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DTSTART;TZID=America/New_York:20250425T193000
DTEND;TZID=America/New_York:20250425T210000
DTSTAMP:20260403T190439
CREATED:20250317T152843Z
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SUMMARY:CRS at La Mama Moves! ダンス・フェスティバル: Please Cry by 朶恵（Megumi Eda)
DESCRIPTION:CRS (Center for Remembering & Sharing) は、今年も La Mama Moves! ダンス フェスティバルに参加します。\n今年は、ベルリンを拠点とするアーティスト 朶恵 が創作、演じるソロ ダンス/シアター作品 Please Cry の米国初演を共同で行います。\n公演は、4 月 25 日と 26 日の午後 7 時 30 分に The Club at La Mama で、4 月 27 日の午後 3 時には、Alexis Chartrand と Nic Gareiss との共同プログラムで行われます。 \nThe Club\n74 East 4th Street、2階\nニューヨーク、NY 10003 \nチケット:\n大人: 30ドル\n学生/シニア: 25ドル\n*最初の 10 枚のチケットは 10 ドル (1 人あたり 2 枚まで)\n2 公演、3 公演、5 公演のパッケージをご用意しています。詳細は下記チケットリンクからお確かめください。 \nチケットリンク: https://www.lamama.org/chartrand-gareiss-megumi-eda/ \nCRS (Center for Remembering & Sharing) is honored to participate once again in the La Mama Moves! Dance Festival. This year we co-present the US premiere of Please Cry\, a solo dance/theatre work created and performed by Berlin-based artist Megumi Eda with original music by Reiko Yamada and lighting by Clifton Taylor. Performances take place at The Club at La Mama on April 25 and 26 at 7:30 pm and on April 27 at 3 pm on a shared program with Alexis Chartrand & Nic Gareiss. \n“One day\, I discovered a photograph revealing that my grandmother had been a military nurse for Japan during World War II. Later\, I watched a documentary about a woman who\, like her\, had served in the war\, sharing long-buried trauma. Had my grandmother endured something similar? I don’t really know…” — Megumi Eda \nPlease Cry is a deeply personal solo performance blending dance\, live video\, and music to explore intergenerational trauma\, resilience\, and the lingering impact of war. Inspired by the silence surrounding Megumi’s grandmother’s past\, the piece expresses how unspoken histories echo across generations. Through movement\, Megumi seeks to embody these inherited emotions\, giving form to what words cannot express. War’s trauma is never just history—it lingers\, passed down like an unbroken chain. \nThe 80th anniversary of the end of WWII is fast approaching. The number of people who experienced the war personally is dwindling. Their memories are passing into history. We at CRS choose to share this powerful meditation on the multigenerational traumas of war so that those who have not known war can better relate and\, hopefully\, choose to stand for peace. \nThe premiere of Please Cry in 2022 was co-produced by Megumi Eda and DOCK ART\, funded by the Senate Department for Culture and Europe\, and supported by Tir Danza. https://www.tirdanza.it/megumi-eda/ The NY production is made possible by a travel grant from CRS. \n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” — Laurie Anderson \nMegumi Eda is a dancer and filmmaker creating multimedia works at the intersection of theater\, dance\, and film. She began her career at 17 with the Hamburg Ballet\, later joining the Dutch National Ballet and Rambert Dance Company. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance\, collaborating on over a dozen new works and winning the Bessie Award that year. Her long-term collaboration with Yoshiko Chuma has led to innovative performance projects. Now based in Berlin\, she focuses on exploring Multi-Generational War Trauma\, Women’s Rights\, and Institutional Abuse in the Dance World through works like fish άɪ lens (2025)\, Please Cry (2022)\, and DIVINE (2023) with Yuko Kaseki. \nhttps://megumieda.com \nLa MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nhttps://www.lamama.org/la-mama-moves-2025/ \n 
URL:https://jp.crsny.org/index.php/event/la-mama20250425/
LOCATION:La Mama Etc.\, 74 East 4th Street\, 2nd floor New York\, United States\, NY\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20250426T193000
DTEND;TZID=America/New_York:20250426T210000
DTSTAMP:20260403T190439
CREATED:20250317T153053Z
LAST-MODIFIED:20250317T153053Z
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SUMMARY:CRS at La Mama Moves! Dance Festival: Please Cry by Megumi Eda
DESCRIPTION:CRS (Center for Remembering & Sharing) is honored to participate once again in the La Mama Moves! Dance Festival. This year we co-present the US premiere of Please Cry\, a solo dance/theatre work created and performed by Berlin-based artist Megumi Eda with original music by Reiko Yamada and lighting by Clifton Taylor. Performances take place at The Club at La Mama on April 25 and 26 at 7:30 pm and on April 27 at 3 pm on a shared program with Alexis Chartrand & Nic Gareiss. \n“One day\, I discovered a photograph revealing that my grandmother had been a military nurse for Japan during World War II. Later\, I watched a documentary about a woman who\, like her\, had served in the war\, sharing long-buried trauma. Had my grandmother endured something similar? I don’t really know…” — Megumi Eda \nPlease Cry is a deeply personal solo performance blending dance\, live video\, and music to explore intergenerational trauma\, resilience\, and the lingering impact of war. Inspired by the silence surrounding Megumi’s grandmother’s past\, the piece expresses how unspoken histories echo across generations. Through movement\, Megumi seeks to embody these inherited emotions\, giving form to what words cannot express. War’s trauma is never just history—it lingers\, passed down like an unbroken chain. \nThe 80th anniversary of the end of WWII is fast approaching. The number of people who experienced the war personally is dwindling. Their memories are passing into history. We at CRS choose to share this powerful meditation on the multigenerational traumas of war so that those who have not known war can better relate and\, hopefully\, choose to stand for peace. \nThe Club\n74 East 4th Street\, 2nd floor\nNew York\, NY 10003 \nTickets:\nAdults: $30\nStudents/Seniors: $25\nFirst 10 tickets are $10 (limit 2 per person)\nTicket link: https://www.lamama.org/chartrand-gareiss-megumi-eda/ \nThe premiere of Please Cry in 2022 was co-produced by Megumi Eda and DOCK ART\, funded by the Senate Department for Culture and Europe\, and supported by Tir Danza. https://www.tirdanza.it/megumi-eda/ The NY production is made possible by a travel grant from CRS. \n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” — Laurie Anderson \nMegumi Eda is a dancer and filmmaker creating multimedia works at the intersection of theater\, dance\, and film. She began her career at 17 with the Hamburg Ballet\, later joining the Dutch National Ballet and Rambert Dance Company. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance\, collaborating on over a dozen new works and winning the Bessie Award that year. Her long-term collaboration with Yoshiko Chuma has led to innovative performance projects. Now based in Berlin\, she focuses on exploring Multi-Generational War Trauma\, Women’s Rights\, and Institutional Abuse in the Dance World through works like fish άɪ lens (2025)\, Please Cry (2022)\, and DIVINE (2023) with Yuko Kaseki. \nhttps://megumieda.com \nLa MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nhttps://www.lamama.org/la-mama-moves-2025/ \n 
URL:https://jp.crsny.org/index.php/event/la-mama20250426/
LOCATION:La Mama Etc.\, 74 East 4th Street\, 2nd floor New York\, United States\, NY\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20250427T153000
DTEND;TZID=America/New_York:20250427T170000
DTSTAMP:20260403T190439
CREATED:20250317T153321Z
LAST-MODIFIED:20250317T153321Z
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SUMMARY:CRS at La Mama Moves! Dance Festival: Please Cry by Megumi Eda
DESCRIPTION:CRS (Center for Remembering & Sharing) is honored to participate once again in the La Mama Moves! Dance Festival. This year we co-present the US premiere of Please Cry\, a solo dance/theatre work created and performed by Berlin-based artist Megumi Eda with original music by Reiko Yamada and lighting by Clifton Taylor. Performances take place at The Club at La Mama on April 25 and 26 at 7:30 pm and on April 27 at 3 pm on a shared program with Alexis Chartrand & Nic Gareiss. \n“One day\, I discovered a photograph revealing that my grandmother had been a military nurse for Japan during World War II. Later\, I watched a documentary about a woman who\, like her\, had served in the war\, sharing long-buried trauma. Had my grandmother endured something similar? I don’t really know…” — Megumi Eda \nPlease Cry is a deeply personal solo performance blending dance\, live video\, and music to explore intergenerational trauma\, resilience\, and the lingering impact of war. Inspired by the silence surrounding Megumi’s grandmother’s past\, the piece expresses how unspoken histories echo across generations. Through movement\, Megumi seeks to embody these inherited emotions\, giving form to what words cannot express. War’s trauma is never just history—it lingers\, passed down like an unbroken chain. \nThe 80th anniversary of the end of WWII is fast approaching. The number of people who experienced the war personally is dwindling. Their memories are passing into history. We at CRS choose to share this powerful meditation on the multigenerational traumas of war so that those who have not known war can better relate and\, hopefully\, choose to stand for peace. \nThe Club\n74 East 4th Street\, 2nd floor\nNew York\, NY 10003 \nTickets:\nAdults: $30\nStudents/Seniors: $25\nFirst 10 tickets are $10 (limit 2 per person)\nTicket link: https://www.lamama.org/chartrand-gareiss-megumi-eda/ \nThe premiere of Please Cry in 2022 was co-produced by Megumi Eda and DOCK ART\, funded by the Senate Department for Culture and Europe\, and supported by Tir Danza. https://www.tirdanza.it/megumi-eda/ The NY production is made possible by a travel grant from CRS. \n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” — Laurie Anderson \nMegumi Eda is a dancer and filmmaker creating multimedia works at the intersection of theater\, dance\, and film. She began her career at 17 with the Hamburg Ballet\, later joining the Dutch National Ballet and Rambert Dance Company. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance\, collaborating on over a dozen new works and winning the Bessie Award that year. Her long-term collaboration with Yoshiko Chuma has led to innovative performance projects. Now based in Berlin\, she focuses on exploring Multi-Generational War Trauma\, Women’s Rights\, and Institutional Abuse in the Dance World through works like fish άɪ lens (2025)\, Please Cry (2022)\, and DIVINE (2023) with Yuko Kaseki. \nhttps://megumieda.com \nLa MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nhttps://www.lamama.org/la-mama-moves-2025/ \n 
URL:https://jp.crsny.org/index.php/event/la-mama20250427/
LOCATION:La Mama Etc.\, 74 East 4th Street\, 2nd floor New York\, United States\, NY\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250511
DTEND;VALUE=DATE:20250512
DTSTAMP:20260403T190439
CREATED:20250217T150632Z
LAST-MODIFIED:20250321T145415Z
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SUMMARY:2025春の香咲弥須子ACIMセミナー《東京》
DESCRIPTION:《 主催：CRS ニューヨーク 》 2025春の香咲弥須子ACIMセミナー《東京》 \n奇跡のコース」「奇跡講座」\n第一部：セミナー/第二部：オリジナルワークを中心に、質疑応答・瞑想・ワークで構成されます。\n会場開催ならではの、奇跡を経験したい！もれなくご参加くだされば嬉しいです。 \n《講師：香咲弥須子より》\n普段ニューヨークにいる私ですが、オンラインでは毎週、世界に散らばる大勢の日本人の皆さんと、『奇跡のコース』を学んでいます。\nようやく年に２回の日本滞在中にのみ可能な、会場開催のご案内時期がやってまいりました。 \n『奇跡のコース』をつい最近発見した方、着実に学びを続けている方、ゆっくりペースの方、\nどなたさまとも、直接会って深く感じ合える機会を、私もとても楽しみにしています。 \n私は英語でもいくつかの枠で教えていますが、2025年上半期、焦点を合わせたいのは、\n自身のモラルと秩序をはっきりと持って生きる、ということです。\nそして、会場では、特に、一人一人が「今人生のどの地点にいるか」「自身のモラルと秩序は、\n今具体的にどこに自分を向かわせようとしているか、何をさせようとしているか」という問いに答えを得ることを目標にしたいと思っています。 \nレクチャーで、『奇跡のコース』がどんな指針を示しているか、今の混迷の時代に、私自身が何を心がけ、 \n経験しているかということをお話させていただきます。 \nまた、第二部での、瞑想やスピリチュアル・リーディング等の楽しい練習を通して、 \n参加者の皆さんからも欲しかった答えを受け取れるでしょう。 \n事前に参加者の皆さんからご質問を募り、それに即して洞察を深めることにも時間を割くつもりです。 \n世界を見わたせば、混迷の極み。それが幻想に過ぎないならば、それは容易く姿を変えることができるはず。 \nその経験を持たなければ、真実は本当には受け入れられず、また、真実からみる意欲を持たなければ、 \n幻想の変わりやすさを経験することは難しいでしょう。 \n人生の”試練”を、深刻に抱える代わりに、真剣に解決する一日を、ぜひ分かち合いましょう。 \n香咲弥須子 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・\n《ファシリテーター佐藤直子より 》\nわたしは、長年香咲弥須子さんのもとで奇跡のコースの学びを重ねています。\nその傍らで、年齢性別、国籍文化もさまざまな人たちがいる会社に参加し、心に起こる思いを繋がりに身を委ね学び手(=受けとる)の経験も重ねています。\nこの経験によってもたらされる嬉しい発見、繋がることの喜び、そして相手と自分に対しての敬意を深く実感できることが何より嬉しく感じています。 \n～繋がることは、もう一人の人と、今、澄みわたる大空を眺められるかの心境(癒し)を感じ得ること～\nこれを、わたしは奇跡のコースによって、そして香咲弥須子さんから教わりました。\n理屈で説明できない確かさを実感できる…こういう意味で、一生学び手（＝受けとるもの）であると心得ています。\nこの春、会場でご一緒に、澄みわたる大空を眺めてみたい～そして心が自由であることを喜び合いたい～これが確かなのだとめいっぱい受けとり合いたい～という思いで、皆さんをお迎えします。 \n＜第一部＞では、奇跡のコースを生きていらっしゃる香咲弥須子さんならではのお話しをしていただきます。\nまた、日頃感じているご質問を事前に募り、そこにフォーカスしたお話しも盛り込んでいただきます。\n＜第二部＞では、ＮＹでも定期的にやっていらっしゃる誘導による瞑想やワークをみんなで体験し、\n身体感覚を超えた体験によってもたらされる気づきを、経験し分かち合いましょう。\nその他、奇跡のコースの学びを重ねているヒーラーによる＜ヒーリング体験会＞も開きます♪ \n奇跡のコースをこれから始める方も、初めて知りましたという方も、そして全く知らない方でも心配は無用です。\n今を生きるわたし達に、たくさんのヒントと実感を、ご一緒しましょう！ \n誰とでも、今、心の目に見えてくる澄みわたる大空を、一緒に、遥か遠くまで見通せたとき、わたし達の心はどんな実感を得られるのか…?!\nこれが香咲弥須子ACIMセミナー＜東京＞のライブならではの醍醐味であり、わたしが皆さんとご一緒したいお勧めの心の経験です！\n是非、会場でお待ちしています。\n佐藤直子\n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・\n【日　時】 5月11日(日)\n第一部＜セミナー＞12:00-14:30\n休憩 / ヒーリング体験会\n第二部＜ワーク＞ 15:00-17:00(ドアクローズ) \n一般のお申し込みは、3/21(金)からとなります。\n【参加費】25\,000円 \n【会 場】四ツ谷　プラザエフ ９階　スズラン\nアクセス \n＊会場参加のみ、ライブ配信はありません。 \n＊ 休憩時間にヒーリング体験会開催\n※ヒーリング体験については、こちら をご参照ください。 \n今春も関西・東京共に”テーマ”は同じですけれど、参加されるみなさんによって、\n香咲弥須子さんのレクチャーやワークは違っていきます。今回は開催地毎にご質問を募りますから、\nお時間のある方は、両方を体験なさってください。 \n予約受付中\n予約フォーム \n＊ACIMセミナーに関するお問い合わせ先＊\nseminar@crsny.org\nファシリテーター：佐藤直子 \n＊第一部のみ参加をご希望の方のお問い合わせ先＊\ninfo@acim-yasukokasaki.net　\nオンラインコース第八期/テキスト精読コースについては、\nacim@yasukokasaki.org\n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2025spring-tokyo-seminar/
LOCATION:四ツ谷　プラザエフ\, 〒102-0085 東京都千代田区六番町15番地\, 〒102-0085\, Japan
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DTSTART;VALUE=DATE:20250721
DTEND;VALUE=DATE:20250727
DTSTAMP:20260403T190439
CREATED:20250625T140700Z
LAST-MODIFIED:20250719T000137Z
UID:23340-1753056000-1753574399@jp.crsny.org
SUMMARY:「Life Is Art Is Motherhood Is Art 」展覧会
DESCRIPTION:  \nCRSでは、Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltounト（アメリカ）、Satomi Shirai・白井里実（日本）の母である5人のアーティストによる展覧会「Life Is Art Is Motherhood Is Art」を開催します。CRSの共同設立者であるクリストファー・ペルハムのキュレーションによるこの展覧会は、2025年7月21日から26日までニューヨークのTenri Cultural Instituteで開催されます。 \nこの展覧会では、世界中の母親アーティストによる心を動かす作品を紹介し、母性とアート制作の深い結びつきを探ります。さまざまな写真や2D作品を通して、働く母親アーティストが抱える課題を考え、母性や子育てそのものが創造的な行為であり、アートと切り離せない大切なものとして、愛情と尊敬、支援が必要だと感じていただければと思います。 \n展覧会スケジュール\nMonday\, July 21 – July 26\, 2025 (closed July 25)\nMon – Thu 12 – 6 pm\, Sat 12 – 3 pm \nTENRI GALLERY 所在地\nTenri Cultural Institute of New York\,\n43A W 13th St\, New York\, NY 10011\n212.645.2800 \n上記のギャラリー時間に加え、展覧会に関連して開催されるいくつかのレセプションやサロンでも展示をご覧いただけます。 \nJuly 21 7 pm　\nオープニングレセプション＆アーティストサロン\nアーティストのEunbi Kim（キム・ウンビ）によるライブ音楽＋Q&A \nJuly 23 7pm\nアーティストサロン\nアーティストのGoussy CelestinとAmma Whattによるライブ音楽＋アーティストおよび「This Is a Movement」共同創設者Niama Safia SandyとのQ&A \nJuly 24 7 pm\nアーティストサロン\nアーティストの Layale Chaker（バイオリン）とMaeve Gilchrist （ハープ）によるライブ音楽＋Q&A   \nJuly 26 3 pm ドアオープン / 3:30 pm プログラムスタート\nクロージングレセプション＆アーティストサロン\nSita Chay（バイオリン）とRema Hasumi（キーボード）によるライブ音楽＋展覧会アーティストとのQ&A＋作家でアーティストのLe Ly Hayslipによる「ベトナム戦争から学ばれなかった教訓」についてのトーク\nドリンクはLê Phin Vietnamese cafe提供   \n\nアーティストであることは、精神と感覚が生き生きと実験的に交錯する生活を送ることです。一方で、親であることは、原始的で触覚的、そして生命を肯定する豊かな経験です。なぜこの二つが今なお相容れないものと見なされるのでしょうか？\n— Jeffrey Boloten＆Juliet Hacking『How Not to Exclude Artist Mothers (and other parents)』序文\n\n男性に仕事と子育ての両立についてどのくらい尋ねますか？ 母親には芸術を創作する時間がない、または母性や子育ては創造的でない、あるいは芸術の主題として価値が低いと、どれほど頻繁に思い込んでいますか？ 妊娠や育児には時間とエネルギーが必要で、女性がその大きな役割を担うのは驚くことではありません。しかし、それだけでは、ギャラリーや美術館での母親や女性アーティストの作品が相対的に少ない理由を説明できません。実は、今日の美術学校では、卒業生の女性が男性を上回っています。女性アーティストが直面する多くの障壁が取り除ける可能性があると知れば、きっと心が躍るでしょう。\n\n親であることと仕事の両立の難しさは、どの職業の親にとっても課題ですが、芸術の世界は特に不安定です。非公式で一時的な関係性が多いこの世界では、雇用契約や産休、昇給、年金などの福利厚生はほとんど期待できません。展覧会やアーティスト・イン・レジデンスといった機会は稀で、時には一生に一度のチャンスです。創造性と家庭、どちらかを選ばなければならないのでしょうか？\n\n— Jeffrey Boloten＆Juliet Hacking『How Not to Exclude Artist Mothers (and other parents)』序文\n\n社会的な期待や偏見、制約が、母親の公共の場での創造的表現を抑圧してきたにもかかわらず、母親たちは常に創造力を発揮してきました。心を奪う芸術作品を生み出すには、他者が見過ごすものに目を向け、判断せずに受け止め、創造的に応答することが求められます。子育ても同じです。子どもをありのままに見つめ、誠実で想像力豊かに対応するプロセスです。どちらも直感的で、受け取り与える行為であり、無条件の愛に基づく創造的な実践です。\n\n「母性と芸術の実践は、互いを豊かにするものでなければなりません。社会は、この二つが調和し得ることをほとんど知りません。」\n—  Catherine Rickets\,『Artist/Mother Podcast: 160: The World Needs Art that Only Mothers Can Make with Catherine Ricketts』2024年11月4日\n\n私たちは、母親アーティストの感動的な芸術と人生、そしてプロのアーティストでない母親たちの創造的で生命を肯定する貢献に、より大きな光を当てたいと考えています。これらの貢献は、しばしば見過ごされ、過小評価され、時には忘れ去られてしまいます。私たちが目指すのは、インスピレーション、創造、相互のケア、無条件の愛が尊重され、差別なく生活のあらゆる面に織り込まれる社会です。\n\nこの展覧会は、2026年4月13日から5月10日まで、京都のギャラリー・マロニエにて、京都市国際写真フェスティバル（Kyotographie）期間中に開催されます。