a performer.\n\nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre from world music jazz contemporary classical music to experimental electronic music with musicians such as Ray Barretto Carlos ‘Patato’ Valdes Eliane Elias Marc Johnson Eddie Gomez Randy Brecker Dave Liebman Anthony Braxton Mark Murphy Herbie Mann Paul Winter Consort Rabih Abu Khalil Erik Friedlander Ned Rothenberg MIchael Attias Shoko Nagai Paul Giger Toshiko Akiyoshi Big Band Ying String Quartet Metamorphosen Chamber Orchestra Dhafer Youssef Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural electronics and improvisational music with local musicians and composers in New York.\n\nABOUT THE PRESENTER\n\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.\n\nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org\n\n\n\n\nAdd to calendar;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231216T130000
DTEND;TZID=America/New_York:20231216T150000
DTSTAMP:20260404T054739
CREATED:20231122T153343Z
LAST-MODIFIED:20231122T153523Z
UID:22741-1702731600-1702738800@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20231216/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231217T170000
DTEND;TZID=America/New_York:20231217T183000
DTSTAMP:20260404T054739
CREATED:20230916T151502Z
LAST-MODIFIED:20230916T151709Z
UID:22681-1702832400-1702837800@jp.crsny.org
SUMMARY:Paradise Laboratory: Beyond Flute Trio
DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series\, this time with music by Cheryl Pyle (flutes)\, Rema Hasumi (synthesizer)\, and Yuko Togami (drums) inside the cocoon-like White Room at CRS. Working together long distance during the pandemic\, Cheryl and Rema recorded and released “Musique Libre Femmes 2022.” This will be their first time playing together live in the same room. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-beyond-flute-trio-tickets-720169294747\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nCheryl Pyle\, the versatile flutist received her BA in music from the University of California at Berkeley\, having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan\, Janet Maestre\, Francis Watson\, and Jayn Rosenfeld.Since moving to New York in the fall of 1980\, Ms. Pyle has been heard in a variety of settings. As well as composing \, Ms Pyle has performed and recorded with such fine musicians as Joe Lovano\, Fred Hersch\, Tom Harrell\, Billy Bang\, Danilo Perez\, Billy Hart\, Ben Monder\, Duduka Fonseca\, Charlie Haden\, James Williams\, John Abercrombie\, Paul Motian\, Bern Nix\, Ratzo Harris\, and many other great musicians.. Recording her first quartet cd her own 11th street music label\, her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20231217/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/09/https-cdn.evbuc_.com-images-599271469-266945216123-1-original.20230916-005246.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series this time with music by Cheryl Pyle (flutes) Rema Hasumi (synthesizer) and Yuko Togami (drums) inside the cocoon-like White Room at CRS. Working together long distance during the pandemic Cheryl and Rema recorded and released “Musique Libre Femmes 2022.” This will be their first time playing together live in the same room. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-beyond-flute-trio-tickets-720169294747\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nCheryl Pyle the versatile flutist received her BA in music from the University of California at Berkeley having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan Janet Maestre Francis Watson and Jayn Rosenfeld.Since moving to New York in the fall of 1980 Ms. Pyle has been heard in a variety of settings. As well as composing  Ms Pyle has performed and recorded with such fine musicians as Joe Lovano Fred Hersch Tom Harrell Billy Bang Danilo Perez Billy Hart Ben Monder Duduka Fonseca Charlie Haden James Williams John Abercrombie Paul Motian Bern Nix Ratzo Harris and many other great musicians.. Recording her first quartet cd her own 11th street music label her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231220T190000
DTEND;TZID=America/New_York:20231220T203000
DTSTAMP:20260404T054739
CREATED:20231124T191018Z
LAST-MODIFIED:20231124T191018Z
UID:22748-1703098800-1703104200@jp.crsny.org
SUMMARY:Crossing Boundaries 21: gamin x yuniya edi kwon: OO / LL / IM
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the 21st concert in its Crossing Boundaries series\, gamin x yuniya edi kwon: OO / LL / IM\, curated by gamin\, at Abrons Art Center as part of the @Abrons Series. OO / LL / IM is an interdisciplinary ritual performance – a passageway through which grief\, entanglements\, and historical cycles might reverberate and be witnessed. As artists of a diverse Korean continuum\, gamin and kwon approach performance as spiritual spaces containing at once tradition and experimentalism\, and through their explorations of improvisation\, composition\, text\, and movement\, they create openings for new syncretic lineages to emerge. \nAs a duo\, gamin and yuniya edi kwon will experiment with movement\, ancient / contemporary sounds\, improvised melody\, literature\, and space to create a ritualistic journey toward healing. gamin and edi enter the crossroads with different identities but similar interests. gamin was born in Korea and influenced by traditional culture while she practiced traditional music\, but she has a strong bond with contemporary music\, exploring ideas of openness and freedom. edi is Korean American\, influenced by American culture while practicing violin in various contexts but also strongly connecting with Korean shamanic ritual through her unique and beautiful presence. \nTICKET LINK:\nhttps://shorturl.at/blowz \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Piri Court Music and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea. gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. gamin’s scheduled Carnegie Hall début for 2020 March\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. Since 2018\, gamin has curated performances at the Center for Remembering and Sharing. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC and released her solo album\, “Nong” by Innova Records. In 2021\, the Jerome Foundation awarded gamin a 2-year Fellowship\, and Howard Foundation awarded their prestigious fellowship in 2023. gamin teaches graduate and undergraduate ethno-musicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nyuniya edi kwon (b. 1989 – also known as eddy kwon) is a violinist\, vocalist\, poet\, and interdisciplinary performance artist based in Lenapehoking\, or New York City. Her practice connects composition\, improvisation\, movement\, and ceremony to explore transformation & transgression\, ritual practice as a tool to queer space & lineage\, and the use of mythology to connect\, obscure\, and reveal. As a composer-performer and improviser\, she is inspired by Korean folk timbres & inflections\, textures & movement from natural environments\, and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints\, connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving\, interdisciplinary solo practice\, she performs and collaborates with artists of diverse disciplines\, including The Art Ensemble of Chicago\, Senga Nengudi\, Du Yun\, Tomeka Reid\, Holland Andrews\, International Contemporary Ensemble\, Kenneth Tam\, Isabel Crespo Pardo\, Moor Mother\, and Degenerate Art Ensemble. She has performed alongside Roscoe Mitchell\, Mary Halvorson\, Nicole Mitchell\, Cory Smythe\, Henry Threadgill\, Susan Alcorn\, Carla Kihlstedt\, Jessika Kenney\, Lesley Mok\, Satomi Matsuzaki\, and others. In 2023\, she founded SUN HAN GUILD\, a sound and performance collective with composer-improvisers Laura Cocks\, Jessie Cox\, DoYeon Kim\, and Lester St. Louis. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound\, an Arts Fellow at Princeton University’s Lewis Center for the Arts\, a Civitella Ranieri Fellow\, a Johnson Fellow at Americans for the Arts\, and a United States Artists Ford Fellow. \neddykwon.net \nTICKET LINK:\nhttps://shorturl.at/blowz\n \nTickets can be purchased online or at Abrons Art Center reception. The Abrons Art Center box office opens 1 hour prior to showtime. No phone sales. \nVENUE LOCATION:\nAbrons Art Center\n466 Grand St\nNew York\, NY 10002 \nDIRECTIONS:\nAbrons Art Center is located between Pitt and Willet streets in Manhattan. \nNEAREST SUBWAY STATIONS:  \nEast Broadway Station Essex Street (F train)\nDelancey Street Station at Essex Street (F/M/J/Z trains) \n“The @Abrons Series Program is a subsidized theater rental program that provides access to our spaces as well as subsidized production services including labor provided at-cost. While @Abrons is not curated\, priority is given to shows and events that align with our mission and that are committed to anti-oppression. For shows\, events or artistic projects working to build community projects that are socially or civically inclusive – yet have very small budgets – there is an application for an extra–subsidized rate.” \nOne of the first arts facilities in the nation designed for a predominately low-income population\, Abrons Arts Center is a home for contemporary interdisciplinary arts in Manhattan’s Lower East Side neighborhood. A core program of the historic Henry Street Settlement\, Abrons believes that access to the arts is essential to a free and healthy society. Through performances\, exhibitions\, education programs\, and residencies\, Abrons mobilizes communities with the transformative power of art.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-21-20231220/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/11/231220-CB21-gamin-x-yuniya-edi-kwon-5-scaled-e1700796599614.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents the 21st concert in its Crossing Boundaries series gamin x yuniya edi kwon: OO / LL / IM curated by gamin at Abrons Art Center as part of the @Abrons Series. OO / LL / IM is an interdisciplinary ritual performance – a passageway through which grief entanglements and historical cycles might reverberate and be witnessed. As artists of a diverse Korean continuum gamin and kwon approach performance as spiritual spaces containing at once tradition and experimentalism and through their explorations of improvisation composition text and movement they create openings for new syncretic lineages to emerge. \nAs a duo gamin and yuniya edi kwon will experiment with movement ancient / contemporary sounds improvised melody literature and space to create a ritualistic journey toward healing. gamin and edi enter the crossroads with different identities but similar interests. gamin was born in Korea and influenced by traditional culture while she practiced traditional music but she has a strong bond with contemporary music exploring ideas of openness and freedom. edi is Korean American influenced by American culture while practicing violin in various contexts but also strongly connecting with Korean shamanic ritual through her unique and beautiful presence. \nTICKET LINK:\nhttps://shorturl.at/blowz \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Piri Court Music and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence at the Asian Cultural Council and Ministry of Culture Republic of Korea. gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. gamin’s scheduled Carnegie Hall début for 2020 March as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. Since 2018 gamin has curated performances at the Center for Remembering and Sharing. For 2020 gamin was selected as artist-in-residency at the HERE Arts Center NYC and released her solo album “Nong” by Innova Records. In 2021 the Jerome Foundation awarded gamin a 2-year Fellowship and Howard Foundation awarded their prestigious fellowship in 2023. gamin teaches graduate and undergraduate ethno-musicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nyuniya edi kwon (b. 1989 – also known as eddy kwon) is a violinist vocalist poet and interdisciplinary performance artist based in Lenapehoking or New York City. Her practice connects composition improvisation movement and ceremony to explore transformation & transgression ritual practice as a tool to queer space & lineage and the use of mythology to connect obscure and reveal. As a composer-performer and improviser she is inspired by Korean folk timbres & inflections textures & movement from natural environments and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving interdisciplinary solo practice she performs and collaborates with artists of diverse disciplines including The Art Ensemble of Chicago Senga Nengudi Du Yun Tomeka Reid Holland Andrews International Contemporary Ensemble Kenneth Tam Isabel Crespo Pardo Moor Mother and Degenerate Art Ensemble. She has performed alongside Roscoe Mitchell Mary Halvorson Nicole Mitchell Cory Smythe Henry Threadgill Susan Alcorn Carla Kihlstedt Jessika Kenney Lesley Mok Satomi Matsuzaki and others. In 2023 she founded SUN HAN GUILD a sound and performance collective with composer-improvisers Laura Cocks Jessie Cox DoYeon Kim and Lester St. Louis. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound an Arts Fellow at Princeton University’s Lewis Center for the Arts a Civitella Ranieri Fellow a Johnson Fellow at Americans for the Arts and a United States Artists Ford Fellow. \neddykwon.net \nTICKET LINK:\nhttps://shorturl.at/blowz\n \nTickets can be purchased online or at Abrons Art Center reception. The Abrons Art Center box office opens 1 hour prior to showtime. No phone sales. \nVENUE \nAbrons Art Center\n466 Grand St\nNew York NY 10002 \nDIRECTIONS:\nAbrons Art Center is located between Pitt and Willet streets in Manhattan. \nNEAREST SUBWAY STATIONS:  \nEast Broadway Station Essex Street (F train)\nDelancey Street Station at Essex Street (F/M/J/Z trains) \n“The @Abrons Series Program is a subsidized theater rental program that provides access to our spaces as well as subsidized production services including labor provided at-cost. While @Abrons is not curated priority is given to shows and events that align with our mission and that are committed to anti-oppression. For shows events or artistic projects working to build community projects that are socially or civically inclusive – yet have very small budgets – there is an application for an extra–subsidized rate.” \nOne of the first arts facilities in the nation designed for a predominately low-income population Abrons Arts Center is a home for contemporary interdisciplinary arts in Manhattan’s Lower East Side neighborhood. A core program of the historic Henry Street Settlement Abrons believes that access to the arts is essential to a free and healthy society. Through performances exhibitions education programs and residencies Abrons mobilizes communities with the transformative power of art.;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231231T160000
DTEND;TZID=America/New_York:20231231T170000
DTSTAMP:20260404T054739
CREATED:20231128T154732Z
LAST-MODIFIED:20231228T133130Z
UID:22754-1704038400-1704042000@jp.crsny.org
SUMMARY:2023年 年末特別瞑想会
DESCRIPTION:＊＊年末特別瞑想会＊＊\n香咲弥須子によるガイド瞑想（英語） \n12月31日（日）午後4時より、CRS創設者の香咲弥須子による年末恒例のガイド付き瞑想会に参加しませんか？\n瞑想後、ささやかな懇談会を行う予定です。\nスペースに限りがあるため、お申し込みが必要です。参加ご希望の方は、etsuko@crsny.org までメールでお申し込みください。 \n  \n私たちが何者であるかを思い出すために静寂の中で心を合わせ、澄んだ心と愛だけを見て、分かち合うという新たな意図を持って\n新しい年を始める準備をしましょう。 \nWhat would love have me do?\nWhere would love have me go?\nWhat would love have me say\, and to whom?
