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DTSTART;TZID=UTC:20180121T100000
DTEND;TZID=UTC:20180121T173000
DTSTAMP:20260407T094624
CREATED:20171103T022240Z
LAST-MODIFIED:20171205T194013Z
UID:10154-1516528800-1516555800@jp.crsny.org
SUMMARY:さとう式リンパ考案歯科医師・佐藤青児によるNY初ワークショップ
DESCRIPTION:さとう式リンパケアとは？\n歯科医師・佐藤青児が顎関節治療から考案したリンパケア。筋肉を揉んだり押したり引っぱったりしないで緩めていく手法から口腔、胸腔、腹腔という身体の構造を骨と筋肉からではなくその構造体としてバランスをとりながら軽く触れて軽く動かすだけで力学的に安定させ筋肉をゆるめていく手法を考案。顎関節症だけではなく、小顔、美容にも効果があり女性誌、健康雑誌やテレビなど多数とりあげられ話題となっている。　口腔のコントロールから胸腔、腹腔をコントロールし、バストアップやウエストダウンにも高い効果を出している。 \n【スケジュール】\n1月21日（日曜日）\n10 am – 10:50 am　無料デモンストレーション\n11 am – 1 pm　フェイシャル特別セルフケア　$130 Facial Brush付\n1 pm – 2:30 pm　ランチ\n2:30 pm – 3:20 pm　無料デモンストレーション\n3:30 pm – 5:30 pm　インソール基本　$200 Diploma付 \n1月22日（月曜日）\n10 am – 12:30 pm　スピリチュアルLevel １　$150 Diploma付\n12:30 pm – 2 pm　ランチ\n2 pm – 7 pm　開脚トレーナー養成　$600 \n1月23日（火曜日）\n10 am – 10:50 am　無料デモンストレーション\n11 am – 1 pm　ここでしか聞けない佐藤青児のすごい話　$100\n1 pm – 2:30 pm　ランチ\n2:30 pm – 5:30 pm　歩き方・立ち方、腔を使う身体操作　$150 \n・フェイシャル特別セルフケア：2時間 $130\nあなたは鏡に映った自分自身を見て、何が気になりますか？\nこのセミナーでは、お顔全体の筋肉を緩め、お顔の水分の循環をうながし、リフトアップ、シミ・シワの改善がご自分で簡単にできるケアをお伝えします。フェイシャルブラシで撫でるだけです。応用すればからだにも使えるオールマイティーなブラシケア、美容面だけでなく、肩こり・首こり、顎関節症などのケアにもオススメです。\n心地よく、簡単に、キレイを手に入れましょう♪\nどなたでも参加できます。ブラシ付きです。 \n・インソール基本：2時間 $200\nさとう式屈筋理論は、からだのちからを楽に出せるようになることです。\n屈筋を使えるようにすること、つまりからだを支えるための筋肉をしっかり使えるようになれば、楽に歩いたり走ったりできるようになります。また、腰や膝に負担がかからなくなります。\nさとう式屈筋理論、インソール・靴下・テーピングの仕方を学んで、日々の生活をもっと楽しく、無理のないものにしましょう。\nどなたでも参加できます。スポーツをする方には特にオススメのクラスです。Diplomaが発行されます。 \n・からだの腔を使う身体操作：3時間 $150\nさとう式の身体操作は、かつて日本人ができていたからだの使い方を再考し、理論的に構築しています。難しい技術はひとつもありません。\nどなたでもムリなくできるようになる、それがさとう式身体操作です。\n筋肉を緩めること、顎関節から手脚を操作することで、からだ全体を連動させて、効率的なたち方、歩き方になります。座り方・立ち方・歩き方を変えるだけでO脚やX脚・捻れなどの改善がみられます。\nしなやかな動きと筋力以上の力を生み出せる動きを知ると、スポーツや仕事のパフォーマンスを飛躍的に上げることができます。\nさとう式リンパケアの腔の理論と火星人理論で、からだの操作の仕方、セルフボディワーク力の出し方をお伝えします。だれにでもおススメの講座です。 \n・スピリチュアルLevel 1：2時間半 $150\nますます、進化するさとう式の中でもこちらのクラスはスピリチュアルな世界も体験できるクラスです。\n触れ無いで、リフトアップはもちろん\n触れ無いで、足のむくみが改善からだが軽くなる\n触れ無いで、痛みの改善を体験してみませんか？\n全く新しい理論で量子力学ではなく、古典力学のみでエネルギーワークを解明。見ているだけで、相手のからだに明確な変化をもたらします。Diplomaも発行されます。 \n・さとう式開脚トレーナー養成講座：5時間 $600\nさとう式では、腔を整えて、筋肉が柔らかくなると、痛みがなく開脚ができるようになるという魅力満載のクラスです。さとう式柔軟法は、筋肉をゆるめることにフォーカスしています。 柔らかさ、しなやかさは、女性のあこがれです。バレエ、新体操、ダンスなどは、しなやかさの象徴。そして、美の追求には理由はいらないのかもしれません。その美の追求をからだに無理なくできたら、最高です。Diplomaも発行されます。 \n・ここでしか聞けない佐藤青児のすごい話：2時間 $100\n佐藤青児のここでしか聞けない旬なお話会です。カタカムナやスピリチュアルなお話も飛び出すでしょう。今、旬な内容が満載です。日本のインストラクター、マスターたちも佐藤青児の講座を何度も受講されるそう。新しい発見や体験をシェアしてくださり、毎回、学びや気づきがあります。新鮮で楽しいクラスに乞うご期待。 \nお問い合わせ\ne-mail: info@sagelymphcaremethod.com\nTel: 888-979-6799 Junko or Masako\nWEB: http://sagelymphcaremethod.com\nお申込み\nhttp://sagelymphcaremethod.com/Class.html \n講師：歯科医師・佐藤青児\n1963年愛知県名古屋市生まれ。\n愛知学院大学歯学部、歯科口腔外科専攻生として卒業後、歯科麻酔科助手、市立岡崎病院救急救命センター研修、小牧市の稲垣歯科勤務を経て、愛知県春日井市で月見歯科を開業。月見歯科の特色としては顎関節症治療や歯周病治療において、「治療」というよりは「コントロール」で環境を整え改善していくというスタンスをとり、cure よりcareと言う概念の下に一般的に治らないと言われている治療をできるだけ非侵襲で改善させてきている。\n顎関節症の治療方法で咬筋を緩める方法を研究し成果を上げ、その結果顎関節の簡単な運動で頭部全体の血流障害が改善されることを発見する。それを基にさとう式リンパケア（Sage Lymph Care Method）を考案し、全国で歯科医師、整体師、エステティシャン等を対象に講習会を開催している。\nさとう式リンパケア公式ウェブサイト\nさとう式リンパケアブログ
URL:https://jp.crsny.org/index.php/event/sagelymphcare_012018/2018-01-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180127T190000
DTEND;TZID=UTC:20180127T203000
DTSTAMP:20260407T094624
CREATED:20180110T004540Z
LAST-MODIFIED:20180110T063636Z
UID:10761-1517079600-1517085000@jp.crsny.org
SUMMARY:Concert: Megumi Saruhashi Quartet — Arabian Fairies