\n\nABOUT THE ARTISTS \n\n \nStuck by Daniela Kostova \n\nDaniela Kostova is an interdisciplinary artist whose work spans photography\, installation\, video\, and performance. She explores themes of geography\, cultural identity\, and the complexities of translation and communication across borders. Her projects have been exhibited internationally at institutions including the Queens Museum of Art\, Kunsthalle Wien\, Centre d’Art Contemporain (Geneva)\, and Kunsthalle Fridericianum (Kassel)\, among others. In 2019\, she created one of Europe’s largest public art installations\, Future Dreaming\, covering Vienna’s Ringturm building. \nKostova has received numerous awards and fellowships\, including the Unlimited Award for Contemporary Bulgarian Art and residencies at A.I.R. Gallery (NYC)\, ZK/U Berlin\, and ArtsLink at the Cleveland Institute of Art. She has also contributed as a curator\, notably leading the BioArt Initiative at RPI\, where she taught digital imaging. Her work has been featured in major publications such as The New York Times\, Brooklyn Rail\, and Art in America. Now based in New York City\, she has served as Director of Curatorial Projects at Radiator Gallery\, Artist Mentor at NYFA’s Immigrant Artist Program and Board Member of CEC Artslink. \nhttps://danielakostova.com \n\n \nPhoto by Aline Müller \n\nPhotographer Aline Müller\, born in the Brazilian Amazon and now working between Rio and New York\, brings an elemental understanding of nature’s power to her intimate portraits of women. In her series curated for Life is Art Motherhood is Art\, she captures mothers at different stages of their journey through evocative\, almost surreal photographs that reveal the mystical within the everyday of a mother. \nMüller’s mothers emerge water-soaked from rivers\, beaches\, and showers with goddess-like splendor. They inhabit moments of joyous presence captured in delicate close-ups that refuse to hide or pose\, but rather document dreamlike moments of maternal reality. \nWith her generous and almost metaphysical gaze\, Aline has the uncanny ability to depict what photography often editorializes out of women’s lives: fluids\, curves\, small gestures\, and all that seems small and menial in life\, yet speaks volumes to the internal world of women. \nhttps://www.alinemuller.com \n  \n  \n\n \nPhoto by Alex Nguyễn \n\nQuỳnh “Alex” Nguyễn is a writer\, photographer\, and independent cultural practitioner based in Central Vietnam. Her interdisciplinary approach\, spanning journalism\, interviews\, photography\, artistic programs\, and nurturing of daily life itself\, stems from a desire to explore alternative narratives rather than accepting the mainstream\, deemed self-evident. She believes that the interpretations we hear profoundly shape our beliefs and responses to life’s issues. Furthermore\, the challenges faced by modern society are inherently interconnected as consequences of the many problems layered atop one another. Through flexible artistic forms\, she seeks to expand the possibilities of alternative narratives\, guiding those around her and her readers to explore new dimensions of contemporary issues. \nhttps://alexnguyen.contently.com \n\n  \n  \n\n\n \nStudio Interruptions by Katie Heller Saltoun \n\nKatie Heller Saltoun is a visual artist based in DUMBO\, Brooklyn\, New York. Her work primarily utilizes oil paint\, ink\, photographic collages\, and woodcut printing to explore the multifaceted experiences of motherhood and caregiving. Saltoun captures the humor\, frustration\, monotony\, and profound love inherent in caregiving\, drawing inspiration from her own life and the diverse narratives of mothers and caretakers she encounters. Her compositions often depict dynamic scenes of energy and chaos\, as well as repetitive imagery such as refrigerator shelves\, spice racks\, and rows of snacks\, reflecting the repetitive yet vital tasks of domestic life. \nSaltoun holds a BFA from the University of Michigan\, an MA from Columbia University\, and an MFA from Pratt Institute. Her recent exhibition\, “Bifocal: Motherhood and Creativity\,” was held at the Elza Kayal Gallery in Tribeca\, New York. This multidisciplinary show explored the intricate interplay between creativity and motherhood\, highlighting the often-overlooked experiences of artists who navigate both roles. Additionally\, her work was featured in The American Scholar magazine in an article titled “Tenderness and Grit.” \nSaltoun continues to create and exhibit work that resonates with audiences\, offering a profound and authentic portrayal of the complexities inherent in caregiving and domestic life. For more information and to view her portfolio\, please visit her website at www.katiehellersaltoun.com. \nhttps://www.katiehellersaltoun.com/ \n\n \nPhoto by Satomi Shirai \n\nSatomi Shirai playfully explores themes of cultural identity\, feminism\, motherhood\, and the evolving meaning of home\, both in the context of migration and as a universal psycho-spiritual experience. Her photographs\, often set in domestic spaces\, reveal the quiet tensions between order and chaos\, belonging and estrangement\, the visible and the unseen. \nShirai’s work has been exhibited widely\, including at the Tokyo Metropolitan Museum of Photography\, the National Portrait Gallery in London\, and the Smithsonian National Portrait Gallery in Washington\, D.C. Her photographs are held in the collections of the Tokyo Metropolitan Museum of Photography and the Kiyosato Museum of Photographic Arts (K’MoPA). \nAfter earning a Full-Time Certificate from the International Center of Photography in 2007 and an MFA from Hunter College (CUNY) in 2010\, Shirai lived and worked in New York City for over a decade. In 2015\, she returned to Japan to raise her daughter and now lives and works in Tokyo and Chiba Prefecture. Though she has exhibited less frequently since her return\, she continues to create new work\, often in collaboration with her daughter. \nhttps://satomishirai.com
URL:https://jp.crsny.org/index.php/event/art-exhibition20250721-0726/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250721T190000
DTEND;TZID=America/New_York:20250721T210000
DTSTAMP:20260403T190439
CREATED:20250625T145033Z
LAST-MODIFIED:20250718T235959Z
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SUMMARY:Life Is Art Is Motherhood Is Art:オープニングレセプション & マザーアーティストサロン with pianist Eunbi Kim
DESCRIPTION:写真：ニューメディアアーティストXuanのビデオ『Saturn Years』からの静止画\n\n\n\n\n\n\n\n\n\n2025年7月21日（月）の午後7時から9時まで、展示会「Life Is Art Is Motherhood Is Art」のオープニングレセプションにご参加ください。レセプションでは、母でありアーティストのEunbi Kimがソロピアノパフォーマンスを行い、母性、音楽、アイデンティティの変容的なつながりについての思索を共有します。Kimと彼女の夫は最近、第二子を迎えたばかりです。\nイベントはニューヨークのTenri Cultural Instituteで開催されます。入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\n\n\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの第一弾です。詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。\n\n\nアーティストとプログラムについて\nピアニストのEunbi Kimは、音楽、ビジュアルプロジェクション、語りテキストを組み合わせたマルチメディアプログラムを通じて、子どもの頃、家族、アイデンティティを探求します。彼女は、過去、現在、未来の自己が共存する音の回顧録を創り出し、観客にそれらを瞑想する機会を提供します。新米の母となった直後に制作した「it feels like a dream」では、観客に「私たちが抱く夢とは何か？ 私たちが次に渡す夢とは何か？」と問いかけます。最先端の作曲家や異なるメディアのアーティストと密接にコラボレーションしながら、彼女は観客が無意識の記憶、夢、欲望のプールに触れる機会を提供するプロジェクトを創出しています。\nhttps://www.eunbikimmusic.com\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEXHIBITION HOURS\nMonday\, July 21 – July 26\, 2025 (closed July 25)
Mon – Thu 12 – 6 pm\, Sat 12 – 3 pm\nTENRI GALLERY LOCATION\nTenri Cultural Institute of New York\, 43A W 13th St\, New York\, NY 10011
212.645.2800
URL:https://jp.crsny.org/index.php/event/exhibition20250721/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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GEO:40.7363801;-73.9960877
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250723T190000
DTEND;TZID=America/New_York:20250723T203000
DTSTAMP:20260403T190439
CREATED:20250625T152306Z
LAST-MODIFIED:20250718T235849Z
UID:23354-1753297200-1753302600@jp.crsny.org
SUMMARY:Life Is Art Is Motherhood Is Art:マザーアーティストサロン with THIS IS A MOVEMENT
DESCRIPTION:2025年7月23日（水）の午後7時から8時30分まで、THIS IS A MOVEMENT（TIAM）によるアーティストサロンにご参加ください。母であるアーティスト、Goussy Celestin とAmma Whattによるライブ音楽と、TIAM共同設立者のNiama Safia Sandyとの対話が行われます。TIAMは、2022年に開始されたイニシアチブで、交差する黒人フェミニストの視点を通じて、より公平な音楽業界を目指し、非階層的で協働的かつ想像力豊かな創作と組織の方法を中心に活動しています。\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの一つです。詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。\nイベントはニューヨークのTenri Cultural Instituteで開催されます。入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE MISSION OF THIS IS A MOVEMENT \nTHIS IS A MOVEMENT (TIAM) was conceived in 2021 by a set of musicians\, scholars\, and leaders who often crossed paths and noticed a fragmentation in the field. The #MeToo movement had activated conversations and actions around gender justice\, but the efforts were more disparate – artists were organizing\, gathering\, and taking action on the bandstand\, educators were creating curriculum and writings within the academic space\, and producers and presenters were raising standards and focusing on diversity. TIAM was launched with the hope that it could be a centralized place for this community to discuss different perspectives\, share resources\, and advance conversations around equitable representation. The name – This Is A Movement – was chosen to signal that a larger movement is happening in the field and to hold the organizers accountable to the mentality and long-term commitment that movement-building requires. \nThis Is A Movement asks what transformation looks like\, with the goal of creating a robust community network that will work to cultivate a liberated music industry\, placing equity at the forefront. \nWomen\, those of underrepresented gender identities\, and their allies are claiming a space that challenges the status quo of the jazz and creative music scene. This movement is changing ways of thinking\, ways of working\, and ways of living while confronting structural inequities based on gender\, age\, race\, and culture. It is asking the essential question: What does a freer\, fairer\, and more representative music industry look like? To reimagine and remake our ecosystem\, we invite numerous organizations\, institutions\, and individuals\, bringing together artists\, activists\, organizers\, and creatives to share their experience\, their dreams\, and their plans. \nThis Is A Movement offers historical context\, academic data studies\, relevant dialogues\, and special guest speakers to an engaged and diverse audience of industry professionals\, educators\, students\, performers\, and the general public. This Is A Movement invites those leading change in the field\, as well as those for whom these conversations are difficult. It aims to create an incubator for new ideas that will bring about the future change we need in our cultural spaces. \nhttps://www.thisisamovement.com/ \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE MUSICAL ARTISTS \n\n\n\n\n\n\n\n\n\n\n\nBrooklyn-born Haitian-American artist GOUSSY CÉLESTIN interchanges the roles of pianist\, composer\, vocalist\, dancer\, educator\, and arranger with ease. \nWhile managing WeBop\, an early childhood music program\, Goussy is raising two sons\, her “greatest creative compositions\,” leading workshops\, composing for her ensemble\, in addition to holding a faculty position at BerkleeNYC. \nGoussy’s awards include\, Laundromat Project: Create Change Fellow\,  Queens Council on the Arts\, Gardarev Residency\, Field Leadership Fund\,  Space @ Ryder Farm Residency\, NYC Women’s Fund\, and received a commissioning grant from Mutual Mentorship for Musicians.  \nShe’s recently been awarded the Jazz Leadership Fellow by the Brooklyn Conservatory of Music and a New York State Council on the Arts’ Support For Artists Award\, for her KongoNola project. \nhttps://www.goussycelestin.com/ \nhttps://www.instagram.com/goussycelestin_ayitibrass/ \n  \n\n  \nVocalist\, performer\, and activist AMMA WHATT is a dynamic force in music. Praised by the New York Times for her ‘silk-infused vocals\,’ she effortlessly captivates audiences. Her musical story began with learning African chants and West-African dance from her performing parents\, and blossomed into her writing and performing with acclaimed bands like Grammy-nominated Nate Smith and Kinfolk\, empowering children through self-expression and rhythm\, and gracing stages across Europe and the US!  \nAmma was recognized by Pop Matters magazine as “a distinctive soul singer who absolutely seduces your ear\,” and her latest music represents a fusion of modern pop with Soul\, Afro-Caribbean styles\, House\, and Jazz\, featuring evocative storytelling on themes of love\, pain\, and hope. Her viral a cappella videos dedicated to the religious music of Orisha worshippers worldwide exemplify her dedication to incorporating 29 years of faith as a Yoruba-Lukumi priest into her artistic expression. \nWhile she balances music and her family life in New York\, Amma is deeply engaged in global social justice causes and serves as vice president of the executive board of the Egbe Iwa Rites of Passage program. Through her volunteer work and musical activism\, Amma seeks to leverage her voice as a powerful tool for advocacy and allyship. \nhttps://ammawhatt.bandcamp.com/ \nhttps://www.instagram.com/ammawhatt/ \n\n\n\nNIAMA SAFIA SANDY is a New York-based multidisciplinary artist\, curator\, and change agent. \nSandy’s work across disciplines delves into the human story through the application and critical lenses of culture\, healing\, history\, migration\, music\, race\, and ritual. Her creative practice often is an examination of the ways history\, economics\, migration\, and other social forces and constructs have shaped modern realities. Her aim is to use the visual\, written\, and performing arts to tell stories we know in ways we have not yet thought to tell them and to lift us all to a higher state of ontological and spiritual wholeness in the process. \nShe is a co-founder of THIS IS A MOVEMENT. She currently teaches graduate and undergraduate students at Columbia University\, School of the Arts\, and Pratt Institute\, School of Art. \nhttps://www.instagram.com/___niama___/ \nhttps://www.thisisamovement.com/ \nhttps://www.instagram.com/this.is.a.movement/ \n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEXHIBITION HOURS\nMonday\, July 21 – July 26\, 2025 (closed July 25)
Mon – Thu 12 – 6 pm\, Sat 12 – 3 pm\nTENRI GALLERY LOCATION
T\nTenri Cultural Institute of New York\, 43A W 13th St\, New York\, NY 10011
212.645.2800\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/exhibition20250723/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250724T190000
DTEND;TZID=America/New_York:20250724T210000
DTSTAMP:20260403T190439
CREATED:20250625T153804Z
LAST-MODIFIED:20250718T235705Z
UID:23357-1753383600-1753390800@jp.crsny.org
SUMMARY:Life Is Art Is Motherhood Is Art:マザー アーティストサロン with Layale Chaker and Maeve Gilchrist
DESCRIPTION:2025年7月24日（木）の午後7時から9時まで、アーティストサロンにご参加ください。Layale Chaker （ヴァイオリン）とMaeve Gilchrist（ハープ）の2人のアーティストによるライブ音楽と対話が行われます。彼女たちは活発なツアースケジュールをこなしながら、幼い子どもの世話という要求を両立しています。 \nイベントはニューヨークのTenri Cultural Instituteで開催されます。入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの一部です。\n詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE PROGRAM \nChaker and Gilchrist come together in an exploration of the threads that stitch our inherited worlds—the whispers of old tales passed down by grandmothers\, the shadowed weight of mythologies\, superstitions\, and lullabies\, scattered across time and distance. \nDrawing from the musical vocabularies of their respective lineages—Celtic and Levantine—this new duo traces melodic and rhythmical contours shaped by centuries of oral memory. They search for the places where their stories overlap: fields of exile\, haunted lands\, and songs that carry coded truths. \nThis is not a reimagining of the past\, but an exploration of a shared present—an exploration of what flows through us unseen\, like smoke through veins. This suite of music invites the audience to step into a newly formed world\, rooted in the past but written for the present day—a brand new mythology. \n  \nABOUT THE MUSICAL ARTISTS \nLAYALE CHAKER\, violinist\, singer and composer \nComposer and violinist Layale Chaker was raised on the verge of multiple musical streams in her native Lebanon. Her complex sound universe\, described by NPR as “beguiling” with “bright and beautiful strands… gorgeous\, wine-dark swirls\,” lies at the intersection of classical contemporary music\, jazz\, Arabic music\, and improvisation. Her practice is committed to art as both sanctuary and crossroads—a place where ancestral narratives meet contemporary voices in a continuous reimagination of the world we inherit\, live in\, and bequeath. A 2020-2022 Jerome Hill Fellow\, Chaker is also the recipient of the 2022 Opera America Discovery 2022 Award\, among many other accolades. \nIn 2024\, her work Qarar/Jawab premiered at the Venice Biennale\, and Dawning\, a double concerto\, premiered with the New York Philharmonic. Her debut chamber opera\, Ruinous Gods\, premiered at the 2024 Spoleto Festival before its European debut at Wuppertal Opera. She also recently released a double portrait album on In a Circle Records\, featuring both her classical works and chamber jazz quintet\, Sarafand. \n“Haunting yet quietly rigorous…” — The New York Times \nhttps://layalechaker.com \nMAEVE GILCHRIST\, harpist\, singer\, composer and producer \nEdinburgh-born harpist and composer Maeve Gilchrist has been credited as an innovator on her native instrument and taken the Celtic (lever) Harp to new levels of performance and visibility. Currently based in Kingston\, NY\, Maeve tours internationally as a solo artist and composer. She is a member of the Grammy-winning Silkroad ensemble and of Arooj Aftab’s Grammy-winning Vulture Prince Ensemble. She has performed and recorded with such luminaries as Yo-Yo Ma\, Frankie Gavin\, Esperanza Spalding\, Ambrose Akinmusire\, and Solas. \nAs a composer\, Maeve straddles the worlds of folk and classical music with pieces that include two original concertos for symphony Orchestra and Celtic Harp\, along with various works for harp and string quartet that have been played by such acclaimed groups as the Scottish Chamber Orchestra\, the Virginia Symphony Orchestra\, and the Aizuri String Quartet. She is a regular visiting artist at Berklee College of Music and has had several instructional books published by Hal Leonard and 80 Days Publishing. Maeve has released a number of albums under her name and is a featured soloist on the Dreamworks blockbuster movie soundtrack\, “How to Train Your Dragon: The Hidden World.” Her most recent album\, “The Harpweaver\,” has garnered international acclaim\, including a five-star review from the Irish Times\, which described it as “buoyant\, sprightly and utterly beguiling….a snapshot of a musician at the top of her game.” Maeve is the Artistic Director of the Rockport Celtic Festival\, an innovative new festival focused on cross-curation and the outer fringes of Celtic music. \n“Both Fascinating and Absorbing in equal measure\, an Original Voice” — Scotsman \nhttps://www.maevegilchristmusic.com \n\n\n\n\n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。\n\n\n\n\n\n\n\n展覧会スケジュール\n2025年7月21日（月）～7月26日（土）（7月25日は休館）\n月～木：12:00～18:00、土：12:00～15:00 \n天理ギャラリー所在地\n43A WEST 13TH STREET\, NEW YORK\, NY 10011\n電話：212.645.2800\n上記のギャラリー時間に加え、展覧会に関連して開催されるいくつかのレセプションやサロンでも展示をご覧いただけます。
