{"id":16396,"date":"2019-02-13T16:05:59","date_gmt":"2019-02-13T16:05:59","guid":{"rendered":"http:\/\/jp.crsny.org\/?post_type=tribe_events&p=16396"},"modified":"2019-02-21T22:13:53","modified_gmt":"2019-02-21T22:13:53","slug":"archetype-hidden-memory-paintings-by-lex-braes","status":"publish","type":"tribe_events","link":"https:\/\/jp.crsny.org\/index.php\/event\/archetype-hidden-memory-paintings-by-lex-braes\/","title":{"rendered":"\u500b\u5c55: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes"},"content":{"rendered":"

Exhibition: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes<\/p>\n

CRS (Center for Remembering & Sharing)\u00a0\u3067\u306fLex Braes\u6c0f\u306b\u3088\u308b\u6cb9\u5f69\u3001\u307e\u305f\u7d19\u306e\u5c0f\u4f5c\u54c1\u306b\u3088\u308b\u5c55\u89a7\u4f1a \u201cArchetype-Hidden Memory\u201d \u3092\u958b\u50ac\u3057\u3066\u3044\u307e\u3059\u3002CRS\u3067\u306eBraes\u6c0f\u306b\u3088\u308b\u500b\u5c55\u306f\u30012012\u5e74\u306b\u7d9a\u3044\u30662\u56de\u76ee\u306b\u306a\u308a\u307e\u3059\u3002\u9650\u5b9a\u3055\u308c\u305f\u30a4\u30e1\u30fc\u30b8\u3092\u7e70\u308a\u8fd4\u3057\u63cf\u304f\u3053\u3068\u306b\u3088\u308a\u3001\u5143\u306e\u30a4\u30e1\u30fc\u30b8\u304c\u6301\u3064\u30a8\u30cd\u30eb\u30ae\u30fc\u3068\u30a8\u30e2\u30fc\u30b7\u30e7\u30f3\u3092\u640d\u306a\u308f\u305a\u306b\u8868\u73fe\u3057\u306a\u304c\u3089\u3001\u305d\u306e\u30d7\u30ed\u30bb\u30b9\u306b\u3088\u3063\u3066\u305d\u308c\u3092\u62bd\u8c61\u7684\u306a\u30d1\u30bf\u30fc\u30f3\u306b\u5909\u5bb9\u3055\u305b\u308b\u3053\u3068\u306b\u3088\u308a\u3001\u305d\u306e\u4e0b\u306b\u96a0\u3055\u308c\u305f\u8a00\u8a9e\u3092\u5302\u308f\u305b\u3064\u3064\u4f5c\u54c1\u9593\u306e\u95a2\u4fc2\u6027\u3092\u554f\u3046\u3068\u3044\u3046\u5f7c\u306e\u8fd1\u5e74\u306e\u8ffd\u6c42\u306e\u7d50\u679c\u3067\u3042\u308a\u307e\u3059\u3002\u3053\u306e\u5c55\u89a7\u4f1a\u306f\u30012019\u5e742\u670811\u65e5\u304b\u3089 4\u6708\u4e2d\u65ec\u307e\u3067\u306e\u958b\u50ac\u3068\u306a\u308a\u307e\u3059\u3002<\/p>\n

All works Courtesy of the Artist, and Galerie Felix Ringel, D\u00fcsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue.<\/p>\n