URL:https://jp.crsny.org/index.php/event/2023newyears-eve-meditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2021/12/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240107T170000
DTEND;TZID=America/New_York:20240107T180000
DTSTAMP:20260404T054739
CREATED:20231128T155449Z
LAST-MODIFIED:20231128T155449Z
UID:22756-1704646800-1704650400@jp.crsny.org
SUMMARY:Paradise Laboratory: Caroline Davis and Lorin Benedict
DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series\, featuring Caroline Davis and Lorin Benedict\, who will be presenting a set of new compositions for saxophone and baritone voice. Honing their unique duo sound intermittently over the past 5 years\, their connection is rooted in the system of groove and line-inspired improvisation. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/c0136 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:\n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \n\nSaxophonist\, composer\, and vocalist Caroline Davis’s expression covers a wide range of styles\, owed to her shifting environment as a child\, though she calls New York her home. As an improviser and saxophonist\, she has released seven albums under her name and has won Downbeat’s Critic’s Poll Rising Star. Through the years\, her work continues to garner praise in domestic and international publications. Davis has shared musical moments with Lee Konitz\, John Zorn\, Angelica Sanchez\, The Femme Jam\, Matt Mitchell\, Terry Riley\, Nicole Mitchell\, Miles Okazaki\, Rajna Swaminathan\, and Billy Kaye\, among many others. She regularly sings and writes songs with the experimental R&B band\, My Tree. Her composition work has led her to be a resident fellow at MacDowell\, The Jazz Gallery\, The Rockefeller Estate\, and ICE Ensemble Evolution; and she has been awarded Jerome Hill\, CMA\, and NYFA fellowships. Her compositions often integrate science and music\, influenced by her Ph.D in Music Cognition. Caroline is an advocate for gender equity (This Is A Movement\, The New School) and carceral justice (Justice for Keith LaMar). \nhttps://carolinedavis.org/ \nLorin Benedict is an improvising vocalist (scat singer\, essentially) who works in the areas of jazz and related music. He co-leads several small groups dedicated to playing highly structured music in a manifestly loose and playful way. This includes the duo Bleeding Vector\, the trio The Holly Martins\, and duo projects with drummer Sam Ospovat\, vocalist Ron Heglin\, and bass player Logan Kane. He has also\, over the past two decades\, appeared as a side-man in groups led by musicians such as Howard Wiley and Sheldon Brown\, among many others. \nhttps://lorinbenedict.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20240107/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/11/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS invites you to the next program of its Paradise Laboratory experimental music series featuring Caroline Davis and Lorin Benedict who will be presenting a set of new compositions for saxophone and baritone voice. Honing their unique duo sound intermittently over the past 5 years their connection is rooted in the system of groove and line-inspired improvisation. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/c0136 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:\n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \n\nSaxophonist composer and vocalist Caroline Davis’s expression covers a wide range of styles owed to her shifting environment as a child though she calls New York her home. As an improviser and saxophonist she has released seven albums under her name and has won Downbeat’s Critic’s Poll Rising Star. Through the years her work continues to garner praise in domestic and international publications. Davis has shared musical moments with Lee Konitz John Zorn Angelica Sanchez The Femme Jam Matt Mitchell Terry Riley Nicole Mitchell Miles Okazaki Rajna Swaminathan and Billy Kaye among many others. She regularly sings and writes songs with the experimental R&B band My Tree. Her composition work has led her to be a resident fellow at MacDowell The Jazz Gallery The Rockefeller Estate and ICE Ensemble Evolution; and she has been awarded Jerome Hill CMA and NYFA fellowships. Her compositions often integrate science and music influenced by her Ph.D in Music Cognition. Caroline is an advocate for gender equity (This Is A Movement The New School) and carceral justice (Justice for Keith LaMar). \nhttps://carolinedavis.org/ \nLorin Benedict is an improvising vocalist (scat singer essentially) who works in the areas of jazz and related music. He co-leads several small groups dedicated to playing highly structured music in a manifestly loose and playful way. This includes the duo Bleeding Vector the trio The Holly Martins and duo projects with drummer Sam Ospovat vocalist Ron Heglin and bass player Logan Kane. He has also over the past two decades appeared as a side-man in groups led by musicians such as Howard Wiley and Sheldon Brown among many others. \nhttps://lorinbenedict.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240114T170000
DTEND;TZID=America/New_York:20240114T183000
DTSTAMP:20260404T054739
CREATED:20231230T120040Z
LAST-MODIFIED:20231230T120340Z
UID:22777-1705251600-1705257000@jp.crsny.org
SUMMARY:Sound Bath with Beyond Flute Trio
DESCRIPTION:CRS invites you to lie down\, close your eyes\, and bathe in the sounds of Cheryl Pyle (flutes)\, Rema Hasumi (synthesizer)\, and Yuko Togami (drums) inside the cocoon-like White Room at CRS. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://bit.ly/3SO2TG3\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nCheryl Pyle\, the versatile flutist received her BA in music from the University of California at Berkeley\, having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan\, Janet Maestre\, Francis Watson\, and Jayn Rosenfeld.Since moving to New York in the fall of 1980\, Ms. Pyle has been heard in a variety of settings. As well as composing \, Ms Pyle has performed and recorded with such fine musicians as Joe Lovano\, Fred Hersch\, Tom Harrell\, Billy Bang\, Danilo Perez\, Billy Hart\, Ben Monder\, Duduka Fonseca\, Charlie Haden\, James Williams\, John Abercrombie\, Paul Motian\, Bern Nix\, Ratzo Harris\, and many other great musicians.. Recording her first quartet cd her own 11th street music label\, her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/sound-bath20240114/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2023/12/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS invites you to lie down close your eyes and bathe in the sounds of Cheryl Pyle (flutes) Rema Hasumi (synthesizer) and Yuko Togami (drums) inside the cocoon-like White Room at CRS. \n\nhttps://remahasumi.bandcamp.com/track/rema-hasumi-cheryl-pyle-musique-libre-femmes-2022 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://bit.ly/3SO2TG3\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nCheryl Pyle the versatile flutist received her BA in music from the University of California at Berkeley having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan Janet Maestre Francis Watson and Jayn Rosenfeld.Since moving to New York in the fall of 1980 Ms. Pyle has been heard in a variety of settings. As well as composing  Ms Pyle has performed and recorded with such fine musicians as Joe Lovano Fred Hersch Tom Harrell Billy Bang Danilo Perez Billy Hart Ben Monder Duduka Fonseca Charlie Haden James Williams John Abercrombie Paul Motian Bern Nix Ratzo Harris and many other great musicians.. Recording her first quartet cd her own 11th street music label her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240127T130000
DTEND;TZID=America/New_York:20240127T150000
DTSTAMP:20260404T054739
CREATED:20240103T140744Z
LAST-MODIFIED:20240103T150703Z
UID:22790-1706360400-1706367600@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \nヒーリング・クリニック1〜3時の後、ちょっとした懇親会を予定しています。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20240127/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240128T190000
DTEND;TZID=America/New_York:20240128T203000
DTSTAMP:20260404T054739
CREATED:20231230T121107Z
LAST-MODIFIED:20231230T121107Z
UID:22782-1706468400-1706473800@jp.crsny.org
SUMMARY:Paradise Laboratory: Satoshi Takeishi (percussion)\, Shoko Nagai (piano/accordion) & Sita Chay (violin) with friends Shanir Ezra Blumenkranz (bass) & Yuka Yamamoto of The Fugu Plan