URL:https://jp.crsny.org/index.php/event/exhibition20250724/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20250726T150000
DTEND;TZID=America/New_York:20250726T173000
DTSTAMP:20260403T190439
CREATED:20250625T161758Z
LAST-MODIFIED:20250718T235458Z
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SUMMARY:Life Is Art Is Motherhood Is Art: クロージングレセプション & マザーアーティストサロン
DESCRIPTION:2025年7月26日（土）の午後3時から5時30分まで（開場3時、プログラム開始3時30分）、展示会「Life Is Art Is Motherhood Is Art」のクロージングレセプションにご参加ください。レセプションでは、母であるアーティストのSita Chay（ヴァイオリン）とRema Hasumi （キーボード）がパフォーマンスを行い、展示会のアーティストたちと展示テーマについて対話します。イベントはTenri Cultural Institute of New Yorkで開催されます。\n入場は無料で、事前予約は不要です。子連れの家族も歓迎です！ \n対話の後、ベトナムの母でありアーティスト、作家、平和活動家、慈善家のLe Ly Hayslip が、ベトナム戦争（今年は終戦50周年であり、第二次世界大戦終戦80周年でもある）から学ばれなかった教訓について自身の考えを共有し、インスピレーション、創造、相互ケア、無条件の愛の価値が差別なく生活のあらゆる側面に認識され、統合される社会を構想する必要性について、より大きな対話に織り交ぜます。 \n入場は無料で、事前予約は不要です。子連れの家族も歓迎です！\nこのイベントは、展示会「Life Is Art Is Motherhood Is Art」と連動して開催されるマザーアーティストサロンのシリーズの一部です。\n詳細は展示会のアナウンスメントまたはCRSカレンダーをご確認ください。 \n\n\n\nABOUT THE ARTISTS \n\nSITA CHAY is a violinist\, composer\, and performance artist who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist of the Flor de Toloache. She is an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Lower Manhattan Cultural Council’s Creative Engagement Grant\, and Foundation for Contemporary Arts\, and was invited for residencies at the Stone\, Joe’s Pub\, and the Cell Theatre for various projects she is envisioning. Her collaborators include Satoshi Takeishi\, Shoko Nagai\, Sidra Bell\, and Leo Genovese and with them she performed in numerous festivals such as Progressive Chamber Music Festival 2023\, Outfest 2024\, and Multicultural Music Festival 2024. \n\n\nHer most recent project\, “Multidimensionally Human\,” is an interdisciplinary series that she collaborates on with Dr. Nikolai Chapochnikov\, a neuroscientist and psychotherapist. Through this project\, she weaves the psychotherapy modality Internal Family Systems using narrative\, dance\, visual art\, and music as a performance artist. \n\n\nIn 2023\, she released a music narrative film “Ritual of Le Sac” which tells a story of a fish-like life of a baby swimming inside the womb. This project was inspired by her recent journey of becoming a mom and experiencing the kindness and gentle curiosity from various strangers on the street for carrying a life inside. She intended this film to reflect and rediscover the innate human capacity and desire to care and honor life. \n\n\nMs. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which international critics have called as a “delicate powerhouse.” For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flair from New York jazz scenes. SaaWee’s Return of Songbirds debuted at Lincoln Center as part of #Restartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. \n\nhttps://www.sitachay.com \nREMA HASUMI is a New York-based sound designer and improviser\, whose eclectic background spans classical\, jazz\, and experimental music. The foundation of her music is grounded in a wide range of pianistic expressions that are at times contemplative and at others assertive. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Hasumi’s music has been described as one that “is able to capture those elusive moments when silence becomes music and music becomes silence” (Jakob Baekgaard\, All About Jazz) and that “begins with a delicate piano rumination\, wandering\, searching\, finding a state of gentle deliberation that suddenly fades” (Dan McClenaghan\, All About Jazz). Her musical influences span across various musicians\, including Alice Coltrane\, Sun Ra\, Masabumi Kikuchi\, Paul Bley\, Terry Riley\, Arthur Russel\, and many more. \nHasumi’s “Mothers\,” a seven-track album dedicated to the collective experience of motherhood\, will be released digitally on July 1\, 2025. The music represents the journey of mothers striving to protect their creative paths while navigating the deep emotions that come with parenting and the process of redefining their identities. Each track explores a different emotional landscape\, yet all share excerpts of piano improvisation from a single recording session\, which serves as an undercurrent throughout the album. This undercurrent reflects the ongoing\, profound\, and dynamic experience of motherhood. The album features a series of collaged soundscapes\, consisting of synthesizers\, piano\, and vocals performed by Hasumi\, with contributions from Austin White on electric bass and synthesizers on three tracks. Each track’s sound elements are improvised separately and then combined using a collage approach rather than traditional composition. The final mix is designed to offer a three-dimensional\, holistic\, and stimulating listening experience. The album will be available for digital download and streaming\, with a beautiful cover photograph by Aline Müller. Her works\, including the album cover photo\, are part of the Life Is Art Is Motherhood Is Art exhibition. The development of “Mothers” was made possible\, in part\, by a grant provided by CRS (Center for Remembering & Sharing). \nhttps://rema-hasumi.com/ \nLE LY HAYSLIP is an internationally known Vietnamese-American author\, philanthropist\, peace activist\, and speaker. She grew up in Ky La (now known as Xa Hoa Quy)\, Vietnam during the American-Vietnam War. She wrote two best-selling memoirs—When Heaven and Earth Changed Places and Child of War\, Woman of Peace\, based on her painful and ultimately triumphant journey from a traumatizing childhood in war-ravaged Vietnam to her new life in America. Having grown up in Central Vietnam as a woman\, Le Ly shares a perspective that is unique when it comes to the Vietnam War. She received raving reviews for both books\, including from The New York Times and The Washington Post. When Heaven and Earth Changed Places was included in the 1990 edition of Reader’s Digest’s Today’s Best Nonfiction. Her memoirs\, having been published in 17 different languages throughout the world\, are now used in several universities as course material to study women in history\, the American/Vietnam War\, and other topics. In 1993\, the books were adapted into the film “Heaven & Earth\,” directed by the award-winning director Oliver Stone and starring Hiep Thi Le and Tommy Lee Jones. \nLe Ly’s life as a humanitarian began after she arrived in the US in 1970 and became a US citizen\, but she returned to her native Vietnam in 1986. Her shock from the devastation\, poverty\, and illness left by the war became the impetus for her two philanthropic organizations\, East Meets West Foundation and Global Village Foundation. Both organizations dedicate their efforts to humanitarian relief\, education\, and development to help rebuild Vietnam through providing basic needs (shelter\, clean water\, medical facilities\, education)\, establishing revolving loan programs\, and finding homes for several hundred orphaned children. Hayslip continues to lead groups and delegations in cultural and anthropological studies in her home village. \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT THE EXHIBITION\n\n\n\n\n\n\n\n\n「Life Is Art Is Motherhood Is Art」は、異なる世代の母である5人のアーティスト——Daniela Kostova（ブルガリア）、Aline Müller（ブラジル）、Quynh “Alex” Nguyễn（ベトナム）、Katie Heller Saltoun （アメリカ）、白井里美（日本）——による展示会です。CRS共同設立者のクリストファー・ペルハムがキュレーションを担当し、Tenri Cultural Institute of New Yorkにて2025年7月21日から26日まで開催されます。 \n  \n\n\n\n\n\n\n\n展覧会スケジュール\n2025年7月21日（月）～7月26日（土）（7月25日は休館）\n月～木：12:00～18:00、土：12:00～15:00 \n天理ギャラリー所在地\n43A W 13th St. NY.NY 10011、\n電話：212.645.2800\n上記のギャラリー時間に加え、展覧会に関連して開催されるいくつかのレセプションやサロンでも展示をご覧いただけます。
URL:https://jp.crsny.org/index.php/event/exhibition20250726/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20250921T190000
DTEND;TZID=America/New_York:20250921T203000
DTSTAMP:20260403T190439
CREATED:20250808T223539Z
LAST-MODIFIED:20250918T194728Z
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SUMMARY:@CPR | PLANTING SEEDS OF PEACE IN AMERICA
DESCRIPTION:CRSは、広島と長崎への原爆投下80周年を記念して、ダンスと映画の特別なイベント「@CPR | PLANTING SEEDS OF PEACE IN AMERICA」を開催します。この心に響く公演は、2025年9月21日（日）午後7時から、ニューヨーク州ブルックリンのCPR – Center for Performance Researchで行われます。チケットは20ドルで、Eventbriteにてお求めいただけます。 \nこのイベントでは、被爆二世の日本人振付家でありダンサーでもある小谷ちず子と、彼女が率いる西宮拠点のアンサンブル「P Company」が登場。また、ユーモアと深い情感を織り交ぜたソロ作品で知られる舞踏家の原田伸雄が、アメリカでは滅多に見ることができない貴重なパフォーマンスを披露します。さらに、ニューヨークを拠点に活動する舞踏家・大江梓美が、ミュージシャンの永井晶子（モーグ）と武石聡（プリペアド・ハンマー・ダルシマー）と即興演奏を披露します。\nChris Fiore監督の短編映画「A Few Laughed」も上映されます。 \n今年、広島は原爆投下から80周年を迎え、被爆者会がノーベル平和賞を受賞しました。この節目の年に、動きと記憶を通じて平和の大切さや戦争の重さを考える貴重な機会に、ぜひご参加ください。アーティストたちが長年、芸術を通じて異文化間の癒しに取り組んできた姿勢は、現代の情勢においてますます重要な意味を持っています。このプログラムは、CRS（Center for Remembering & Sharing）の制作助成金により実現しました。 \nTICKETS:\nhttps://www.eventbrite.com/e/cpr-p-company-friends-planting-seeds-of-peace-in-america-tickets-1563121150439 \nVENUE:\nCPR – Center for Performance Research\n361 Manhattan Ave\nBrooklyn\, NY 11211 \nHighlights from the program include: \n”I Will Become a Dove” (Chizuko Kotani solo) \nWith skin that has peeled off and hung down as wings\, I overcome suffering and anger\, and I become a dove\, soaring into the sky. \n“Life” (P Company group dance) \nAn evocation of people fleeing in fear\, seeking help\, this dance embodies the horror and anger of the atomic bomb. \n“The Red River of Ether” (Nobuho Harada solo) \nOne of Nobuho Harada’s signature pieces\, this work\, connecting life and death\, encapsulates the greatest intensity within the smallest movement. \n“Solitude” (Azumi Oe solo) \nRising from the ashes of collective trauma\, acclaimed butoh dancer Azumi Oe’s “Solitude” embodies the profound journey from destruction to rebirth. In this haunting solo work\, Oe’s body becomes a vessel for ancestral memory and repressed histories\, emerging from darkness through apocalyptic strobic flashes that evoke both devastation and renewal. As she surrenders individual identity to enter the fertile void of “ma\,” her movements channel the universal resilience that transforms suffering into transcendence. This boundary-pushing performance honors the enduring spirit that rises from catastrophe\, making visible the unseen forces of survival and regeneration that pulse within us all. \n“A Few Laughed” (Chris Fiore\, 2019\, running time 05:37)  \nThis short film is an experimental short film that honors the 23 Japanese sailors and fishermen irradiated by the unannounced 1954 Castle Bravo hydrogen bomb test. The film was created for the Lucky Dragon 5 event at Tokyo’s Daigo Fukuryu Maru Exhibition Hall\, honoring the Japanese sailors and fishermen\, and features an improvised dance performance by Takemi Kitamura\, with costume by Nobuko Tsuruta. \nABOUT THE ARTISTS \nChizuko Kotani is a Japanese choreographer\, dancer\, and founder of P Company. As the daughter of atomic bomb survivors\, she has long carried the emotional legacy of war. Her activism with the “Chernobyl Hibakusha Support Kansai” group helped transform her trauma into purpose. Now\, she shares stories of survival and hope through contemporary dance works that call for peace and remembrance. \nChizuko Kotani began her dance training in the 1970s under Miyoko Fujiwara\, whose powerful final performances while hospitalized left a lasting impression on her. At just 21\, Chizuko took over the studio following Fujiwara’s passing and went on to found her own company\, Dance Core Possible\, in 1981. She also studied Martha Graham technique with the late Akiko Kanda\, a trailblazer who brought Graham’s radical physical language back to Japan after dancing as one of Graham’s principal performers in New York. Chizuko’s work carries forward this lineage\, grounded in the Graham technique but transformed through her own cultural and political experiences. \nA native of Hiroshima\, Chizuko weaves personal and historical memory into her choreography\, often tackling themes such as war\, nuclear energy\, and the fragility of life. Like her mentor Kanda\, who incorporated Japanese forms such as Noh and questioned gender roles through dance\, Chizuko uses the stage as a space for social reflection. Her works fuse bodily precision with emotional depth and existential inquiry\, reflecting her belief that dance is not just performance but a way of knowing\, resisting\, and ultimately remembering. \nNobuo Harada is a Fukuoka-based butoh master and founder of Seiryusha (1980). A successor in the lineage of Kazuo Ohno and Akira Kasai\, Harada’s performances blend profound physicality with philosophical playfulness\, navigating the border between art and anti-art. He has toured widely in Japan and abroad\, bringing butoh’s quiet power to audiences across cultures. Born in Fukuoka in 1949\, he studied martial arts until seeing Akira Kasai and Kazuo Ohno perform “The Bottom of the Hill” in 1972\, which led him to study under Kasaki for seven years. \nFounded in 2004 by Chizuko Kotani\, Kyoto-based P Company features a diverse group of dancers drawn from Dance Core Possible and trained in styles ranging from ballet to improvisation. The company plays a key role in the WiSP Project\, using performance as a vehicle for peace education and intercultural exchange. Last year\, P Company and WiSP presented Chizuko’s “The Dropping of the Atomic Bomb” at Art Complex Hiroshima. \nAzumi Oe is a New York-based butoh dancer and choreographer known for her mesmerizing\, provocative\, and meticulous performances. A former member of Vangeline Theater and principal dancer under butoh master Katsura Kan\, she now develops experimental solo and collaborative projects worldwide. She was a 2023 artist-in-residence at Johns Hopkins PEABODY Institute and a 2024 NYFA/NYSCA Fellow in Choreography. www.azumioe.com \nShoko Nagai is a pianist\, accordionist\, and composer whose work spans jazz\, experimental\, and global traditions. Trained in Japan on Yamaha’s electronic organ before studying at Berklee College of Music\, she has developed a distinctive voice on prepared piano\, accordion\, and keyboards\, often influenced by the minimalist sound of Toru Takemitsu. She performs Klezmer\, Balkan\, and improvised music with equal command\, and also composes scores for film and performance. Whether collaborating with renowned musicians or leading her own projects\, Nagai is known for her intense focus and virtuosity\, creating performances that mesmerize audiences. shokonagai.net \nSatoshi Takeishi is a drummer\, percussionist\, and arranger whose career bridges jazz\, classical\, world\, and experimental music. A Berklee College of Music graduate\, he lived in Colombia for four years\, performing with the Bogotá Symphony and exploring Latin traditions before moving to New York in 1991. His collaborations include work with Ray Barretto\, Eliane Elias\, Anthony Braxton\, and Toshiko Akiyoshi\, among many others. Blending South American\, Middle Eastern\, and contemporary influences\, Takeishi brings a deep sensitivity to rhythm and texture. He continues to expand his artistry through improvisation and cross-cultural collaborations with musicians and composers worldwide. \nChris Fiore is a filmmaker and artist whose documentary work has earned awards\, including the 2024 Culver City Film Festival Audience Award and the 2025 Berlin Indie Film Festival Award for Best Artist Film. His short A Few Laughed honors the 23 Japanese fishermen exposed to fallout from the 1954 Castle Bravo hydrogen bomb test near the Bikini Islands. www.chrisfiore.com \nCRS (Center for Remembering & Sharing) is a healing and cultural arts organization dedicated to exploring the intersection of spirituality\, creativity\, and community. CRS has presented peace-focused performances\, exhibitions\, and workshops for over 20 years in New York City and internationally. \nCPR – Center for Performance Research is dedicated to supporting artists in the development of new work in contemporary dance and performance. CPR focuses its activities in three key areas: creative and professional development support; providing affordable space for artists; and public programming. Curated and open-call programs focus on providing artists with rehearsal\, residency\, and performance support\, which generates time and space for research and dialogue\, and creates opportunities to share work in a variety of contexts. CPR’s subsidized space rental program helps to ensure that artists can access CPR’s flexible studios and performance space at affordable rates to create and share their work. By presenting work to the public through performances\, work-in-progress showings\, salon-style discussions\, exhibitions\, and festivals\, CPR exposes local audiences and its community to contemporary artistic practice and process.
