CRS\u3067\u306f\u3001\u6620\u50cf\u4f5c\u5bb6\u3001\u30e9\u30a4\u30bf\u30fc\u3001\u305d\u3057\u3066\u5199\u771f\u5bb6\u3067\u3082\u3042\u308bChris Fiore \u306b\u3088\u308b\u3001\u67af\u308c\u3086\u304f\u82b1\u3068\u90fd\u5e02\u306e\u98a8\u666f\u3092\u30c6\u30fc\u30de\u306b\u3057\u305f\u5c55\u89a7\u4f1a\u300cThe Mortal Apparatus: Beauty in Transience\u300d\u3092\u958b\u50ac\u3044\u305f\u3057\u307e\u3059\u3002\u69d8\u3005\u306a\u8272\u3084\u767d\u9ed2\u3092\u30d9\u30fc\u30b9\u306b\u3057\u305f\u4f5c\u54c1\u306e\u3059\u3079\u3066\u306f\u3001\u30c7\u30b8\u30bf\u30eb\u52a0\u5de5\u306b\u3088\u308a\u8272\u3092\u8abf\u6574\u3057\u3001\u5199\u771f\u82b8\u8853\u306e\u7f8e\u3092\u5f37\u8abf\u3057\u3066\u3044\u307e\u3059\u3002\u4f5c\u54c1\u306f\u4e3b\u306b\u673d\u3061\u304b\u3051\u3066\u3044\u308b\u30aa\u30d6\u30b8\u30a7\u306a\u3069\u3067\u898b\u3089\u308c\u308b\u7f8e\u3057\u3055\u3001\u3064\u3044\u898b\u904e\u3054\u3057\u3066\u3057\u307e\u3046\u512a\u7f8e\u3055\u3001\u81ea\u7136\u306e\u7f8e\u3001\u4eba\u306e\u624b\u306b\u3088\u308b\u82b8\u8853\u306b\u7126\u70b9\u3092\u5f53\u3066\u3066\u3044\u307e\u3059\u3002\u307e\u305f\u3001\u308f\u305f\u3057\u305f\u3061\u306e\u5fc3\u304c\u3044\u304b\u306b\u511a\u3044\u3044\u306e\u3061\u306e\u4e2d\u306b\u6c38\u9060\u3092\u6c42\u3081\u3001\u65b0\u305f\u306a\u610f\u5473\u3092\u751f\u307f\u51fa\u3057\u3066\u3044\u308b\u304b\u3092\u4f1d\u3048\u307e\u3059\u3002\u4eba\u304c\u601d\u8003\u306b\u3088\u3063\u3066\u3001\u76ee\u306b\u3059\u308b\u3059\u3079\u3066\u3092\u4f5c\u308a\u5909\u3048\u3066\u3044\u308b\u3053\u3068\u3092\u8003\u3048\u3055\u305b\u3089\u308c\u308b\u4f5c\u54c1\u306e\u6570\u3005\u3092\u3054\u89a7\u306b\u305c\u3072\u304a\u8d8a\u3057\u304f\u3060\u3055\u3044\u3002<\/p>\n
\u5c55\u89a7\u4f1a\u306f9\u670814\u65e5\uff08\u6728\uff09\u301c11\u670830\u65e5\uff08\u6728\uff09\u3067\u3059\u3002\u30aa\u30fc\u30d7\u30cb\u30f3\u30b0\u30ec\u30bb\u30d7\u30b7\u30e7\u30f3\u306f\u3001\uff19\u670822\u65e5\u5348\u5f8c\uff16\u6642\u534a\u301c\uff18\u6642\u534a\u3067\u3059\u3002<\/p>\n
\u958b\u50ac\u671f\u9593\u4e2d\u3001Chris Fiore \u306b\u3088\u308b\u7121\u6599\u306e\u6620\u753b\u4e0a\u6620\u4f1a\u3082\u4e0b\u8a18\u306e\u901a\u308a\u958b\u304b\u308c\u307e\u3059\u3002\u3069\u3046\u305e\u3054\u53c2\u52a0\u304f\u3060\u3055\u3044\u3002<\/p>\n
10\u670813\u65e5\uff08\u91d1\uff09\u5348\u5f8c7\u6642\u534a\u301c10\u6642\u00a0\u00a0\u201cGoodman\u201d and \u201cThe Red Umbrella Diaries\u201d
\n11\u670810\u65e5\uff08\u91d1\uff09\u5348\u5f8c7\u6642\u534a\u301c10\u6642 \u00a0\u30ef\u30fc\u30eb\u30c9\u30d7\u30ec\u30df\u30a2\u00a0\u201cThe Ken Stones: \u00a0Miami\u201d and A(DE)SCENT\u201d\u00a0<\/p>\n
\u3044\u305a\u308c\u3082\u5e2d\u306b\u9650\u308a\u304c\u3054\u3056\u3044\u307e\u3059\u3002\u3054\u5230\u7740\u3044\u305f\u3060\u3044\u305f\u9806\u306b\u304a\u5e2d\u3092\u78ba\u4fdd\u3055\u305b\u3066\u3044\u305f\u3060\u304d\u307e\u3059\u304c\u3001\u30ed\u30d3\u30fc\u306e\u30b9\u30da\u30fc\u30b9\u304c\u9650\u3089\u308c\u3066\u3044\u308b\u305f\u3081\u3001\uff17\u664215\u5206\u3088\u308a\u524d\u306e\u3054\u5230\u7740\u306f\u3054\u9060\u616e\u304f\u3060\u3055\u3044\u3002<\/p>\n