DESCRIPTION:Boarder-crossing violinist Megumi Saruhashi presents “From the Music Room in the Inner Space – Arabian Fairies\,” an evening of her original compositions in the award-winning White Room at CRS on Saturday 1/27/18 from 7 – 8:30 pm. Joining her are Alon Nechushtan on piano\, Brian Prunka on oud\, and Dan Kurfirst on percussion. \nMegumi Saruhashi’s music is ignited by a wide range of influences\, including Arabic music\, jazz\, classical\, tango\, gospel\, minimalism and many more. Focusing on the intersections and connections between music and the soul\, Saruhashi uses her musical training to form new and unexpected alliances between musical genres. Believing herself to be a conduit that synthesizes the musical and spiritual realms\, Saruhashi refers to herself as a “hollow bone.” She strives to draw out the consciousness of listeners and connect on a deeply spiritual level that cuts across cultural and sonic barriers. \n“My ability to flow between different musical genres and cultures means I have the skill to create a musical alchemy. Responding to the whispers of the internal world of spirit\, I draw this into the present moment. Being able to be a hollow bone – a flute of the music of God – and share that music that I receive from the source and to be able to share that with the world is my passion. I’m a transmitter of God\, as all of us are.” — Megumi Saruhashi \nMegumi is a native of Japan and currently resides in Brooklyn. She has performed in almost every corner of the world from Carnegie Hall to Lebanon and for audiences as large as 60\,000. Every year she travels to the Middle East to provide musical workshops and concerts at refugee camps\, and her work has been featured on ABC\, CBS\, and Fox News. http://www.megumisaruhashi.com \nAlon Nechushtan’s music adventures has brought him to various far corners of the globe such as the Yokohama ‘Rejoicing Sounds’ Festival in Japan with his contemporary orchestral compositions\, The Manila Cultural Center of the Arts\, with his Clarinet Concerto for the Philippines Philharmonic Orchestra\, The Sao-Paolo Brazil Jewish Music Festival with his groove based Quintet Talat\, Toronto and Montreal with his words beyond Jazz Trio and Tel Aviv New Music Biannale with his Compositions for Large Ensemble. A resident of New York City\, Alon has performed in venues such as Carnegie Hall\, Jazz @ Lincoln Center\, Central Park Summer Stage\, The Blue Note Jazz Club and the Kennedy Center with his projects as a band leader of various groups or as an in demand sideman. In October 2015 the Kennedy Center comissioned from Alon Nechushtan a new piece for Billy Strayhorn Centennial Celebration\, followed by a Far East tour in China and Phillipines\, along with Jazz Festivals in Belo Horizonte-Brazil\, Israel. In 2017 the Smithsonian Museum in Washington\, D.C commissioned from Alon Nechushtan a new program of Thelonious Monk’s less known compositions. All About Jazz magazine called him “A fantastic pianist-composerwith abundant chemistry and boundless eclectisism”\, while DownBeat Magazine  recognizes “A talent to watch\, with a surfeit of ideas\, an unbridled spirit and bold\,two-fisted sense of Architecture.” http://musicalon.com \nPrior to moving to Brooklyn in 2003\, Brian Prunka was living and performing in New Orleans\, where he spent his musically formative years honing his musical skills immersed in the jazz community. While his background was in traditional and modern jazz\, as well as the rock and blues music of his teenage years\, Brian has always found himself drawn to a wide range of music without regard to boundaries\, national or otherwise. In the late 90s\, fate introduced him to the oud\, and he had an instant and profound connection with this storied instrument. A chance conversation led him to begin studying with the renowned virtuoso Simon Shaheen and ultimately to becoming involved in the Arabic music community as well. He has sought over the years to find ways to bring together the essential characteristics of all the music he loves through both his improvisational style and his many diverse compositions. These days equally proficient on both guitar and oud\, Brian composes and performs jazz and middle-eastern influenced music with his own projects (such as the Near East River Ensemble) and with musicians such as Michael Bates and Simon Shaheen. He currently performs with Nashaz\, Sharq Attack\, Zikrayat\, the