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the next installment of its Paradise Laboratory concert series featuring improvisation and songs by Satoshi Takeishi (percussion)\, Shoko Nagai(piano/accordion) & Sita Chay (violin) with friends Shanir Ezra Blumenkranz (bass) & Yuka Yamamoto(vocals/ukelele) of The Fugu Plan\, walking the fine line between sacred music and the avant-garde. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/rswxM< \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:\n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \n\n\nABOUT THE ARTISTS\nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York. \nShoko Nagai is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. As a teenager in her native Japan\, Nagai was trained on Yamaha’s electronic organ\, the “Electone\,” to perform popular music. Since moving to the U.S. from Japan and studying classical\, jazz music\, and compositions at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordions\, and other keyboard instruments\, often inspired by the minimalist approach of composer Toru Takemitsu. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound.\nhttp://www.shokonagai.net/ \n“Whether traipsing over a steady\, rolling rhythm or swimming through a collage of abstract sound\, Nagai\, a pianist\, treat every moment as an opportunity for deep synchronicity.” — GIOVANNI RUSSONELL\, New York Times \nShanir Ezra Blumenkranz is an American bassist and oud player who has recorded and performed with John Zorn\, Bill Laswell\, Ravi Coltrane\, Fred Sherry\, Satoshi Takeshi\, Hank Roberts\, Sabir Mateen\, Roy Campbell Jr.\, Tony Malaby\, Will Connell\, Jon Madof\, Daniel Zamir\, Jenny Scheinman\, Daniel Kelly\, Eyal Maoz\, Avishai Cohen\, George Garzone\, Okkyung Lee\, Brad Shepik\, William Winant\, Jim Puglesie\, Jim Black\, Jamie Saft\, Anthony Coleman\, Mark Dresser\, Charlie Burnham\, Sonny Simmons\, Ned Rothenberg\, Marty Ehrlich\, Trevor Dunn\, Sylvie Courvoisier\, Susie Ibarra\,Tyshawn Sorey\, Min Xiao-Fen\, Michiyo Yagi\, Kazu Uchihashi\, Makigami Koichi\, Kazutoki Umezu\, Cyro Baptista\, Marc Ribot\, Kenny Wollesen\, Joey Baron\, Anton Fier\, Eric Friedlander\, Mark Feldman\, Roberto Rodriguez\, Louie Belogenis\, Ikue Mori\, and many more! \nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University. \nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.” http://www.sitachay.com \nYuka Yamamoto is a Japanese singer-songwriter from Sado Island\, Japan \, a place of banishment for difficult or inconvenient Japanese figures starting in the 8th century. The Fugu Plan’s MukashiBanashi is based on the secret customs and ancient folktales of Japan\, exploring traditions of ritual\, tribal\, and spiritual music\, which pays tribute to the island’s preservation of the traditions of old Japan through ceremony\, art\, music and magic\, while incorporating a mixed bag of musical influences including Ennio Morricone’s film music\, psychedelic rock\, free improvisation\, and prayer.\nhttps://thefuguplan.bandcamp.com/ \n\n\n\n\nAdd to calendar\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20240128/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2023/12/image-1.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents the next installment of its Paradise Laboratory concert series featuring improvisation and songs by Satoshi Takeishi (percussion) Shoko Nagai(piano/accordion) & Sita Chay (violin) with friends Shanir Ezra Blumenkranz (bass) & Yuka Yamamoto(vocals/ukelele) of The Fugu Plan walking the fine line between sacred music and the avant-garde. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/rswxM< \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:\n4/5/6 N/R/Q L trains to 14th St / Union Square \n\n\nABOUT THE ARTISTS\nSatoshi Takeishi drummer percussionist and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia Lucho Bermudes. In 1986 he returned to Miami U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre from world music jazz contemporary classical music to experimental electronic music with musicians such as Ray Barretto Carlos ‘Patato’ Valdes Eliane Elias Marc Johnson Eddie Gomez Randy Brecker Dave Liebman Anthony Braxton Mark Murphy Herbie Mann Paul Winter Consort Rabih Abu Khalil Erik Friedlander Ned Rothenberg MIchael Attias Shoko Nagai Paul Giger Toshiko Akiyoshi Big Band Ying String Quartet Metamorphosen Chamber Orchestra Dhafer Youssef Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural electronics and improvisational music with local musicians and composers in New York. \nShoko Nagai is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. As a teenager in her native Japan Nagai was trained on Yamaha’s electronic organ the “Electone” to perform popular music. Since moving to the U.S. from Japan and studying classical jazz music and compositions at Berklee she has adapted her mastery of the keyboard to prepared piano accordions and other keyboard instruments often inspired by the minimalist approach of composer Toru Takemitsu. Whether she is performing Klezmer Balkan or experimental music Nagai is a charismatic presence onstage who hypnotizes audiences with her intense focus and virtuoso sound.\nhttp://www.shokonagai.net/ \n“Whether traipsing over a steady rolling rhythm or swimming through a collage of abstract sound Nagai a pianist treat every moment as an opportunity for deep synchronicity.” — GIOVANNI RUSSONELL New York Times \nShanir Ezra Blumenkranz is an American bassist and oud player who has recorded and performed with John Zorn Bill Laswell Ravi Coltrane Fred Sherry Satoshi Takeshi Hank Roberts Sabir Mateen Roy Campbell Jr. Tony Malaby Will Connell Jon Madof Daniel Zamir Jenny Scheinman Daniel Kelly Eyal Maoz Avishai Cohen George Garzone Okkyung Lee Brad Shepik William Winant Jim Puglesie Jim Black Jamie Saft Anthony Coleman Mark Dresser Charlie Burnham Sonny Simmons Ned Rothenberg Marty Ehrlich Trevor Dunn Sylvie Courvoisier Susie IbarraTyshawn Sorey Min Xiao-Fen Michiyo Yagi Kazu Uchihashi Makigami Koichi Kazutoki Umezu Cyro Baptista Marc Ribot Kenny Wollesen Joey Baron Anton Fier Eric Friedlander Mark Feldman Roberto Rodriguez Louie Belogenis Ikue Mori and many more! \nSita Chay is a violinist composer and producer who won a 2017 Latin Grammy Award for Best Mariachi Album as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund NYSCA/NYFA Artist Fellowship New Music USA’s Creator Development Fund Joe’s Pub Working Group and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual SaaWee which was received by international critics as a “delicate powerhouse”. For SaaWee she has interwoven her theatrical experiences from Broadway shows folkloric spirituality from Korean shaman rituals and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019 New York Musical Festival 2018 Seoul National University Colombia National University and Joong Ang University. \nSita often performs at artistically acclaimed venues such as Carnegie Hall Lincoln Center Jazz at Lincoln Center The Blue Note Apollo TheaterMadison Square Garden and was invited to the Montreal International Jazz Festival in 2015 London K-Music Festival in 2018 Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows My Fair Lady Miss Saigon Ain’t Too Proud Hello Dolly Sweeney Todd On the Town Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show” “Mozart in the Jungle” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke the Eagles Kenny Werner Billy Drewes Sandeep Das Frank London Edward Perez Balla Kouyate Emerson String Quartet Natalia Laforcade Duksoo Kim Bette Midler Alicia Hall Moran Alan FerberTaebaek Lee Pamela Frank Nadia Solemo Sonenberg Frank Huang and Robert Craft the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album Miho Hazama’s M Unit “Dancer in Nowhere Flor de Toloache “Las Caras Lindas.” http://www.sitachay.com \nYuka Yamamoto is a Japanese singer-songwriter from Sado Island Japan  a place of banishment for difficult or inconvenient Japanese figures starting in the 8th century. The Fugu Plan’s MukashiBanashi is based on the secret customs and ancient folktales of Japan exploring traditions of ritual tribal and spiritual music which pays tribute to the island’s preservation of the traditions of old Japan through ceremony art music and magic while incorporating a mixed bag of musical influences including Ennio Morricone’s film music psychedelic rock free improvisation and prayer.\nhttps://thefuguplan.bandcamp.com/ \n\n\n\n\nAdd to calendar\n\n\n\n ;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240316T180000
