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SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n瞑想は２時30分から始まります。その後ヒーリングを行います。（4時ぐらいまで） \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊要RSVP。お席に限りがありますので、お早めのご予約をお願いします。\netsuko@crsny.org まで。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20260315/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20260320T203000
DTEND;TZID=America/New_York:20260322T213000
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SUMMARY:Dreamborne Theater Presents angels\, a World Premiere
DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday\, March 20th @ 8:30pm  – CAST A\nSaturday\, March 21st @ 3:30pm  – CAST B\nSaturday\, March 21st @ 8:30pm – CAST A\nSunday\, March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \nLOCATION:\nTheaterLab NYC\n357 W 36th St\, 3rd floor\, New York\, NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams\, myth\, and memory. Through ritualistic and fantastical works\, they investigate the evolving nature of identity\, language\, and culture — embracing the fragmented self as a space of transformation\, rebirth\, and fairytale. Alongside their artistic productions\, they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright\, Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny)\, Stage Director of AAAAH!Culture (IG: @aaaah.culture)\, and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts\, having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre\, guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue\, her work blends forms\, languages\, and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors)\, New Year’s Eve Dinner (Gene Frankel Theater)\, and Love Survives in 2095? (Secret Theatre). As a playwright and director\, Tara has developed works including Trapped in the Flash and Bond\, both staged at off-off-Broadway venues in New York City. Her most recent original work\, QINGBAI: INNOCENCE\, completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director\, playwright\, and actor based in New York City. Their work centers on devised and movement-driven performance\, with an emphasis on transnational storytelling\, embodied dramaturgy\, and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater\, where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries\, actionable choices\, and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt\, following a B.F.A. in Theatre Education from Emerson College\, and bring an academic foundation in psychology to their approach to character\, behavior\, and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom\, an original work that uses physical theatre and tableau to examine identity\, displacement\, and power. Yannis’s directing practice foregrounds structural clarity\, rules of seeing\, staying\, and exchange\, and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor\, writer and director from Vietnam. Starting as a playwright at high school\, Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country\, and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company\, they are set on expanding their artistic and creative limits\, experimenting and playing with the conventions of theater. Currently\, Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper)\, praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine)\, was born in Toronto and raised in Buenos Aires. Based in New York since 2012\, he has performed at iconic venues and festivals\, including the Montreux Jazz Festival\, the Kennedy Center\, Yankee Stadium\, The O2 Arena\, and the Blue Note Jazz Club.\nSarian’s work spans jazz\, contemporary\, and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic\, in addition to leading his own projects. As a bandleader\, he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026)\, Millay Arts (2025)\, Art Omi (2024)\, and Culture Lab LIC (2022). In 2026\, he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer\, multi-instrumentalist\, and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers\, his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.
URL:https://jp.crsny.org/index.php/event/dreamborne-theater-presents-angels/2026-03-20/
LOCATION:TheaterLab NYC\, 357 W 36th St\, 3rd floor New York\, NY 10018
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday March 20th @ 8:30pm  – CAST A\nSaturday March 21st @ 3:30pm  – CAST B\nSaturday March 21st @ 8:30pm – CAST A\nSunday March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \n\nTheaterLab NYC\n357 W 36th St 3rd floor New York NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams myth and memory. Through ritualistic and fantastical works they investigate the evolving nature of identity language and culture — embracing the fragmented self as a space of transformation rebirth and fairytale. Alongside their artistic productions they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny) Stage Director of AAAAH!Culture (IG: @aaaah.culture) and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue her work blends forms languages and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors) New Year’s Eve Dinner (Gene Frankel Theater) and Love Survives in 2095? (Secret Theatre). As a playwright and director Tara has developed works including Trapped in the Flash and Bond both staged at off-off-Broadway venues in New York City. Her most recent original work QINGBAI: INNOCENCE completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director playwright and actor based in New York City. Their work centers on devised and movement-driven performance with an emphasis