RUNES<\/p>\n

Scottish painter Lex Braes starts with a thought and an image, and then reduces that image to a structure of a few lines, maybe five lines or a single endless line, like a Celtic knot. With handmade paint on plaster, linen and here on paper, he mines a motif that he first found in 2009, using organic geometry to discover shapes, creating rhomboids, parallelograms, and abstract forms that suggest and reminisce about ancient memories. Some of Braes\u2019s forms recall the keening, wailing figure of a man on a Greek krater, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes, an abstract form, or uplifted arms signaling mourning.
\nA series of forms on paper, incremental grey lines lean slightly, more ample or less close, to create a rhythm, with one smaller form set slightly apart. Another sheet of paper is loaded with forms, erased by waves of additional colors, and layered paint. While it appears now to be just a warm grey, a solid wall of color, the intimate painting on paper has some extra moisture, with traces of liquid running down the sheet, like cleansing rain that is seen through a dirty window. A third painting on paper, reveals a layered technique where the remaining stroke is a single gesture, an O form.
\nPoignantly marked with ground earth pigments mixed with polymers on prepared paper, his images are reminders of a fleeting impression as it crosses the painter\u2019s mind. Perhaps that happens once or maybe a hundred times in a day, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces, mixing in the ad hoc elements of rain water, or moldy earth as a new color, connecting to primal and essential nature with constant reconfiguration, to end up with the most fragile simplicity. Strong statements, given in bare minimal colors that remind of earth,\u00a0first strokes like cave paintings, blue water and sky. Using a language only known to him, yet universal, Braes draws upon the essential wildness of his native Scotland, filled with the ancient civilizing and peaceful grounding of Pictish stones, runic inscriptions and pictograms that channel ancient and universal human emotions.
\nThe painter\u2019s daily movement travels between small oil sketches on paper to rounded sculpted forms, connected to remnants of wood, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space, formed by painting around reserved places on the paper, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past.
\n\u2014 Lisa A. Banner<\/p>\n

ABOUT LEX BRAES
\nhttp:\/\/www.lexbraes.com<\/a><\/p>\n

EDUCATION
\nUniversity of California, San Diego, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design, University of Dundee Scotland 1974-79. BA, MFA<\/p>\n

TEACHING EXPERIENCE
\nPratt Institute, Brooklyn NY, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute, Graduate Interior Design, Visiting Associate Professor Fall 2017 to present The New York Studio School, NY Faculty member 1999 \u2013 2001<\/p>\n

COLLABORATION \/ PERFORMANCE
\nFull Circle, performance, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014
\nCollaboration Kinetic Movement: Drawing\/Dance with Kayoko Nakajima 2012 Eve Best, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007
\nModern Man by Roger Kirby, set projection New End Theatre Hampstead London July 2003<\/p>\n

ONE PERSON EXHIBITIONS
\nNYU the Institute of Fine Arts \u201cGHOST\u201d Curated by Lisa A Banner Oct 15 2018 \u2013 Jan 15 2019
\nMelville House Gallery \u201cA Dozen by Lex Braes\u201d Jan 7 \u2013 Feb 13 2015
\nSalon Meir, \u201cAngels\u201d Munich Germany Oct 15 \u2013 Nov 30 2013
\nShow Room, New York \u201cRoutine\u201d January 15 \u2013 February 26 2012
\nFelix Ringel Galerie, D\u00fcsseldorf, Germany \u201cholding pattern\u201d July 8 \u2013 Aug 7 2010
\nGalerie Der Moderne M\u00fcnich Germany March 12 \u2013 April 17 2010
\nMichael Langen Feldafing Germany \u201cPunctuated Equilibrium\u201d Oct 19 2002 \u2013 Jan 12 2003
\nFelix Ringel Galerie D\u00fcsseldorf \u201cPunctuated Equilibrium\u201d Jun 21 \u2013 Jul 27 2002 Rosenberg + Kaufman Fine Art New York \u201csuspension\u201d Oct 16\u2013 Dec 1 2001 Rosenberg + Kaufman Fine Art NY \u201cClearing\u201d Nov 16 1999 \u2013 Jan 8 2000 Rosenberg + Kaufman Fine Art New York \u201cStill\u201d Jan. 13- Feb. 14 1998
\nKunstkiosk Zurich Switzerland \u201cNew Works\u201d Nov. 2 \u2013 Dec. 6, 1996<\/p>\n

