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DTSTART;TZID=UTC:20221002T170000
DTEND;TZID=UTC:20221002T181500
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SUMMARY:Saxophonist Caroline Davis: Oscillations
DESCRIPTION:脳波をモデルにした音の治療使用を研究し、高い評価を得ているサックス奏者で学者のキャロライン デイビスによるディスカッションおよびライブ パフォーマンスをCRSのホワイトルームにて10 月 2 日 (日) 午後 5 時より開催します。貴重なこの機会をお見逃しなく。\n\nチケットは20ドル（学生・シニアは10ドル）で、Eventbriteから前売り、または当日（現金のみ）でお求めいただけます。\n  \nDiscussion: Oscillations is an immersive experience encouraging synchronicity through the study of brain rhythms. Simultaneous patterns in the brain create a complex scene of wild oscillations in our bodies and minds. Given research in neuroscience\, the hope is that oscillating rhythms can provide a new sense of focus and clarity\, similar to a dream state. Anecdotal evidence suggests that for some listeners it may reveal new ways of hearing ourselves and the world providing both comfort\, hope\, and healing. \nPerformance: Caroline Davis will perform a solo saxophone set inspired by research on oscillations in the brain. Watch her last video in the series for a sneak peak: \n \n\n\n\nABOUT CAROLINE DAVIS \nMobile since her birth in Singapore\, composer and saxophonist Caroline Davis’s music covers a wide range of styles\, owed to her shifting environment as a child. As a leader\, she has released six albums: Live Work & Play (2012)\, Doors: Chicago Storylines (2015)\, Heart Tonic (2018)\, Alula (2019)\, Anthems (2019)\, and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto-Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021).  Her work has garnered much praise from NPR\, The New York Times\, The Wire\, DownBeat\, JazzTimes\, and many international publications. \nDavis has worked with Lee Konitz\, Angelica Sanchez\, The Femme Jam\, Matt Mitchell\, Terry Riley\, Miles Okazaki\, Thana Alexa\, and Billy Kaye\, to name a few. She regularly collaborates with the experimental R&B band\, My Tree (Where the Grace Is\, AfterGlow). She has been in residence at MacDowell\, The Jazz Gallery\, and ICE Ensemble Evolution; and awarded Jerome Hill\, CMA\, and NYFA grants. Her compositions integrate science and music\, influenced by her Ph.D. Davis is an advocate for gender equity (This Is A Movement\, The New School) and abolition (Justice for Keith Lamar). \ncarolinedavis.org \nTICKET LINK:\nhttps://www.eventbrite.com/e/saxophonist-caroline-davis-oscillations-tickets-411539294107 \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/carolinedavis20221002/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:脳波をモデルにした音の治療使用を研究し、高い評価を得ているサックス奏者で学者のキャロライン デイビスによるディスカッションおよびライブ パフォーマンスをCRSのホワイトルームにて10 月 2 日 (日) 午後 5 時より開催します。貴重なこの機会をお見逃しなく。\n\nチケットは20ドル（学生・シニアは10ドル）で、Eventbriteから前売り、または当日（現金のみ）でお求めいただけます。\n  \nDiscussion: Oscillations is an immersive experience encouraging synchronicity through the study of brain rhythms. Simultaneous patterns in the brain create a complex scene of wild oscillations in our bodies and minds. Given research in neuroscience the hope is that oscillating rhythms can provide a new sense of focus and clarity similar to a dream state. Anecdotal evidence suggests that for some listeners it may reveal new ways of hearing ourselves and the world providing both comfort hope and healing. \nPerformance: Caroline Davis will perform a solo saxophone set inspired by research on oscillations in the brain. Watch her last video in the series for a sneak peak: \n \n\n\n\nABOUT CAROLINE DAVIS \nMobile since her birth in Singapore composer and saxophonist Caroline Davis’s music covers a wide range of styles owed to her shifting environment as a child. As a leader she has released six albums: Live Work & Play (2012) Doors: Chicago Storylines (2015) Heart Tonic (2018) Alula (2019) Anthems (2019) and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto-Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021).  Her work has garnered much praise from NPR The New York Times The Wire DownBeat JazzTimes and many international publications. \nDavis has worked with Lee Konitz Angelica Sanchez The Femme Jam Matt Mitchell Terry Riley Miles Okazaki Thana Alexa and Billy Kaye to name a few. She regularly collaborates with the experimental R&B band My Tree (Where the Grace Is AfterGlow). She has been in residence at MacDowell The Jazz Gallery and ICE Ensemble Evolution; and awarded Jerome Hill CMA and NYFA grants. Her compositions integrate science and music influenced by her Ph.D. Davis is an advocate for gender equity (This Is A Movement The New School) and abolition (Justice for Keith Lamar). \ncarolinedavis.org \nTICKET LINK:\nhttps://www.eventbrite.com/e/saxophonist-caroline-davis-oscillations-tickets-411539294107 \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