URL:https://jp.crsny.org/index.php/event/peace-in-america092125/
LOCATION:CPR – Center for Performance Research\, 361 Manhattan Ave Brooklyn\,\, NY\, 11211\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20250928T143000
DTEND;TZID=America/New_York:20250928T160000
DTSTAMP:20260403T190439
CREATED:20250821T213319Z
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UID:23458-1759069800-1759075200@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は２時30分から始まります。その後ヒーリングを行います。（4時ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊ヒーリングクリニックはお席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。(定員に達しましたので、お申し込みは締めきらさせていただきます） \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20250928/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251019
DTEND;VALUE=DATE:20251022
DTSTAMP:20260403T190439
CREATED:20250706T112413Z
LAST-MODIFIED:20250708T135719Z
UID:23379-1760832000-1761091199@jp.crsny.org
SUMMARY:香咲弥須子+α山陰リトリート
DESCRIPTION:※香咲弥須子先生は、１泊２日 (10/19のセミナー〜10/20のワークショップまで)でお帰りの予定です。\n\n香咲弥須子+α山陰リトリート2025 ご案内\n\n\n\n\n昨年は春でしたが、今年は秋に香咲先生をお迎えして山陰リトリートを開催させていただくこと になりました。参加者の皆様にとって学びあり、癒しありのリトリートになればと思います。 \n◆日時 2025年10月19日(日) 13:30~16:30 セミナー\n20日(月) 10:00~12:00 ワークショップ\n21日(火) 10:00~11:30 シェア会\n※スケジュールの詳細は下の方に記載しておりますのでご確認ください。 \n◆会場 セミナー会場・・・\n米子市公会堂 1F 集会室2及び3 (鳥取県米子市角盤町2丁目61番地)\nホームページ https://www.yonagobunka.net/publichall/ \nワークショップ、シェア会 会場 ・・・\nなんぶサテライトBASE (鳥取県西伯郡南部町下中谷965-1)\nホームページ https://www.ryokusuien.jp/ \n◆参加費 60\,000円(セミナー、ワークショップ、シェア会、コテージ2泊分、食事代等)\n・1泊の方 45\,000円(セミナー、ワークショップ、コテージ1泊分、食事代等)\n・セミナーのみの方 18000円\n※お食事について…1泊2日の方は119日夕食(弁当)+20日朝食、\n2泊3日の方は1に加え20日昼食+夕食+21日朝食が付きます。 \n\n\n\n\n◆宿泊先について 宿泊先は、緑水園が運営している虹の村コテージ(なんぶサテライトBASE 隣)です。\nできるだけ多くの方に宿泊していただきたいので、可能な限り6人で宿泊し ていただきます。部屋割りはこちらで調整させていただきますので、何か とご希望に添えない場合がありますこと、予めご了承ください。その時そ の時の状況を楽しんでいただけたらと思います。 別に宿泊をご希望の方は、少し遠くなりますが、米子駅近辺のホテル等を ご自身でご予約をお願いいたします。お車での送迎ができない場合があり ますことも悪しからずご了承くださいませ。(緑水園ー米子駅間 車で約 30分、タクシーで6000円前後) \n◆コテージの設備・備品について\n・リビングルーム、ベッドルーム、バスルーム、キッチン、洗面所、トイレ\n・冷暖房、テレビ、二段ベッド(旧館)、シングルベッド(新館)、\nボディソープ、シャンプー、リンス、冷蔵庫、炊飯器、ポット\n(旧館)、電気ケトル(新館)調理器具、電子レンジ、ガスコンロ\n鍋類一式、フライパン、食器類一式、洗濯機、ドライヤー、\nフェイスタオル、歯ブラシ \n・上記以外で必要なものや、パジャマ(寝間着)、洗面道具は\n各自でご持参くださいますようお願いいたします。バスタオル\nはこちらで準備いたします。\n・期間中、室内清掃、タオルの交換はありまん。\n・食べ物飲み物等の持ち込みはOKです。 \n\n\n\n\n\n\n\n\n◆移動について 県外より飛行機、JR、バスなど公共交通機関でお越しの方は、恐れ入りま すが初日のセミナー会場まではバス、タクシー等でお越しくださいますよ うお願いいたします。お申込み後に、会場までの移動についてご案内いた します。セミナー後の移動についてはお手伝いさせていただきますので、 お申し込みの際どのような手段・日程でいらっしゃるかお知らせくださ い。 なお、セミナーのみ参加の方の送迎はお手伝いできませんので、予めご了 承ください。 \n◆お申込み https://ws.formzu.net/dist/S40449695/ \n◆お申込み締切日 10月12日(日) ※定員になり次第受付終了いたします。\nまた、締切後の キャンセルにはキャンセル料が発生します。 \n◆お問い合わせ先\n山陰ACIM事務局 masumasueight@gmail.com 担当:マスダ \n◆スケジュールの詳細 \n\n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n【1日目】 \n\n\n\n\n\n\n\n\n13:15 セミナー受付開始 \n\n\n\n\n\n\n\n\n13:30 セミナー開始(途中休憩があります) \n\n\n\n\n\n\n\n\n16:30 セミナー終了 アンケート記入にご協力ください \n\n\n\n\n\n\n\n\nセミナーのみの方はここで解散となります 会場を原状復帰、片付け \n\n\n\n\n\n\n\n\n17:30 完全撤収 スタッフ車及び自車で緑水園へ移動します \n\n\n\n\n\n\n\n\n19:00 研修センターにてこちらで準備する夕食のお弁当をみんなで食べます \n\n\n\n\n\n\n\n\n20:00 希望者は広場等でヒーリング体験、瞑想など(基本的に自由、緑水園大浴場も利用可) \n\n\n\n\n\n\n\n\n上記の夕食、及び広場等での時間は香咲先生もご一緒してくださいます。 \n\n\n\n\n\n\n\n\n21:00 解散 \n\n\n\n\n\n\n\n\n\n\n\n【2日目】 \n\n\n\n\n\n\n\n\n各自 朝食をおとりください \n\n\n\n\n\n\n\n\n8:00 希望者は広場に集合、瞑想等(基本的には自由行動です) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n9:45 ワークショップ参加準備 \n\n\n\n\n\n\n\n\n10:00 ワークショップスタート \n\n\n\n\n\n\n\n\n12:00 ワークショップ終了 香咲先生空港へ移動 \n\n\n\n\n\n\n\n\n参加がここまでの方もスタッフ車で移動 残る方は基本、自由行動\n\n\n\n\n\n\n\n\n\n希望者は昼食後、近くの聖福寺に徒歩で移動、座禅体験ができます\n\n\n\n\n\n\n\n\n\n17:00 鍋の準備 \n\n\n\n\n\n\n\n\n18:00 夕食スタート \n\n\n\n\n\n\n\n\n21:00 解散(お風呂はコテージのみ利用可) \n\n\n\n\n\n\n\n\n\n\n\n【3日目】 \n\n\n\n\n\n\n\n\n各自 朝食をおとりください \n\n\n\n\n\n\n\n\n8:00 希望者は広場にて瞑想等(基本的に自由行動) \n\n\n\n\n\n\n\n\n  各コテージ、ゴミなど片付けて施錠し退館、研修センターに集合 \n\n\n\n\n\n\n\n\n10:00 シェア会スタート \n\n\n\n\n\n\n\n\n11:30 シェア会・リトリート終了 \n\n\n\n\n\n\n\n\n12:00 解散 スタッフ車にて移動の方は主要な場所にお送りします \n\n\n\n\n\n\n\n\nお気をつけてお帰りください\n\n\n\n\n\n\n\n\n\n*若干の内容変更があるかもしれませんが、その場合は何卒ご容赦ください。(大きな変更はない と思います)\n*ご不明な点がございましたら、お気軽にお問い合わせください。\n山陰ACIM事務局 担当 マスダ masumasueight@gmail.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/2025fall-sanin/
LOCATION:NY
CATEGORIES:In Japan
ORGANIZER;CN="%E5%B1%B1%E9%99%B0ACIM%E4%BA%8B%E5%8B%99%E5%B1%80":MAILTO:masumasueight@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251026
DTEND;VALUE=DATE:20251027
DTSTAMP:20260403T190439
CREATED:20250818T183756Z
LAST-MODIFIED:20250926T163226Z
UID:23438-1761436800-1761523199@jp.crsny.org
SUMMARY:2025秋の香咲弥須子ACIMセミナー《大阪》
DESCRIPTION:      《 主催：CRS ニューヨーク 》   2025/10/26(日) \n「奇跡のコース」「奇跡講座」会場開催ならではの、奇跡を経験したい！もれなくご参加くだされば嬉しいです。 \n  \n《 講師：香咲弥須子よりご挨拶 》\n私たち一人ひとりが、心の奥底で願っていること、唯一無二の切実な欲望は、今のままの自分を超えた自分を経験する、ということでしょう。\n古今東西の哲学者、宗教家、神学者、そしてあらゆる人々が願ったように、です。\n「奇跡のコース」では、「それは、できる。それこそ自然なあなたの姿だから」\n「それを経験する時、あなたにとって、それは”奇跡”という言葉がいちばんしっくりくるでしょう」と述べています。\nこの秋は、その経験を、一緒に受け取りましょう。一人では抵抗しまうことも、フレンズで集まれば、共にある、という大いなる力で、\nそこに連れていってもらえます。 \n なぜ奇跡に抵抗するのか？　それは、神の内で自身を経験することと同じくらい、社会の中で、その構成員として、しっかり生きていかなければという強い思いがあるからではないでしょうか。 \n それはとても大事なことです。私たちは、社会構成員であることから逃れられません。\n子どもたちに対して「社会はどうでもいいから」と言える親などいないのは当然です。\nこの秋は、神の内で奇跡を経験することと、社会構成員として、社会との摩擦に振り回されることなく、\n生きていくことは矛盾しないのだなと全員で理解したいと思っています。\nここにおいて、「この世界は確かに、例外なく、自分一人の夢の中に現れる幻影に過ぎなかった」という理解とともに、\n心が晴れわたることになることを願っています。 \n この秋のテーマは、10月からスタートするオンラインコース第9期、山陰リトリート、大阪セミナー、東京セミナーすべてに適用していきます。その場に集まってくださる皆さんの、心の揺らぎや情熱の色合いによって、内容の進み具合はそれぞれの輝きを見せてくれるはずで、それを心から楽しみにしています。 \n香咲弥須子 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n  \n《 ファシリテーター：黒河未紀より 》 \n私が大阪の地で、ファシリテーターとしてみなさんをお迎えするのは、今秋が三度目となります。\nご参加のみなさんと一緒に受け取る贈り物、目撃する景色は、毎度かけがえのないもので、決して色褪せることなく、ある時は灯台の光となり、ある時は力強く支える柱となり、ある時は「さぁ共に…」この手をしっかりと握り、温かさを伝え、一歩、また一歩と歩む意欲の源となる…。 \n〝この麗しさを決して忘れたくない！もう誰のことも見誤りたくない！〟\nわたしたちの真の美しさを目撃した一度目。\n〝学習歴など関係ない！わたしたちは確かにひとつの心だ･･･！〟\n奇跡のコースにはじめて触れました、というフレンズもいらっしゃる中、共に感じ、震えた二度目。\n迎える今回、三度目は…。\n今秋の大阪セミナーには、あなたの存在が必要です。\n共に経験するこの一員に、どうか加わってください。\nあなたと経験したい。あなたと本当に出逢いたい。\n沢山のフレンズが、あなたを待っています。 \nそして、この経験はセミナー当日で終わり、ではありません。\n毎月開催している「フォローアップ・オンラインの会」で、真の継続をみなさんと一緒に受け取っていきたい、そう感じています。 \n贈り物が深まるままに･･･。\n気づきと奇跡に満ち溢れる毎日を！\n本当に生きる、ということを、始めてみませんか？\n今、どのような状況であっても、踏み出してくださるその一歩を、大切にお迎えします。 \n黒河未紀 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・ \n  \n【日　時】 10月26日(日)　12:00 – 17:00(ドアクローズ)　途中休憩が入ります。\n休憩後は香咲弥須子さんのオリジナルワークを体験できます！お楽しみに… \nお申込み受付中。\n【参加費】25\,000円\n予約フォーム \n《 キャンセルポリシー 》\n＊ キャンセルの連絡は、予約受付確認のメールが届いたアドレスにお願いします。\n開催日より7日前以降：50% 　 (今秋の場合は、10/19-10/22)\n開催日より3日前以降：100％　(今秋の場合は、10/23以降)\nご返金の際のお振込手数料はご負担いただきます。 \n【会 場】　新大阪駅前　CIVI研修センター新大阪東　6階 　E604室\n                   アクセス \n＊会場参加のみ、ライブ配信はありません。 \n今秋、大阪と東京(11/24)共に”テーマ”は同じですけれど、参加されるみなさんによって、受け取るものは違います。両方参加！お勧めします。 \n＊ ACIMセミナーに関するお問い合わせ先＊\nkansai.yasukokasaki@gmail.com    ファシリテーター：黒河未紀 \n＊ オンラインコース第九期/テキスト精読コースについてのお問い合わせは、\nacim@yasukokasaki.org\n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2025fall-osaka-seminar/
LOCATION:CIVI研修センター新大阪東\, 大阪市東淀川区東中島1-19-4\, 533-0033\, Japan
CATEGORIES:ACIM-Related Event,In Japan
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GEO:34.7335087;135.5025831
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251124
DTEND;VALUE=DATE:20251125
DTSTAMP:20260403T190439
CREATED:20250822T150032Z
LAST-MODIFIED:20251005T175833Z
UID:23463-1763942400-1764028799@jp.crsny.org
SUMMARY:2025秋の香咲弥須子ACIMセミナー《東京》
DESCRIPTION:主催：CRS ニューヨーク 》   2025秋の香咲弥須子ACIMセミナー《東京》 \n2025/11/24(月・振替休日) \n 「奇跡のコース」「奇跡講座」会場開催ならではの、奇跡を経験したい！もれなくご参加くだされば嬉しいです。 \n《 講師：香咲弥須子よりご挨拶 》  \n私たち一人ひとりが、心の奥底で願っていること、唯一無二の切実な欲望は、今のままの自分を超えた自分を経験する、ということでしょう。\n古今東西の哲学者、宗教家、神学者、そしてあらゆる人々が願ったように、です。\n「奇跡のコース」では、「それは、できる。それこそ自然なあなたの姿だから」\n「それを経験する時、あなたにとって、それは”奇跡”という言葉がいちばんしっくりくるでしょう」と述べています。\nこの秋は、その経験を、一緒に受け取りましょう。一人では抵抗しまうことも、フレンズで集まれば、共にある、という大いなる力で、そこに連れていってもらえます。 \n なぜ奇跡に抵抗するのか？　それは、神の内で自身を経験することと同じくらい、社会の中で、その構成員として、しっかり生きていかなければという強い思いがあるからではないでしょうか。 \n それはとても大事なことです。私たちは、社会構成員であることから逃れられません。\n子どもたちに対して「社会はどうでもいいから」と言える親などいないのは当然です。\nこの秋は、神の内で奇跡を経験することと、社会構成員として、社会との摩擦に振り回されることなく、生きていくことは矛盾しないのだなと全員で理解したいと思っています。\nここにおいて、「この世界は確かに、例外なく、自分一人の夢の中に現れる幻影に過ぎなかった」という理解とともに、心が晴れわたることになることを願っています。 \n この秋のテーマは、10月からスタートするオンラインコース第9期、山陰リトリート、大阪セミナー、東京セミナーすべてに適用していきます。その場に集まってくださる皆さんの、心の揺らぎや情熱の色合いによって、内容の進み具合はそれぞれの輝きを見せてくれるはずで、それを心から楽しみにしています。 \n 香咲弥須子 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・  \n《ファシリテーター : 宮本恵より 》 \n皆さま、こんにちは。佐藤直子さんから引き継ぎ、この秋からACIMセミナー＜東京＞ファシリテーターを務めさせていただくことになりました宮本恵です。\nどうぞよろしくお願いいたします。 \nこの場で受け取る体験は、心の奥でずっと望んでいたことと深くつながっているように感じられています。\n心の内面では「ただひとつの愛」を感じていても、社会や職場、家族との交流では意見が食い違い、言葉に右往左往したり、モヤモヤしたり、イライラや不安が湧くこともあるのではないでしょうか。\nその矛盾を感じる瞬間こそ、奇跡のコースの学びを日常で体験している瞬間だと、わたしも受け止めています。 \nそうした矛盾や葛藤に真っ直ぐ向き合うことを、一人で行うのではなく、集まった皆さまと共に行ってゆく時、「奇跡」を遠ざける代わりに、その経験が少しずつ広がっていくことを、見つめてゆけるのではないかと思います。 \n初めて参加される方も、安心してそのままご参加ください。 \n「わからなさ」のままにいることも、とても大切だと感じています。\nここに足を運んでくださった一人ひとりの存在が、この場で共に受け取る学びや喜びの源となります。\n皆さまと一緒に、「もともと育まれていたもの」を静かに目撃してゆきます。 \n宮本 恵 \n・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・〜 〜 〜・  \n【日　時】 11月24日(月・振替休日)\n　               12:00 – 17:00(ドアクローズ)　途中休憩が入ります。\n               　休憩後は香咲弥須子さんのオリジナルワークを体験できます！\nお楽しみに… \n【参加費】25\,000円\nオンラインコースのお手続きが完了している方で、限定期間（10/5 – 10/24）内にお手続き完了の場合は、オンラインコース第九期もしくは精読コース第三期に参加の方：15\,000円\nオンラインコースの両方に参加の方：10\,000円 \n《 キャンセルポリシー 》\n＊ キャンセルの連絡は、予約受付確認のメールが届いたアドレスにお願いします。\n開催日より7日前以降：50% 　 (今秋の場合は、11/17-11/20)\n開催日より3日前以降：100％　(今秋の場合は、11/21以降)\nご返金の際のお振込手数料はご負担いただきます。 \n【会 場】四ツ谷　プラザエフ ７階　カトレア    アクセス \n＊会場参加のみ、ライブ配信はありません。 \n  今秋、大阪(10/26)と東京共に”テーマ”は同じですけれど、参加されるみなさんによって、香咲弥須子さんのレクチャーやワークは違っていきます。お時間のある方は、両方を体験なさってください。 \n お申し込み→　予約フォーム \n＊ACIMセミナーに関するお問い合わせ先＊ \nseminar@crsny.org\nファシリテーター：宮本 恵 \n＊オンラインコース第九期/テキスト精読コースについてのお問い合わせ＊\nacim@yasukokasaki.org \n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2025fall-tokyo-seminar/
LOCATION:四ツ谷　プラザエフ\, 〒102-0085 東京都千代田区六番町15番地\, 〒102-0085\, Japan
CATEGORIES:ACIM-Related Event,In Japan
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251201T190000
DTEND;TZID=America/New_York:20251201T203000
DTSTAMP:20260403T190439
CREATED:20251010T145102Z
LAST-MODIFIED:20251116T225252Z
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SUMMARY:Crossing Boundaries 24 : Between Breaths: A Sonic Memoir with gamin
DESCRIPTION:CRS（Center for Remembering & Sharing）とFridman Galleryがお届けする、魂を揺さぶる一夜——「Crossing Boundaries 24: Between Breaths: A Sonic Memoir with gamin」。韓国生まれの米国在住アーティスト、gaminによる、心に染み入るマルチメディア・パフォーマンスです。マルチインストゥルメンタリストとして輝く彼女は、韓国の重要無形文化財第46号の公式継承者Yisujaに認定された逸材です。この特別な作品で、gaminは息づかい一つひとつに宿る記憶と、遠き祖先のささやきを、美しい音の糸で紡ぎ上げ、観客の皆さまを深淵なるメモワールの世界へ優しく導きます。 \n2025年12月1日午後7時、Fridman Galleryで、この息をのむような旅が始まります。チケットは27.74ドル——今すぐオンラインで確保して、忘れがたい感動をあなたのものに！ online. \n“Her music is unlike anything else in the world.” — New York Music Daily \nDrawing on her monograph of family history and cultural heritage\, she brings to life the stories of her foremothers through the sounds of traditional Korean wind instruments—the piri\, saenghwang\, and taepyeongso—blurring the lines between ritual and recital. Through improvisation and Korean modes\, each breath becomes a vessel of resilience\, migration\, and belonging. \nBetween Breaths\, created by gamin\, is a meditation on lineage\, transformation\, and transcendence—where tradition is reimagined through feminist and intercultural lenses\, and breath becomes memory\, ritual\, resistance\, and future. \nElizabeth Hoffman (sound design & electronics)\, Christine Yerie Lee (visual art)\, Jacqueline Kerrod (harp)\, Kai-Luen Liang (sound design)\, and Satoshi Takeishi (percussion) round out the creative team. \nTICKETS:\nhttps://withfriends.events/event/gnMixNT7/between-breaths-by-gamin/ \nVENUE LOCATION:\nFridman Gallery\n169 Bowery\nNew York\, NY 10002 \nDIRECTIONS:\nThe Fridman Gallery is located on the east side of The Bowery\, just south of Delancey St. \nNEAREST SUBWAY STATIONS:\nSpring Street 6\nCanal Street N/Q\nCanal Street J \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin is a renowned Korean musician and multi-instrumentalist\, celebrated for her mastery of traditional wind instruments\, particularly the piri (double-reed bamboo oboe)\, taepyeongso (conical oboe)\, and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure Jeong Jae-guk\, gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide\, blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra\, gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. gamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021–2023. Since 2022\, gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023\, gamin was awarded an artist fellowship by the Howard Foundation. Since 2018\, gamin has curated performances for the Crossing Boundaries Concert Series\, which she conceived. gaminmusic.com \nChristine Yerie Lee is a multidisciplinary artist working in video\, performance\, and drawing. Raised in the American South\, Lee’s practice explores performativity\, embodiment\, and spectatorship as a way to reexamine ideas of authenticity\, nationhood\, and desire in relation to self-construction. Drawing from Korean and American folklore\, global histories\, and pop culture\, she builds interconnected worlds where fantasy and reality collide\, creating a new place for cultural\, psychological\, and socio-political discovery. Her recent projects include BUL (2023)\, an experimental rock opera inspired by the Korean monster Bulgasari\, and its sequel\, SWAN SONG (2025). She lives and works in Los Angeles with her dog\, Belly. \nLee holds a BFA from the Rhode Island School of Design and an MFA from the California Institute of the Arts. Her work has been shown in solo and two-person exhibitions at Human Resources LA\, GOBI\, Y2K Group (NYC)\, and Centre Culturel Jean Cocteau (France)\, and in group shows at UCLA New Wight Gallery\, Helen J. Gallery\, ICA LA\, Museum of Impossible Forms (Finland)\, REDCAT\, and Metro Art Los Angeles. She has been an artist-in-residence at Bemis Center for Contemporary Arts\, Centre Culturel Jean Cocteau\, Heart of Los Angeles\, and Crosstown