SELECTED GROUP EXHIBITIONS
\nHammond Museum with Kit White N Salem NY May 8 to June 15 2019
\nFelix Ringel Galerie \u201cgallery artists \u2013 work on paper\u201d Spring 2017 CloudGallery\u201cArtforRefugees\u201dA msterdamNLFeb12\u2013Feb232016 Sideshow Williamsburg \u201cLife on Mars\u201d Jan Feb 2016
\nFlowers NY Small is Beautiful Dec 2015 Jan 2016
\nShow Room Gowanus farewell exhibition January 2015
\nFlowers London \u201cSmall is Beautiful\u201d Dec 3 2013 \u2013 Jan 5 2014
\nFelix Ringel Galerie, D\u00fcsseldorf, gallery artists, Winter 2013, Spring 2014 Show Room New York \u201cSummer Ceylon\u201d July 17 \u2013 July 28 2013
\nLoving is Repeating Artist collaboration book International Print Center of NY\udbff\udc00 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY \u201cAnnual 2012\u201d January 24 \u2013 April 29 2012 Felix Ringel Galerie D\u00fcsseldorf Germany Spring 2011
\nFlowers NY, gallery artists July \u2013 Aug 2010
\nGalerie Der Moderne, M\u00fcnich, Germany winter 2009
\nFlowers NY small works Dec 2007, 2009
\nSchafler Gallery, Pratt Institute, Brooklyn \u201cCrossing Disciplines Drawing\u201d faculty selection Feb 15 \u2013 April 15 2005<\/p>\n

AWARDS
\nMarble House Projects, residency Dorset VT June 2014
\nVermont Studio Center, visiting artist\/teacher January 2013
\nVilla Waldberta, stipendium, International Residency M\u00fcnich May June 2008 YADDO artist residency 2007 March 2019
\nTriangle Artists Workshop 30th Anniversary Invitational 2012
\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978<\/p>\n

BIBLIOGRAPHY
\nMnemosyne Atlas Freya Powell collective social memory 2012, 2014, 2016, 2018
\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016
\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013
\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013
\nLex Braes works 1986 \u2013 2009 monograph published by Michael Langen, Roland Angst design Berlin 2010
\nKaren Wilkin: catalogue essay \u201crecent work\u201d Nov 2009
\nThomas Kuhn: catalogue essay \u201cholding pattern\u201d Dec 2009
\nNatasha Prevost: \u201cLex Braes\u2019 red line\u201d Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada
\nAlison Leigh Defrees: \u201cArt in the Balance\u201d Profile Janera 2008
\nAngela Bachmair: \u201cMysterious Traces\u201d Augsburger Allgemeine Jan10 2004 Karen Wilkin: \u201cAt the Galleries\u201d in Partisan Review Winter 2002 Winter 2000 Ken Johnson \u201csuspension\u201d Fine Arts & Leisure, review New York Times Nov 16, 2001
\nDonald Kuspit: \u201cClearing\u201d essay for Exhibition Catalogue November 1999 \u2013 Jan 2000
\nKit White: \u201cLex Braes at Rosenberg + Kaufman Fine Art\u201d Review, Dec 15, 1999
\nRoland Legiardi-Laura \u201cLex Braes at Rosenberg + Kaufman\u201d BOMB Spring 1998
\nEileen Daspin: \u201cTrends\u201d Wall Street Journal, March 6, 1998
\nMark Staff Brandl: Zurich \u201cLex Braes at Kunstkiosk\u201d, in Art in America, Jan 1997
\nSue Scott: \u201cInvitational\u201d Elizabeth Harris Gallery\u201d in ARTnews Jan 1994
\nJanet Koplos: \u201cLex Braes at Stephen Rosenberg\u201d in Art in America July 1992<\/p>\n","protected":false},"excerpt":{"rendered":"