on transnational storytelling embodied dramaturgy and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries actionable choices and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt following a B.F.A. in Theatre Education from Emerson College and bring an academic foundation in psychology to their approach to character behavior and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom an original work that uses physical theatre and tableau to examine identity displacement and power. Yannis’s directing practice foregrounds structural clarity rules of seeing staying and exchange and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor writer and director from Vietnam. Starting as a playwright at high school Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company they are set on expanding their artistic and creative limits experimenting and playing with the conventions of theater. Currently Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper) praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine) was born in Toronto and raised in Buenos Aires. Based in New York since 2012 he has performed at iconic venues and festivals including the Montreux Jazz Festival the Kennedy Center Yankee Stadium The O2 Arena and the Blue Note Jazz Club.\nSarian’s work spans jazz contemporary and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic in addition to leading his own projects. As a bandleader he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026) Millay Arts (2025) Art Omi (2024) and Culture Lab LIC (2022). In 2026 he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer multi-instrumentalist and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.;X-APPLE-RADIUS=500;X-TITLE=357 W 36th St\, 3rd floor New York\, NY 10018:geo:-73.9946137,40.7545052
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DTSTART;TZID=America/New_York:20260321T153000
DTEND;TZID=America/New_York:20260321T163000
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SUMMARY:Dreamborne Theater Presents angels\, a World Premiere
DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday\, March 20th @ 8:30pm  – CAST A\nSaturday\, March 21st @ 3:30pm  – CAST B\nSaturday\, March 21st @ 8:30pm – CAST A\nSunday\, March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \nLOCATION:\nTheaterLab NYC\n357 W 36th St\, 3rd floor\, New York\, NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams\, myth\, and memory. Through ritualistic and fantastical works\, they investigate the evolving nature of identity\, language\, and culture — embracing the fragmented self as a space of transformation\, rebirth\, and fairytale. Alongside their artistic productions\, they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright\, Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny)\, Stage Director of AAAAH!Culture (IG: @aaaah.culture)\, and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts\, having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre\, guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue\, her work blends forms\, languages\, and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors)\, New Year’s Eve Dinner (Gene Frankel Theater)\, and Love Survives in 2095? (Secret Theatre). As a playwright and director\, Tara has developed works including Trapped in the Flash and Bond\, both staged at off-off-Broadway venues in New York City. Her most recent original work\, QINGBAI: INNOCENCE\, completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director\, playwright\, and actor based in New York City. Their work centers on devised and movement-driven performance\, with an emphasis on transnational storytelling\, embodied dramaturgy\, and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater\, where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries\, actionable choices\, and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt\, following a B.F.A. in Theatre Education from Emerson College\, and bring an academic foundation in psychology to their approach to character\, behavior\, and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom\, an original work that uses physical theatre and tableau to examine identity\, displacement\, and power. Yannis’s directing practice foregrounds structural clarity\, rules of seeing\, staying\, and exchange\, and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor\, writer and director from Vietnam. Starting as a playwright at high school\, Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country\, and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company\, they are set on expanding their artistic and creative limits\, experimenting and playing with the conventions of theater. Currently\, Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper)\, praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine)\, was born in Toronto and raised in Buenos Aires. Based in New York since 2012\, he has performed at iconic venues and festivals\, including the Montreux Jazz Festival\, the Kennedy Center\, Yankee Stadium\, The O2 Arena\, and the Blue Note Jazz Club.\nSarian’s work spans jazz\, contemporary\, and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic\, in addition to leading his own projects. As a bandleader\, he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026)\, Millay Arts (2025)\, Art Omi (2024)\, and Culture Lab LIC (2022). In 2026\, he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer\, multi-instrumentalist\, and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers\, his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.
