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DTSTART;TZID=UTC:20190210T133000
DTEND;TZID=UTC:20190210T160000
DTSTAMP:20260422T044800
CREATED:20190119T210000Z
LAST-MODIFIED:20190121T005409Z
UID:15828-1549805400-1549814400@jp.crsny.org
SUMMARY:ミラクルズ・イン・マンハッタン with ジョン・マンディ: The Ten Characteristics of a Teacher of God
DESCRIPTION:CRSでは、『奇跡のコース』のもっとも古くからの教師のひとり、Jon Mundy 先生をお迎えして、毎月一度レクチャーを行なっています。 \n2月のトピックは、ACIM Manual for Teachersから、“The Ten Characteristics of a Teacher of God”となります。\n  \n～事前のお申し込みの場合は、お一人様 $25となります～\n～受付にてご購入の場合は、お一人様 $30となります～\nお申し込みは、以下まで。\n電話番号: 212-677-8621 または オンラインにて。http://bit.ly/2AJc3Lp \nスペースがある限りご予約無しでもお入りいただけますが、毎回ほぼ満席になります。\nクラスにご参加いただけない方のために、レクチャーの様子をビデオストリーミング配信しています。こちらのサイトで live-streaming ボタンを押して、ご視聴ください。\nhttps://www.youtube.com/channel/UCwxH3nWSMFDGA1SiR9kAbeg \n通常第２日曜日にレクチャーは開催されますが、5月に限り第１日曜日に予定されていますので、ご注意ください。 \nジョン・マンディ\n１９４３年米国ミズーリ州に生まれる。神学博士。司祭。『奇跡のコース』教師。１９６７年より哲学と宗教、主に神秘主義の歴史において大学で教鞭を執るなか、１９７３年に『奇跡のコース』を書き取ったヘレン・シャックマン博士に出会う。以降、ヘレン博士が病に倒れる１９８０年まで、息子のようにかわいがられながら教え導かれた。最も古くからのコースの教師として、全米、ヨーロッパ、南米各地にて講演、ワークショップをおこなっている。ニューヨークの「All Faiths Seminary-International」のエグゼクティブ・ディレクター、雑誌「Miracle Magazine」の発行者。著書多数。\ndrjonmundy.com  www.miraclesmagazine.org
URL:https://jp.crsny.org/index.php/event/miracles-in-manhattan-with-dr-jon-mundy-the-ten-characteristics-of-a-teacher-of-god/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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DTSTART;TZID=UTC:20190210T180000
DTEND;TZID=UTC:20190210T200000
DTSTAMP:20260422T044800
CREATED:20190128T213859Z
LAST-MODIFIED:20190205T211604Z
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SUMMARY:一音一会 - One Note One Spirit - Play! Sing! Dance! Improv! Joy!
DESCRIPTION:音楽大好き、踊ってもみたい、でも人前では．．．という方が意外とたくさんいます。\n一音一会の仲間と一緒に、子供の頃のように自由に楽器を鳴らしたり、声を出したり、体を動かしてみませんか？\n何の経験も練習もいりません。ヒーリングセッションでもなければ、音楽のジャムセッションでもない、でも同時に両方の気持ちよさが味わえます。\n内から「なぜか出てくる」音や動きに任せているうちに、本来の自分/内なる存在と、そして仲間ともより深くコネクトし、やがてワンネスという同じエナジーであることを体感していきます。\n何種類かのパーカッションもご用意していますが、ご自分の楽器をお持ちくださるのも大歓迎です。 \nお問い合わせ: onenoteonespirit@gmail.com \nThis month Kevin Nathaniel will join us! Kevin specializes in voice\, mbira\, kalimba\, shekere\, and a variety of percussion. He approaches music as an experience to be shared by all\, a healing force that can bring people together as one. In this regard\, he is a visionary musician. His approach is creative with whatever musical instrument or path he embarks. At times vocal\, or instrumental with mbira melodies and enchanting dance rhythms\, and at times fiery and percussive\, and all phases in between. He was drawn into music by the magical sound of the mbira\, working with the legendary Zimbabwean mbira master Ephat Mujuru for years. He has continued the mbira/kalimba legacy and works to expand it creatively. He often tours\, performing all over the