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DTSTART;VALUE=DATE:20190416
DTEND;VALUE=DATE:20190529
DTSTAMP:20260404T125521
CREATED:20190420T200041Z
LAST-MODIFIED:20190420T200041Z
UID:17167-1555372800-1559087999@jp.crsny.org
SUMMARY:Exhibition: Matter - Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) では、井上剛志氏による彩色された立体コラージュやモノクロ写真の12の小作品によって構成された個展、“Matter”を開催しております。これらの作品は物質の本質でもある、常に変わらざるを得ない、という特質を反映しており、マチエールが、ひび割れ、朽ち、錆び、焼け、軟化し、硬化し、そして累積することにより生まれ変わり、それによって新たに生じたスペースに未知の何かが入り込む余地をもたらしています。また、時の経過により刻まれた印が偶発的な美の様式を作り出しています。これらのイメージは物質の儚さを観るものに迫るとともに、その美しさにより私たちの中にある普遍的な記憶を蘇らせ、我々が何ものなのかという根源的な問いを私たちに突きつけることになります。 \nこの展覧会は、2019年4月16日から2019年5月28日までの開催となります。 \nStatement\n私の制作はあくまでもプロセス重視で、制作当初から作品の完成像が頭にある、と言うことはまずありません。制作の過程で、色々なアイデアが頭を駆け巡り、それを一つずつ試していくわけですが、それが上手く行くこともあれば、失敗することも当然あります。いずれにせよ、作品がアイデアに基づいているということは間違いないですが、必ずしも特定のアイデアを実現するための手段としての作品がある、と言うわけではありません。制作のかなり部分が、偶然に支配・左右されており、無意識下で蠢いている何かが結実した時、作品が完成した、と言うことになります。制作時に聴いている音楽、観た映画、読んだ本など、様々な影響がありますが、それとともに、日々の生活からのものも多いです。住んでいる国や土地、出会う人々、その人たちと交わす会話、日々感じること、制作時の精神状態など、多様です。そう言った意味では、作品は私そのものでもある、と言えると思います。 \n井上剛志\n埼玉県出身。上智大学卒業。\n英国、スコトッランドのグラスゴー芸術学校にてファイン・アートを専攻。\n現在、ニューヨーク在住。
URL:https://jp.crsny.org/index.php/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190531
DTEND;VALUE=DATE:20190814
DTSTAMP:20260404T125521
CREATED:20190517T010745Z
LAST-MODIFIED:20190731T205007Z
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SUMMARY:Exhibition: Celestial Mandala — Works on Paper by Heejung Kim
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Celestial Mandala\,” an exhibition featuring recent ink works on paper by Korean artist Heejung Kim. Her art is influenced by Tibetan Mandala paintings\, especially by the patterns and symbols found in them. Her star-like images come from actual dreams she has had since her childhood. Using repetition like the mantras in meditation\, Heejung pushes her creative visions into a hypnotic space carrying the viewer into a surreal sense of illusion and the feeling of moving through a vast void. The exhibition will be on view from May 31 – July 31\, 2019. \nThere will be an Opening Reception with short talk by the artist on May 31 from 7:30 – 8:30 pm in conjunction with Crossing Boundaries Concert Series Vol. 5 featuring Korean Traditional Music at 8:30 pm. This program has been curated by gamin\, with assistance from Suechung Koh\, Exhibitions Director & Curator at Gallery Yonhee at the Korean Community Center in NJ. \nAbout Artist Heejung Kim \nHeejung Kim produces both 2-D and 3-D artworks and the themes of her artworks stemmed from Buddhism\, her dream images\, and her own experiences. Kim has had numerous exhibitions nationally and her art has been reviewed in The New York Times and The Star-Ledger. Kim obtained an MA in Art Education from the University of Illinois at Urbana-Champaign and her MFA from SUNY at Stony Brook. She currently teaches at the Raritan Valley Community College. heejungkim.weebly.com \nHer artist statement can be found here.