Arts\, and is a recipient of the College Art Association’s Visual Arts Fellowship. Lee has taught video art at CalArts\, CSU Long Beach\, Pomona College\, and Pitzer College. https://www.christineyerielee.com/ \nElizabeth Hoffman\, composer (NYC)\, works in acoustic\, electroacoustic\, and computer media\, and has created collaborative projects with performers including Ivan Goff\, Jane Rigler\, Margaret Lancaster\, gamin\, Marianne Gythfeldt\, Elena Demyanenko\, String Noise\, Azalea Twining\, and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges\, Prix Ars\, Pierre Schaeffer\, and Sonic Circuits prizes; and MacDowell\, NEA\, Seattle Arts Commission\, and Jerome Foundation grants\, and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments through textural\, tuning\, and spatial explorations\, or algorithmic applications\, as seen in a permanent installation in the Bobst Library Atrium. Her interest in feminist re-tellings\, the imprint of society on subjectivity\, and dialogue and intervention through music is a long-standing focus. She is also a pianist. https://wp.nyu.edu/elizabeth_hoffman/ \nSouth African harpist Jacqueline Kerrod is celebrated for her “exceptionally virtuosic and sensitive” musicianship and her adventurous approach to the harp. Equally at home in classical\, contemporary\, and experimental genres\, she performs throughout the United States and Europe. A frequent collaborator with composer and multi-reedist Anthony Braxton\, she tours internationally both in duo and with his ZIM music ensemble. A founding member of the award-winning pop duo Addi & Jacq\, Kerrod has also toured her multimedia project Harps Uncovered and is currently developing a solo project that fuses improvisation\, songwriting\, and live electronics. \nA passionate advocate for contemporary and South African music\, Kerrod has premiered numerous new works and performed with leading ensembles such as the International Contemporary Ensemble (ICE)\, Alarm Will Sound\, and the Chamber Music Society of Lincoln Center. Her diverse collaborations span artists from Rufus Wainwright to Kanye West\, and her recordings appear on labels including dischi di angelica\, New Amsterdam\, and American Modern Recordings. A graduate of the Yale School of Music\, she continues to redefine the expressive possibilities of the harp with her eclectic artistry and boundary-crossing style. https://jacquelinekerrod.com/ \nKai-Luen Liang is a sound and video artist\, musician\, and music producer based in Los Angeles. His sound is a mixture of field recordings\, improvisation\, home made software systems\, and electronic elements. He is currently adjunct teaching faculty at California Institute of the Arts where he teaches Music Technology and Integrated Media\, as well as a visiting professor of Music at Occidental College teaching Music and AI. https://kailuenliang.com \nSatoshi Takeishi\, drummer\, percussionist\, and arranger\, is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee\, he developed an interest in the music of South America and moved to Colombia at the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque\, in which traditional\, jazz\, and classical music were combined. With this group\, he performed with the Bogota symphony orchestra in a series of concerts honoring the music of Colombia’s most popular composer\, Lucho Bermudes. In 1986\, he returned to Miami\, U.S.\, where he began working as an arranger/producer as well as a performer. \nIn 1987\, he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991\, he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler\, to name a few. He continues to explore multi-cultural\, electronic\, and improvisational music with local musicians and composers in New York. \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding\, CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of Mutual Mentorship for Musicians (M³)\, a platform created to empower\, elevate\, normalize\, and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nFounded in 2013\, and located on Manhattan’s Lower East Side\, FRIDMAN GALLERY champions a diverse roster of international contemporary artists working across various media. The gallery takes risks and organizes critically acclaimed exhibitions\, such as the first solo shows in New York by Nate Lewis\, Nina Katchadourian\, Wura-Natasha Ogunji\, and Summer Wheat\, and first-ever solo exhibitions of Dindga McCannon and Milford Graves\, whose works have now earned a place in the art-historical canon after decades of neglect by the mainstream art world. Our 2022 exhibition Women at War\, featuring 12 women artists from Ukraine responding to the current war\, has been touring university museums across the U.S. and Canada. In 2025 we will present solo exhibitions by both emerging talents – Azuki Furuya and Will Maxen\, and established artists – Remy Jungerman and Athena LaTocha. Additionally\, the gallery actively participates in leading international art fairs\, such as Art Basel Miami Beach\, the Armory Show\, Art Cologne\, and Paris Photo. \nFridman Gallery is consistently recognized for its ambitious performance program\, featuring a full schedule of experimental performance art. This includes the annual New Ear Festival\, a comprehensive music festival with a curatorial emphasis on contrast to foster cross-pollination among audiences. In September of 2016\, the gallery hosted 9e + 50\, a dedication to the seminal 9 Evenings of Theater and Engineering\, featuring performances by Alvin Lucier\, Pauline Olivieros\, Simon Forti\, and others. The physical space also serves as the home for choreographer Abigail Levine’s “Restagings” (2017–2024)\, a durational\, multi-part series that reinterprets canonical minimalist and conceptual artworks as performances. With a commitment to pushing artistic boundaries\, Fridman Gallery contributes significantly to New York City’s vibrant art scene\, fostering dialogue\, culture\, and exploration within the ever-evolving landscape of contemporary art. https://fridmangallery.com/
URL:https://jp.crsny.org/index.php/event/crossing-boundaries24/
LOCATION:Fridman Gallery\, 169 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）とFridman Galleryがお届けする、魂を揺さぶる一夜——「Crossing Boundaries 24: Between Breaths: A Sonic Memoir with gamin」。韓国生まれの米国在住アーティスト、gaminによる、心に染み入るマルチメディア・パフォーマンスです。マルチインストゥルメンタリストとして輝く彼女は、韓国の重要無形文化財第46号の公式継承者Yisujaに認定された逸材です。この特別な作品で、gaminは息づかい一つひとつに宿る記憶と、遠き祖先のささやきを、美しい音の糸で紡ぎ上げ、観客の皆さまを深淵なるメモワールの世界へ優しく導きます。 \n2025年12月1日午後7時、Fridman Galleryで、この息をのむような旅が始まります。チケットは27.74ドル——今すぐオンラインで確保して、忘れがたい感動をあなたのものに！ online. \n“Her music is unlike anything else in the world.” — New York Music Daily \nDrawing on her monograph of family history and cultural heritage she brings to life the stories of her foremothers through the sounds of traditional Korean wind instruments—the piri saenghwang and taepyeongso—blurring the lines between ritual and recital. Through improvisation and Korean modes each breath becomes a vessel of resilience migration and belonging. \nBetween Breaths created by gamin is a meditation on lineage transformation and transcendence—where tradition is reimagined through feminist and intercultural lenses and breath becomes memory ritual resistance and future. \nElizabeth Hoffman (sound design & electronics) Christine Yerie Lee (visual art) Jacqueline Kerrod (harp) Kai-Luen Liang (sound design) and Satoshi Takeishi (percussion) round out the creative team. \nTICKETS:\nhttps://withfriends.events/event/gnMixNT7/between-breaths-by-gamin/ \nVENUE \nFridman Gallery\n169 Bowery\nNew York NY 10002 \nDIRECTIONS:\nThe Fridman Gallery is located on the east side of The Bowery just south of Delancey St. \nNEAREST SUBWAY STATIONS:\nSpring Street 6\nCanal Street N/Q\nCanal Street J \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \ngamin is a renowned Korean musician and multi-instrumentalist celebrated for her mastery of traditional wind instruments particularly the piri (double-reed bamboo oboe) taepyeongso (conical oboe) and saenghwang (mouth organ). She is a designated master for Intangible Cultural Asset No. 46. Trained under the mentorship of living national treasure Jeong Jae-guk gamin has reinterpreted Korean classical music while exploring contemporary and experimental sounds. Her performances have captivated audiences worldwide blending the rich heritage of Korean music with innovative improvisation. As a former principal player of the National Gugak Orchestra gamin continues to expand the boundaries of Korean music through her solo projects and collaborations with global artists. gamin was awarded a Jerome (Hill) Foundation Artist Fellowship 2021–2023. Since 2022 gamin has taught graduate and undergraduate ethnomusicology as Adjunct Faculty at the Herb Alpert School of Music at UCLA. In 2023 gamin was awarded an artist fellowship by the Howard Foundation. Since 2018 gamin has curated performances for the Crossing Boundaries Concert Series which she conceived. gaminmusic.com \nChristine Yerie Lee is a multidisciplinary artist working in video performance and drawing. Raised in the American South Lee’s practice explores performativity embodiment and spectatorship as a way to reexamine ideas of authenticity nationhood and desire in relation to self-construction. Drawing from Korean and American folklore global histories and pop culture she builds interconnected worlds where fantasy and reality collide creating a new place for cultural psychological and socio-political discovery. Her recent projects include BUL (2023) an experimental rock opera inspired by the Korean monster Bulgasari and its sequel SWAN SONG (2025). She lives and works in Los Angeles with her dog Belly. \nLee holds a BFA from the Rhode Island School of Design and an MFA from the California Institute of the Arts. Her work has been shown in solo and two-person exhibitions at Human Resources LA GOBI Y2K Group (NYC) and Centre Culturel Jean Cocteau (France) and in group shows at UCLA New Wight Gallery Helen J. Gallery ICA LA Museum of Impossible Forms (Finland) REDCAT and Metro Art Los Angeles. She has been an artist-in-residence at Bemis Center for Contemporary Arts Centre Culturel Jean Cocteau Heart of Los Angeles and Crosstown Arts and is a recipient of the College Art Association’s Visual Arts Fellowship. Lee has taught video art at CalArts CSU Long Beach Pomona College and Pitzer College. https://www.christineyerielee.com/ \nElizabeth Hoffman composer (NYC) works in acoustic electroacoustic and computer media and has created collaborative projects with performers including Ivan Goff Jane Rigler Margaret Lancaster gamin Marianne Gythfeldt Elena Demyanenko String Noise Azalea Twining and a recent work for Glass Farm Ensemble’s Nieuw Amsterdam – New York album on Innova. Elizabeth teaches in NYU’s Arts and Science Music Department. Her electroacoustic music is published by Empreintes DIGITALes. She has received Bourges Prix Ars Pierre Schaeffer and Sonic Circuits prizes; and MacDowell NEA Seattle Arts Commission and Jerome Foundation grants and an International Computer Music Association commission. Her interactive music connects computer processes to acoustic instruments through textural tuning and spatial explorations or algorithmic applications as seen in a permanent installation in the Bobst Library Atrium. Her interest in feminist re-tellings the imprint of society on subjectivity and dialogue and intervention through music is a long-standing focus. She is also a pianist. https://wp.nyu.edu/elizabeth_hoffman/ \nSouth African harpist Jacqueline Kerrod is celebrated for her “exceptionally virtuosic and sensitive” musicianship and her adventurous approach to the harp. Equally at home in classical contemporary and experimental genres she performs throughout the United States and Europe. A frequent collaborator with composer and multi-reedist Anthony Braxton she tours internationally both in duo and with his ZIM music ensemble. A founding member of the award-winning pop duo Addi & Jacq Kerrod has also toured her multimedia project Harps Uncovered and is currently developing a solo project that fuses improvisation songwriting and live electronics. \nA passionate advocate for contemporary and South African music Kerrod has premiered numerous new works and performed with leading ensembles such as the International Contemporary Ensemble (ICE) Alarm Will Sound and the Chamber Music Society of Lincoln Center. Her diverse collaborations span artists from Rufus Wainwright to Kanye West and her recordings appear on labels including dischi di angelica New Amsterdam and American Modern Recordings. A graduate of the Yale School of Music she continues to redefine the expressive possibilities of the harp with her eclectic artistry and boundary-crossing style. https://jacquelinekerrod.com/ \nKai-Luen Liang is a sound and video artist musician and music producer based in Los Angeles. His sound is a mixture of field recordings improvisation home made software systems and electronic elements. He is currently adjunct teaching faculty at California Institute of the Arts where he teaches Music Technology and Integrated Media as well as a visiting professor of Music at Occidental College teaching Music and AI. https://kailuenliang.com \nSatoshi Takeishi drummer percussionist and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston Massachusetts. While at Berklee he developed an interest in the music of South America and moved to Colombia at the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra in a series of concerts honoring the music of Colombia’s most popular composer Lucho Bermudes. In 1986 he returned to Miami U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre from world music jazz contemporary classical music to experimental electronic music with