DTEND;TZID=America/New_York:20240316T190000
DTSTAMP:20260404T054739
CREATED:20240301T160931Z
LAST-MODIFIED:20240302T002439Z
UID:22925-1710612000-1710615600@jp.crsny.org
SUMMARY:瞑想 & サウンド・バス with Beyond Flute Trio
DESCRIPTION:繭の中に包まれているような癒しの空間、CRSのホワイトルームで最後の開催となるサウンドバスにどうぞ、ご参加ください。横になって目を閉じて、CRSディレクターのクリストファー・ペルハムの穏やかな誘導で瞑想を始めます。そして、シェリル・パイル（フルート）、蓮見令麻（シンセサイザー）、戸上優子（パーカッション）のトリオによる癒しのサウンドを体全体に浴びてください。\n今感じていることに意識を向ける時間を、一緒にシェアしてください。私たちが本当は誰なのか、その全体性と素晴らしさを経験する機会を自分自身に許しましょう。 \nあなたをお待ちしています。 \n\nTickets are $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/bcktL\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nCheryl Pyle\, the versatile flutist received her BA in music from the University of California at Berkeley\, having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan\, Janet Maestre\, Francis Watson\, and Jayn Rosenfeld.Since moving to New York in the fall of 1980\, Ms. Pyle has been heard in a variety of settings. As well as composing \, Ms Pyle has performed and recorded with such fine musicians as Joe Lovano\, Fred Hersch\, Tom Harrell\, Billy Bang\, Danilo Perez\, Billy Hart\, Ben Monder\, Duduka Fonseca\, Charlie Haden\, James Williams\, John Abercrombie\, Paul Motian\, Bern Nix\, Ratzo Harris\, and many other great musicians.. Recording her first quartet cd her own 11th street music label\, her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nChristopher Pelham is Director and co-founder with Yasuko Kasaki of CRS (Center for Remembering & Sharing)\, a healing and art center grounded in the study and practice of A Course in Miracles and meditation. He is also a healer\, writer\, photographer\, filmmaker\, occasionally an performer\, and a curator/producer of music\, dance\, theater\, film and visual arts events\, as well as the organizer of a Sufi Dance Community. \nhttps://chrispelham.com \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/soundbath20240316/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/03/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:繭の中に包まれているような癒しの空間、CRSのホワイトルームで最後の開催となるサウンドバスにどうぞ、ご参加ください。横になって目を閉じて、CRSディレクターのクリストファー・ペルハムの穏やかな誘導で瞑想を始めます。そして、シェリル・パイル（フルート）、蓮見令麻（シンセサイザー）、戸上優子（パーカッション）のトリオによる癒しのサウンドを体全体に浴びてください。\n今感じていることに意識を向ける時間を、一緒にシェアしてください。私たちが本当は誰なのか、その全体性と素晴らしさを経験する機会を自分自身に許しましょう。 \nあなたをお待ちしています。 \n\nTickets are $20 general admission. \nTICKET LINK:\nhttps://shorturl.at/bcktL\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nCheryl Pyle the versatile flutist received her BA in music from the University of California at Berkeley having received her Associates Degree from Mesa College . Her teachers included Merrill Jordan Janet Maestre Francis Watson and Jayn Rosenfeld.Since moving to New York in the fall of 1980 Ms. Pyle has been heard in a variety of settings. As well as composing  Ms Pyle has performed and recorded with such fine musicians as Joe Lovano Fred Hersch Tom Harrell Billy Bang Danilo Perez Billy Hart Ben Monder Duduka Fonseca Charlie Haden James Williams John Abercrombie Paul Motian Bern Nix Ratzo Harris and many other great musicians.. Recording her first quartet cd her own 11th street music label her jazz groups have been playing many clubs and concerts. The 11th street music label has released many original cds and mp3 cds. Her most recent free jazz groups in 2023 are the Beyond Flute Group and the all women Musique Libre Femmes. \nhttps://www.allaboutjazz.com/member-cheryl-pyle \nChristopher Pelham is Director and co-founder with Yasuko Kasaki of CRS (Center for Remembering & Sharing) a healing and art center grounded in the study and practice of A Course in Miracles and meditation. He is also a healer writer photographer filmmaker occasionally an performer and a curator/producer of music dance theater film and visual arts events as well as the organizer of a Sufi Dance Community. \nhttps://chrispelham.com \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. \nIn 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. \nHer first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240324T120000
DTEND;TZID=America/New_York:20240324T160000
DTSTAMP:20260404T054739
CREATED:20240229T181258Z
LAST-MODIFIED:20240313T230103Z
UID:22918-1711281600-1711296000@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は１２時から始まります。その後ヒーリングを行います。（２時ぐらいまで）\nヒーリングが終わりましたら、懇親会、引越しのためのセールも行う予定です。お時間のある方は、こちらにお寄りください。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊ヒーリングクリニックはお席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20240324/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240427
DTEND;VALUE=DATE:20240428
DTSTAMP:20260404T054739
CREATED:20240223T182333Z
LAST-MODIFIED:20240302T172255Z
UID:22837-1714176000-1714262399@jp.crsny.org
SUMMARY:2024春の香咲弥須子ACIMイベント(東京）
DESCRIPTION:香咲弥須子ACIMイベント 2024/4/27(土) \n「奇跡のコース」「奇跡講座」香咲弥須子セミナーと、ワークを中心としたヒーリングpracticeの二枠をご用意して、みなさんをお迎えします。\nオンライン(※)にて、毎週クラスは開催中ですが、会場では、オンラインとはまた違った実感があります。\nちょっと味わって欲しいです。奇跡を経験したい！\n新緑がまぶしい季節…東京四ツ谷に、是非お越しください。。。 \n  \n《 香咲弥須子さんからのメッセージ 》 \nみなさま、こんにちは！\n春の東京セミナーと、ヒーリングpractice の詳細ご案内ができる運びとなりました。\n直接お会いできるというのは、やはりそれだけでワクワクするものですね。\nわたしたちは、本当に、安心していていいのです。何も心配はいらないのです。\n本当に？　どうして？　証拠があるわけですね、奇跡という証拠が。それをご一緒に経験するかけがえのない一日にしたいと思っています。\n自分の安心が、この世界の安心につながる、、、心の暖かさが波紋のように広がっていくのを実感しましょう！\n楽しみにお待ちしています。\nその日、皆さんが笑顔でお元気で会場にいらしてくださることができますようにと心から願っています。 \n香咲弥須子 \n・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・ \n東京オーガナイザーの佐藤直子より\n《第一部セミナー》 \nわたし達の《聖なる心の力》が呼び起こす奇跡をご一緒に経験しましょう。\n～奇跡はこれまであなたを通して行われてきました。～(T-16-Ⅱ-2.5)\n奇跡が行われているとは？わたしを通してとは？…わたし達が半信半疑であることが、\n奇跡にピンとこないまま、実感のないまま、学びの手応えを鈍らせているのかもしれません。\n春を迎え、確かな学びへ喜びを選ぶ決意でスタートしませんか。\nわたし達は奇跡を求めています！\nそのために、心の内に備わる奇跡をもたらす聖なる力について、今一度確認しましょう。香咲弥須子さんに紐解いてお話しいただきます。その他、誘導による瞑想、\n実感深まる嬉しいワークや祈りの体験など、目覚めの道のりを一歩ずつ歩みたいと思います。\n出会うこと、そして分かち合うことでもたらされる確信を皆さんと一緒に心の目で眺められますように。会場にてお待ちしていますね。 \n【日　時】4月27日(土)　12:00-15:00\n【参加費】セミナー(一般参加)：15\,000円 \nオンラインコース第六期参加の人は、10\,000円\n【会 場】プラザエフ(四ツ谷)　9階　スズラン\nhttps://plaza-f.or.jp/index2/access/\n＊会場参加のみ、ライブ配信はありません。 \n15:00-16:00 休憩 \n第二部に参加する方は、ヒーリング※を受けてください。\n※ヒーリングについては、こちら をご参照ください。 \n《第二部ヒーリングpractice》オンラインコース第六期参加の方対象 \n～あなたは奇跡を行ったことがあるが、自分ひとりで行ったのではないことは明らかです。～ (T-16-Ⅱ-4.1) \n第一部セミナーで芽生えた確信を経験する道のりへ歩み出ましょう。\n今回は、第三回目。目の前の人と向かい合い、ホーリースピリットの声(第六感)を受けとる経験をします。\n本当に他人を自分の心に招くことができるか、香咲さんの誘導によって、与えること・受け取ることをカラダの感覚を使って体験します。\n目の前の人は自分に、本当の姿を見せてくれるなら「わたしは見たいです！」\nこの声だけを届かせ続けたいですね。是非ご一緒してください。 \n【日　時】4月27日(土)　16:00-19:00\n【参加費】\n・セミナーとヒーリングpractice：30\,000円\n・ヒーリングpracticeのみ：25\,000円\n \n※ヒーリングpracticeは、セミナーに参加することをお勧めします。また、初めて第六期に参加している方で、第二部の参加をご希望する場合は、セミナー受講は必須となります。なお、第五期までのいずれかのオンラインコースに参加したことのある方の参加が優先となりますことをご了承ください。 \n【会 場】プラザエフ(四ツ谷)　9階　スズラン \nお申し込み。こちらのリンクからフォーム記入の上、お申し込みお願いします。\nhttps://www.acim-yasukokasaki.net/2024春イベント受付フォーム/ \n  \nお問い合わせは、info@acim-yasukokasaki.net\nオンラインコース登録の方は、acim@yasukokasaki.org \n香咲弥須子事務局　久保田智子
URL:https://jp.crsny.org/index.php/event/2024spring-tokyo-event/
LOCATION:プラザエフ(四ツ谷)
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2024/02/7d337ebc31e16f4ddf152a8c38cefe29-1.jpeg
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240428
DTEND;VALUE=DATE:20240429
DTSTAMP:20260404T054739
CREATED:20240304T212702Z
LAST-MODIFIED:20240304T212846Z
UID:22935-1714262400-1714348799@jp.crsny.org
SUMMARY:春の東京イベント　インテンシブなクラス
DESCRIPTION:インテンシブなクラス　〜オンラインではありません〜会場開催です〜\n\n\n日々、勉強会など開催したり、奇跡のコースを学ぶ中で起こる質問や疑問など、お話を聴くだけでなく、\n参加するみなさん全員(10名程の少人数)対面にて、ディスカッションしながら進めていきます。\nオンラインコース第六期に参加している人がお申し込みできて、ご希望が多い場合は、抽選となります。\nこのクラスだけの参加はできません。\n【日　時】4月28日(日)　①10:00-12:00 もしくは、②13:00-15:00\n                  5月27日(月)\n【参加費】 30\,000円\n　　　　　4/27セミナー＆practiceに参加した場合:20\,000円\n　　　　   4/27practiceのみ参加の場合:22\,000円\n　　　　　4/27セミナーのみ参加の場合:25\,000円　　　             \n【会　場】新宿区内
URL:https://jp.crsny.org/index.php/event/2024spring-intensive-class/
LOCATION:NY
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240512T130000
DTEND;TZID=America/New_York:20240512T153000
DTSTAMP:20260404T054739
CREATED:20240404T195547Z
LAST-MODIFIED:20240404T203130Z
UID:22987-1715518800-1715527800@jp.crsny.org
SUMMARY:『愛のコース』完結編・日本語版第三巻・出版記念トークイベント
DESCRIPTION:『奇跡のコース』と両翼の究極の学びと言われている『愛のコース』完結編、\n日本語版第三巻がようやく出版の運びとなりました。\nAmazon.co.jpでは予約受付開始されています。全国書店には5月13日に並びます。\nまた、5月12日、発売記念トークイベントを、東京・神田の会場で行います。\n『奇跡のコース（ACIM)』と『愛のコース（ACOL）』両者の学びと実践の深め方\nなど、お話させていただきます。また、質疑応答の時間やワークもたっぷり設けたい\nと思っています。\n\n4/27の『奇跡のコース』イベントにご都合のつかない方、またはどちらもご参加できる方、\n是非とも足をお運びください！\n\n下記リンクより、お申込みいただけます。\nhttps://naturalspirit.ws/20240512_kasaki/
