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SUMMARY:Paradise Laboratory: Sita Chay and Satoshi Takeishi
DESCRIPTION:CRSの実験音楽シリーズ「パラダイス・ラボラトリー」、次回プログラムは、韓国のヴァイオリニスト・Sita Chayと日本のパーカッショニスト・武石聡が共演します。現在ニューヨークを拠点に活動するCheyと武石は、永井晶子のトリオ「トカラ」の一員として数多く活動しています。今回は、ヴァイオリンとパーカッションを通して、韓国のシャーマニック音楽と宮廷音楽の系譜を探ります。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sita-chay-and-satoshi-takeishi-tickets-741826241257 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621\n\nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access.\n\nNEAREST SUBWAY STATIONS:\n4/5/6\, N/R/Q\, L trains to 14th St / Union Square\n\nABOUT THE ARTISTS\nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University.\n\nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.”\nhttp://www.sitachay.com\n\nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer.\n\nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York.\n\nABOUT THE PRESENTER\n\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.\n\nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org\n\n\n\n\nAdd to calendar
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20231202/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSの実験音楽シリーズ「パラダイス・ラボラトリー」、次回プログラムは、韓国のヴァイオリニスト・Sita Chayと日本のパーカッショニスト・武石聡が共演します。現在ニューヨークを拠点に活動するCheyと武石は、永井晶子のトリオ「トカラ」の一員として数多く活動しています。今回は、ヴァイオリンとパーカッションを通して、韓国のシャーマニック音楽と宮廷音楽の系譜を探ります。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sita-chay-and-satoshi-takeishi-tickets-741826241257 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621\n\nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access.\n\nNEAREST SUBWAY STATIONS:\n4/5/6 N/R/Q L trains to 14th St / Union Square\n\nABOUT THE ARTISTS\nSita Chay is a violinist composer and producer who won a 2017 Latin Grammy Award for Best Mariachi Album as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund NYSCA/NYFA Artist Fellowship New Music USA’s Creator Development Fund Joe’s Pub Working Group and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual SaaWee which was received by international critics as a “delicate powerhouse”. For SaaWee she has interwoven her theatrical experiences from Broadway shows folkloric spirituality from Korean shaman rituals and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019 New York Musical Festival 2018 Seoul National University Colombia National University and Joong Ang University.\n\nSita often performs at artistically acclaimed venues such as Carnegie Hall Lincoln Center Jazz at Lincoln Center The Blue Note Apollo TheaterMadison Square Garden and was invited to the Montreal International Jazz Festival in 2015 London K-Music Festival in 2018 Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows My Fair Lady Miss Saigon Ain’t Too Proud Hello Dolly Sweeney Todd On the Town Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show” “Mozart in the Jungle” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke the Eagles Kenny Werner Billy Drewes Sandeep Das Frank London Edward Perez Balla Kouyate Emerson String Quartet Natalia Laforcade Duksoo Kim Bette Midler Alicia Hall Moran Alan FerberTaebaek Lee Pamela Frank Nadia Solemo Sonenberg Frank Huang and Robert Craft the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album Miho Hazama’s M Unit “Dancer in Nowhere Flor de Toloache “Las Caras Lindas.”\nhttp://www.sitachay.com\n\nSatoshi Takeishi drummer percussionist and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia Lucho Bermudes. In 1986 he returned to Miami U.S. where he began working as an arranger/producer as well as a performer.\n\nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre from world music jazz contemporary classical music to experimental electronic music with musicians such as Ray Barretto Carlos ‘Patato’ Valdes Eliane Elias Marc Johnson Eddie Gomez Randy Brecker Dave Liebman Anthony Braxton Mark Murphy Herbie Mann Paul Winter Consort Rabih Abu Khalil Erik Friedlander Ned Rothenberg MIchael Attias Shoko Nagai Paul Giger Toshiko Akiyoshi Big Band Ying String Quartet Metamorphosen Chamber Orchestra Dhafer Youssef Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural electronics and improvisational music with local musicians and composers in New York.\n\nABOUT THE PRESENTER\n\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.\n\nSince its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org\n\n\n\n\nAdd to calendar;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