musicians such as Ray Barretto Carlos ‘Patato’ Valdes Eliane Elias Marc Johnson Eddie Gomez Randy Brecker Dave Liebman Anthony Braxton Mark Murphy Herbie Mann Paul Winter Consort Rabih Abu Khalil Erik Friedlander Ned Rothenberg MIchael Attias Shoko Nagai Paul Giger Toshiko Akiyoshi Big Band Ying String Quartet Metamorphosen Chamber Orchestra Dhafer Youssef Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural electronic and improvisational music with local musicians and composers in New York. \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. \nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of Mutual Mentorship for Musicians (M³) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nFounded in 2013 and located on Manhattan’s Lower East Side FRIDMAN GALLERY champions a diverse roster of international contemporary artists working across various media. The gallery takes risks and organizes critically acclaimed exhibitions such as the first solo shows in New York by Nate Lewis Nina Katchadourian Wura-Natasha Ogunji and Summer Wheat and first-ever solo exhibitions of Dindga McCannon and Milford Graves whose works have now earned a place in the art-historical canon after decades of neglect by the mainstream art world. Our 2022 exhibition Women at War featuring 12 women artists from Ukraine responding to the current war has been touring university museums across the U.S. and Canada. In 2025 we will present solo exhibitions by both emerging talents – Azuki Furuya and Will Maxen and established artists – Remy Jungerman and Athena LaTocha. Additionally the gallery actively participates in leading international art fairs such as Art Basel Miami Beach the Armory Show Art Cologne and Paris Photo. \nFridman Gallery is consistently recognized for its ambitious performance program featuring a full schedule of experimental performance art. This includes the annual New Ear Festival a comprehensive music festival with a curatorial emphasis on contrast to foster cross-pollination among audiences. In September of 2016 the gallery hosted 9e + 50 a dedication to the seminal 9 Evenings of Theater and Engineering featuring performances by Alvin Lucier Pauline Olivieros Simon Forti and others. The physical space also serves as the home for choreographer Abigail Levine’s “Restagings” (2017–2024) a durational multi-part series that reinterprets canonical minimalist and conceptual artworks as performances. With a commitment to pushing artistic boundaries Fridman Gallery contributes significantly to New York City’s vibrant art scene fostering dialogue culture and exploration within the ever-evolving landscape of contemporary art. https://fridmangallery.com/;X-APPLE-RADIUS=500;X-TITLE=169 Bowery:geo:-73.9937108,40.7198478
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251214T190000
DTEND;TZID=America/New_York:20251214T203000
DTSTAMP:20260403T190439
CREATED:20251103T072149Z
LAST-MODIFIED:20251103T073901Z
UID:23509-1765738800-1765744200@jp.crsny.org
SUMMARY:Crossing Boundaries 25: When the Ancestors Speak by Jen Shyu\, Sumi Tonooka\, and Val Jeanty
DESCRIPTION:CRS（Center for Remembering & Sharing）は、2025年12月14日（日）午後7時、グリニッジ・ハウス・ミュージックホールにて「Crossing Boundaries 25：When the Ancestors Speak」を開催します。Jen Shyuがキュレーションを務めるこの作品は、Jen Shyu（ボーカル、台湾月琴、日本琵琶、韓国の伽倻琴）、Sumi Tonooka（ピアノ）、Val Jeanty（SoundChemist）によるもので、アフリカ、日本、ティモール、台湾、ハイチなど、多様な民族が共存する豊かな家族と音楽の歴史から生まれた「移民」というテーマを探求しています。このコンサートは音楽を動きとテキストと融合させ、Jen Shyuの2023年のThe Stoneでのレジデンシーで初めて紹介された素材をさらに発展させたもので、その秋の『Crossing Boundaries 20』で展開したテーマをさらに発展させています。（トリオの写真：Mariana Meraz 撮影） \nTICKET LINK:\nhttps://www.eventbrite.com/e/when-the-ancestors-speak-by-jen-shyu-sumi-tonooka-and-val-jeanty-tickets-1860031316739\n \nVENUE LOCATION:\nGreenwich House Music School\n46 Barrow Street\nNew York\, NY 10014 \nDIRECTIONS:\nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor\, and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are empowered to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement\, a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks\, resources\, and support to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \n\n \nJen Shyu photo by Daniel Reichert \n\nRome Prize\, Guggenheim\, and USA Fellow\, Doris Duke Artist\, multilingual multidisciplinary artist Jen Shyu was born in Peoria\, Illinois to Taiwanese and East Timorese immigrants. She has produced eight albums and a single available on her record label Autumn Geese Records. She’s performed at Carnegie Hall\, Lincoln Center\, Metropolitan Museum of Art\, National Theater of Korea\, Rubin Museum\, was named Downbeat’s 2017 Rising Star Female Vocalist\, and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka\, Terri Lyne Carrington\, Nicole Mitchell\, Val Jeanty\, Ikue Mori\, Zeena Parkins\, Linda May Han Oh\, Kris Davis\, Wadada Leo Smith\, Mark Dresser\, Francis Wong\, Jon Jang\, Vijay Iyer\, Kenny Barron\, Reggie Workman\, Bill Frisell\, and Immanuel Wilkins. Her “Song of Silver Geese” was among The New York Times’ “Best Albums of 2017.” Her third solo production and album “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) has received wide critical acclaim\, with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist\, a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu\, https://www.jenshyu.com \n\n \nSumi Tonooka photo by Karen Sterling \n\n2023 Pew Fellowship Awardee Sumi Tonooka has been called a “fierce\, fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With 15 recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic\, chamber\, dance and film\, she continues to be a creative force. Recently\, Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony\, Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke\, Creative Inflections Grant\, with vocalist/composer Jen Shyu\, for In The Green Room\, inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019\, premiering later this year for her trio plus Alchemy Sound Project\, a composers collective that she started in 2015. @sumitonooka\, http://sumitonooka.com \n  \n\n \nVAL Jeanty photo by Richard Louissaint \n\nVal Jeanty is a Grammy-winning Afro-Electronica composer\, turntablist\, and SoundChemist whose work bridges ancestral Haitian Vodou traditions with experimental electronic soundscapes. A professor at Berklee College of Music\, Jeanty has performed at the Whitney Museum\, the Museum of Modern Art in New York City\, and internationally at the Venice Biennale in Italy and Haus der Kulturen der Welt in Berlin. A recipient of the 2024 United States Artists Fellowship\, the 2019 NYSCA/Roulette Residency\, and the 2022 NYC/CBA Toulmin Fellowship\, Jeanty continues to expand the frontiers of sonic expression while honoring her Haitian heritage. @valjeanty\, https://val-inc.bandcamp.com/ \n\n\n\n\n  \n  \n  \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a Manhattan- and Tokyo-based arts and spiritual center founded in 2004 by Yasuko Kasaki and Christopher Pelham. Rooted in the non-dualistic teachings of A Course in Miracles (ACIM)\, CRS offers spiritual counseling\, healing\, and mind-training courses to practitioners around the world. The Center uses the arts as a vehicle for achieving awakening\, unity\, and peace. By producing exhibitions\, performances\, and an online arts magazine (onlylove.ART)\, and providing support for individual artists and partner organizations like Mutual Mentorship for Musicians (M³) and Kotohogi\, CRS empowers a diverse\, international community of artists to experiment\, collaborate\, and share their visions. https://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-25-20251214/
LOCATION:Greenwich House Music Hall\, 46 Barrow Street\, New York\, 10014
CATEGORIES:Crossing Boundaries,CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、2025年12月14日（日）午後7時、グリニッジ・ハウス・ミュージックホールにて「Crossing Boundaries 25：When the Ancestors Speak」を開催します。Jen Shyuがキュレーションを務めるこの作品は、Jen Shyu（ボーカル、台湾月琴、日本琵琶、韓国の伽倻琴）、Sumi Tonooka（ピアノ）、Val Jeanty（SoundChemist）によるもので、アフリカ、日本、ティモール、台湾、ハイチなど、多様な民族が共存する豊かな家族と音楽の歴史から生まれた「移民」というテーマを探求しています。このコンサートは音楽を動きとテキストと融合させ、Jen Shyuの2023年のThe Stoneでのレジデンシーで初めて紹介された素材をさらに発展させたもので、その秋の『Crossing Boundaries 20』で展開したテーマをさらに発展させています。（トリオの写真：Mariana Meraz 撮影） \nTICKET LINK:\nhttps://www.eventbrite.com/e/when-the-ancestors-speak-by-jen-shyu-sumi-tonooka-and-val-jeanty-tickets-1860031316739\n \nVENUE \nGreenwich House Music School\n46 Barrow Street\nNew York NY 10014 \nDIRECTIONS:\nGreenwich House Music School is located in the West Village just west of Seventh Avenue. The Music Hall is located on the second floor and there is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \nThe nearest MTA station is the 1/9 station at Christopher Street – Sheridan Square. \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences the traditional and contemporary classical and experimental and the culturally specific and the global. Series curators are empowered to create unique performance events in collaboration with musical visual and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with funds from Creative Engagement a regrant program administered by the Lower Manhattan Cultural Council (LMCC) and supported by the New York City Department of Cultural Affairs (DCLA) in partnership with the City Council and the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature. LMCC empowers artists by providing them with networks resources and support to create vibrant sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \n\n \nJen Shyu photo by Daniel Reichert \n\nRome Prize Guggenheim and USA Fellow Doris Duke Artist multilingual multidisciplinary artist Jen Shyu was born in Peoria Illinois to Taiwanese and East Timorese immigrants. She has produced eight albums and a single available on her record label Autumn Geese Records. She’s performed at Carnegie Hall Lincoln Center Metropolitan Museum of Art National Theater of Korea Rubin Museum was named Downbeat’s 2017 Rising Star Female Vocalist and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka Terri Lyne Carrington Nicole Mitchell Val Jeanty Ikue Mori Zeena Parkins Linda May Han Oh Kris Davis Wadada Leo Smith Mark Dresser Francis Wong Jon Jang Vijay Iyer Kenny Barron Reggie Workman Bill Frisell and Immanuel Wilkins. Her “Song of Silver Geese” was among The New York Times’ “Best Albums of 2017.” Her third solo production and album “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) has received wide critical acclaim with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu https://www.jenshyu.com \n\n \nSumi Tonooka photo by Karen Sterling \n\n2023 Pew Fellowship Awardee Sumi Tonooka has been called a “fierce fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With 15 recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic chamber dance and film she continues to be a creative force. Recently Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke Creative Inflections Grant with vocalist/composer Jen Shyu for In The Green Room inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019 premiering later this year for her trio plus Alchemy Sound Project a composers collective that she started in 2015. @sumitonooka http://sumitonooka.com \n  \n\n \nVAL Jeanty photo by Richard Louissaint \n\nVal Jeanty is a Grammy-winning Afro-Electronica composer turntablist and SoundChemist whose work bridges ancestral Haitian Vodou traditions with experimental electronic soundscapes. A professor at Berklee College of Music Jeanty has performed at the Whitney Museum the Museum of Modern Art in New York City and internationally at the Venice Biennale in Italy and Haus der Kulturen der Welt in Berlin. A recipient of the 2024 United States Artists Fellowship the 2019 NYSCA/Roulette Residency and the 2022 NYC/CBA Toulmin Fellowship Jeanty continues to expand the frontiers of sonic expression while honoring her Haitian heritage. @valjeanty https://val-inc.bandcamp.com/ \n\n\n\n\n  \n  \n  \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a Manhattan- and Tokyo-based arts and spiritual center founded in 2004 by Yasuko Kasaki and Christopher Pelham. Rooted in the non-dualistic teachings of A Course in Miracles (ACIM) CRS offers spiritual counseling healing and mind-training courses to practitioners around the world. The Center uses the arts as a vehicle for achieving awakening unity and peace. By producing exhibitions performances and an online arts magazine (onlylove.ART) and providing support for individual artists and partner organizations like Mutual Mentorship for Musicians (M³) and Kotohogi CRS empowers a diverse international community of artists to experiment collaborate and share their visions. https://crsny.org;X-APPLE-RADIUS=500;X-TITLE=46 Barrow Street:geo:-74.0045407,40.732186
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251231T183000
DTEND;TZID=America/New_York:20251231T190000
DTSTAMP:20260403T190439
CREATED:20251211T204357Z
LAST-MODIFIED:20251211T205343Z
UID:23536-1767205800-1767207600@jp.crsny.org
SUMMARY:2025年 年末特別瞑想会
DESCRIPTION:＊＊年末特別瞑想会＊＊ \n\n香咲弥須子によるガイド瞑想（英語） \n12月31日（水）午後6時30分より、香咲弥須子による年末恒例のガイド付き瞑想会 (CRSにて）に参加しませんか？ \nスペースに限りがあるため、お申し込みが必要です。\n参加ご希望の方は、etsuko@crsny.org までメールでお申し込みください。 \nZOOMでの参加も可能です。お時間になったら、下記のリンクよりお入りください。\nZoom Meeting Link: https://us02web.zoom.us/j/89313347701 \n  \n********** \n私たちが何者であるかを思い出すために静寂の中で心を合わせ、澄んだ心と愛だけを見て、分かち合うという新たな意図を持って\n新しい年を始める準備をしましょう。 \nWhat would love have me do?\nWhere would love have me go?\nWhat would love have me say\, and to whom? \n  \n  \n  \n  \n 
URL:https://jp.crsny.org/index.php/event/20251231-meditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260208T143000
DTEND;TZID=America/New_York:20260208T160000
DTSTAMP:20260403T190439
CREATED:20260129T163424Z
LAST-MODIFIED:20260129T214054Z
