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DTSTART;TZID=UTC:20220731T190000
DTEND;TZID=UTC:20220731T200000
DTSTAMP:20260407T075615
CREATED:20220710T144641Z
LAST-MODIFIED:20220710T144641Z
UID:21565-1659294000-1659297600@jp.crsny.org
SUMMARY:Paradise Laboratory: Pulses with Maya Angelou and Elsa Nilsson: Thyme
DESCRIPTION:CRS (Center for Remembering & Sharing) は、2022年7月31日午後7時より、CRSのホワイトルームにて、ジャズカルテット Elsa Nilsson: ThymeとMaya Angelouの詩を聴く、イベントを開催します。ユニークかつ深いリスニング体験をご一緒に。 \nチケットは学生/シニアが10ドル、一般が20ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nMany species use sound to communicate. Elsa Nilsson\, Santiago Leibson\, Marty Kenney and Rodrigo Recabarren asked themselves; what is the line that makes sound music? If beauty is in the eye of the beholder\, then isn’t music in the ear of the listener? As they listened to words around them they became enchanted with the subtleties in the sounds of voices. It began with Rodrigo playing rhythms along with speeches where he wanted to accentuate the meanings of what was being said. He sent Elsa Maya Angelou’s “On the Pulse Of Morning” full of rocks\, rivers and trees. Elsa fell in love with the deep musicality present in every sound. She listened and heard echoes of Ornette Coleman in how Maya Angelou ended her phrases. She heard thematic development and musical build in the pitch materials. \nTogether this band took the time to hear the musical communication in the sounds of Maya Angelou’s words. They play with her voice\, enhancing the music that is already there and bringing to light the full depth of her sonic brilliance along with her poetic brilliance. \nJohn Cage heard music in every sound. Groove in a tin can. Humor and art co-existing. This band takes a similar approach to communication. Intentionality does not require a plan\, directionality does not imply rigidity. With the wide open space of the music ahead they stand together with their toes over the edge and jump. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nFlute Player\, Composer and Educator Elsa Nilsson was born and raised in Gothenburg\, Sweden and currently resides in Brooklyn\, New York. She can often be found playing at The 55 Bar\, Bar Bayeux and other New York Jazz venues. Nilsson approaches music with an attitude of inclusiveness. She believes there is a space to be found in music that gives us the freedom to be exactly who we are. This leads her to make some unconventional choices as an improviser and composer where the lines between styles become blurred and rules get bent in order to serve the ultimate goal of sincere communication. Nilsson draws inspiration from every aspect of life and music that moves her\, combining them through the lens of Jazz to create a deeply personal expression that she hopes is universally relatable. Nilsson is on Faculty at The New School College for Performing Arts. \nhttps://www.elsanilssonmusic.com/ \nSantiago Leibson is a Brooklyn based\, Argentinian born jazz pianist and composer. His music is situated in the frontier of jazz\, improvised music\, classical and contemporary music.  As a bandleader\, he has released five records: Amon (2014)\, Pendular (2015)\, Out of Orden (2016)\, Episodes (2018) and Little Pieces (2020). JazzTrail says about Episodes: “Episodes is a swinging album with abundant evocations of past grandeur. Thence\, the trio of performers lay bare their solid command of time and space to create new narratives.” \nhttps://www.santiagoleibson.com/ \nMarty Kenney has performed with musicians such as Art Lande\, Billy Drummond\, Rich Perry\, Steve Slagle\, Allan Harris\, Rez Abbasi\, Brandon Seabrook\, Brian Krock’s Big Heart Machine\, David Berkman\, and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle\, Allan Harris\, Brian Krock’s liddle featuring Matt Mitchell\, Olli Hirvonen featuring Water Smith III\, and toured throughout the United States and Europe with Allan Harris\, liddle\, and New Helsinki\, including performances at the Montreux Jazz Festival\, Pori Jazz Festival\, the Mosaic Festival in Romania\, Umbria Winter Jazz Festival\, Porretta Soul Festival\, and many notable venues around the world including the Bimhuis\, Shinjuku Pit Inn\, Jazzclub Unterfahrt\, Smalls Jazz Club\, Mezzrow\, Dazzle Jazz Club\, Birdland\, Red Rocks Amphitheater\, and Blue Note NYC. \nhttps://linktr.ee/martykenney \nBorn in Santiago de Chile\, Rodrigo Recabarren has been in NYC since 2009. He has worked with artists as Guillermo Klein\, Brad Shepik\, Melissa Aldana\, Camila Meza\, Claudia Acuña\, Rafal Sarnecki and Andre Carvallo among many others. Has performed in Europe\, the United States\, Asia and Latin-America in prestigious venues like the Blue Note\, 55 bar\, Smalls and Jazz at Lincoln Center\, among many others. He is the founder of Tresillo music School in Santiago de Chile and has produced dozens of albums and tours around the world with this projects. \nhttps://www.rodrigorecabarren.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nhttps://bit.ly/3ySEeFY \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square