URL:https://jp.crsny.org/index.php/event/dreamborne-theater-presents-angels/2026-03-21/
LOCATION:TheaterLab NYC\, 357 W 36th St\, 3rd floor New York\, NY 10018
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday March 20th @ 8:30pm  – CAST A\nSaturday March 21st @ 3:30pm  – CAST B\nSaturday March 21st @ 8:30pm – CAST A\nSunday March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \n\nTheaterLab NYC\n357 W 36th St 3rd floor New York NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams myth and memory. Through ritualistic and fantastical works they investigate the evolving nature of identity language and culture — embracing the fragmented self as a space of transformation rebirth and fairytale. Alongside their artistic productions they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny) Stage Director of AAAAH!Culture (IG: @aaaah.culture) and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue her work blends forms languages and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors) New Year’s Eve Dinner (Gene Frankel Theater) and Love Survives in 2095? (Secret Theatre). As a playwright and director Tara has developed works including Trapped in the Flash and Bond both staged at off-off-Broadway venues in New York City. Her most recent original work QINGBAI: INNOCENCE completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director playwright and actor based in New York City. Their work centers on devised and movement-driven performance with an emphasis on transnational storytelling embodied dramaturgy and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries actionable choices and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt following a B.F.A. in Theatre Education from Emerson College and bring an academic foundation in psychology to their approach to character behavior and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom an original work that uses physical theatre and tableau to examine identity displacement and power. Yannis’s directing practice foregrounds structural clarity rules of seeing staying and exchange and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor writer and director from Vietnam. Starting as a playwright at high school Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company they are set on expanding their artistic and creative limits experimenting and playing with the conventions of theater. Currently Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper) praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine) was born in Toronto and raised in Buenos Aires. Based in New York since 2012 he has performed at iconic venues and festivals including the Montreux Jazz Festival the Kennedy Center Yankee Stadium The O2 Arena and the Blue Note Jazz Club.\nSarian’s work spans jazz contemporary and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic in addition to leading his own projects. As a bandleader he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026) Millay Arts (2025) Art Omi (2024) and Culture Lab LIC (2022). In 2026 he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer multi-instrumentalist and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.;X-APPLE-RADIUS=500;X-TITLE=357 W 36th St\, 3rd floor New York\, NY 10018:geo:-73.9946137,40.7545052
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DTSTART;VALUE=DATE:20260322
DTEND;VALUE=DATE:20260323
DTSTAMP:20260429T200347
CREATED:20260128T172216Z
LAST-MODIFIED:20260223T160354Z
UID:23581-1774137600-1774223999@jp.crsny.org
SUMMARY:2026 春の香咲弥須子ACIMセミナー《大阪》
DESCRIPTION:《 主催：CRS ニューヨーク 》\n2026 春の香咲弥須子ACIMセミナー《大阪》ご案内　2026/ 3/22(日) \n「奇跡のコース」「奇跡講座」　セミナー/オリジナルワークを中心に、質疑応答・瞑想・ワークで構成されます。 \n  \n《 香咲弥須子より 》 \nみなさま、こんにちは。\n今春のテーマは、「愛の名で自分を消さない：ACIMにおける寛容の再確認」です。\nACIMは、恐れを超えた視点を私たちに示してくれます。\n同時に、私たちは今もこの世の中で、身体をもち、関係性の中で生き、限界を感じながら学んでいます。 \nこの二つのレベルを混同すると、\n・境界線を引くことに罪悪感を覚えたり\n・恐れを感じる自分を責めてしまったり\n・「愛していないのではないか」と自分を疑ってしまう\nというようなことが起こりがちです。\nけれども、ACIMが指し示している寛容は、恐れを感じない“理想的な状態”になることではなく、\n今の自分の正直な状態を、裁かずに見つめることから始まるのではないでしょうか。 \nこのセミナーでは、\n・境界線を引くことと、分離を実在化しないこと\n・恐れと識別の違い\n・「信頼」と「魔術的思考」の境界\n・愛の名で自分を消してしまわないための、心の位置 \nこうした点を、ACIMのテキストを参照しながら見つめていきたいと思っています。\n何かを“できるようになる”とか”恐れを否定して”理想の自分になる”ためのセミナーではありません。\nそれぞれが今いる場所から、無理なく、誠実に、ACIMの学びに触れていく時間になればと思っています。\nそうすることで、奇跡は「形を変えない」のではなく、「形に反映する」ということを目撃できると、ACIMは教えています。「ゆるしの結果としての癒し」の形を是非ともご一緒に目撃しましょう。\nACIMをあまりご存知なくても、ご縁を感じられた方、大歓迎です。 \nみなさまと会場でお目にかかれるのを心より楽しみにしています。 \n香咲弥須子 \n  \n《 ファシリテーター黒河未紀より 》 \n会場開催だからこその見える景色、心震える経験がある。\n今春も、みなさんと一緒に、ここに真っ直ぐに向かうことができる、その機会に深く感謝します。\nわたしはいつも、会場の最後方からご参加のみなさんを感じることが多く、会が進むにつれ、\nそして第二部のワークでは特に、みなさんお一人おひとりから放たれる、\n美しさとも煌めきとも優しさとも言える〝何か〟に内なる喜びが止めどなく溢れ出す…\n毎度、この実体験を重ねています。 \n共に、震えてみませんか？\n沢山のフレンズと、心の手を繋ぎ合い「自分」の力ではない限りのない力によって立ち上がる。\nぜひあなたと一緒に経験したい。 \nここに学習歴も、年齢も、条件は何も存在しません。 \nただ、そのままの、今のあなたのままで、ご一緒に･･･。 \n〝はい〟と応える僅かな意欲を抱きしめ、日本全国、世界中どこからでも、ぜひご参加ください。\nあなたとの出会い、繋がりを、歓迎、祝福、賛美の心で、お待ちしています。 \n黒河 未紀 \n ･･━━･･━━･･━━･･━━･･━━･･━━･･ \n\n【日　時】 3月22日(日)\n第一部＜セミナー＞12:00-\n休憩. ヒーリング体験会\n第二部＜ワーク＞   – 16:00 \nお申し込み開始は、2/24(火)からです。 \n◎ 一般【参加費】 20\,000円\n◎ オンラインコース第10期と精読コース第4期と一緒にお申し込みされる方は、【参加費】 12\,000円\n◎ オンラインコース第10期、もしくは精読コース第4期のどちらか一方と一緒にお申し込みされる方は、【参加費】 17\,000円 \n【会 場】　新大阪駅前　CIVI研修センター新大阪東　6階 　E605室\nアクセス \n ＊ 休憩時間にヒーリング体験会開催\n※ヒーリング体験については、 こちら  をご参照ください。 \n今春も大阪・東京共に”テーマ”は同じですが、参加されるみなさんによって、香咲弥須子さんのレクチャーやワークは違っていきます。\nお時間のある方は、両方を体験なさってください。 \n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – \n\nご予約は、 \n\n\nACIMセミナー《大阪》　のみ　の参加申し込みは、 \n\n\nセミナー参加のみ\n\n\n  \nACIMセミナー《大阪》と一緒に、オンラインコース第10期 / 精読コース第4期をお申し込みする方は、 \nセミナーとオンラインコースを一緒に\n\n\n\n\n– – – – – – – – – – – – – – – – – – – – – – – – – – – – – –\n  \n＊ACIMセミナーに関するお問い合わせ先\nkansai.yasukokasaki@gmail.com\nファシリテーター：黒河未紀 \n＊＊期間限定のお申込みについて、また、オンラインコース第十期/テキスト精読コースについてのお問い合わせ\nacim@yasukokasaki.org\n香咲弥須子事務局：久保田智子
URL:https://jp.crsny.org/index.php/event/2026spring-seminar-osaka/
LOCATION:CIVI研修センター新大阪東\, 大阪市東淀川区東中島1-19-4\, 533-0033\, Japan
CATEGORIES:ACIM-Related Event,CRS Presents,In Japan
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GEO:34.7335087;135.5025831
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260322T153000
DTEND;TZID=America/New_York:20260322T163000
DTSTAMP:20260429T200347
CREATED:20260304T135132Z
LAST-MODIFIED:20260316T135451Z
UID:23659-1774193400-1774197000@jp.crsny.org
SUMMARY:Dreamborne Theater Presents angels\, a World Premiere
DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday\, March 20th @ 8:30pm  – CAST A\nSaturday\, March 21st @ 3:30pm  – CAST B\nSaturday\, March 21st @ 8:30pm – CAST A\nSunday\, March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \nLOCATION:\nTheaterLab NYC\n357 W 36th St\, 3rd floor\, New York\, NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams\, myth\, and memory. Through ritualistic and fantastical works\, they investigate the evolving nature of identity\, language\, and culture — embracing the fragmented self as a space of transformation\, rebirth\, and fairytale. Alongside their artistic productions\, they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright\, Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny)\, Stage Director of AAAAH!Culture (IG: @aaaah.culture)\, and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts\, having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre\, guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue\, her work blends forms\, languages\, and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors)\, New Year’s Eve Dinner (Gene Frankel Theater)\, and Love Survives in 2095? (Secret Theatre). As a playwright and director\, Tara has developed works including Trapped in the Flash and Bond\, both staged at off-off-Broadway venues in New York City. Her most recent original work\, QINGBAI: INNOCENCE\, completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director\, playwright\, and actor based in New York City. Their work centers on devised and movement-driven performance\, with an emphasis on transnational storytelling\, embodied dramaturgy\, and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater\, where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries\, actionable choices\, and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt\, following a B.F.A. in Theatre Education from Emerson College\, and bring an academic foundation in psychology to their approach to character\, behavior\, and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom\, an original work that uses physical theatre and tableau to examine identity\, displacement\, and power. Yannis’s directing practice foregrounds structural clarity\, rules of seeing\, staying\, and exchange\, and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor\, writer and director from Vietnam. Starting as a playwright at high school\, Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country\, and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company\, they are set on expanding their artistic and creative limits\, experimenting and playing with the conventions of theater. Currently\, Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper)\, praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine)\, was born in Toronto and raised in Buenos Aires. Based in New York since 2012\, he has performed at iconic venues and festivals\, including the Montreux Jazz Festival\, the Kennedy Center\, Yankee Stadium\, The O2 Arena\, and the Blue Note Jazz Club.