UID:23595-1770561000-1770566400@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は２時30分から始まります。その後ヒーリングを行います。（4時ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊参加は、RSVPのみ受け付けます。お早めのご予約をお願いします。\netsuko@crsny.org まで。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20260208/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2022/10/3E42A2F1-2725-4458-AAAC-9C4E32292E64.jpeg
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260228T200000
DTEND;TZID=America/New_York:20260228T213000
DTSTAMP:20260403T190439
CREATED:20260219T211451Z
LAST-MODIFIED:20260219T211451Z
UID:23629-1772308800-1772314200@jp.crsny.org
SUMMARY:Fertile Land\, Fertile Body by Jen Shyu
DESCRIPTION:CRSは、Jen Shyuの最新作『Fertile Land\, Fertile Body』の抜粋部分のワーク・イン・プログレス上演にあなたを招待します。\nこの多言語の儀式オペラは、古来の音楽とオリジナル音楽、ダンス、プロジェクションを組み合わせた作品で、母の喪失、母性の喪失、ジェノサイドが気候変動と生殖能力に与える影響を探求しながら、不妊に苦しむ女性たちの苦闘と希望の物語を共有します。 \n上演は、ボーカリスト／マルチ奏者／ダンサーのJen Shyuを中心に、合唱も兼ねるボーカリスト兼奏者たちによって行われ、音と振付られた動きを用いて、土地と身体の両方における「不毛さ」を克服することがどのように深く結びついているかを表現します。 \nこのパフォーマンスは、2026年2月28日午後8時、D.U.M.B.O.のOpen Arts Studioで開催され、キム・スミがキュレーションするOpen Arts Studioの新しいパフォーマンスシリーズの一部です。 \nJen Shyu (voice\, gayageum\, Taiwanese moon lute\, piano\, movement)\nLayale Chaker (violin\, voice\, movement)\nAlexandria DeWalt (flute\, voice\, movement)\nMelanie Dyer (viola\, voice\, movement)\nElizabeth Kate (cello\, voice\, movement)\n Lesley Mok (drums\, voice\, movement) \nTICKETS:\nhttps://events.ticketleap.com/events/open-arts-studio-inc/live-music-jen-shyu \nLOCATION:\nOpen Arts Studio\n68 Jay Street\, Studio 605A\, 6th floor\nBrooklyn\, NY 11201 \nThe development of Fertile Land\, Fertile Body has been made possible\, in part\, by funds provided by CRS (Center for Remembering & Sharing) crsny.org; Shifting Foundation; and American Academy in Rome. \nABOUT JEN SHYU\nRome Prize\, Guggenheim\, and USA Fellow\, Doris Duke Artist\, multilingual multidisciplinary artist Jen Shyu was born in Peoria\, Illinois to Taiwanese and East Timorese immigrants. She has produced eight albums and a single available on her record label Autumn Geese Records. She’s performed at Carnegie Hall\, Lincoln Center\, Metropolitan Museum of Art\, National Theater of Korea\, Rubin Museum\, was named Downbeat’s 2017 Rising Star Female Vocalist\, and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka\, Terri Lyne Carrington\, Nicole Mitchell\, Val Jeanty\, Ikue Mori\, Zeena Parkins\, Linda May Han Oh\, Kris Davis\, Wadada Leo Smith\, Mark Dresser\, Francis Wong\, Jon Jang\, Vijay Iyer\, Kenny Barron\, Reggie Workman\, Bill Frisell\, and Immanuel Wilkins. Her “Song of Silver Geese” was among The New York Times’ “Best Albums of 2017.” Her third solo production and album “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) has received wide critical acclaim\, with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist\, a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu\, https://www.jenshyu.com
URL:https://jp.crsny.org/index.php/event/fertile-land20260228/
LOCATION:Open Arts Studio\, 68 Jay Street\, Studio 605A\, 6th floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSは、Jen Shyuの最新作『Fertile Land Fertile Body』の抜粋部分のワーク・イン・プログレス上演にあなたを招待します。\nこの多言語の儀式オペラは、古来の音楽とオリジナル音楽、ダンス、プロジェクションを組み合わせた作品で、母の喪失、母性の喪失、ジェノサイドが気候変動と生殖能力に与える影響を探求しながら、不妊に苦しむ女性たちの苦闘と希望の物語を共有します。 \n上演は、ボーカリスト／マルチ奏者／ダンサーのJen Shyuを中心に、合唱も兼ねるボーカリスト兼奏者たちによって行われ、音と振付られた動きを用いて、土地と身体の両方における「不毛さ」を克服することがどのように深く結びついているかを表現します。 \nこのパフォーマンスは、2026年2月28日午後8時、D.U.M.B.O.のOpen Arts Studioで開催され、キム・スミがキュレーションするOpen Arts Studioの新しいパフォーマンスシリーズの一部です。 \nJen Shyu (voice gayageum Taiwanese moon lute piano movement)\nLayale Chaker (violin voice movement)\nAlexandria DeWalt (flute voice movement)\nMelanie Dyer (viola voice movement)\nElizabeth Kate (cello voice movement)\n Lesley Mok (drums voice movement) \nTICKETS:\nhttps://events.ticketleap.com/events/open-arts-studio-inc/live-music-jen-shyu \n\nOpen Arts Studio\n68 Jay Street Studio 605A 6th floor\nBrooklyn NY 11201 \nThe development of Fertile Land Fertile Body has been made possible in part by funds provided by CRS (Center for Remembering & Sharing) crsny.org; Shifting Foundation; and American Academy in Rome. \nABOUT JEN SHYU\nRome Prize Guggenheim and USA Fellow Doris Duke Artist multilingual multidisciplinary artist Jen Shyu was born in Peoria Illinois to Taiwanese and East Timorese immigrants. She has produced eight albums and a single available on her record label Autumn Geese Records. She’s performed at Carnegie Hall Lincoln Center Metropolitan Museum of Art National Theater of Korea Rubin Museum was named Downbeat’s 2017 Rising Star Female Vocalist and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka Terri Lyne Carrington Nicole Mitchell Val Jeanty Ikue Mori Zeena Parkins Linda May Han Oh Kris Davis Wadada Leo Smith Mark Dresser Francis Wong Jon Jang Vijay Iyer Kenny Barron Reggie Workman Bill Frisell and Immanuel Wilkins. Her “Song of Silver Geese” was among The New York Times’ “Best Albums of 2017.” Her third solo production and album “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) has received wide critical acclaim with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu https://www.jenshyu.com;X-APPLE-RADIUS=500;X-TITLE=68 Jay Street\, Studio 605A\, 6th floor:geo:-73.9868665,40.7027557
END:VEVENT
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DTSTART;TZID=America/New_York:20260315T143000
DTEND;TZID=America/New_York:20260315T160000
DTSTAMP:20260403T190439
CREATED:20260227T205824Z
LAST-MODIFIED:20260227T205824Z
UID:23647-1773585000-1773590400@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は２時30分から始まります。その後ヒーリングを行います。（4時ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊要RSVP。お席に限りがありますので、お早めのご予約をお願いします。\netsuko@crsny.org まで。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20260315/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260320T203000
DTEND;TZID=America/New_York:20260322T213000
DTSTAMP:20260403T190439
CREATED:20260304T135132Z
LAST-MODIFIED:20260304T142044Z
UID:23653-1774038600-1774215000@jp.crsny.org
SUMMARY:Dreamborne Theater Presents angels\, a World Premiere
DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday\, March 20th @ 8:30pm  – CAST A\nSaturday\, March 21st @ 3:30pm  – CAST B\nSaturday\, March 21st @ 8:30pm – CAST A\nSunday\, March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \nLOCATION:\nTheaterLab NYC\n357 W 36th St\, 3rd floor\, New York\, NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams\, myth\, and memory. Through ritualistic and fantastical works\, they investigate the evolving nature of identity\, language\, and culture — embracing the fragmented self as a space of transformation\, rebirth\, and fairytale. Alongside their artistic productions\, they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright\, Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny)\, Stage Director of AAAAH!Culture (IG: @aaaah.culture)\, and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts\, having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre\, guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue\, her work blends forms\, languages\, and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors)\, New Year’s Eve Dinner (Gene Frankel Theater)\, and Love Survives in 2095? (Secret Theatre). As a playwright and director\, Tara has developed works including Trapped in the Flash and Bond\, both staged at off-off-Broadway venues in New York City. Her most recent original work\, QINGBAI: INNOCENCE\, completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director\, playwright\, and actor based in New York City. Their work centers on devised and movement-driven performance\, with an emphasis on transnational storytelling\, embodied dramaturgy\, and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater\, where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries\, actionable choices\, and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt\, following a B.F.A. in Theatre Education from Emerson College\, and bring an academic foundation in psychology to their approach to character\, behavior\, and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom\, an original work that uses physical theatre and tableau to examine identity\, displacement\, and power. Yannis’s directing practice foregrounds structural clarity\, rules of seeing\, staying\, and exchange\, and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor\, writer and director from Vietnam. Starting as a playwright at high school\, Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country\, and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company\, they are set on expanding their artistic and creative limits\, experimenting and playing with the conventions of theater. Currently\, Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper)\, praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine)\, was born in Toronto and raised in Buenos Aires. Based in New York since 2012\, he has performed at iconic venues and festivals\, including the Montreux Jazz Festival\, the Kennedy Center\, Yankee Stadium\, The O2 Arena\, and the Blue Note Jazz Club.\nSarian’s work spans jazz\, contemporary\, and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic\, in addition to leading his own projects. As a bandleader\, he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026)\, Millay Arts (2025)\, Art Omi (2024)\, and Culture Lab LIC (2022). In 2026\, he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer\, multi-instrumentalist\, and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers\, his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.
URL:https://jp.crsny.org/index.php/event/dreamborne-theater-presents-angels/2026-03-20/
LOCATION:TheaterLab NYC\, 357 W 36th St\, 3rd floor New York\, NY 10018
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday March 20th @ 8:30pm  – CAST A\nSaturday March 21st @ 3:30pm  – CAST B\nSaturday March 21st @ 8:30pm – CAST A\nSunday March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \n\nTheaterLab NYC\n357 W 36th St 3rd floor New York NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams myth and memory. Through ritualistic and fantastical works they investigate the evolving nature of identity language and culture — embracing the fragmented self as a space of transformation rebirth and fairytale. Alongside their artistic productions they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny) Stage Director of AAAAH!Culture (IG: @aaaah.culture) and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue her work blends forms languages and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors) New Year’s Eve Dinner (Gene Frankel Theater) and Love Survives in 2095? (Secret Theatre). As a playwright and director Tara has developed works including Trapped in the Flash and Bond both staged at off-off-Broadway venues in New York City. Her most recent original work QINGBAI: INNOCENCE completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director playwright and actor based in New York City. Their work centers on devised and movement-driven performance with an emphasis on transnational storytelling embodied dramaturgy and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries actionable choices and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt following a B.F.A. in Theatre Education from Emerson College and bring an academic foundation in psychology to their approach to character behavior and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom an original work that uses physical theatre and tableau to examine identity displacement and power. Yannis’s directing practice foregrounds structural clarity rules of seeing staying and exchange and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor writer and director from Vietnam. Starting as a playwright at high school Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company they are set on expanding their artistic and creative limits experimenting and playing with the conventions of theater. Currently Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper) praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine) was born in Toronto and raised in Buenos Aires. Based in New York since 2012 he has performed at iconic venues and festivals including the Montreux Jazz Festival the Kennedy Center Yankee Stadium The O2 Arena and the Blue Note Jazz Club.\nSarian’s work spans jazz contemporary and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic in addition to leading his own projects. As a bandleader he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026) Millay Arts (2025) Art Omi (2024) and Culture Lab LIC (2022). In 2026 he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer multi-instrumentalist and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.;X-APPLE-RADIUS=500;X-TITLE=357 W 36th St\, 3rd floor New York\, NY 10018:geo:-73.9946137,40.7545052
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260322
DTEND;VALUE=DATE:20260323
DTSTAMP:20260403T190439
CREATED:20260128T172216Z
LAST-MODIFIED:20260223T160354Z
UID:23581-1774137600-1774223999@jp.crsny.org
SUMMARY:2026 春の香咲弥須子ACIMセミナー《大阪》