Artist Statement
\nThe camera is my favorite machine. To me, the camera has transcended its nature as a mechanical device and has become something verging on a magic instrument. Capable of capturing the fleeting and the ephemeral, of freezing light and stopping time, of making the intimate public, of telling profound truths and fascinating lies, of imbuing meaning into the mundane and transforming the precious into the mechanical, the camera is a collective third eye that has shaped the perceptions of a species.
\nArtist Profile:
\nFilmmaker, writer, and artist Chris Fiore, born 1959 in Norfolk, Virginia, received his BFA from Antioch College in 1984. In the late 80\u2019s he was one of the founders of the Zone, a artist collective occupying an abandoned warehouse at 104 South 4th St, in Williamsburg, Brooklyn. Fiore showed at the East Village\u2019s KOAP gallery in the early 90\u2019s and in 1995 directed the underground documentary Trip and Go Naked, winner of the Excellence in Sexual Theater award at Arlene\u2019s Grocery Picture Show. He went on to direct the feature documentary Backstage for Miramax, a behind the scenes look at Jay Z\u2019s Hard Knock Life Tour. The film had a profitable run in theaters and is still occasionally in rotation on the Showtime network 17 years after it was made. Fiore has also directed documentaries on the making of the Victoria\u2019s Secret Christmas Catalog, the band Paramore, as well as two prime time specials for Fox Television. His most recent documentary, Goodwoman, tells the story of Debra Goodman, an activist brutally arrested for filming the NYPD. Featured in several film festivals, Goodwoman won the Grand Jury Award at the 2016 LA Film Invasion film festival. He\u2019s currently directing a documentary and web series on artist Ken Hiratsuka.
\nFiore\u2019s first feature film script, The Utopia Virus, finished in the top ten of the 2005 Final Draft Big Break screenwriting contest. He also wrote the Wassup Obama ad, described by Salon.com as one of the most creative of the 2008 presidential campaign and winner of a Cannes Lion. He\u2019s currently working on a series of film treatments for a Beijing based production company.
\nFiore\u2019s film work has directly influenced his art over the years, in his use of appropriated imagery, presentation of sequential images, and in the cinematically dynamic composition of his mosaic photography. Fiore is represented by the Ethan Pettit Gallery.
\nWebsites:
\nchrisfiore.nyc<\/a>
\ngoodwomanmovie.com<\/a>
\nthekenstones.com<\/a>
\nabillionbeautifuldays.com<\/a>
\nArt Resume
\nEducation:
\nBachelor of Fine Arts, Antioch College, Yellow Springs, Ohio, 1984.