\nSarian’s work spans jazz\, contemporary\, and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic\, in addition to leading his own projects. As a bandleader\, he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026)\, Millay Arts (2025)\, Art Omi (2024)\, and Culture Lab LIC (2022). In 2026\, he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer\, multi-instrumentalist\, and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers\, his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.
URL:https://jp.crsny.org/index.php/event/dreamborne-theater-presents-angels/2026-03-22/
LOCATION:TheaterLab NYC\, 357 W 36th St\, 3rd floor New York\, NY 10018
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GEO:40.7545052;-73.9946137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday March 20th @ 8:30pm  – CAST A\nSaturday March 21st @ 3:30pm  – CAST B\nSaturday March 21st @ 8:30pm – CAST A\nSunday March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \n\nTheaterLab NYC\n357 W 36th St 3rd floor New York NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams myth and memory. Through ritualistic and fantastical works they investigate the evolving nature of identity language and culture — embracing the fragmented self as a space of transformation rebirth and fairytale. Alongside their artistic productions they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny) Stage Director of AAAAH!Culture (IG: @aaaah.culture) and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue her work blends forms languages and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors) New Year’s Eve Dinner (Gene Frankel Theater) and Love Survives in 2095? (Secret Theatre). As a playwright and director Tara has developed works including Trapped in the Flash and Bond both staged at off-off-Broadway venues in New York City. Her most recent original work QINGBAI: INNOCENCE completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director playwright and actor based in New York City. Their work centers on devised and movement-driven performance with an emphasis on transnational storytelling embodied dramaturgy and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries actionable choices and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt following a B.F.A. in Theatre Education from Emerson College and bring an academic foundation in psychology to their approach to character behavior and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom an original work that uses physical theatre and tableau to examine identity displacement and power. Yannis’s directing practice foregrounds structural clarity rules of seeing staying and exchange and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor writer and director from Vietnam. Starting as a playwright at high school Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company they are set on expanding their artistic and creative limits experimenting and playing with the conventions of theater. Currently Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper) praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine) was born in Toronto and raised in Buenos Aires. Based in New York since 2012 he has performed at iconic venues and festivals including the Montreux Jazz Festival the Kennedy Center Yankee Stadium The O2 Arena and the Blue Note Jazz Club.\nSarian’s work spans jazz contemporary and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic in addition to leading his own projects. As a bandleader he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026) Millay Arts (2025) Art Omi (2024) and Culture Lab LIC (2022). In 2026 he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer multi-instrumentalist and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.;X-APPLE-RADIUS=500;X-TITLE=357 W 36th St\, 3rd floor New York\, NY 10018:geo:-73.9946137,40.7545052
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