URL:https://jp.crsny.org/index.php/event/a-course-of-love-3/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2024/04/kasaki_202405_workshop.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240518
DTEND;VALUE=DATE:20240520
DTSTAMP:20260404T054739
CREATED:20240226T162920Z
LAST-MODIFIED:20240226T163823Z
UID:22893-1715990400-1716163199@jp.crsny.org
SUMMARY:2024春　香咲弥須子 山陰リトリート
DESCRIPTION:《詳　細》\n◆日時\n5月18日(土) 13:00～16:30 セミナー\n5月19日(日) 11:00～13:00 ワークショップ\n5月19日(日) 13:00～14:00 オーガナイザー主催ランチ＆シェア会 \n◆会場）\nセミナー ：米子コンベンションセンター 5F 第４会議室\nワークショップ ：cafe「穂のか」(仮) \n◆参加費）\nセミナー21000円(録音、1ヶ月付き) ワークショップ13000円(昼食代込み)\n 1日目のみの参加は可能ですが、2日目のみの参加は不可です。 \n◆オーガナイザーの宿泊先）\nベイサイドスクエア皆生ホテル\n鳥取県米子市皆生温泉4丁目21-1 (0859)35-0001\n宿泊費は、部屋のタイプによって、お部屋代のみ8100円～8250円。\n少しお部屋を確保しており、先着順にて受付します。\n近隣にホテルが点在している地域ですので、お好きな宿泊先をご予約いただいて構いません。 \n【スケジュール】1日目\n11:35 ヒーリング希望者会場集合 ※1\n11:40 ヒーリングスタート ※2\n12:40 ヒーリング終了 ※3\n12:45 セミナー受付スタート\n13:00 セミナースタート(途中休憩あり)\n16:30 セミナー終了 アンケート記入・スタッフに提出後退室 ※4\n20:00 希望者のみ海辺に集合、ヒーリング体験、瞑想など(基本、自由行動) ※5\n21:00 解散 \n【スケジュール】２日目\n7:00 各自、朝食(ホテルの朝食の人、パン等を準備しておいて海辺のテーブル席で食べる人、部屋で食べる人等々)※6\n8:00 希望者のみ海岸集合、瞑想。\n9:00 解散、チェックアウト準備\n10:00 チェックアウト、スタッフ車に乗り合わせて会場へ移動\n10:40 会場到着\n11:00 ワークショップスタート\n13:00 ワークショップ終了後、オーガナイザー主催のランチ＆お茶を飲みながらシェア会\n14:00 終了、解散(自由行動※7 \n※1・・・心の学びである「奇跡のコース」のヒーリング。香咲先生の手法を学び認定された「ヒーラー」と向かい合い、椅子に腰掛け目を閉じます。お互いにホーリースピリットとひとつであることを思い出し、心の声を聞きます。もしかしたら聞こえないかもしれませんが何も問題はありません。ヒーラーが声をかけるまでリラックスしてお待ちください。\n※2・・・ヒーリングの進行については担当者の指示に従ってください。ヒーリングは宿泊されない方を優先しますので、宿泊される方の中には時間内に受けることができない方は、夜(※4)か翌朝に受けていただくことになりますので予めご了承ください。※3・・・ヒーリング終了後、会場設営のため、全員一旦退室していただきます。セミナーの受付をご案内しますので、受付後入室となります。\n※4・・・1日目のみの参加の方はここで解散です。\n宿泊の方も、セミナー後は、自由行動です。\n①ホテルへ移動・チェックイン→ホテル近辺で食事②セミナー会場の近くで食事→ホテルへ移動・チェックイン③その他、①②③のいずれかとなります。この日の会場(米子駅近く)～ホテル間は乗り合わせればタクシーでもそんなに負担にならない距離(車で15~20分)です。\n※5・・・オーガナイザー宿泊ホテルの目の前が海岸です。そこで20時よりヒーリング体験(セミナー会場でヒーリングが受けられなかった方優先)や瞑想するなど、皆様と共にゆったりとした時間を過ごしたいと思います。香咲先生もご一緒してくださいます。ご希望の方はぜひご参加ください。\n※6・・・朝の食事は自由です。ホテルの朝食は1200円くらい。事前にパン(500円くらい)のご予約を承ります。\n※7・・・米子駅までの移動は、スタッフの車でお送りします。\n米子空港へは米子駅・空港間の連絡バスがございますのでそちらをご利用ください。\n米子駅・空港間のバス時刻表　https://hinomarubus.co.jp/route/airport/?tab=2 \n\n◆申込受付は、3月3日(日)　午前10時から\n◆申込締切日）5月12日(日)※定員になり次第受付終了\n◆お申込み）下記のフォームよりお申込みください。https://ws.formzu.net/dist/S334597399/\n◆お問い合わせ先）山陰セミナー事務局 masumasueight@gmail.com\nマスダまでお気軽にどうぞ。
URL:https://jp.crsny.org/index.php/event/2024spring-sanin/
LOCATION:米子コンベンションセンター
CATEGORIES:In Japan
ORGANIZER;CN="%E5%B1%B1%E9%99%B0%E3%82%BB%E3%83%9F%E3%83%8A%E3%83%BC%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:masumasueight@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240525T140000
DTEND;TZID=America/New_York:20240525T163000
DTSTAMP:20260404T054739
CREATED:20240505T134549Z
LAST-MODIFIED:20240505T140457Z
UID:23017-1716645600-1716654600@jp.crsny.org
SUMMARY:La Mama Etc. & CRS present   Stop Calling Them Dangerous: Cinema Has Power vol. 9   with Sarah Möller
DESCRIPTION:La Mama Etc. & CRS present\nStop Calling Them Dangerous: Cinema Has Power vol. 9\nwith Sarah Möller\n\nこのプログラムでは、インターメディアアーティスト兼作曲家であるフィル・ニブロック （1933-2024\, アメリカ）の芸術的遺産と深い影響を称えます。彼のキャリアは50年にわたり、ミニマリスト音楽や実験音楽、映画、写真に及びます。ニューヨークに本拠を置き、Ghentに支部を持つアヴァンギャルド音楽のための基盤です。ニブロックの特徴的なサウンドは、演奏空間で多くの他の音を生み出す楽器の微分音で満たされています。2024年1月8日、90歳でフィル・ニブロックはこの世を去りました。彼の遺産を祝い、芸術的風景に与えた深い影響と大きなインスピレーションをを讃えるために、厳選された彼の映画セレクションにご参加ください。 \n\nwww.phillniblock.comwww.experimentalintermedia.org \nModerated by Yoshiko Chuma with Sarah Möller\, Christopher McIntyre and David Gearey \n 
URL:https://jp.crsny.org/index.php/event/20240525/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2024/05/6603236de32ec20e236dee8f_2EEA5A77-F0C8-4151-960E-E8A83CAEEB20_1_105_c.jpeg
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240601T140000
DTEND;TZID=America/New_York:20240601T163000
DTSTAMP:20260404T054739
CREATED:20240505T135531Z
LAST-MODIFIED:20240506T080207Z
UID:23021-1717250400-1717259400@jp.crsny.org
SUMMARY:La Mama Etc. & CRS present   Stop Calling Them Dangerous: Love Story Palestine vol. 10 With Ryuji Yamaguchi
DESCRIPTION:Stop Calling Them Dangerous: Love Story Palestine vol. 10\n  \n「ラブ・ストーリー・パレスチナ」は戦争と国境をテーマに、パレスチナを中心に展開されます。この作品は、過去16年間ヨルダンで活動しているダンスアーティスト兼教育者の山口竜樹 (Ryouji Yamaguchi) の視点から描かれています。公演には、山口が共に生活してきたガザの人々を含む多くのパレスチナ人の物語や映像が登場します。 \n 
URL:https://jp.crsny.org/index.php/event/20240601/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2024/05/660323dd7b869767fb6f3bc1_EDA536D1-7891-432F-BFAE-1555F419493C_1_105_c.jpg
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240615T123000
DTEND;TZID=America/New_York:20240615T143000
DTSTAMP:20260404T054739
CREATED:20240605T135004Z
LAST-MODIFIED:20240605T135004Z
UID:23041-1718454600-1718461800@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は１２時30分から始まります。その後ヒーリングを行います。（２時３０分ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊ヒーリングクリニックはお席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n注：CRSの住所が変わっています。お間違いのないようにお願いします。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/helingclinic20240615/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240921T160000
DTEND;TZID=America/New_York:20240921T173000
DTSTAMP:20260404T054739
CREATED:20240827T173304Z
LAST-MODIFIED:20240827T173304Z
UID:23116-1726934400-1726939800@jp.crsny.org
SUMMARY:CRS Presents Crossing Boundaries 22: gamin x elizabeth hoffman
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series vol. 22\, gamin x elizabeth hoffman\, curated by gamin\, in the Immersion Room\, Avery Fisher Center\, on the 7th Floor of NYU’s Bobst Library on Washington Square South. \nThis concert explores the profound theme of crossing boundaries\, a continuation of our series that invites reflection on the values of transcending limits. Whether these boundaries are forbidden zones\, mental constructs\, or cultural divergences\, the performance seeks to bring them into mutual awareness. Through a powerful blend of music and meditation\, this event challenges audiences to rethink the divisions that shape our world and to discover the unity that lies beyond. Join us for an evening of immersive soundscapes and thought-provoking artistry as we journey across these borders together. \nRSVP is required by 12 p.m. on 9/21\, the day of the concert. NYU will receive your name and email address and email you a pass\, which you will need to enter the Bobst Library building. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-22-gamin-x-elizabeth-hoffman-tickets-1002133707897\n \nVENUE LOCATION:\nImmersion Room\, Avery Fisher Center\, 7th Floor\, Bobst Library\, NYU\n70 Washington Square South\nNew York\, NY 10012 \nDIRECTIONS:\nNYU’s Bobst Library is located on the south side of Washington Square between Schwartz Plaza and LaGuardia Place. \nNEAREST SUBWAY STATIONS:  \n8th Street N/R/W\nAstor Place 6\nW 4th St/Wash Sq. A/C/E/B/D/F/M \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure\, Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. \ngaminmusic.com \nElizabeth Hoffman\, composer (NYC)\, works in acoustic\, electroacoustic\, and computer media\, and has created collaborative projects with performers including Ivan Goff\, Jane Rigler\, Margaret Lancaster\, gamin\, Marianne Gythfeldt\, Elena Demyanenko\, String Noise\, Azalea Twining\, and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges\, Prix Ars\, Pierre Schaeffer\, and Sonic Circuits prizes; and MacDowell\, NEA\, Seattle Arts Commission\, and Jerome Foundation grants and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments in textural\, tuning\, and spatial explorations\, or algorithmic application as in a permanent installation in Bobst Library Atrium. Her interest in feminist re-tellings and in the imprint of society on subjectivity\, in dialogue and intervention through music\, is a long-standing focus. She is also a pianist. \nhttps://wp.nyu.edu/elizabeth_hoffman/ \nhttps://as.nyu.edu/departments/music/people/faculty/elizabeth-hoffman.html \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crs-presents-crossing-boundaries-22-20240921/
LOCATION:YU Bobst Library\, Washington Square South\, New York\, New York\, 10012\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/08/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7302772;-73.9980906
