CRS\u306f\u3001\u65b0\u9032\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u304c\u65e2\u5b58\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u304b\u3089\u5b66\u3073\u3001\u4f5c\u54c1\u3092\u5171\u6709\u3057\u3001\u65b0\u3057\u3044\u30a2\u30a4\u30c7\u30a2\u3092\u63a2\u6c42\u3067\u304d\u308b\u30b9\u30da\u30fc\u30b9\u3067\u3059\u3002<\/p>\n
![\"Photo](\"https:\/\/jp.crsny.org\/wp-content\/uploads\/2022\/12\/87f45342-dc85-45ca-a0d8-21d28fc222e7.jpeg\")
Photo of Yoshiko Chuma by Robert Flynt<\/p><\/div>\n
Landing in New York City in 1976, Yoshiko Chuma quickly settled in Manhattan\u2019s East Village \u2013 a place that, at the time, was often labeled as \u201cseedy\u201d, \u201cdirty\u201d, and\/or \u201cdangerous\u201d. Indeed, in 1976, East Village was mostly devoid of the culture and inflation you would see before you today, and it is here that Chuma began her career, now spanning an impressive 45 years to date. She is notoriously well-traveled, and has crossed the borders between East and Central Europe, Palestine, Albania, Kosovo, Afghanistan, and most recently, Venezuela. For some, these places have been forbidden realms, but for Chuma, these lands have become centers of creation. As she might put it, her visits to these locations have challenged what were preconceived ideas of privilege, danger, and civilization as a whole\u2026<\/p>\n
Panel Statement: <\/b>We refute the idea of an immigration travel ban – America is a nation of immigrants. We want the participants and our audience to see the other parts of the world in a new light. This is about sharing experiences \u2013 sharing experiences of other lives and other worlds. And through our sharing, explore what can and can\u2019t be felt through our varied cultural and historical differences.<\/p>\n
This panel was initially conceived by Yoshiko Chuma<\/b> and Megan Kendzior<\/b> during an impassioned conversation at Chuma\u2019s private residence; this took place shortly after President\u2019s Day (the first following Trump\u2019s election) and served as yet another inspiration for the panel\u2019s topics\/categories. The primary reason for this creation and development of this event is to give to the art scene in New York another view point to discuss the same agenda: \u201cStop Calling Them Dangerous.\u201d<\/p>\n
*Acknowledgement: Yoshiko\u2019s experience in Palestine with dancer and activist Noora Baker<\/b> (one of the leading dancers and directors of the El-Funoun Palestinian Popular Dance Troupe company in Ramallah, Palestine) has been a substantial inspiration for this project.<\/p>\n
Ryuji Yamaguchi <\/b>\u00a0first came to King\u2019s Academy in 2007 as the dance program coordinator in the Department of Art, Design and Technology. During his years at King\u2019s, he served in various roles, including dean, department head, and international student coordinator. After leaving King\u2019s to spend a year in New York to dance and choreography while studying for his Master\u2019s degree in educational leadership at Columbia University, Ryuji Yamaguchi returned to King\u2019s Academy in 2017 as dance program coordinator and a class dean. In 2022, he was appointed dean of residential life.\u00a0Born in Nagoya, Japan, He grew up in Japan and the United States. He attended Deerfield Academy and received his Bachelor’s degree in East Asian studies from Harvard University. His\u00a0dance activities have spanned the Middle East, Europe, Japan and the United States, and he has performed in works by such choreographers as Yoshiko Chuma, Douglas Dunn, Brenda Divelbliss and Christopher Williams. Mr. Yamaguchi has collaborated with numerous Jordanian and Palestinian artists, and has invited over 40 Japanese and American artists to Jordan. As assistant director and producer to Yoshiko Chuma and The School of Hard Knocks since 2007 with six major productions in Jordan, Palestine and New York City . In 2013, he founded Jordan Youth Dance Exchange, contributing to the growth of high school dancers in Jordan.<\/p>\n
SCHEDULE<\/b><\/p>\n