planet as well as producing a popular music series in NYC (see Afro Roots Tuesdays). He is founding member of several bands including Spirit Ensemble\, Heritage OP\, Harmony Mbira\, Kaleidhaphonic\, Afrika Meets India\, and more. He has worked with a wide variety of artists including Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Thomas Mapfumo\, Miriam Makeba\, Bobby McFerrin\, Niles Rodgers\, Madonna\, Philip Glass\, Nana Vasconcelos\, and on and on. You can find his music on Spotify\, You Tube\, iTunes\, Cdbaby\, and many other outlets. \nKevin’s Bio\nKevin Nathaniel specializes in voice\, mbira\, kalimba\, shekere\, and a variety of percussion. He approaches music as an experience to be shared by all\, a healing force that can bring people together as one. In this regard\, he is a visionary musician. His approach is creative with whatever musical instrument or path he embarks. At times vocal\, or instrumental with mbira melodies and enchanting dance rhythms\, and at times fiery and percussive\, and all phases in between. He was drawn into music by the magical sound of the mbira\, working with the legendary Zimbabwean mbira master Ephat Mujuru for years. He has continued the mbira/kalimba legacy and works to expand it creatively. He often tours\, performing all over the planet as well as producing a popular music series in NYC (see Afro Roots Tuesdays). He is founding member of several bands including Spirit Ensemble\, Heritage OP\, Harmony Mbira\, Kaleidhaphonic\, Afrika Meets India\, and more. He has worked with a wide variety of artists including Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Thomas Mapfumo\, Miriam Makeba\, Bobby McFerrin\, Niles Rodgers\, Madonna\, Philip Glass\, Nana Vasconcelos\, and on and on. You can find his music on Spotify\, You Tube\, iTunes\, Cdbaby\, and many other outlets.
URL:https://jp.crsny.org/index.php/event/one-note-one-spirit-music-dance-improv-joy20190210/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190211
DTEND;VALUE=DATE:20190415
DTSTAMP:20260422T044800
CREATED:20190213T210559Z
LAST-MODIFIED:20190222T031353Z
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SUMMARY:個展: Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:Exhibition: Archetype-Hidden Memory — Paintings by Lex Braes \nCRS (Center for Remembering & Sharing) ではLex Braes氏による油彩、また紙の小作品による展覧会 “Archetype-Hidden Memory” を開催しています。CRSでのBraes氏による個展は、2012年に続いて2回目になります。限定されたイメージを繰り返し描くことにより、元のイメージが持つエネルギーとエモーションを損なわずに表現しながら、そのプロセスによってそれを抽象的なパターンに変容させることにより、その下に隠された言語を匂わせつつ作品間の関係性を問うという彼の近年の追求の結果であります。この展覧会は、2019年2月11日から 4月中旬までの開催となります。 \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning.\nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form.\nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions.\nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past.\n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White N Salem NY May 8 to June 15 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://jp.crsny.org/index.php/event/archetype-hidden-memory-paintings-by-lex-braes/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190216T130000