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series vol. 22 gamin x elizabeth hoffman curated by gamin in the Immersion Room Avery Fisher Center on the 7th Floor of NYU’s Bobst Library on Washington Square South. \nThis concert explores the profound theme of crossing boundaries a continuation of our series that invites reflection on the values of transcending limits. Whether these boundaries are forbidden zones mental constructs or cultural divergences the performance seeks to bring them into mutual awareness. Through a powerful blend of music and meditation this event challenges audiences to rethink the divisions that shape our world and to discover the unity that lies beyond. Join us for an evening of immersive soundscapes and thought-provoking artistry as we journey across these borders together. \nRSVP is required by 12 p.m. on 9/21 the day of the concert. NYU will receive your name and email address and email you a pass which you will need to enter the Bobst Library building. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-22-gamin-x-elizabeth-hoffman-tickets-1002133707897\n \nVENUE \nImmersion Room Avery Fisher Center 7th Floor Bobst Library NYU\n70 Washington Square South\nNew York NY 10012 \nDIRECTIONS:\nNYU’s Bobst Library is located on the south side of Washington Square between Schwartz Plaza and LaGuardia Place. \nNEAREST SUBWAY STATIONS:  \n8th Street N/R/W\nAstor Place 6\nW 4th St/Wash Sq. A/C/E/B/D/F/M \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist celebrated for her mastery of traditional wind instruments particularly the piri (double-reed bamboo oboe) taepyeongso (conical oboe) and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure Jeong Jae-guk gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022 gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023 gamin was awarded an artist fellowship by the Howard Foundation. Since 2018 gamin has curated performances for the Crossing Boundaries Concert Series which she conceived. \ngaminmusic.com \nElizabeth Hoffman composer (NYC) works in acoustic electroacoustic and computer media and has created collaborative projects with performers including Ivan Goff Jane Rigler Margaret Lancaster gamin Marianne Gythfeldt Elena Demyanenko String Noise Azalea Twining and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges Prix Ars Pierre Schaeffer and Sonic Circuits prizes; and MacDowell NEA Seattle Arts Commission and Jerome Foundation grants and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments in textural tuning and spatial explorations or algorithmic application as in a permanent installation in Bobst Library Atrium. Her interest in feminist re-tellings and in the imprint of society on subjectivity in dialogue and intervention through music is a long-standing focus. She is also a pianist. \nhttps://wp.nyu.edu/elizabeth_hoffman/ \nhttps://as.nyu.edu/departments/music/people/faculty/elizabeth-hoffman.html \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=Washington Square South:geo:-73.9980906,40.7302772
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241013T130000
DTEND;TZID=America/New_York:20241013T180000
DTSTAMP:20260404T054739
CREATED:20240718T140654Z
LAST-MODIFIED:20240831T151734Z
UID:23067-1728824400-1728842400@jp.crsny.org
SUMMARY:2024秋の香咲弥須子ACIMイベント (関西)
DESCRIPTION:2024秋の香咲弥須子ACIMイベント(関西) \n               「奇跡のコース」「奇跡講座」 \n第一部：香咲弥須子セミナー/第二部：オリジナルワークを中心に、レクチャー・質疑応答・瞑想・ワークで構成されます。\n会場開催ならではの、奇跡を経験したい！ もれなくご参加くだされば嬉しいです。実りの秋に相応しい、有意義な時間を受け取りに、是非、足をお運びください。\nなお、関西・東京共に今秋の”テーマ”は同じですけれど、参加されるみなさんによって、香咲弥須子氏のレクチャーやワークは違います。そこが会場開催ならではの楽しみでもあります。\nお時間のある方は、両方を体験なさってくださいね。\n香咲弥須子事務局 久保田智子 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n《 香咲弥須子さんからのメッセージ 》 \nこの秋、日本での各セミナー、全体を通してのテーマは、『真のヒーリングを<目撃する＞』です。\nあらゆる“問題”は、元から断たなければなりません。流しの下の水漏れをいくら拭き取っても埒が明かないのと同様に、知覚している症状や、それに付随する心配や不安、怒りや焦燥をどうにかしようとしても、“問題”は決してなくなりません。 \n“問題”の元は、「問題があると決めつけているあなたの信念にある」とACIMでは繰り返し述べられていますが、それを理解したつもりになっても、その信念が抜けないのはなぜでしょうか。\n「問題はない」と思い込もうとしても、次々と”問題”が見えてしまうのはどうしてでしょうか。 \nこの秋、今一度、じっくりと自身の心の奥底に分け入ってみませんか。\n信念の正体は、単純とも言え、同時に、一筋縄ではいかない複雑にあれこれが絡まり合った頑固な塊でもあります。\nそれを、安全な環境の中で直視してみましょう。\nそして、「確かに問題などなかったのだ！」という解放をご一緒に経験したい、\nそんな祈りと共に、皆さんとお会いします。 \n香咲弥須子 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n関西オーガナイザー黒河未紀より\n「わたしたちは、どの瞬間も〝求められて〟生きている。」\nご一緒に、その真実を受け取りましょう。\n私が初めて香咲弥須子さんのセミナーに参加したのは、2022年の秋でした。\n「先ずは目を閉じて…みましょうか。」\n心静かに、会場のフレンズのみなさんと共に、香咲さんの誘導に耳を、心を傾ける…。\nスーッと涙が溢れ落ちたのを、今でも覚えています。\nあの時感じた、解放、癒し、安堵･･･。\nコースでは、わたしたちの機能(はたらき)は赦しであり、幸せだと呼びかけてくれています。\n自分を肉体だと思い込んでいる「私」は脆く、傷つきやすい。\nだけど、真のわたしたちは･･･？\nもうこれ以上、真の自己を偽り続けたくない。\n今こそ、わたしたちは「ひとつの心」であることを受け入れたい。\nその為に、愛を阻む障壁に気づくこと。\nひとりでは直視できないかもしれないことを、兄弟と一緒に見てみたい。\nフレンズが話してくれること、差し出してくれることが、わたしたち全員の癒しとなり、解放となり、気づきとなる。\nそしてわたしも…。\nこの秋、実体験を以って、わたしたちの誰もが「求められている」ことに真に気づき、そこに、ここに生きていることの本当の目的を思い出し、受け入れ、心に宿せますよう\nそうして「ひとつの心」としてこの地に在るという経験へ…\nみなさんとご一緒に踏み出すその一歩を、心から楽しみにしています。 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n【日　時】10月13日(日)\n第一部＜セミナー＞13:00-15:30\n  休憩15分\n第二部＜ワーク＞   15:45-18:00(ドアクローズ)\nお時間の都合等で、第一部のみのご予約も承りますが、『真のヒーリングを〈目撃する〉』為にも、ぜひ第一部:セミナーと第二部:ワーク、共に最後までご参加ください。\nなお、第二部は、定員制のため、定員数に達し次第受付終了となりますので、お早めにお手続きください〟 \n【参加費】 25\,000円\n  第一部のみ参加の方は、15\,000円 \n【会　場】アットビジネスセンター PREMIUM 新大阪（正面口駅前)911号室\nアクセス \n＊会場参加のみ、ライブ配信はありません。 \n＊ 12:20から12:50　ヒーリングクリニック開催\n ※ヒーリングについては、こちら をご参照ください。 \n◆お申し込みは→こちら \n＊お手続き完了順にお席のご用意となり、定員になり次第受付終了となります。 \n＊ACIMイベントに関するお問い合わせ先＊\nkansai-yasukokasaki@gmail.com　\n関西オーガーナイザー：黒河 未紀 \n＊ ヒーリングクリニックについて、及び、香咲弥須子オンラインコース(第七期/テキスト精読)についてのお問い合わせ acim@yasukokasaki.org\n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/20241013-kansai-event/
LOCATION:アットビジネスセンター PREMIUM 新大阪\, Osaka\, 532-0011\, Japan
CATEGORIES:In Japan
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/07/image1.png
GEO:34.7312019;135.4993055
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241027T130000
DTEND;TZID=America/New_York:20241027T180000
DTSTAMP:20260404T054739
CREATED:20240718T133818Z
LAST-MODIFIED:20240831T151519Z
UID:23061-1730034000-1730052000@jp.crsny.org
SUMMARY:2024秋の香咲弥須子ACIMイベント（東京）
DESCRIPTION:2024秋の香咲弥須子ACIMイベント《東京》　 \n「奇跡のコース」「奇跡講座」\n第一部：香咲弥須子セミナー/第二部：オリジナルワークを中心に、レクチャー・質疑応答・瞑想・ワークで構成されます。\n会場開催ならではの、奇跡を経験したい！もれなくご参加くだされば嬉しいです。\n爽やかな秋風を一緒に感じに…東京四ツ谷に是非お越しください。なお、関西・東京共に今秋の”テーマ”は同じですけれど、参加されるみなさんによって、香咲弥須子氏のレクチャーやワークは違います。そこが会場開催ならではの楽しみでもあります。お時間のある方は、両方を体験なさってくださいね。\n香咲弥須子事務局 久保田智子 \n \n《 香咲弥須子さんからのメッセージ 》\n この秋、日本での各セミナー、全体を通してのテーマは、『真のヒーリングを<目撃する＞』です。\nあらゆる“問題”は、元から断たなければなりません。流しの下の水漏れをいくら拭き取っても埒が明かないのと同様に、知覚している症状や、それに付随する心配や不安、怒りや焦燥をどうにかしようとしても、“問題”は決してなくなりません。\n“問題”の元は、「問題があると決めつけているあなたの信念にある」とACIMでは繰り返し述べられていますが、\nそれを理解したつもりになっても、その信念が抜けないのはなぜでしょうか。\n「問題はない」と思い込もうとしても、次々と”問題”が見えてしまうのはどうしてでしょうか。\nこの秋、今一度、じっくりと自身の心の奥底に分け入ってみませんか。\n信念の正体は、単純とも言え、同時に、一筋縄ではいかない複雑にあれこれが絡まり合った頑固な塊でもあります。\nそれを、安全な環境の中で直視してみましょう。\nそして、「確かに問題などなかったのだ！」という解放をご一緒に経験したい、\nそんな祈りと共に、皆さんとお会いします。\n \n香咲弥須子  \n・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・ \n 東京オーガナイザー佐藤直子より \n《 愛の歓迎とは…》\n“愛”の歓迎に、自ら扉を閉めたくなる自分をわたしはよく知っています。\nそんなわたしが、オーガナイザーとして出会う方と学びを重ね十数年となり今更ながら驚いています。\n気の合う人とだけ付き合っていたい！と思いながら、この考えが乾いた心を増すことになっていたと自覚して、奇跡のコースに、そして香咲弥須子さんに出会いました。\n喜びを見つけ飛びついて学んだ時期は数年、学びを重ねるごとに乾いた心の正体が自分の選択(信念)だと鮮明になったときは衝撃でした。\nしかし、同時に目の前の光景が違って見えた驚きと、湧き上がる有り難さゆえの感動もありました。\n人を怖がるどころか、尊く見え、愛は確かに在ると教えてもらったのです。\nしかし、未だなお、愛というものの歓迎を、わたしは知らん顔していたい自分と隣り合わせであります。 ︎\n『ホーリースピリットはわたしを導き、道を知っているが、わたしはその道を知らない。』\n(T14-3-19・2より) \nこのテキスト箇所に出会うたび、オーガナイザーとして愛の歓迎をわたしが受けとることができる最善の道だから？そう指し示されたから？と、\n我に戻り、降参し、心の経験への覚悟へと向き直るのです。\n東京イベントは、このことを静かに見つめ直す機会となっています。\nそして逃げたくなる自分をよく知っていることが学びをやめていない唯一の今となっているのです。\n皆さんをお迎えするのが役割ですが、わたしは自分ひとりで決意することの卑小さをやめて、\n心と心が重なる決意によって見通せる本当のことを、皆さんのお心にすがり、教えていただきたいと思います。\n是非、決意を共にすることで受けとれる確かさを一緒に思い出しませんか。\nこの秋、東京四谷の会場で、対面し、体験し、実感することで、愛の歓迎とは☆一緒に受けとりましょう。  \n・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・～ ～ ～・ \n【日　時】 10月27日(日)\n第一部＜セミナー＞13:00-15:30\n 休憩15分\n第二部＜ワーク＞   15:45-18:00(ドアクローズ)　 \n【参加費】 25\,000円\n第二部：ワークは、オンラインコース第七期に参加している方が優先となります。\n第七期に参加していない方で、第一部・第二部の両参加をご希望の場合は、第二部に関しては一定期間キャンセル待ちとしての受付となります。ご了承ください。 \n   第一部のみ参加の方は、15\,000円 \n【会 場】プラザエフ(四ツ谷)　7階　カトレア   アクセス\n＊会場参加のみ、ライブ配信はありません。 \n＊ 12:00から12:50　ヒーリングクリニック開催\n※ヒーリングについては、こちら をご参照ください。 \n◆ お申し込みは→こちら \n＊お手続き完了順にお席のご用意となり、定員になり次第受付終了となります。 \n＊ACIMイベントに関するお問い合わせ先＊\nseminar@crsny.org \n東京オーガーナイザー：佐藤直子\n＊第一部のみ参加の方のお問い合わせ先＊\ninfo@acim-yasukokasaki.net \nオンラインコース第七期/テキスト精読コースについては、\nacim@yasukokasaki.org \n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/20241027-tokyo-event/
LOCATION:プラザエフ(四ツ谷)
CATEGORIES:In Japan
ORGANIZER;CN="%E9%A6%99%E5%92%B2%E5%BC%A5%E9%A0%88%E5%AD%90%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:info@acim-yasukokasaki.net　
