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DTSTART;TZID=America/New_York:20220312T190000
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DTSTAMP:20260403T213818
CREATED:20220211T191737Z
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UID:21146-1647111600-1647117000@jp.crsny.org
SUMMARY:POSTPONED: Crossing Boundaries Vol. 16: FOCUSING ON HER (Benefit for Survivors of the 3.11 East Japan Earthquake)
DESCRIPTION:(イベントは、キャンセル・延期になりました）\n  \nCRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を3月12日（土）午後7時からTenri Cultural Instituteにて、開催します。\nこのコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。\nAMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。\nビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \n公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。次回は、Crossing Boundaries Vol. 17：EYES FROMHERは6月24日にCRSにて。そして、Crossing Boundaries Vol. 1８は7月16日にthe National Opera CenterのMarc A. Scorca Hallで開催されます。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。このコンサートは、2011年3月11日の東日本大震災及び津波の11周年を記念したものであり、コンサートの収益はすべて仙台チェンバーアンサンブルに寄付されます。仙台チェンバーアンサンブルは災害を受けたのち、音楽で東北を笑顔にと、被災した各地で精力的にボランティアコンサート活動を続けています。寄付はeventbrite.comでも行うことができます。 \n5歳以上のすべてのお客様は、写真付きの身分証明書の提示、2回のワクチン接種を受けたことを証明する必要があります（Johnson＆Johnsonワクチンの1回接種を受けた人を除く）。例外はありません。 。また、会場ではマスクを着用してください。 \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \n  \n  \n  \n\n\nTRANSLATE with  x\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n \n\n      \n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n   \n   Back\n   \n\n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\nEnable collaborative features and customize widget: Bing Webmaster Portal\nBack
URL:https://jp.crsny.org/index.php/event/20220312/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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