DTEND;TZID=UTC:20190216T150000
DTSTAMP:20260422T044800
CREATED:20190123T194741Z
LAST-MODIFIED:20190123T201338Z
UID:15851-1550322000-1550329200@jp.crsny.org
SUMMARY:清水浦安 新刊「一切衆生悉有内在仏 真説 般若波羅蜜多心経」出版記念講演
DESCRIPTION:清水浦安 新刊「一切衆生悉有内在仏 真説 般若波羅蜜多心経」出版記念講演\n「内なる神(仏)と共に生きる-神性復古の時代(とき)を迎えて」 \nワンドロップ・プロジェクト発起人である清水浦安が、2002年に友人から受けた「般若心経とは？」という質問に、自己の内から聞こえる声なき声の導きにより書きつづった般若心経の真意を、17年の時を経て、何故今、世に出す必要があるのか？釈迦没後2500年、すべての宗教を超えてワンドロップ・プロジェクトの真髄を語ります。 \n参加費無料 \n《ワンドロップ聖歌隊》\n「誰もが人間としての尊厳を持ち、本当の自分を信じ、活かし、喜びをもって暮らせる社会の実現と他者への思いやりと心に平安平和を持つことが出来る社会の実現を目指す」というワンドロップ・プロジェクトの主旨のもと、2014 年結成されました。、2017年12 月24 日のさいたま市文化センター大ホールで行われた『生命交響曲　霊魂の歓びの歌』(宮川昭夫作曲)初演で、今生きているいのちの喜びを胸に抱いて、「私たちは愛を想像し、創造するために生まれてきた」と自らのワンドロップに心を合わせて声高らかに歌いました。現在、東京、名古屋、大阪、岡山、広島、福岡、鹿児島、北海道、沖縄、海外はNew York、Los Angeles、Honolulu、Istanbulと活動の輪が広がり、歌うことを通じて、いのちの尊さをこの地球(ほし)に生かされている感謝の想いを胸に、ワンドロップが一人一人の霊魂(たましい)の中心に宿っていることを忘れてしまった世界中の仲間や愛の地球(ほし)、平和な地球(ほし)を創るためにこの地球(ほし)に来たスター・シードに呼びかけています。
URL:https://jp.crsny.org/index.php/event/shimizu-urayasu-recture20190216/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2019/01/5235dc071fc85c009449f8ff678120a2.jpg
ORGANIZER;CN="One Drop Project":MAILTO:onedrop.project555@gmail.com
GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190216T153000
DTEND;TZID=UTC:20190216T183000
DTSTAMP:20260422T044800
CREATED:20190123T195251Z
LAST-MODIFIED:20190123T201457Z
UID:15858-1550331000-1550341800@jp.crsny.org
SUMMARY:ワンドロップ聖歌隊ニューヨーク 説明会＆ 一緒に歌おう！体験レッスン
DESCRIPTION:ワンドロップ聖歌隊は、歌うことを通じて、いのちの尊さを、そしてこの地球(ほし)に生かされている感謝の想いを胸に、ワンドロップが一人一人の霊魂(たましい)の中心に宿っていることを忘れてしまった世界中の仲間に呼びかけています。愛の地球(ほし)、平和な地球(ほし)を創るためにこの地球(ほし)に来たニューヨーク在住のスター・シードの皆さん！いよいよ約束の時代(とき)がやってきました！\n「私たちは、愛を想像し、創造するために生まれてきた！」と声高らかに歌い、地球と共振共鳴現象(アセンション)を起こすことで地球生命環境を再生させましょう！\n待ったなしの本番です。 \n参加費無料 \n《ワンドロップ聖歌隊》\n「誰もが人間としての尊厳を持ち、本当の自分を信じ、活かし、喜びをもって暮らせる社会の実現と他者への思いやりと心に平安平和を持つことが出来る社会の実現を目指す」というワンドロップ・プロジェクトの主旨のもと、2014 年結成されました。、2017年12 月24 日のさいたま市文化センター大ホールで行われた『生命交響曲　霊魂の歓びの歌』(宮川昭夫作曲)初演で、今生きているいのちの喜びを胸に抱いて、「私たちは愛を想像し、創造するために生まれてきた」と自らのワンドロップに心を合わせて声高らかに歌いました。現在、東京、名古屋、大阪、岡山、広島、福岡、鹿児島、北海道、沖縄、海外はNew York、Los Angeles、Honolulu、Istanbulと活動の輪が広がり、歌うことを通じて、いのちの尊さをこの地球(ほし)に生かされている感謝の想いを胸に、ワンドロップが一人一人の霊魂(たましい)の中心に宿っていることを忘れてしまった世界中の仲間や愛の地球(ほし)、平和な地球(ほし)を創るためにこの地球(ほし)に来たスター・シードに呼びかけています。
URL:https://jp.crsny.org/index.php/event/one-drop20190216/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2019/01/d563f865c4bc98459419236772564711.jpg
ORGANIZER;CN="One Drop Choir New York":MAILTO:nyonedrop@gmail.com
GEO:40.733496;-73.989816
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