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241130T130000
DTEND;TZID=America/New_York:20241228T163000
DTSTAMP:20260404T054739
CREATED:20240718T141700Z
LAST-MODIFIED:20240718T143111Z
UID:23071-1732971600-1735403400@jp.crsny.org
SUMMARY:2024秋の香咲弥須子福岡セミナー
DESCRIPTION:《2024秋の香咲弥須子福岡セミナー》\n\n                                    \n\n「私たちの平和憲法、私自身の掟」\n日本国憲法前文。おこがましくも書き換えて、私たちの法、あるいは、わたし自身の掟として、ここに記します。\n私は、真の自身の声を通して行動します。\n私は、地上のあらゆる兄弟姉妹たちとの平和な協力によって支えられる実りと、大地の隅々まで広がる、自由がもたらしてくれる恵みを、決して見過ごさないことを心に決めました。私自身のため、そして私たちの子孫たちのために。\n私は、闘い（戦争）と恐怖（攻撃と守りの恐怖）を、心の中に決して起こさせないことを決意しています。\n私は、私たち一人ひとりが、同様の、最高の、完璧な力を持つことを宣言します。\nそして私は揺るぎない意志で、この掟を定めました。\n私の生命の統治は、私自身が信頼を通して認識した神によっています。神の権威は心の中に在り、そこから行使され、私たち全員にその恵みが分かち合われ、祝福されています。\nこれは、全員がもつ原則であり、この掟は、この原則に基づいています。\n私は、これに反するいかなる法、“常識”、葛藤、攻撃を排除します。\n私は、神の中で、永遠の平和に留まります。\n私は、人と人との友好関係を司っているこの聖なるものをいつも自覚していたい。\n私は、世界中の人々の同様の思いを信頼し、私たちの安全と存続を決意しています。\n平和を守り、専制、奴隷制、圧制、偏狭を追放しようとしているこの地上で、私は、誇り高くいたいと願っています。\n世界中の人々が、恐怖も欠乏もない、平和な暮らしの権利を持っていることを私は認識しています。\n私は、地球上のどこに暮らしていても、常にすべての国、人々と共にあるという法が通用しない場所はないと知っています。自身の主権を保ち、すべての人々と対等な関係を築こうとする私たちにとって、この掟に従うことは生命の土台なのだと、私は認識しています。\n私は、自身の生命を賭けて、全力で、この目的を日々忘れず、日々達成することを、ここに誓います。 \nこの文章は、香咲弥須子さんが、昨年福岡セミナーでお話しされた『掟』について、香咲さんのnoteに記された内容です。\n東京が開催の拠点として当たり前だった香咲弥須子セミナー。初めて福岡に会場を移し、2日間にわたり開催された去年の秋。日本全国からお集まりいただき、ありがとうございました。\n今春は東京・山陰で開催され、そして秋は、また福岡での開催が決まりました。\n昨年、香咲さんのお話しの中での『掟』が心に残った方は大勢いらっしゃるのではないでしょうか。\n以前、香咲さんが「本気でやりましょうよ」と言われた言葉が、心に残り、本気でやるとは、どういうことなのかを考えました。その答えは、「愛だけを見る」愛以外のものは存在しないのです。でも、「…とは言ってもね…」という出来事が起こる！という話しになりました。\nそして、そのセミナーの中で『掟』という言葉を使って、お話をされました。\nその後、香咲さんのnoteを読んだ私は、ブレることのない、力強さを感じました。\n今年は、続『掟』と題して、「真の自分自身の掟」を心に決めるために、あふれんばかりの《愛》を皆さんと一緒に受け取りたいです。\n私はシェア会を開催していますが、日常のいろいろな出来事は《愛》しかないことを思い出す時間になっています。私たちは、ひとりではありません。ひとつです。分かち合う中で、信頼が深まり、愛が広がります。\n愛❤️心はひとつ\n『あなたが愛の使者、愛の旅人であるならば、あなたの人生風景は、どんなものになるのでしょうか。』 \n\n是非、福岡にお集まりください。\n香咲弥須子福岡セミナー\nオーガナイザー：寺﨑史子 \n〜　〜　・　〜　〜　・　〜　〜　・　〜　〜　・　〜　〜　 \n【日　時】11月30日(土)\n開始 13:00、終了 16:30(ドアクローズ) 15分くらい休憩が入ります。 \n【会　場】リファレンス大博多ビル貸会議室 11階：1123号室　 アクセス \n【参加費】 20\,000円 \nお申し込みは、\n＊ スマートフォン用フォーム   \n＊ パソコン用フォーム\nご予約受付中です！ \nセミナー終了後17:00より、同ビル12階：頤和園にて懇親会(自由参加)\n参加費：5\,000円 \n\n〜　〜　・　〜　〜　・　〜　〜　・　〜　〜　・　〜　〜 \nご不明な点など、お問い合わせは、 \nacimfukuoka@gmail.com　寺﨑史子まで
URL:https://jp.crsny.org/index.php/event/20241130-fukuoka-seminar/
LOCATION:リファレンス大博多ビル貸会議室\, Fukuoka\, 812-0011\, Japan
GEO:33.5926053;130.4157339
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T193000
DTEND;TZID=America/New_York:20241210T203000
DTSTAMP:20260404T054739
CREATED:20241103T201614Z
LAST-MODIFIED:20241205T210240Z
UID:23163-1733859000-1733862600@jp.crsny.org
SUMMARY:Crossing Boundaries 23: “Unfolding Circle” by Oto Mugen
DESCRIPTION:CRS (Center for Remembering & Sharing) presents  \nCrossing Boundariesコンサートシリーズ　Vol.23：“Unfolding Circle”by Oto MugenをJazz Galleryにて開催します。Remaー蓮見令麻 （作曲、ピアノ、キーボード、ヴォーカル）を中心に、アダム・レイン（アコースティック・ベース）、ランディ・ピーターソン（ドラムス）のトリオは、聴く者を内省的な瞑想から変容的なカタルシスへと優しく導く多様なサウンドスケープを作り出し、没入感のある聴覚の旅を演出します。どうぞ、お楽しみに！ \nSets start at 7:30 and 9 pm and one ticket is good for either set or both. Drinks are available in the Jazz Gallery lounge before and after each set. \nThe audience will experience fleeting yet profound interplay between tension and release\, chaos and calm. The concert creates a space where we share a moment of unfolding\, where what we carry transforms in the presence of collective experience. \nOto Mugen\nThe group came together in 2022 as a project led by Rema Hasumi (piano\, synthesizers\, voice)\, joined by Randy Peterson (drums) and Adam Lane(acoustic bass). Hasumi and Peterson had previously collaborated on an album\, during which they developed a distinct approach to improvisational interplay. The name “Oto Mugen\,” meaning “infinite sounds” in Japanese\, reflects the group’s vision of crafting boundless soundscapes that push the edges of musical exploration\, venturing into uncharted sonic territories. \nRema Hasumi is a New York-based sound designer and improviser whose eclectic background spans classical\, jazz\, and experimental music. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Her musical influences range from Alice Coltrane and Sun Ra to Masabumi Kikuchi\, Paul Bley\, and Ran Blake\, among others. \nhttp://rema-hasumi.com/ \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-23-unfolding-circle-by-oto-mugen-tickets-1044380990657\n \nVENUE LOCATION:\nThe Jazz Gallery\n1158 Broadway 5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located on the northeast corner of Broadway and 27th Street. \nNEAREST SUBWAY STATIONS:\n28th Street R/W\n23rd Street F/M\n23rd Street or 33rd Street 4/6 \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT CROSSING BOUNDARIES CO-FOUNDER GAMIN \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure\, Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. \ngaminmusic.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-23-20241210/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/11/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T210000
DTEND;TZID=America/New_York:20241210T220000
DTSTAMP:20260404T054739
CREATED:20241204T232336Z
LAST-MODIFIED:20241204T233523Z
UID:23171-1733864400-1733868000@jp.crsny.org
SUMMARY:Crossing Boundaries 23: “Unfolding Circle” by Oto Mugen
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series vol. 23: “Unfolding Circle”by Oto Mugen. Led by Rema Hasumi (composition\, piano\, keyboards\, vocals) with Adam Lane on acoustic bass and Randy Peterson on drums\, the trio curates an immersive auditory journey\, crafting a diverse array of soundscapes that gently lead listeners from introspective meditation to transformative catharsis. \nSets start at 7:30 and 9 pm and one ticket is good for either set or both. Drinks are available in the Jazz Gallery lounge before and after each set. \nThe audience will experience fleeting yet profound interplay between tension and release\, chaos and calm. The concert creates a space where we share a moment of unfolding\, where what we carry transforms in the presence of collective experience. \nOto Mugen\nThe group came together in 2022 as a project led by Rema Hasumi (piano\, synthesizers\, voice)\, joined by Randy Peterson (drums) and Adam Lane(acoustic bass). Hasumi and Peterson had previously collaborated on an album\, during which they developed a distinct approach to improvisational interplay. The name “Oto Mugen\,” meaning “infinite sounds” in Japanese\, reflects the group’s vision of crafting boundless soundscapes that push the edges of musical exploration\, venturing into uncharted sonic territories. \nRema Hasumi is a New York-based sound designer and improviser whose eclectic background spans classical\, jazz\, and experimental music. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Her musical influences range from Alice Coltrane and Sun Ra to Masabumi Kikuchi\, Paul Bley\, and Ran Blake\, among others. \nhttp://rema-hasumi.com/ \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-23-unfolding-circle-by-oto-mugen-tickets-1044380990657\n \nVENUE LOCATION:\nThe Jazz Gallery\n1158 Broadway 5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located on the northeast corner of Broadway and 27th Street. \nNEAREST SUBWAY STATIONS:\n28th Street R/W\n23rd Street F/M\n23rd Street or 33rd Street 4/6 \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT CROSSING BOUNDARIES CO-FOUNDER GAMIN \ngamin (b. 1976 – also known as Gamin Kang) is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure\, Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. \ngamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021-2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. \ngaminmusic.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-23-20241210-2/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2024/11/image.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241231T170000
DTEND;TZID=America/New_York:20241231T170000
DTSTAMP:20260404T054739
CREATED:20241205T195747Z
LAST-MODIFIED:20241205T195747Z
UID:23176-1735664400-1735664400@jp.crsny.org
SUMMARY:2024年 年末特別瞑想会
DESCRIPTION:＊＊年末特別瞑想会＊＊\n香咲弥須子によるガイド瞑想（英語） \n12月31日（火）午後5時より、CRS創設者の香咲弥須子による年末恒例のガイド付き瞑想会に参加しませんか？\n平和な心で新しい年をはじめましょう。 \nスペースに限りがあるため、お申し込みが必要です。参加ご希望の方は、etsuko@crsny.org までメールでお申し込みください。 \n  \n私たちが何者であるかを思い出すために静寂の中で心を合わせ、澄んだ心と愛だけを見て、分かち合うという新たな意図を持って\n新しい年を始める準備をしましょう。 \nWhat would love have me do?\nWhere would love have me go?\nWhat would love have me say\, and to whom?