Dec 20, 2022<\/b><\/p>\n
Panelists:\u00a0\u00a0<\/span> Ryuji Yamaguchi , Yoshiko chuma \u00a0\u00a0<\/span><\/b><\/p>\n7:15 PM \u00a0\u00a0\u00a0\u00a0\u00a0 House Opens – snacks and drinks<\/p>\n
7:30 PM-7:40 PM\u00a0 \u00a0 \u00a0 Introduction by Yasuko Kasaki\u00a0<\/span><\/p>\n7:40 PM -7:45 PM \u00a0 \u00a0 <\/span>Introducing Ruji Yamaguchi<\/p>\n7:45 PM -8:45 PM \u00a0 \u00a0 <\/span>Ryuji Yamaguchi\u00a0 <\/span>with many clips on the video . why , how , where , and what ( 2007-2022 ) – located Madoba , Amman in Jordan as Dance Artist , The educator , The leadership , The organizer , The Dancer , The producer .<\/p>\n8:45 PM -9:00pm\u00a0 \u00a0 \u00a0 <\/span>the conversation\u00a0 <\/span>Ryuji Yamaguchi and Yoshiko Chuma\u00a0<\/span><\/p>\n9:00 PM- 9:30 pm \u00a0 \u00a0 <\/span>long table discussion \u00a0<\/span><\/p>\nIn recent years, and particularly following nationwide protests , there is a renewed interest in the day that celebrates freedom.<\/p>\n
The School of Hard Knocks ends with some thoughts on lifestyle as the continuation of collaboration.\u00a0 The way we choose to live our lives can insist on collaboration, even from afar and across Zoom. The School of Hard Knocks would like all of us to feel comfortable collaborating with each other and most importantly to do so from our own vantage point. It assembles us because we\u2019re all very different, living in different parts of the world, focussing on different things. In fact, despite our physical distance, modern technology allows for a proliferation of access to stories and information. Where once sources were limited, we have millions of people to connect with, millions of digitized books and records, and millions of performances online waiting to be watched. But what are the risks of this world of mass information? How can we contemplate the violence and carnal danger of borders and oppression in a creative or online space ?<\/p>\n
The School of Hard Knocks was originally the title of a production in 1980. As the production expanded in the years after, The School of Hard Knocks, as an overarching investigation of embodied movement was established in 1983. With now the 40th anniversary lurking at the horizon,\u00a0 2020-2023 was conceptualized and organized to not only celebrate over four decades of collaborations with multiple generations of artists but also mark a completely new style of theatre.
\n1 secret anniversary
\n2 secret -theatre , club , gallery , park , \u00a0apartment and others
\n3 Secret festival
\n4 secret audience
\n5 secret artists<\/p>\n
An ongoing multi-disciplinary performance series conceived. Assembling a mosaic of films, dance, music, visual art, and narratives, we continue a lifetime investigation of ideas regarding national security, perceived dangers within borders, immigration, and war.
\nFor more than four decades now, Yoshiko Chuma has been building unique structures in the liminal area between her native Japanese culture and her adopted American one. Using trained and pedestrian movers, virtuoso instrumentalists (who\u2019s playing she often conducts), film, video, and sculptural forms by collaborating artists, she develops unusual time-based art works that blend the live and the recorded, the flat and the three-dimensional, people and things. Chuma\u2019s multidisciplinary work tries to capture the contemporary world in all its complexity: speedy, multi-faceted, diverse, both conceptual and concrete. She has traveled and worked in countries around the globe, with international casts.
\nForbidden realms for some but centers of creation ., as visiting \u00a0to these locations challenge preconceived ideas of danger and have brought about some of the most beautiful experiences. Intentionally proposes to confuse documentation with history, recreating segments from own documented events.\u00a0 We never give ourselves any boundaries or let them interfere with the work. Making art is not the intention at all. All of their efforts are oriented towards giving performances that have never been seen before.