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DTSTART;TZID=America/New_York:20231119T160000
DTEND;TZID=America/New_York:20231119T173000
DTSTAMP:20231110T172324Z
CREATED:20231029T140722Z
LAST-MODIFIED:20231110T172324Z
UID:22713-1700409600-1700415000@jp.crsny.org
SUMMARY:第29回 ニューヨークの四季 - 日本音楽の彩り -
DESCRIPTION:第29回「ニューヨークの四季 – 日本音楽の彩り-」、11月19日（土）午後4時より、CRSのホワイトルームにて開催します。この秋の公演では、スペシャルゲストにElizabeth Brown (尺八）をお迎えします。 \n共催:　Center for Remembering and Sharing\, 木村伶香能\n後援:　(有)邦楽ジャーナル、Mar Creation\, Inc. \nチケットは＄30、現金のみ当日会場にてお支払いください。お席は限られております、事前予約のほどお名前・枚数を明記の上、下記よりご予約下さい。\ninfo@yokoreikanokimura.com \n  \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \n \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \nWebsite: yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/fourseasons20231119/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
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DTSTART;TZID=America/New_York:20231105T183000
DTEND;TZID=America/New_York:20231105T200000
DTSTAMP:20230823T164528Z
CREATED:20230823T155318Z
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SUMMARY:CRS Presents Crossing Boundaries 20: Jen Shyu\, Sumi Tonooka\, and Val Jeanty
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Crossing Boundaries Concert Series Vol. 20\, curated by Jen Shyu\, featuring new work by Val Jeanty (SoundChemist)\, Jen Shyu (vocals\, Taiwanese moon lute\, Japanese biwa\, Korean gayageum)\, & Sumi Tonooka (piano). The concert will take place on Sunday\, November 5\, 2023 at 6:30 pm at the world-renowned Jazz Gallery. \nThe trio will present new material exploring the theme of immigration\, growing out of their own rich multi-ethnic family and musical histories\, from Africa\, Japan\, Timor\, Taiwan\, Haiti\, and beyond. This concert mixes music with movement and text\, further developing material which was first introduced during Jen Shyu’s spring residency at The Stone. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-crossing-boundaries-20-jen-shyu-sumi-tonooka-val-jeanty-tickets-678337304137\n \nVENUE LOCATION:\nThe Jazz gallery\n1160 Broadway #5th floor\nNew York\, NY 10001 \nDIRECTIONS:\nThe Jazz Gallery is located between 27th and 28th streets in Manhattan. \nNEAREST SUBWAY STATION:  \n28th Street N/R/W \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \nABOUT THE ARTISTS \nGuggenheim Fellow\, USA Fellow\, Doris Duke Artist\, multilingual multidisciplinary artist Jen Shyu  is “one of the most creative vocalists in contemporary improvised music” (The Nation). Born in Peoria\, Illinois to Taiwanese and East Timorese immigrants\, she’s produced eight albums available on her record label Autumn Geese Records on Bandcamp. She’s performed at Carnegie Hall\, Lincoln Center\, Metropolitan Museum of Art\, National Theater of Korea\, Rubin Museum\, was named Downbeat’s 2017 Rising Star Female Vocalist\, and is a Fulbright scholar speaking 10 languages. She’s worked with such musical innovators as Sumi Tonooka\, Terri Lyne Carrington\, Nicole Mitchell\, Val Jeanty\, Ikue Mori\, Linda May Han Oh\, Anthony Braxton\, Wadada Leo Smith\, Mark Dresser\, Francis Wong\, Jon Jang\, Vijay Iyer\, Tyshawn Sorey\, Kenny Barron\, Reggie Workman\, Bill Frisell\, and Immanuel Wilkins. Her  “Song of Silver Geese” was among  The New York Times’ “Best Albums of 2017.” She’s currently touring her third solo production “Zero Grasses: Ritual for the Losses” (commissioned by John Zorn) across all 50 states and has received wide critical acclaim for her latest album of the same name\, with “When I Have Power” NPR’s “Best Songs of 2021.” She is a Paul Simon Music Fellows Guest Artist\, a Steinway Artist and