URL:https://jp.crsny.org/index.php/event/2024maditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2021/12/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241231T170000
DTEND;TZID=America/New_York:20241231T180000
DTSTAMP:20260404T054739
CREATED:20241206T171817Z
LAST-MODIFIED:20241206T171817Z
UID:23182-1735664400-1735668000@jp.crsny.org
SUMMARY:2024年 年末特別瞑想会
DESCRIPTION:＊＊年末特別瞑想会＊＊\n香咲弥須子によるガイド瞑想（英語） \n12月31日（火）午後５時より、香咲弥須子による年末恒例のガイド付き瞑想会に参加しませんか？ \n  \n私たちが何者であるかを思い出すために静寂の中で心を合わせ、澄んだ心と愛だけを見て、分かち合うという新たな意図を持って\n新しい年を始める準備をしましょう。 \nWhat would love have me do?\nWhere would love have me go?\nWhat would love have me say\, and to whom? \nスペースに限りがあるため、お申し込みが必要です。参加ご希望の方は、etsuko@crsny.org までメールでお申し込みください。 \n  \n 
URL:https://jp.crsny.org/index.php/event/20241231meditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2021/12/image.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250126T143000
DTEND;TZID=America/New_York:20250126T160000
DTSTAMP:20260404T054739
CREATED:20250107T174019Z
LAST-MODIFIED:20250107T174517Z
UID:23191-1737901800-1737907200@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は２時30分から始まります。その後ヒーリングを行います。（4時ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊ヒーリングクリニックはお席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n注：CRSの住所が変わっています。お間違いのないようにお願いします。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/20250126healingclinic/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250302T143000
DTEND;TZID=America/New_York:20250302T160000
DTSTAMP:20260404T054739
CREATED:20250219T174641Z
LAST-MODIFIED:20250219T215437Z
UID:23260-1740925800-1740931200@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は２時30分から始まります。その後ヒーリングを行います。（4時ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊ヒーリングクリニックはお席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/20250302healing-clinic/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250420
DTEND;VALUE=DATE:20250421
DTSTAMP:20260404T054739
CREATED:20250217T152531Z
LAST-MODIFIED:20250321T144959Z
UID:23209-1745107200-1745193599@jp.crsny.org
SUMMARY:2025春の香咲弥須子ACIMセミナー《大阪》　
DESCRIPTION:《 主催：CRS ニューヨーク 》 2025春の香咲弥須子ACIMセミナー《大阪》　\n2025/ 4/20(日) \n「奇跡のコース」「奇跡講座」\n第一部：セミナー/第二部：オリジナルワークを中心に、質疑応答・瞑想・ワークで構成されます。\n会場開催ならではの、奇跡を経験したい！もれなくご参加くだされば嬉しいです。 \n《 講師：香咲弥須子より 》 \n普段ニューヨークにいる私ですが、オンラインでは毎週、世界に散らばる大勢の日本人の皆さんと、『奇跡のコース』を学んでいます。 \nようやく年に２回の日本滞在中にのみ可能な、会場開催のご案内時期がやってまいりました。 \n『奇跡のコース』をつい最近発見した方、着実に学びを続けている方、ゆっくりペースの方、\nどなたさまとも、直接会って深く感じ合える機会を、私もとても楽しみにしています。 \n私は英語でもいくつかの枠で教えていますが、2025年上半期、焦点を合わせたいのは、\n自身のモラルと秩序をはっきりと持って生きる、ということです。そして、会場では、\n特に、一人一人が「今人生のどの地点にいるか」「自身のモラルと秩序は、\n今具体的にどこに自分を向かわせようとしているか、何をさせようとしているか」という問いに答えを得ることを目標にしたいと思っています。 \nレクチャーで、『奇跡のコース』がどんな指針を示しているか、今の混迷の時代に、私自身が何を心がけ、 \n経験しているかということをお話させていただきます。 \nまた、第二部での、瞑想やスピリチュアル・リーディング等の楽しい練習を通して、 \n参加者の皆さんからも欲しかった答えを受け取れるでしょう。 \n事前に参加者の皆さんからご質問を募り、それに即して洞察を深めることにも時間を割くつもりです。 \n世界を見わたせば、混迷の極み。それが幻想に過ぎないならば、それは容易く姿を変えることができるはず。 \nその経験を持たなければ、真実は本当には受け入れられず、また、真実からみる意欲を持たなければ、 \n幻想の変わりやすさを経験することは難しいでしょう。 \n人生の”試練”を、深刻に抱える代わりに、真剣に解決する一日を、ぜひ分かち合いましょう。 \n香咲弥須子 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n《 ファシリテーター：黒河未紀より 》 \n昨秋に続き、今春もこの大阪の地でみなさんをお迎えできること･･･先ずはその喜びを言葉にしたいと感じます。\n私は、奇跡のコースに出会った以降、圧倒的に変わったと感じることがあります。\nそれは《どんな時も心を見ること》\nこれまで、ずっと外を向いていた矢印が、内を向くようになりました。 \n外側（人や状況）を変えようとするのではなく《私はここに何を見て、何を叫んでいるんだろう･･･》心をホーリースピリットと一緒に見る。\nいつ何時も、それだけに取り組むようになりました。 \n差し出し、祈り、誤った見方を入れ替えてもらう･･･。\nそこにこそただひとつの解決法と、確実な癒しがあることを経験し続けてきました。 \nそして、この歩みは《兄弟の存在》が必須です。\n昨秋より、関西セミナーのファシリテーターの役割を得、この冬は「フォローアップ・オンラインの会」を定期的に開催させていただき、\nみなさんと共に〝こんな景色を見せてもらえるんだ･･･！〟そんな体験を重ね続けてきました。\nまたメールのやり取りを通じても〝わたしたちは確かに繋がっている…〟その実証を目撃し続けています。 \n今回も、どなた様にもお伝えしたい。「この輪に加わってくださいませんか？」\nあなたと経験したい。あなたと一緒に目撃したい。それが私たち全員の真の願いです。 \n《奇跡を受け取っていくことを、私自身にゆるす》フレンズと一緒だからこそ、踏み出し続けることができる一歩を、ご一緒しましょう！ \nこれは昨秋届いた実際のお声です。\n「久しぶりのセミナー参加に緊張していたけれど、会場に入った瞬間、温かいものに包まれた感覚がしてホッとしました」 \nこの春も、新大阪駅からすぐの会場で、みなさんのお越しを事務局の久保田智子さんと共に両手を広げてお迎えします。\nどうぞ、真のあなたを目撃させてください。何にも変えがたい宝を共に受け取りたい。\nみなさんの一歩を心からお待ちしています。\n黒河 未紀\n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n【日　時】 4月20日(日)\n第一部＜セミナー＞12:00-14:30\n休憩 / ヒーリング体験会\n第二部＜ワーク＞ 15:00-17:00(ドアクローズ) \nお申込み受付は、3/21(金)からとなります。\n【参加費】25\,000円 \n【会 場】　新大阪駅前　CIVI研修センター新大阪東　6階 　E605室\nアクセス \n＊会場参加のみ、ライブ配信はありません。 \n＊ 休憩時間にヒーリング体験会開催\n※ヒーリング体験については、こちら をご参照ください。 \n今春も関西・東京共に”テーマ”は同じですけれど、参加されるみなさんによって、\n香咲弥須子さんのレクチャーやワークは違っていきます。今回は開催地毎にご質問を募りますから、\nお時間のある方は、両方を体験なさってください。 \n予約受付中\n予約フォーム \n＊ ACIMセミナーに関するお問い合わせ先＊\nkansai.yasukokasaki@gmail.com\nファシリテーター：黒河未紀 \n＊第一部のみ参加をご希望の方のお問い合わせ先＊\ninfo@acim-yasukokasaki.net　\nオンラインコース第八期/テキスト精読コースについては、\nacim@yasukokasaki.org\n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2025spring-osaka-seminar/
LOCATION:CIVI研修センター新大阪東\, 大阪市東淀川区東中島1-19-4\, 533-0033\, Japan
CATEGORIES:ACIM-Related Event,CRS Presents,In Japan
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2025/02/8e9d3fdf7c5f8944a3b72966fc599bb7.jpeg
GEO:34.7335087;135.5025831
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CIVI研修センター新大阪東 大阪市東淀川区東中島1-19-4 533-0033 Japan;X-APPLE-RADIUS=500;X-TITLE=大阪市東淀川区東中島1-19-4:geo:135.5025831,34.7335087
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250425T193000
DTEND;TZID=America/New_York:20250425T210000
DTSTAMP:20260404T054739
CREATED:20250317T152843Z
LAST-MODIFIED:20250328T155926Z
UID:23269-1745609400-1745614800@jp.crsny.org
SUMMARY:CRS at La Mama Moves! ダンス・フェスティバル: Please Cry by 朶恵（Megumi Eda)
DESCRIPTION:CRS (Center for Remembering & Sharing) は、今年も La Mama Moves! ダンス フェスティバルに参加します。\n今年は、ベルリンを拠点とするアーティスト 朶恵 が創作、演じるソロ ダンス/シアター作品 Please Cry の米国初演を共同で行います。\n公演は、4 月 25 日と 26 日の午後 7 時 30 分に The Club at La Mama で、4 月 27 日の午後 3 時には、Alexis Chartrand と Nic Gareiss との共同プログラムで行われます。 \nThe Club\n74 East 4th Street、2階\nニューヨーク、NY 10003 \nチケット:\n大人: 30ドル\n学生/シニア: 25ドル\n*最初の 10 枚のチケットは 10 ドル (1 人あたり 2 枚まで)\n2 公演、3 公演、5 公演のパッケージをご用意しています。詳細は下記チケットリンクからお確かめください。 \nチケットリンク: https://www.lamama.org/chartrand-gareiss-megumi-eda/ \nCRS (Center for Remembering & Sharing) is honored to participate once again in the La Mama Moves! Dance Festival. This year we co-present the US premiere of Please Cry\, a solo dance/theatre work created and performed by Berlin-based artist Megumi Eda with original music by Reiko Yamada and lighting by Clifton Taylor. Performances take place at The Club at La Mama on April 25 and 26 at 7:30 pm and on April 27 at 3 pm on a shared program with Alexis Chartrand & Nic Gareiss. \n“One day\, I discovered a photograph revealing that my grandmother had been a military nurse for Japan during World War II. Later\, I watched a documentary about a woman who\, like her\, had served in the war\, sharing long-buried trauma. Had my grandmother endured something similar? I don’t really know…” — Megumi Eda \nPlease Cry is a deeply personal solo performance blending dance\, live video\, and music to explore intergenerational trauma\, resilience\, and the lingering impact of war. Inspired by the silence surrounding Megumi’s grandmother’s past\, the piece expresses how unspoken histories echo across generations. Through movement\, Megumi seeks to embody these inherited emotions\, giving form to what words cannot express. War’s trauma is never just history—it lingers\, passed down like an unbroken chain. \nThe 80th anniversary of the end of WWII is fast approaching. The number of people who experienced the war personally is dwindling. Their memories are passing into history. We at CRS choose to share this powerful meditation on the multigenerational traumas of war so that those who have not known war can better relate and\, hopefully\, choose to stand for peace. \nThe premiere of Please Cry in 2022 was co-produced by Megumi Eda and DOCK ART\, funded by the Senate Department for Culture and Europe\, and supported by Tir Danza. https://www.tirdanza.it/megumi-eda/ The NY production is made possible by a travel grant from CRS. \n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” — Laurie Anderson \nMegumi Eda is a dancer and filmmaker creating multimedia works at the intersection of theater\, dance\, and film. She began her career at 17 with the Hamburg Ballet\, later joining the Dutch National Ballet and Rambert Dance Company. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance\, collaborating on over a dozen new works and winning the Bessie Award that year. Her long-term collaboration with Yoshiko Chuma has led to innovative performance projects. Now based in Berlin\, she focuses on exploring Multi-Generational War Trauma\, Women’s Rights\, and Institutional Abuse in the Dance World through works like fish άɪ lens (2025)\, Please Cry (2022)\, and DIVINE (2023) with Yuko Kaseki. \nhttps://megumieda.com \nLa MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nhttps://www.lamama.org/la-mama-moves-2025/ \n 
URL:https://jp.crsny.org/index.php/event/la-mama20250425/
LOCATION:La Mama Etc.\, 74 East 4th Street\, 2nd floor New York\, United States\, NY\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2025/03/250425-please-cry-pr-1-bernd-kumar-small-1400x.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.7263774;-73.990137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=La Mama Etc. 74 East 4th Street 2nd floor New York United States NY NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=74 East 4th Street\, 2nd floor New York\, United States:geo:-73.990137,40.7263774
END:VEVENT
END:VCALENDAR