\nHaving received no formal art training, we pursue spontaneous and experimental techniques and methods of construction. The \u00a0creative process begins with a single movement \u00a0or abstract image conveyed to her film making pattern. Chuma once presented a crumpled piece of drowning to her team and requested a single movement that expressed similar qualities. Project after project, year after year, we upend conventional notions of dance and disrupt accepted characteristics of performance. The performances not only stand apart from the genealogy of dance but also resist definition and confound interpretation \u2013 endless peripheral borders.<\/p>\n
President and founder of CRS\u00a0<\/b>Yasuko Kasaki is an internationally beloved spiritual writer, counselor, healer, lecturer and translator from Tokyo, Japan. The founder of CRS (Center for Remembering & Sharing), the first and only spiritual center devoted to the teaching and practice of\u00a0A Course in Miracles<\/i>\u00a0(ACIM) in New York City, she is widely recognized as the person most responsible for the spread of\u00a0A Course in Miracles<\/i>\u00a0throughout Japan.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"CRS\u3068The School of hard knocks\u306f\u3001 Yoshiko Chuma\u3068\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\uff0f\u30d1\u30cd\u30ea\u30b9\u30c8\u306b\u3088\u308b\u30ed\u30f3\u30b0\u30c6\u30fc\u30d6\u30eb\u30fb\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3Secret Journey\u300cStop Calling Them Dangerous #4: Love Story\u300d\u3001\u3092\u958b\u50ac\u3057\u307e\u3059\u3002 \u30e8\u30eb\u30c0\u30f3\u304b\u3089Ryuji Yamaguchi\u6c0f \uff08https:\/\/jordantimes.com\/news\/local\/experimental-dance-performance-delves-questions-identity-and-self \uff09\u304c\u53c2\u52a0\u3002\u30d1\u30cd\u30eb\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3067\u306f\u3001\u6291\u5727\u3001\u758e\u5916\u3001\u504f\u898b\u3001\u30d7\u30ed\u30d5\u30a1\u30a4\u30ea\u30f3\u30b0\u306b\u95a2\u3059\u308b\u30b9\u30c8\u30fc\u30ea\u30fc\u3092\u63a2\u6c42\u30fb\u691c\u8a3c\u3057\u3001\u3044\u304f\u3064\u304b\u306e\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3\u304c\u884c\u308f\u308c\u308b\u4e88\u5b9a\u3067\u3059\u3002\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3\u306e\u30e2\u30c7\u30ec\u30fc\u30b7\u30e7\u30f3\u3092\u652f\u63f4\u3059\u308b\u305f\u3081\u306b\u3001\u30d1\u30cd\u30eb\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306e\u5192\u982d\u3067\u30b7\u30f3\u30d7\u30eb\u304b\u3064\u9b45\u529b\u7684\u306a\u69cb\u6210\u3092\u63d0\u793a\u3057\u307e\u3059\u3002\u4e0a\u8a18\u306e\u30ab\u30c6\u30b4\u30ea\u30fc\u306b\u95a2\u9023\u3059\u308b\u30c8\u30d4\u30c3\u30af\u3092\u53c2\u52a0\u8005\u304b\u3089\u3082\u63d0\u6848\u3057\u3066\u3044\u305f\u3060\u304f\u5834\u3092\u8a2d\u3051\u307e\u3059\u3002 CRS\u306f\u3001\u65b0\u9032\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u304c\u65e2\u5b58\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u304b\u3089\u5b66\u3073\u3001\u4f5c\u54c1\u3092\u5171\u6709\u3057\u3001\u65b0\u3057\u3044\u30a2\u30a4\u30c7\u30a2\u3092\u63a2\u6c42\u3067\u304d\u308b\u30b9\u30da\u30fc\u30b9\u3067\u3059\u3002 Landing in New York City in 1976, Yoshiko Chuma quickly settled in Manhattan\u2019s East Village \u2013 a place that, at the time, was often labeled as \u201cseedy\u201d, \u201cdirty\u201d, and\/or \u201cdangerous\u201d. Indeed, in 1976, East Village was mostly devoid of the culture and inflation you would see before you today, and it is here that Chuma began her career, now spanning an impressive 45 years to date. She is notoriously well-traveled, and has crossed the borders between East and Central Europe, Palestine, Albania, Kosovo, Afghanistan, and most recently, Venezuela. For some, these […]<\/p>\n","protected":false},"author":8,"featured_media":22092,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[9],"class_list":["post-22085","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-crs","cat_crs"],"yoast_head":"\n