URL:https://jp.crsny.org/index.php/event/exhibition-celestial-mandala-works-on-paper-by-heejung-kim/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190531T193000
DTEND;TZID=UTC:20190531T213000
DTSTAMP:20260404T125521
CREATED:20190414T202313Z
LAST-MODIFIED:20190531T023828Z
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SUMMARY:Crossing Boundaries Concert Series Vol. 5: ROSE OF SHARON
DESCRIPTION:CRSが今年自信を持ってプロデュースしている Crossing Boundaries Concert シリーズ第５弾です。韓国籍の女性アーティストたちによる、仏教をテーマにしたコンサート兼ビジュアルアートのイベントです。 \nCRS (Center for Remembering & Sharing) presents CROSSING BOUNDARIES Concert Series Vol. 5:  ROSE OF SHARON\, curated by gamin. “Rose of Sharon” is the national flower of Korea and so represents the people’s identity. This performance employs both Korean traditional music (Yeonsanheosang\, one of the most representative Korean traditional court music compositions) and contemporary art (mandala paintings) inspired by Buddhism. \nMusicians:  gamin (piri and saenghwang\, Korea)\nMinkyung Park (haegeum\, Korea)\nSangmi Kang (gayageum\, Korea)\nVisual artist:  Heejung Kim \nThis is the second of eight concerts in the series during 2019 and will take place on May 31\, 2019 at 8:30 pm at CRS.\nAn Opening Reception and Gallery Talk with artist Heejung Kim will take place before the show at 7:30 pm. \nTickets are $25 in advance $30 at the door. Students and seniors with valid ID can purchase tickets for $20 at the door. Tickets are available online at crsny.org\, by phone (212-677-8621)\, and at CRS. \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.\nCRS has from its inception in 2004 attracted many people from abroad\, and has become known for presenting healing\, arts\, and cultural programs from around the world and from Asia in particular. This season\, which is supported by a grant from the LMCC\, is curated by three outstanding artists of Asian descent:  gamin\, Jen Shyu\, and JunYi Chow. There is a long tradition of interdisciplinarity in Asian arts\, where ritual practices have always involved elements of dance\, theatre\, improvised music\, and storytelling\, and this season will build on that tradition.\nLearn about the 2019 Season Curators\nView the 2019 Season Announcement \nKOREAN ART AND MUSIC\n“Music is what dwells in a person from heaven\,\nwhat constitutes nature from emptiness\,\nwhat moves one’s mind\, circulates one’s blood\, beats one’s pulse\,\nand flows one’s spirit.”\n—  Source:  extract from the preface of Ak Hak Gwe Beom*\n*Ak Hak Gwe Beom is a treatise on music\, written in Korea in the 15thcentury\, which includes detailed\ndescriptions and fingerings of most of the musical instruments used during that period. \nABOUT THE PROGRAM\nOriginally a vocal piece with lyrics drawing on Buddhist scripture\, the Yeongsanhoesang suite became purely instrumental in the 15th century. Yeongsanhoesang has undergone continuous change with the current version taking form sometime in the 19th century. There are many versions of the suite\, which typically includes 8-9 pieces. While the genesis of the suite is not completely certain\, the first piece of the suite\, “Sangryeongsan” appears to be the foundation piece for the suite. The following pieces in the suite include variations on “Sangryeongsan\,” as well as standard musical forms and dance pieces of the Joseon era (1392-1910). \nABOUT THE PERFORMERS\ngamin is a traditional Korean musician\, trained in jeongak-the classical music of the court and sinawi-the collaborative improvisation that accompanies Korean shamanic ritual. Since leaving orchestral work behind eight years ago\, gamin has taken these skills in unexpected directions\, using her piri and taepyeongso (Korean oboes)\, and saengwhang (mouth organ) to pursue contemporary sounds and reach new audiences.\ngamin-music.com \nSangmi Kang is an Assistant Professor of Music Education at the Westminster Choir College of Rider University. As a professional performer on the gayageum (a traditional Korean stringed instrument)\, Dr. Kang has performed at several institutions\, among them the University of Florida\, Duke University\, the University of North Carolina at Chapel Hill\, and the University of North Carolina at Greensboro.\nsangmikang.weebly.com/ \nHaegeum instrumentalist Minkyung Park is a recipient of 67th Chosun Daily Debut Concert and selected as 2006 Kumho Young Artist by Kumho Asiana Foundation for Arts and Culture who has discovered and supported nationally talented instrumentalists. She has performed at many prestigious venues internationally including ‘tea music – longing for friends’ in NYC\, combining art performance with harmonization of various genre of music and arts.\nparkminkyung.com \nABOUT THE ART EXHIBITION\nHeejung Kim will feature her recent ink works on paper together with her selected artist books created within the last 20 years. Her art is influenced by Tibetan Mandala paintings\, especially by the patterns and symbols found in them. Her star-like images come from actual dreams she has had since her childhood. Using repetition like the mantras in meditation\, Heejung pushes her creative visions into a hypnotic space carrying the viewer into a surreal sense of illusion and the feeling of moving through a vast void. \nAbout Artist Heejung Kim\nHeejung Kim produces both 2-D and 3-D artworks and the themes of her artworks stemmed from Buddhism\, her dream images\, and her own experiences. Kim had numerous exhibitions nationally and the reviews on her art works include “The New York Times” and “The Star-Ledger”. Kim obtained an MA in Art Education from the University of Illinois at Urbana-Champaign and her MFA from SUNY at Stony Brook. She currently teaches at the Raritan Valley Community College.\nheejungkim.weebly.com/ \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-concert-series-vol-5-rose-of-sharon20190531/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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