\nOne Person Show
\n1991 Space Case Gallery, P.S. 122: NYC
\nGuest Artist:
\n2017 Nobuko Tsuruta, 12 Years, Tenri Gallery, NYC
\nGroup Shows :
\n2015 Spring Salon, Ethan Pettit Gallery, Brooklyn
\n2015 Morphopolis, Ethan Pettit Gallery, Brooklyn
\n2007 Sun Pictures to Megapixels, WAH Art Center, Brooklyn
\n2004 Projekt30 : Juried online group show
\n1999 triad: an observation of artist\/friendship triangles, Vibrant Gallery, NYC
\n1999 CG ART, KOAP Gallery, NYC
\n1997 Trip, Gallery T.Y.K-Two, Tokyo, Japan
\n1997 Future in 3D, KOAP Gallery, NYC
\n1996 Cupid, KOAP Gallery, NYC
\n1995 Blood in the Heart, KOAP Gallery, NYC
\n1990 Possible Photography, Ward Nasse Gallery, NYC
\n1990 Epoche Sex Salon, Epoche Gallery, Williamsburg, Brooklyn
\n1989 The Gridlock Exhibit, Minor Injury Gallery, Williamsburg, Brooklyn
\n1988 CyberFunk, The Zone, Williamsburg, Brooklyn
\n1987 The Zone Show, The Zone, Williamsburg, Brooklyn
\n+ GOOGLE 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\u5c55\u89a7\u4f1a\u306f9\u670814\u65e5\uff08\u6728\uff09\u301c11\u670830\u65e5\uff08\u6728\uff09\u3067\u3059\u3002\u30aa\u30fc\u30d7\u30cb\u30f3\u30b0\u30ec\u30bb\u30d7\u30b7\u30e7\u30f3\u306f\u3001\uff19\u670822\u65e5\u5348\u5f8c\uff16\u6642\u534a\u301c\uff18\u6642\u534a\u3067\u3059\u3002 \u958b\u50ac\u671f\u9593\u4e2d\u3001Chris Fiore \u306b\u3088\u308b\u7121\u6599\u306e\u6620\u753b\u4e0a\u6620\u4f1a\u3082\u4e0b\u8a18\u306e\u901a\u308a\u958b\u304b\u308c\u307e\u3059\u3002\u3069\u3046\u305e\u3054\u53c2\u52a0\u304f\u3060\u3055\u3044\u3002 10\u670813\u65e5\uff08\u91d1\uff09\u5348\u5f8c7\u6642\u534a\u301c10\u6642\u00a0\u00a0\u201cGoodman\u201d and \u201cThe Red Umbrella Diaries\u201d 11\u670810\u65e5\uff08\u91d1\uff09\u5348\u5f8c7\u6642\u534a\u301c10\u6642 \u00a0\u30ef\u30fc\u30eb\u30c9\u30d7\u30ec\u30df\u30a2\u00a0\u201cThe Ken Stones: \u00a0Miami\u201d and A(DE)SCENT\u201d\u00a0 \u3044\u305a\u308c\u3082\u5e2d\u306b\u9650\u308a\u304c\u3054\u3056\u3044\u307e\u3059\u3002\u3054\u5230\u7740\u3044\u305f\u3060\u3044\u305f\u9806\u306b\u304a\u5e2d\u3092\u78ba\u4fdd\u3055\u305b\u3066\u3044\u305f\u3060\u304d\u307e\u3059\u304c\u3001\u30ed\u30d3\u30fc\u306e\u30b9\u30da\u30fc\u30b9\u304c\u9650\u3089\u308c\u3066\u3044\u308b\u305f\u3081\u3001\uff17\u664215\u5206\u3088\u308a\u524d\u306e\u3054\u5230\u7740\u306f\u3054\u9060\u616e\u304f\u3060\u3055\u3044\u3002 Artist Statement The camera is my favorite machine. 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