Bil Afrah Project and others. He has performed throughout the U.S. and internationally with Simon Shaheen\, Michael Bates\, Ravish Momin\, the New York Arabic Orchestra\, The Vancouver International Orchestra\, Zikrayat\, The Near East River Ensemble\, and others. In addition to national and international events\, he has performed in New York at The Stone\, Tonic\, the Knitting Factory\, the River to River Festival\, Symphony Space\, Alwan for the Arts\, Trinity Church\, Rooftop Films\, Bronx River Arts Center\, Bethlehem MusikFest\, the Abode of the Message\, and CBGBs\, among others. He has received grants from the Brooklyn Arts Council and NY Dept. of Cultural Affairs\, and was an instructor in oud and Arabic music theory at Simon Shaheen’s Arabic Music Retreat from 2012-2014.Brian Prunka currently performs on D’angelico and Gibson guitars and Fender amplifiers. http://www.brianprunka.com \nDan Kurfirst is an NYC based percussionist\, composer and improviser. Born and raised in Brooklyn\, NY\, his music is a product of his good fortune to have been brought up amongst people of all different cultures and master practitioners of varying musical styles. He has formally studied the Drumset with Nasheet Waits\, Tariq Snare and Gregg Bendian. He has studied percussion under the tutelage of Shane Shanahan and Hakan Kaya. He has performed extensively in the New York City world music and improvised music scenes for years and has performed with various groups throughout Europe\, India and the Middle East. The beautiful human beings that he has had the pleasure to work with are too numerous to list in total\, but some of them are: Gabriel Marin\, Matt Darriau\, Brandon Terzic\, Adam Rudolph\, Daniel Carter\, Ras Moshe\, Daro Behroozi\, Kane Mathis\, Brian Prunka\, Abraham Mennen and Ben Cohen. Dan leads Spheric Sound Unit\, a group dedicated to exploring cultural syncretism through music. He also co-leads Ensemble Fanaa\, a trio which explores the intersection between African American\, North African and Middle Eastern musical traditions. He recently worked as Musical Director for the Childrens Museum of Manhattan’s America To Zanzibar exhibit\, helping to develop a touchscreen application for the “A Children to explore music of the Islamic world from India to Egypt to Indonesia. http://dankurfirstmusic.com
URL:https://jp.crsny.org/index.php/event/concert-megumi-saruhashi-quartet-arabian-fairies/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2018/01/IMG_1773-1.jpeg
ORGANIZER;CN="Megumi Saruhashi":MAILTO:megumisaruhashi@gmail.com
GEO:40.733496;-73.989816
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DTSTART;TZID=UTC:20180127T190000
DTEND;TZID=UTC:20180127T213000
DTSTAMP:20260407T094624
CREATED:20180117T222935Z
LAST-MODIFIED:20180117T222935Z
UID:10799-1517079600-1517088600@jp.crsny.org
SUMMARY:“Origami” presents NYC Japanese language exchange party
DESCRIPTION:Origami is a Japan-US exchange group started in 2018.\nWe will be holding our first language exchange event this month.\nYou can enjoy exchanging languages in a relaxed atmosphere with unlimited drinks for two hours.\nConnect with various people regardless of age\, gender\,nationality\, and race and enrich your life in New York City!\nPlease come and feel free to invite friends\,  although if you come alone\, we welcome you with our utmost hospitality.\nIn addition\, we have special gifts for customers who come between 7:00 and 7:30 so please come as soon as possible! \nTicket：$25\nAge：＋21～\nMore info: https://www.eventbrite.com/e/nyc-japanese-language-exchange-night-tickets-41888360213
URL:https://jp.crsny.org/index.php/event/origami-presents-nyc-japanese-language-exchange-party/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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ORGANIZER;CN="James Nogami & Masa Saitou":MAILTO:masa.nybklyn090@gmail.com
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