URL:https://jp.crsny.org/index.php/event/20220731/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/png:https://jp.crsny.org/wp-content/uploads/2022/07/IMG_2850.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) は、2022年7月31日午後7時より、CRSのホワイトルームにて、ジャズカルテット Elsa Nilsson: ThymeとMaya Angelouの詩を聴く、イベントを開催します。ユニークかつ深いリスニング体験をご一緒に。 \nチケットは学生/シニアが10ドル、一般が20ドルで、eventbrite.comで購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nMany species use sound to communicate. Elsa Nilsson Santiago Leibson Marty Kenney and Rodrigo Recabarren asked themselves; what is the line that makes sound music? If beauty is in the eye of the beholder then isn’t music in the ear of the listener? As they listened to words around them they became enchanted with the subtleties in the sounds of voices. It began with Rodrigo playing rhythms along with speeches where he wanted to accentuate the meanings of what was being said. He sent Elsa Maya Angelou’s “On the Pulse Of Morning” full of rocks rivers and trees. Elsa fell in love with the deep musicality present in every sound. She listened and heard echoes of Ornette Coleman in how Maya Angelou ended her phrases. She heard thematic development and musical build in the pitch materials. \nTogether this band took the time to hear the musical communication in the sounds of Maya Angelou’s words. They play with her voice enhancing the music that is already there and bringing to light the full depth of her sonic brilliance along with her poetic brilliance. \nJohn Cage heard music in every sound. Groove in a tin can. Humor and art co-existing. This band takes a similar approach to communication. Intentionality does not require a plan directionality does not imply rigidity. With the wide open space of the music ahead they stand together with their toes over the edge and jump. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nFlute Player Composer and Educator Elsa Nilsson was born and raised in Gothenburg Sweden and currently resides in Brooklyn New York. She can often be found playing at The 55 Bar Bar Bayeux and other New York Jazz venues. Nilsson approaches music with an attitude of inclusiveness. She believes there is a space to be found in music that gives us the freedom to be exactly who we are. This leads her to make some unconventional choices as an improviser and composer where the lines between styles become blurred and rules get bent in order to serve the ultimate goal of sincere communication. Nilsson draws inspiration from every aspect of life and music that moves her combining them through the lens of Jazz to create a deeply personal expression that she hopes is universally relatable. Nilsson is on Faculty at The New School College for Performing Arts. \nhttps://www.elsanilssonmusic.com/ \nSantiago Leibson is a Brooklyn based Argentinian born jazz pianist and composer. His music is situated in the frontier of jazz improvised music classical and contemporary music.  As a bandleader he has released five records: Amon (2014) Pendular (2015) Out of Orden (2016) Episodes (2018) and Little Pieces (2020). JazzTrail says about Episodes: “Episodes is a swinging album with abundant evocations of past grandeur. Thence the trio of performers lay bare their solid command of time and space to create new narratives.” \nhttps://www.santiagoleibson.com/ \nMarty Kenney has performed with musicians such as Art Lande Billy Drummond Rich Perry Steve Slagle Allan Harris Rez Abbasi Brandon Seabrook Brian Krock’s Big Heart Machine David Berkman and the New York Standards Quartet featuring Tim Armacost and Gene Jackson. He has appeared on recordings by Steve Slagle Allan Harris Brian Krock’s liddle featuring Matt Mitchell Olli Hirvonen featuring Water Smith III and toured throughout the United States and Europe with Allan Harris liddle and New Helsinki including performances at the Montreux Jazz Festival Pori Jazz Festival the Mosaic Festival in Romania Umbria Winter Jazz Festival Porretta Soul Festival and many notable venues around the world including the Bimhuis Shinjuku Pit Inn Jazzclub Unterfahrt Smalls Jazz Club Mezzrow Dazzle Jazz Club Birdland Red Rocks Amphitheater and Blue Note NYC. \nhttps://linktr.ee/martykenney \nBorn in Santiago de Chile Rodrigo Recabarren has been in NYC since 2009. He has worked with artists as Guillermo Klein Brad Shepik Melissa Aldana Camila Meza Claudia Acuña Rafal Sarnecki and Andre Carvallo among many others. Has performed in Europe the United States Asia and Latin-America in prestigious venues like the Blue Note 55 bar Smalls and Jazz at Lincoln Center among many others. He is the founder of Tresillo music School in Santiago de Chile and has produced dozens of albums and tours around the world with this projects. \nhttps://www.rodrigorecabarren.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org \nTICKET LINK: \nhttps://bit.ly/3ySEeFY \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:   \nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
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