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DTSTART;TZID=UTC:20221008T193000
DTEND;TZID=UTC:20221008T210000
DTSTAMP:20260427T095020
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SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 2
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの第２弾をCRS のホワイト ルームで開催します。 10月8日（土）午後7時30分から行われるこのコンサートでは、gamin（ピリ／セングァン）とAlex Fortes（ヴァイオリン）、徳永慶子（ヴァイオリン）、Ana Kim（チェロ）が、Ki Young KimとTheodore Wiprudの作品、そしてWilliam Cooperとgaminによるニューヨーク初演の楽曲を演奏する予定です。 \n韓国のピリとセンファンは、驚くほど大きくて素朴で異世界的な音を出すことができる小さな楽器です。韓国語のピッチの概念は非常に多様です。どの音も、上昇または下降するアタック、ミドル、リリースのジェスチャーになる可能性があります。このプログラムでは、韓国の作曲家の作品2曲と西洋の作曲家の作品2曲を組み合わせます。それぞれがインスピレーションを得て、韓国の木管楽器と西洋の弦楽器の異なる音と慣習を明確に異なるスリリングな方法で組み合わせ、それぞれの可能性を広げます。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \n  \nチケットは 30 ドルで、eventbrite.com　購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \n  \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \n第1回目のコンサートは９月２４日に行われ、グラミー賞やオスカー賞を受賞した作曲家・坂本龍一らの作品を木村玲香乃（箏）が演奏。3 回目のコンサートは 10 月 29 日、Andy Lin (二胡/ヴィオラ) が出演し、Chen Yi の弦楽四重奏のためのフィドル組曲やその他の作品を演奏します。 \n  \nチケットリンク:https://www.eventbrite.com/e/interwoven-ensemble-ami-concert-series-vol-2-tickets-404303722317 \n  \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n  \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\n\nABOUT THE MUSICIANS \nA native of San Diego\, New York-based violinist ALEX FORTES is recognized for his versatility and warmth. Recent performances have included concerts in France\, \nGermany\, Denmark\, Austria\, and Indonesia\, as well as throughout North America. His playing is featured on A Far Cry’s 2014 Grammy-nominated album\, Dreams and Prayers\, as well as on Law of Mosaics\, which The New Yorker’s Alex Ross hailed as one of the top ten albums of 2014. He can also be heard on a forthcoming album with the Henschel Quartett and pianist Donald Berman featuring the music of Chris Theofanidis. \nFortes holds a strong interest in finding new contexts in which to experience familiar music. His arrangements of Schubert lieder and chamber music were hailed by the Boston Globe as “uniformly resourceful and complementary…smart\, subtle.” In May 2016\, A Far Cry premiered his arrangement with Sarah Darling of Bach’s Goldberg Variations in collaboration with pianist Simone Dinnerstein. \nA strong advocate for the importance of social and civic engagement\, Alex spent a year working as an administrator and playing for the Longwood Symphony\, an orchestra associated with Boston’s medical community that uses its performances to raise funds and awareness for medical nonprofits. In May 2010\, he was chosen by former U.S. Senator and New School President Bob Kerrey to be the student speaker at the New School’s commencement ceremony\, where he spoke about the importance of interdisciplinary cooperation and civic engagement for fostering innovation and strong communities. \nAlex has participated in educational residencies in both English and Spanish related to entrepreneurship\, music performance and education\, at colleges and public schools throughout the United States. He holds music degrees from Mannes College and a B.A. in Government from Harvard College. \nIndiana-native ANA KIM is a versatile cellist based in New York\, who performs on modern and historical instruments with various ensembles throughout the United States\, Europe\, and South Korea. She performs with ensembles including the Sebastians\, American Classical Orchestra\, and Boston Baroque. \nAna has participated in festivals such as Yellow Barn\, Verbier Academy\, Music@ Menlo\, and International Musicians Seminar at Prussia Cove. She has received a Doctorate at the University of Southern California and has studied Historical Performance at Juilliard. \nHer teachers include János Starker\, Ralph Kirshbaum\, Laurence Lesser\, and Phoebe Carrai. With a keen interest in education\, Ana has participated in outreach residencies with Kneisel Hall Festival in Maine and Listen Closely in New York\, and the American Classical Orchestra’s Classical Music for Kids. She had taught at Pacific Union College and public schools in Napa Valley. She is currently teaching at the Browning School in New York City. \nGAMIN