Exhibition: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes CRS (Center for Remembering & Sharing)\u00a0\u3067\u306fLex Braes\u6c0f\u306b\u3088\u308b\u6cb9\u5f69\u3001\u307e\u305f\u7d19\u306e\u5c0f\u4f5c\u54c1\u306b\u3088\u308b\u5c55\u89a7\u4f1a \u201cArchetype-Hidden Memory\u201d \u3092\u958b\u50ac\u3057\u3066\u3044\u307e\u3059\u3002CRS\u3067\u306eBraes\u6c0f\u306b\u3088\u308b\u500b\u5c55\u306f\u30012012\u5e74\u306b\u7d9a\u3044\u30662\u56de\u76ee\u306b\u306a\u308a\u307e\u3059\u3002\u9650\u5b9a\u3055\u308c\u305f\u30a4\u30e1\u30fc\u30b8\u3092\u7e70\u308a\u8fd4\u3057\u63cf\u304f\u3053\u3068\u306b\u3088\u308a\u3001\u5143\u306e\u30a4\u30e1\u30fc\u30b8\u304c\u6301\u3064\u30a8\u30cd\u30eb\u30ae\u30fc\u3068\u30a8\u30e2\u30fc\u30b7\u30e7\u30f3\u3092\u640d\u306a\u308f\u305a\u306b\u8868\u73fe\u3057\u306a\u304c\u3089\u3001\u305d\u306e\u30d7\u30ed\u30bb\u30b9\u306b\u3088\u3063\u3066\u305d\u308c\u3092\u62bd\u8c61\u7684\u306a\u30d1\u30bf\u30fc\u30f3\u306b\u5909\u5bb9\u3055\u305b\u308b\u3053\u3068\u306b\u3088\u308a\u3001\u305d\u306e\u4e0b\u306b\u96a0\u3055\u308c\u305f\u8a00\u8a9e\u3092\u5302\u308f\u305b\u3064\u3064\u4f5c\u54c1\u9593\u306e\u95a2\u4fc2\u6027\u3092\u554f\u3046\u3068\u3044\u3046\u5f7c\u306e\u8fd1\u5e74\u306e\u8ffd\u6c42\u306e\u7d50\u679c\u3067\u3042\u308a\u307e\u3059\u3002\u3053\u306e\u5c55\u89a7\u4f1a\u306f\u30012019\u5e742\u670811\u65e5\u304b\u3089 4\u6708\u4e2d\u65ec\u307e\u3067\u306e\u958b\u50ac\u3068\u306a\u308a\u307e\u3059\u3002 All works Courtesy of the Artist, and Galerie Felix Ringel, D\u00fcsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. RUNES Scottish painter Lex Braes starts with a thought and an image, and then reduces that image to a structure of a few lines, maybe five lines or a single endless line, like a Celtic knot. With handmade paint on plaster, linen and here on paper, he mines a motif that he first found in 2009, using organic geometry to discover shapes, creating rhomboids, parallelograms, and abstract forms that suggest and […]<\/p>\n","protected":false},"author":8,"featured_media":16069,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[9,96],"class_list":["post-16396","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-crs","tribe_events_cat-exhibition","cat_crs","cat_exhibition"],"yoast_head":"\n\u500b\u5c55: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes - CRS (Center for Remembering & Sharing)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jp.crsny.org\/index.php\/event\/archetype-hidden-memory-paintings-by-lex-braes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u500b\u5c55: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes - CRS (Center for Remembering & Sharing)\" \/>\n<meta property=\"og:description\" content=\"Exhibition: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes CRS (Center for Remembering & Sharing)\u00a0\u3067\u306fLex Braes\u6c0f\u306b\u3088\u308b\u6cb9\u5f69\u3001\u307e\u305f\u7d19\u306e\u5c0f\u4f5c\u54c1\u306b\u3088\u308b\u5c55\u89a7\u4f1a \u201cArchetype-Hidden Memory\u201d \u3092\u958b\u50ac\u3057\u3066\u3044\u307e\u3059\u3002CRS\u3067\u306eBraes\u6c0f\u306b\u3088\u308b\u500b\u5c55\u306f\u30012012\u5e74\u306b\u7d9a\u3044\u30662\u56de\u76ee\u306b\u306a\u308a\u307e\u3059\u3002\u9650\u5b9a\u3055\u308c\u305f\u30a4\u30e1\u30fc\u30b8\u3092\u7e70\u308a\u8fd4\u3057\u63cf\u304f\u3053\u3068\u306b\u3088\u308a\u3001\u5143\u306e\u30a4\u30e1\u30fc\u30b8\u304c\u6301\u3064\u30a8\u30cd\u30eb\u30ae\u30fc\u3068\u30a8\u30e2\u30fc\u30b7\u30e7\u30f3\u3092\u640d\u306a\u308f\u305a\u306b\u8868\u73fe\u3057\u306a\u304c\u3089\u3001\u305d\u306e\u30d7\u30ed\u30bb\u30b9\u306b\u3088\u3063\u3066\u305d\u308c\u3092\u62bd\u8c61\u7684\u306a\u30d1\u30bf\u30fc\u30f3\u306b\u5909\u5bb9\u3055\u305b\u308b\u3053\u3068\u306b\u3088\u308a\u3001\u305d\u306e\u4e0b\u306b\u96a0\u3055\u308c\u305f\u8a00\u8a9e\u3092\u5302\u308f\u305b\u3064\u3064\u4f5c\u54c1\u9593\u306e\u95a2\u4fc2\u6027\u3092\u554f\u3046\u3068\u3044\u3046\u5f7c\u306e\u8fd1\u5e74\u306e\u8ffd\u6c42\u306e\u7d50\u679c\u3067\u3042\u308a\u307e\u3059\u3002\u3053\u306e\u5c55\u89a7\u4f1a\u306f\u30012019\u5e742\u670811\u65e5\u304b\u3089 4\u6708\u4e2d\u65ec\u307e\u3067\u306e\u958b\u50ac\u3068\u306a\u308a\u307e\u3059\u3002 All works Courtesy of the Artist, and Galerie Felix Ringel, D\u00fcsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. RUNES Scottish painter Lex Braes starts with a thought and an image, and then reduces that image to a structure of a few lines, maybe five lines or a single endless line, like a Celtic knot. With handmade paint on plaster, linen and here on paper, he mines a motif that he first found in 2009, using organic geometry to discover shapes, creating rhomboids, parallelograms, and abstract forms that suggest and […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jp.crsny.org\/index.php\/event\/archetype-hidden-memory-paintings-by-lex-braes\/\" \/>\n<meta property=\"og:site_name\" content=\"CRS (Center for Remembering & Sharing)\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/crsny.jp\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-21T22:13:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jp.crsny.org\/wp-content\/uploads\/2019\/02\/mourning_studies_2017-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"3020\" \/>\n\t<meta property=\"og:image:height\" content=\"1453\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CRSNYORG\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jp.crsny.org\\\/index.php\\\/event\\\/archetype-hidden-memory-paintings-by-lex-braes\\\/\",\"url\":\"https:\\\/\\\/jp.crsny.org\\\/index.php\\\/event\\\/archetype-hidden-memory-paintings-by-lex-braes\\\/\",\"name\":\"\u500b\u5c55: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes - 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This exhibition was organized by CRS staff member Takeshi Inoue. RUNES Scottish painter Lex Braes starts with a thought and an image, and then reduces that image to a structure of a few lines, maybe five lines or a single endless line, like a Celtic knot. With handmade paint on plaster, linen and here on paper, he mines a motif that he first found in 2009, using organic geometry to discover shapes, creating rhomboids, parallelograms, and abstract forms that suggest and […]","og_url":"https:\/\/jp.crsny.org\/index.php\/event\/archetype-hidden-memory-paintings-by-lex-braes\/","og_site_name":"CRS (Center for Remembering & Sharing)","article_publisher":"https:\/\/www.facebook.com\/crsny.jp","article_modified_time":"2019-02-21T22:13:53+00:00","og_image":[{"width":3020,"height":1453,"url":"https:\/\/jp.crsny.org\/wp-content\/uploads\/2019\/02\/mourning_studies_2017-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CRSNYORG","twitter_misc":{"Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/jp.crsny.org\/index.php\/event\/archetype-hidden-memory-paintings-by-lex-braes\/","url":"https:\/\/jp.crsny.org\/index.php\/event\/archetype-hidden-memory-paintings-by-lex-braes\/","name":"\u500b\u5c55: Archetype-Hidden Memory \u2014\u00a0Paintings by Lex Braes - 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