Secret Journey: Stop Calling Them Dangerous #4 Love Story, Palestine - CRS (Center for Remembering & Sharing)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jp.crsny.org\/index.php\/event\/secret-journey20221220\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Secret Journey: Stop Calling Them Dangerous #4 Love Story, Palestine - CRS (Center for Remembering & Sharing)\" \/>\n<meta property=\"og:description\" content=\"CRS\u3068The School of hard knocks\u306f\u3001 Yoshiko Chuma\u3068\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\uff0f\u30d1\u30cd\u30ea\u30b9\u30c8\u306b\u3088\u308b\u30ed\u30f3\u30b0\u30c6\u30fc\u30d6\u30eb\u30fb\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3Secret Journey\u300cStop Calling Them Dangerous #4: Love Story\u300d\u3001\u3092\u958b\u50ac\u3057\u307e\u3059\u3002 \u30e8\u30eb\u30c0\u30f3\u304b\u3089Ryuji Yamaguchi\u6c0f \uff08https:\/\/jordantimes.com\/news\/local\/experimental-dance-performance-delves-questions-identity-and-self \uff09\u304c\u53c2\u52a0\u3002\u30d1\u30cd\u30eb\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3067\u306f\u3001\u6291\u5727\u3001\u758e\u5916\u3001\u504f\u898b\u3001\u30d7\u30ed\u30d5\u30a1\u30a4\u30ea\u30f3\u30b0\u306b\u95a2\u3059\u308b\u30b9\u30c8\u30fc\u30ea\u30fc\u3092\u63a2\u6c42\u30fb\u691c\u8a3c\u3057\u3001\u3044\u304f\u3064\u304b\u306e\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3\u304c\u884c\u308f\u308c\u308b\u4e88\u5b9a\u3067\u3059\u3002\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3\u306e\u30e2\u30c7\u30ec\u30fc\u30b7\u30e7\u30f3\u3092\u652f\u63f4\u3059\u308b\u305f\u3081\u306b\u3001\u30d1\u30cd\u30eb\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306e\u5192\u982d\u3067\u30b7\u30f3\u30d7\u30eb\u304b\u3064\u9b45\u529b\u7684\u306a\u69cb\u6210\u3092\u63d0\u793a\u3057\u307e\u3059\u3002\u4e0a\u8a18\u306e\u30ab\u30c6\u30b4\u30ea\u30fc\u306b\u95a2\u9023\u3059\u308b\u30c8\u30d4\u30c3\u30af\u3092\u53c2\u52a0\u8005\u304b\u3089\u3082\u63d0\u6848\u3057\u3066\u3044\u305f\u3060\u304f\u5834\u3092\u8a2d\u3051\u307e\u3059\u3002 CRS\u306f\u3001\u65b0\u9032\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u304c\u65e2\u5b58\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u304b\u3089\u5b66\u3073\u3001\u4f5c\u54c1\u3092\u5171\u6709\u3057\u3001\u65b0\u3057\u3044\u30a2\u30a4\u30c7\u30a2\u3092\u63a2\u6c42\u3067\u304d\u308b\u30b9\u30da\u30fc\u30b9\u3067\u3059\u3002 Landing in New York City in 1976, Yoshiko Chuma quickly settled in Manhattan\u2019s East Village \u2013 a place that, at the time, was often labeled as \u201cseedy\u201d, \u201cdirty\u201d, and\/or \u201cdangerous\u201d. Indeed, in 1976, East Village was mostly devoid of the culture and inflation you would see before you today, and it is here that Chuma began her career, now spanning an impressive 45 years to date. She is notoriously well-traveled, and has crossed the borders between East and Central Europe, Palestine, Albania, Kosovo, Afghanistan, and most recently, Venezuela. For some, these […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jp.crsny.org\/index.php\/event\/secret-journey20221220\/\" \/>\n<meta property=\"og:site_name\" content=\"CRS (Center for Remembering & Sharing)\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/crsny.jp\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-06T23:40:47+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/jp.crsny.org\/wp-content\/uploads\/2022\/12\/41288223-8100-4502-94F1-FD4230A728FB.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1170\" \/>\n\t<meta property=\"og:image:height\" content=\"778\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CRSNYORG\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jp.crsny.org\\\/index.php\\\/event\\\/secret-journey20221220\\\/\",\"url\":\"https:\\\/\\\/jp.crsny.org\\\/index.php\\\/event\\\/secret-journey20221220\\\/\",\"name\":\"Secret Journey: Stop Calling Them Dangerous #4 Love Story, Palestine - 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Indeed, in 1976, East Village was mostly devoid of the culture and inflation you would see before you today, and it is here that Chuma began her career, now spanning an impressive 45 years to date. She is notoriously well-traveled, and has crossed the borders between East and Central Europe, Palestine, Albania, Kosovo, Afghanistan, and most recently, Venezuela. 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