DESCRIPTION:《 主催：CRS ニューヨーク 》\n2026 春の香咲弥須子ACIMセミナー《大阪》ご案内　2026/ 3/22(日) \n「奇跡のコース」「奇跡講座」　セミナー/オリジナルワークを中心に、質疑応答・瞑想・ワークで構成されます。 \n  \n《 香咲弥須子より 》 \nみなさま、こんにちは。\n今春のテーマは、「愛の名で自分を消さない：ACIMにおける寛容の再確認」です。\nACIMは、恐れを超えた視点を私たちに示してくれます。\n同時に、私たちは今もこの世の中で、身体をもち、関係性の中で生き、限界を感じながら学んでいます。 \nこの二つのレベルを混同すると、\n・境界線を引くことに罪悪感を覚えたり\n・恐れを感じる自分を責めてしまったり\n・「愛していないのではないか」と自分を疑ってしまう\nというようなことが起こりがちです。\nけれども、ACIMが指し示している寛容は、恐れを感じない“理想的な状態”になることではなく、\n今の自分の正直な状態を、裁かずに見つめることから始まるのではないでしょうか。 \nこのセミナーでは、\n・境界線を引くことと、分離を実在化しないこと\n・恐れと識別の違い\n・「信頼」と「魔術的思考」の境界\n・愛の名で自分を消してしまわないための、心の位置 \nこうした点を、ACIMのテキストを参照しながら見つめていきたいと思っています。\n何かを“できるようになる”とか”恐れを否定して”理想の自分になる”ためのセミナーではありません。\nそれぞれが今いる場所から、無理なく、誠実に、ACIMの学びに触れていく時間になればと思っています。\nそうすることで、奇跡は「形を変えない」のではなく、「形に反映する」ということを目撃できると、ACIMは教えています。「ゆるしの結果としての癒し」の形を是非ともご一緒に目撃しましょう。\nACIMをあまりご存知なくても、ご縁を感じられた方、大歓迎です。 \nみなさまと会場でお目にかかれるのを心より楽しみにしています。 \n香咲弥須子 \n  \n《 ファシリテーター黒河未紀より 》 \n会場開催だからこその見える景色、心震える経験がある。\n今春も、みなさんと一緒に、ここに真っ直ぐに向かうことができる、その機会に深く感謝します。\nわたしはいつも、会場の最後方からご参加のみなさんを感じることが多く、会が進むにつれ、\nそして第二部のワークでは特に、みなさんお一人おひとりから放たれる、\n美しさとも煌めきとも優しさとも言える〝何か〟に内なる喜びが止めどなく溢れ出す…\n毎度、この実体験を重ねています。 \n共に、震えてみませんか？\n沢山のフレンズと、心の手を繋ぎ合い「自分」の力ではない限りのない力によって立ち上がる。\nぜひあなたと一緒に経験したい。 \nここに学習歴も、年齢も、条件は何も存在しません。 \nただ、そのままの、今のあなたのままで、ご一緒に･･･。 \n〝はい〟と応える僅かな意欲を抱きしめ、日本全国、世界中どこからでも、ぜひご参加ください。\nあなたとの出会い、繋がりを、歓迎、祝福、賛美の心で、お待ちしています。 \n黒河 未紀 \n ･･━━･･━━･･━━･･━━･･━━･･━━･･ \n\n【日　時】 3月22日(日)\n第一部＜セミナー＞12:00-\n休憩. ヒーリング体験会\n第二部＜ワーク＞   – 16:00 \nお申し込み開始は、2/24(火)からです。 \n◎ 一般【参加費】 20\,000円\n◎ オンラインコース第10期と精読コース第4期と一緒にお申し込みされる方は、【参加費】 12\,000円\n◎ オンラインコース第10期、もしくは精読コース第4期のどちらか一方と一緒にお申し込みされる方は、【参加費】 17\,000円 \n【会 場】　新大阪駅前　CIVI研修センター新大阪東　6階 　E605室\nアクセス \n ＊ 休憩時間にヒーリング体験会開催\n※ヒーリング体験については、 こちら  をご参照ください。 \n今春も大阪・東京共に”テーマ”は同じですが、参加されるみなさんによって、香咲弥須子さんのレクチャーやワークは違っていきます。\nお時間のある方は、両方を体験なさってください。 \n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – \n\nご予約は、 \n\n\nACIMセミナー《大阪》　のみ　の参加申し込みは、 \n\n\nセミナー参加のみ\n\n\n  \nACIMセミナー《大阪》と一緒に、オンラインコース第10期 / 精読コース第4期をお申し込みする方は、 \nセミナーとオンラインコースを一緒に\n\n\n\n\n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – –\n  \n＊ACIMセミナーに関するお問い合わせ先\nkansai.yasukokasaki@gmail.com\nファシリテーター：黒河未紀 \n＊＊期間限定のお申込みについて、また、オンラインコース第十期/テキスト精読コースについてのお問い合わせ\nacim@yasukokasaki.org\n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2026spring-seminar-osaka/
LOCATION:CIVI研修センター新大阪東\, 大阪市東淀川区東中島1-19-4\, 533-0033\, Japan
CATEGORIES:ACIM-Related Event,CRS Presents,In Japan
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GEO:34.7335087;135.5025831
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20260414T120000
DTEND;TZID=Asia/Tokyo:20260510T190000
DTSTAMP:20260403T190439
CREATED:20260102T155052Z
LAST-MODIFIED:20260319T000704Z
UID:23546-1776168000-1778439600@jp.crsny.org
SUMMARY:LIFE IS ART IS MOTHERHOOD IS ART — KYOTO
DESCRIPTION:Life Is Art Is Motherhood Is Art は、母である5名のアーティストによる写真作品を紹介する展覧会です。参加作家は、ダニエラ・コストヴァ（ブルガリア）、アリーヌ・ミュラー（ブラジル）、ゾーイ・マリエ・アーネス（アラスカ先住民トリンギット族／チェロキー族）、ケイティ・ヘラー・サルトゥーン（アメリカ）、白井里実（日本）です。それぞれ異なる地理的背景や人生経験をもつ彼女たちの作品は、母性を、日々の家族生活と文化、環境、記憶、さらには共同体としての責任とを結びつける、力強く創造的な原動力として描き出しています。 \n本展覧会は、2025年7月にニューヨークの天理文化センターで初公開された展示の一部を基にしたもので、2026年4月14日から5月10日まで、「KYOTOGRAPHIE KG＋」のフィーチャー展示として京都のギャラリー・マロニエにて開催されます。その後、2026年5月18日から5月24日まで、東京のLe Décoギャラリーへ巡回予定です。ギャラリー・マロニエの開館時間は、火曜〜土曜が12:00〜19:00、日曜が12:00〜18:00です。 \n会期最終日の5月10日15:00〜17:00には、参加アーティスト数名によるクロージングレセプションおよびトークイベントが、ギャラリー・マロニエ4階ギャラリーにて開催されます。 \n「KG＋」は、新進気鋭の写真家およびキュレーターの発掘と支援を目的として、2013年に設立されたパブリックアートフェスティバルです。「KYOTOGRAPHIE 京都国際写真祭」との連携のもと、KG＋に参加する若手写真家やキュレーターに対し、日本および世界各地から集まる著名なキュレーターやギャラリストと対話・協働する機会を提供しています。 \nX：@kgplus_kyotoInstagram：@kgplusFacebook：@KGplusevent \n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Exhibition Preview\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Pregnancy © by Satomi Shirai \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Scrap Opera 3 © by Daniela Kostova \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Mariana (Yakama Nation) © by Zoe Urness \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Untitled © by Aline Müller \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Cramped © by Katie Heller Saltoun \n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				KYOTOGRAPHIE 2026 のテーマ「EDGE（エッジ）」と呼応し、本展は日々の生活のなかで経験される〈境界〉を提示します。それは、自他、私的／公的、ケア／サバイバル、継承／変化のあいだに位置する経験です。本展においてケアは、主題であると同時に方法論でもあります。記録と解釈のあいだに立つ写真表現と同様に、母であることは、注意深さ、変化への応答力、不確実性を受け入れる姿勢を必要とします。こうした姿勢が、作家たちのフレーミングや時間への向き合い方、壊れやすく、未完で、見過ごされがちなものへの眼差しを形づくっています。家庭の内部、ケアの行為、先住民コミュニティ、変容する身体、日常の儀礼は、社会構造や環境の不安定さ、文化的記憶が切実に立ち現れる「知の場」となります。 \nいくつかの作品は、ケアの実践を家族の外へと拡張します。ゾーイ・マリエ・アーネスは、先住民の伝統を尊重しながら、現代のネイティブ・アメリカンの生活や文化的継承、抵抗の姿を記録し、土地・共同体・歴史へのケアが正義と不可分であることを示します。ダニエラ・コストヴァは、崩壊や災害、即興性に満ちた状況のなかで家族の姿を演出し、不安定な社会・環境システムのもとで生き抜くための「予行演習」として家庭内の役割を描き出します。 \nまた、他の作品は、アイデンティティ、〈家〉、生成の境界に向き合います。白井里実は、文化や世代を横断しながら、固定されない〈家〉という概念を探り、未完のまま揺れ動くアイデンティティを捉えます。ケイティ・ヘラー・サルトゥーンは、家庭空間を閉塞と創造が交差する場所として捉え、ケアに伴う労働、反復、感情の密度を、身体性のある重層的なプロセスによって可視化します。アリーヌ・ミュラーは、母性を身体的・精神的・祖先的な変容の状態として捉え、断片性や脆さ、解決されない「あいだ」の感覚を受け入れながら作品を構成します。 \nLife Is Art Is Motherhood Is Art は、母性を創造のフロンティアとして提示します。そこは、芸術、倫理、責任が交差する場所です。その〈エッジ〉において、注意深さと相互依存は創造性を妨げるものではなく、不確かな世界のなかで新しい生き方や共存のかたちを想像するための重要な手がかりとなります。 \n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Address\nGallery Maronie中京区河原町通四条上る塩屋町332Kyoto City\, Kyoto 604-8027Japan + Google MapPhone 075-221-0117 \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Open Hours\nMonday: ClosedTuesday – Saturday: 12 – 7 pmSunday: 12 – 6 pm \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Follow\n			\n				\n				\n				\n				\n				FollowFollow
URL:https://jp.crsny.org/index.php/event/life-is-art-is-motherhood-is-art-kyoto/
LOCATION:Gallery Maronie\, 中京区河原町通四条上る塩屋町332\, Kyoto City\, Kyoto\, 604-8027\, Japan
CATEGORIES:Exhibition
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GEO:35.0055253;135.7694462
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260426
DTEND;VALUE=DATE:20260427
DTSTAMP:20260403T190439
CREATED:20260128T173722Z
LAST-MODIFIED:20260301T170236Z
UID:23587-1777161600-1777247999@jp.crsny.org
SUMMARY:2026 春の香咲弥須子ACIMセミナー《東京》
DESCRIPTION:《 主催：CRS ニューヨーク 》\n2026 春の香咲弥須子ACIMセミナー《東京》ご案内　2026/ 4/26(日) \n「奇跡のコース」「奇跡講座」　セミナー/オリジナルワークを中心に、質疑応答・瞑想・ワークで構成されます。 \n《 香咲弥須子より 》 \nみなさま、こんにちは。\n今春のテーマは、「愛の名で自分を消さない：ACIMにおける寛容の再確認」です。\nACIMは、恐れを超えた視点を私たちに示してくれます。\n同時に、私たちは今もこの世の中で、身体をもち、関係性の中で生き、限界を感じながら学んでいます。 \nこの二つのレベルを混同すると、\n・境界線を引くことに罪悪感を覚えたり\n・恐れを感じる自分を責めてしまったり\n・「愛していないのではないか」と自分を疑ってしまう\nというようなことが起こりがちです。けれども、ACIMが指し示している寛容は、恐れを感じない“理想的な状態”になることではなく、\n今の自分の正直な状態を、裁かずに見つめることから始まるのではないでしょうか。 \nこのセミナーでは、\n・境界線を引くことと、分離を実在化しないこと\n・恐れと識別の違い\n・「信頼」と「魔術的思考」の境界\n・愛の名で自分を消してしまわないための、心の位置 \nこうした点を、ACIMのテキストを参照しながら見つめていきたいと思っています。\n何かを“できるようになる”とか”恐れを否定して”理想の自分になる”ためのセミナーではありません。\nそれぞれが今いる場所から、無理なく、誠実に、ACIMの学びに触れていく時間になればと思っています。\nそうすることで、奇跡は「形を変えない」のではなく、「形に反映する」ということを目撃できると、ACIMは教えています。「ゆるしの結果としての癒し」の形を是非ともご一緒に目撃しましょう。\nACIMをあまりご存知なくても、ご縁を感じられた方、大歓迎です。 \nみなさまと会場でお目にかかれるのを心より楽しみにしています。 \n香咲弥須子 \n  \n《ファシリテーター宮本 恵より 》 \n「誰かのために」と思って選んだ行動の中で、\nほんの少し、自分の感覚を後回しにしてはいないでしょうか。 \nけれど同時に、自分の感覚を頼りにするほどに、「自分はこうする」（「あなたはちがう」）と、\nどこか、完全には重なり合えず、一つであると感じられない感覚が残ることもあるかもしれません。 \nその距離や違和感にふれるとき、境界線をひくことへの後ろめたさが、\nそっと立ち上がってくることがあります。 \nまた、流れを止めないようにと自分の名を消して、相手に合わせ続けてきたことに、\nふと疲れを感じることも。 \nそれでもなお、何を大切にすることが、わたしたちにとって心からよきことなのでしょうか。 \nどの感覚を見つめたらよいのか分からず、\n混乱しているとしたら。 \nその問いを、表面的な答えに急がず、ともに見つめ抜く機会が、 \nこの春なのかもしれないと感じています。 \nはじめての方も、これまでご縁のあった方も、どうぞそれぞれのペースで、\nいまの呼吸のまま、この時間をともにしていただけたらと思います。 \n宮本 恵 \n\n【日　時】 4月26日(日)\n第一部＜セミナー＞12:00-\n休憩.\n第二部＜ワーク＞   – 16:00\nヒーリング体験会　　　　– 16:25終了 \nお申し込み開始は、3/2(月)からです。 \n◎ 一般【参加費】 20\,000円 \nお手続き完了期間【 3/2(月) – 3/22(日) 】限定の参加費が設定されます。 \n◎ オンラインコース第十期と精読コース第四期と一緒にお申し込みされる方は、【参加費】12\,000円　 \n◎ オンラインコース第十期、もしくは精読コース第四期のどちらか一方と一緒にお申し込みされる方は、【参加費】17\,000円 \n【会  場】 四ツ谷　 プラザエフ ９階　スズラン\nアクセス \n＊会場参加のみ、ライブ配信はありません。 \n＊ セミナー終了後にヒーリング体験会開催\n ※ヒーリング体験については、 こちら  をご参照ください。 \n大阪・東京共に”テーマ”は同じですが、参加されるみなさんによって、香咲弥須子さんのレクチャーやワークは違っていきます。お時間のある方は、両方を体験なさってください。 \n◎ ACIMセミナー《東京》の参加申し込みは、 \n【 予約フォーム 】 \n  \n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – \n＊ACIMセミナーに関するお問い合わせ\nseminar@crsny.org　ファシリテーター：宮本 恵 \n＊＊期間限定のお申込みについて、また、オンラインコース第十期/テキスト精読コースについてのお問い合わせ\nacim@yasukokasaki.org　香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2026spring-seminar-tokyo/
LOCATION:四ツ谷　プラザエフ\, 〒102-0085 東京都千代田区六番町15番地\, 〒102-0085\, Japan
CATEGORIES:ACIM-Related Event,CRS Presents,In Japan
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:35.6860348;139.7316943
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=四ツ谷　プラザエフ 〒102-0085 東京都千代田区六番町15番地 〒102-0085 Japan;X-APPLE-RADIUS=500;X-TITLE=〒102-0085 東京都千代田区六番町15番地:geo:139.7316943,35.6860348
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20260510T150000
DTEND;TZID=Asia/Tokyo:20260510T170000
DTSTAMP:20260403T190439
CREATED:20260319T201430Z
LAST-MODIFIED:20260320T191809Z
UID:23685-1778425200-1778432400@jp.crsny.org
SUMMARY:LIFE IS ART IS MOTHERHOOD IS ART クロージングレセプション＆アーティストトーク KYOTO
DESCRIPTION:​ \n2026年5月10日（日）午後3時から5時まで、ギャラリーマロニエ4階にて、展覧会「Life Is Art Is Motherhood Is Art」のクロージング・レセプションおよび参加アーティスト数名によるトークイベントを開催いたします。軽食をご用意しておりますので、ぜひお気軽にご参加ください。なお、トークイベントは午後3時30分から4時30分まで行われます。 \nアーティストのダニエラ・コストヴァ、アリーヌ・ミュラー、白井里美の各氏が、モデレーターにMOMENT Contemporary Art Centerディレクター（元KG+共同ディレクター）のカルドネル 島井 佐枝氏を迎え、本展覧会の核心となるテーマについて語り合います。「母性（マザーフッド）」を、私的な領域と公的な領域、子育てとセルフケア、身体と環境の狭間で立ち現れる「生きた境界（閾）」として捉え直し、子育てという営みをいかにして創造的な道筋として理解し得るかについて考察を深めます。登壇者はそれぞれの制作活動の視点から、子育てがいかにしてエコロジー、現代社会の現実、そして自身の置かれた地域社会の集合的意識と結びついているのか、母親としてどのような責任を担うことができるのか、そして家庭生活における親密な営みが、いかにしてより広い世界と織りなされているのかについて論じます。本トークイベントは英語で行われ、辻井美穂氏による逐次通訳（日本語）が入ります。 \n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Exhibition Preview\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Pregnancy © by Satomi Shirai \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Scrap Opera 3 © by Daniela Kostova \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Mariana (Yakama Nation) © by Zoe Urness \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Untitled © by Aline Müller \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Cramped © by Katie Heller Saltoun \n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				KYOTOGRAPHIE 2026 のテーマ「EDGE（エッジ）」と呼応し、本展は日々の生活のなかで経験される〈境界〉を提示します。それは、自他、私的／公的、ケア／サバイバル、継承／変化のあいだに位置する経験です。本展においてケアは、主題であると同時に方法論でもあります。記録と解釈のあいだに立つ写真表現と同様に、母であることは、注意深さ、変化への応答力、不確実性を受け入れる姿勢を必要とします。こうした姿勢が、作家たちのフレーミングや時間への向き合い方、壊れやすく、未完で、見過ごされがちなものへの眼差しを形づくっています。家庭の内部、ケアの行為、先住民コミュニティ、変容する身体、日常の儀礼は、社会構造や環境の不安定さ、文化的記憶が切実に立ち現れる「知の場」となります。 \nいくつかの作品は、ケアの実践を家族の外へと拡張します。ゾーイ・マリエ・アーネスは、先住民の伝統を尊重しながら、現代のネイティブ・アメリカンの生活や文化的継承、抵抗の姿を記録し、土地・共同体・歴史へのケアが正義と不可分であることを示します。ダニエラ・コストヴァは、崩壊や災害、即興性に満ちた状況のなかで家族の姿を演出し、不安定な社会・環境システムのもとで生き抜くための「予行演習」として家庭内の役割を描き出します。 \nまた、他の作品は、アイデンティティ、〈家〉、生成の境界に向き合います。白井里実は、文化や世代を横断しながら、固定されない〈家〉という概念を探り、未完のまま揺れ動くアイデンティティを捉えます。ケイティ・ヘラー・サルトゥーンは、家庭空間を閉塞と創造が交差する場所として捉え、ケアに伴う労働、反復、感情の密度を、身体性のある重層的なプロセスによって可視化します。アリーヌ・ミュラーは、母性を身体的・精神的・祖先的な変容の状態として捉え、断片性や脆さ、解決されない「あいだ」の感覚を受け入れながら作品を構成します。 \nLife Is Art Is Motherhood Is Art は、母性を創造のフロンティアとして提示します。そこは、芸術、倫理、責任が交差する場所です。その〈エッジ〉において、注意深さと相互依存は創造性を妨げるものではなく、不確かな世界のなかで新しい生き方や共存のかたちを想像するための重要な手がかりとなります。 \n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Address\nGallery Maronie中京区河原町通四条上る塩屋町332Kyoto City\, Kyoto 604-8027Japan + Google MapPhone 075-221-0117 \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Open Hours\nMonday: ClosedTuesday – Saturday: 12 – 7 pmSunday: 12 – 6 pm \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Follow\n			\n				\n				\n				\n				\n				FollowFollow
URL:https://jp.crsny.org/index.php/event/life-is-art-is-motherhood-is-art-kyoto5-10/
LOCATION:Gallery Maronie\, 中京区河原町通四条上る塩屋町332\, Kyoto City\, Kyoto\, 604-8027\, Japan
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2026/01/Postcard-Kyoto-front.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:35.0055253;135.7694462
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Maronie 中京区河原町通四条上る塩屋町332 Kyoto City Kyoto 604-8027 Japan;X-APPLE-RADIUS=500;X-TITLE=中京区河原町通四条上る塩屋町332:geo:135.7694462,35.0055253
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260518
DTEND;VALUE=DATE:20260526
DTSTAMP:20260403T190439
CREATED:20260319T150105Z
LAST-MODIFIED:20260403T122528Z
UID:23674-1779062400-1779753599@jp.crsny.org
SUMMARY:LIFE IS ART IS MOTHERHOOD IS ART — TOKYO
DESCRIPTION:  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLife Is Art Is Motherhood Is Art は、母である5名のアーティストによる写真作品を紹介する展覧会です。参加作家は、ダニエラ・コストヴァ（ブルガリア）、アリーヌ・ミュラー（ブラジル）、ゾーイ・マリエ・アーネス（アラスカ先住民トリンギット族／チェロキー族）、ケイティ・ヘラー・サルトゥーン（アメリカ）、白井里実（日本）です。それぞれ異なる地理的背景や人生経験をもつ彼女たちの作品は、母性を、日々の家族生活と文化、環境、記憶、さらには共同体としての責任とを結びつける、力強く創造的な原動力として描き出しています。 \n本展は、2025年7月にニューヨークの天理文化センターにて初公開された展覧会の巡回展として、2026年5月19日から5月24日まで、東京の「ル・デコギャラリー」3階にて開催されます。ル・デコギャラリーの開館時間は、火曜日から土曜日が午前11時から午後7時まで、日曜日は午前11時から午後5時までです。 \nこれに先立ち、本展は2026年4月14日から5月10日まで、京都の「ギャラリーマロニエ」にて、「KYOTOGRAPHIE KG+」のピックアップ展として開催されます。 \n「KG＋」は、新進気鋭の写真家およびキュレーターの発掘と支援を目的として、2013年に設立されたパブリックアートフェスティバルです。「KYOTOGRAPHIE 京都国際写真祭」との連携のもと、KG＋に参加する若手写真家やキュレーターに対し、日本および世界各地から集まる著名なキュレーターやギャラリストと対話・協働する機会を提供しています。 \nX：@kgplus_kyoto\nInstagram：@kgplus\nFacebook：@KGplusevent \n\n\n\n\n\n\n\n\n\n\nExhibition Preview\n\n\n\n\n\n\n\n\n\nPregnancy © by Satomi Shirai \n\n\n\n\n\n\n\nScrap Opera 3 © by Daniela Kostova \n\n\n\n\n\n\n\nMariana (Yakama Nation) © by Zoe Urness \n\n\n\n\n\n\n\nUntitled © by Aline Müller \n\n\n\n\n\n\n\nCramped © by Katie Heller Saltoun \n\n\n\n\n\n\n\n\n\n\nKYOTOGRAPHIE 2026 のテーマ「EDGE（エッジ）」と呼応し、本展は日々の生活のなかで経験される〈境界〉を提示します。それは、自他、私的／公的、ケア／サバイバル、継承／変化のあいだに位置する経験です。本展においてケアは、主題であると同時に方法論でもあります。記録と解釈のあいだに立つ写真表現と同様に、母であることは、注意深さ、変化への応答力、不確実性を受け入れる姿勢を必要とします。こうした姿勢が、作家たちのフレーミングや時間への向き合い方、壊れやすく、未完で、見過ごされがちなものへの眼差しを形づくっています。家庭の内部、ケアの行為、先住民コミュニティ、変容する身体、日常の儀礼は、社会構造や環境の不安定さ、文化的記憶が切実に立ち現れる「知の場」となります。 \nいくつかの作品は、ケアの実践を家族の外へと拡張します。ゾーイ・マリエ・アーネスは、先住民の伝統を尊重しながら、現代のネイティブ・アメリカンの生活や文化的継承、抵抗の姿を記録し、土地・共同体・歴史へのケアが正義と不可分であることを示します。ダニエラ・コストヴァは、崩壊や災害、即興性に満ちた状況のなかで家族の姿を演出し、不安定な社会・環境システムのもとで生き抜くための「予行演習」として家庭内の役割を描き出します。 \nまた、他の作品は、アイデンティティ、〈家〉、生成の境界に向き合います。白井里実は、文化や世代を横断しながら、固定されない〈家〉という概念を探り、未完のまま揺れ動くアイデンティティを捉えます。ケイティ・ヘラー・サルトゥーンは、家庭空間を閉塞と創造が交差する場所として捉え、ケアに伴う労働、反復、感情の密度を、身体性のある重層的なプロセスによって可視化します。アリーヌ・ミュラーは、母性を身体的・精神的・祖先的な変容の状態として捉え、断片性や脆さ、解決されない「あいだ」の感覚を受け入れながら作品を構成します。 \nLife Is Art Is Motherhood Is Art は、母性を創造のフロンティアとして提示します。そこは、芸術、倫理、責任が交差する場所です。その〈エッジ〉において、注意深さと相互依存は創造性を妨げるものではなく、不確かな世界のなかで新しい生き方や共存のかたちを想像するための重要な手がかりとなります。
URL:https://jp.crsny.org/index.php/event/life-is-art-is-motherhood-is-art-tokyo2026/
LOCATION:GALLERY LE DÉCO\, 3rd FL gallery 3 Chome-16-3\, Shibuya\,\, Tokyo\, 150-0002\, Japan
CATEGORIES:CRS Presents,Exhibition,In Japan
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:35.6561665;139.7051737
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END:VEVENT
END:VCALENDAR