is a Korean-born multi-instrumentalist who specializes in traditional Korean wind instruments. She tours the world performing traditional Korean music and engages in numerous cross-disciplinary collaborations. She is a designated Yisuja\, official holder of South Korea’s Important Intangible Cultural Asset No. 46. \nFrom 2000 to 2010\, gamin was the principal piri player at the National Gugak Orchestra in Seoul. She has received several cultural exchange program grants and collaborated in cross-cultural new music works with world-acclaimed musicians. She was a featured artist at the Silkroad concert in Seoul (2018)\, performing on stage with the founder\, Yo-Yo Ma. \nHer album “Nong” was released by Innova Records. Her Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, was postponed due to the pandemic. Recently\, she was awarded the prestigious two-year Jerome Hill Foundation Artist Fellowship. \ngaminmusic.com/ \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute. \ninterwovenmusic.org \nABOUT THE COMPOSERS \nKI YOUNG KIM is an international\, genre-bending composer whose work defies categorization. Since becoming a recipient of the Asian Cultural Council Grant in 1995\, he has broadened his music career in Japan and New York while collaborating with dancers\, theater directors\, and visual artists. A classically-trained composer and scholar of Korean avant-garde theater\, Kim has received multiple commissions from the National Gugak Center\, Korea’s premier traditional music center. He is also the founder of CMB 567\, an organization examining intra-Asian relations through contemporary art and music. \nKim’s collaborators include pioneering artists like Shin-Ja Hong\, Asoon Ahn\, Gloria McLean\, Whitewave\, String Noise\, and Chang-Jin Lee. His compositions have premiered at La MaMa\, Dance Theater Workshop\, Tenri Gallery\, and other venues. He is currently based in New York\, where he directs Quiet Revolution\, a multidisciplinary performance combining Western and Korean instruments in ritualistic meditation. In 2019\, he became a composer-in-residence at Brandeis University. \nTHEODORE WIPRUD is a composer\, educator\, and arts leader. He is widely known for having served as Vice President\, Education\, at the New York Philharmonic from 2004-2018\, and as host of the iconic Young People’s Concerts. \nAt the same time\, he has produced a steady stream of works including a Sinfonietta (2016)\, premiered by the South Dakota Symphony; a Violin Concerto (Katrina)\, composed for Ittai Shapira\, and released with the Royal Liverpool Philharmonic on Champs Hill Records; a one-act opera\, My Last Duchess\, with libretto by Tom Dulack based on poetry by Robert Browning; a song cycle\, For Allegra\, on a variety of American poets; and a number of pieces based on gugak\, Korean traditional music\, and including gugak instruments like p’iri\, gayageum\, and haegeum. \nMany of Wiprud’s works explore spiritual experience\, like the orchestral Hosannas of the Second Heaven and Grail; his two string quartets; and a number of choral pieces. Other works respond to American literature\, including American Journal\, based on Robert Hayden’s poem\, and A Georgia Song\, a setting of Maya Angelou. \nWiprud graduated cum laude in biochemistry at Harvard and earned a master’s in theory and composition at Boston University\, where he worked with David Del Tredici. He also studied with Robin Holloway at Cambridge University\, and with Jacob Druckman and Bernard Rands at Aspen.  \nHailed by the San Francisco Chronicle for his richly soaring vocal lines\, WILLIAM DAVID COOPER is the composer of three operas and music for orchestra\, chamber ensembles\, Baroque instruments\, chorus\, film\, and dance. His operas have been performed by Fort Worth Opera\, West Edge Opera\, andthe National Opera Association\, among others. His music has also been performed by Augustin Hadelich\, Liza Stepanova\, The New York Virtuoso Singers\, C4\, Antico Moderno\, Splinter Reeds\, the Lysander Trio\, ECCE Ensemble\, the Calder Quartet\, the Slee Sinfonietta\, and the Juilliard Orchestra. An alumnus of UC Davis and the Juilliard School\, Cooper serves on the faculty of the Walnut Hill School for the Arts\, and as organist and choir master at St. James Episcopal Church in New London\, CT. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \n 
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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