co-founder with Sara Serpa of M³ (Mutual Mentorship for Musicians). @jenshyu \nhttps://www.jenshyu.com \nSumi Tonooka has been called a “fierce\, fascinating composer pianist” Jazz Times “provocative and compelling” New York Times. With fifteen recordings to her name and a vast catalogue of compositions and award winning works in genres symphonic\, chamber\, dance and film\, she continues to be a creative force. Recently\, Tonooka was a winning finalist for the Emerging Black Composers Project to compose her fourth symphony\, Only The Midnight Sky and Silent Stars premiered by the San Francisco Conservatory in February 2023. She is also a 2021 recipient of the Doris Duke\, Creative Inflections Grant\, with vocalist/composer Jen Shyu\, for In The Green Room\, inspired by the stories of Asian and African American women in Jazz. She was awarded the Chamber Music America New Jazz Works grant in 2019\, premiering later this year for her trio plus Alchemy Sound Project\, a composers collective that she started in 2015. @sumitonooka \nhttp://sumitonooka.com \n\n\n\n\nVal Jeanty\, also known as Val-Inc\, is a Haitian electronic music composer\, drummer/turntablist\, and professor at Berklee College of Music. Jeanty is a pioneer of the electronic music sub-genre called Afro-Electronica (also called “Vodou-Electro”)\, incorporating Haitian Folkloric Culture with digital instrumentations. She uses technology to lead listeners into her dream-like expressionism of Afro-Electronica Soundscapes. Jeanty’s performances include The Whitney Museum\, The Museum of Modern Art\, and internationally at The Venice Biennale\, Saalfelden in Austria\, and Haus der Kulturen in Berlin. She is the recipient of various grants including the Van Lier Fellow in 2018\, New York State Council of the Arts/ New Music USA in 2019\, and the Toulmin Fellowship in 2022. @valjeanty \nhttps://val-inc.bandcamp.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/crossing-boundaries2021105/
LOCATION:The Jazz gallery
CATEGORIES:Crossing Boundaries,CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231029T170000
DTEND;TZID=America/New_York:20231029T183000
DTSTAMP:20231003T153433Z
CREATED:20231003T153433Z
LAST-MODIFIED:20231003T153433Z
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SUMMARY:CRS Presents SACO & As It Is with Special Guest Kevin Nathaniel
DESCRIPTION:CRS (Center for Remembering & Sharing) presents SACO & As It Is and special guest Kevin Nathanial (mbira). An eleven-piece\, cross-genre music ensemble\, SACO & As It Is creates uplifting and soothing sound experiences that unite people spontaneously. \nTickets are $20 and are available via Eventbrite and at the door (cash only). Seating is limited and advanced ticket purchase is highly recommended. Proof of vaccination is not required but you are encouraged to wear a mask. \nSaco Myoji: Vocal\, Keyboard\, Mbira\, Kalimba \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nSpecial guest Kevin Nathaniel: Mbira \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nhttps://www.sacoyasuma.com/ \nhttps://www.youtube.com/@saco1love \nhttps://sacoyasuma.bandcamp.com \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \nhttps://kevinnathaniel.com \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/saco20231029/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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DTSTART;TZID=America/New_York:20230912T183000
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SUMMARY:ガイド瞑想 & コンサート with 香咲弥須子 and 松下曜子（Yoko Cano Matsushita）
DESCRIPTION:CRSのホワイトルームにて、CRS創設者・香咲弥須子と彼女のACIMの教え子であり、アーティストで作詞作曲の教師である松下曜子氏をメキシコから迎え、再会を祝い、瞑想とコンサートのコラボレーションを開催します。 \nまず、香咲が瞑想をリードし、それから松下曜子氏が歌を演奏してスピリチュアルな人生の教訓を分かち合います。 最後にはディスカッションや交流の時間も設けています。 \n松下曜子は幼い頃にピアノを習い始め、音楽の修士号を取得後、ニューヨーク州、ニューヨーク市、ロングアイランドで10年間演奏と指導に携わりました。 現在、彼女はメキシコで作詞作曲を専門に音楽を教えています。 \n小さい頃、母親にピアノの練習を強要され、自分の人生を生きているのか母親の夢を生きているのか混乱したという辛い思い出があったため、音楽は常に彼女のジレンマでした。 \n現在彼女が情熱を捧げるのは、本当の自分を見つけ、他者の中に真実を見いだし、自分自身と他者の中にある光が輝くよう促すことです。 \nこのコンサートで彼女は自身のパッションと音楽を融合させたいと考えています。 \n彼女は自分自身の人生経験（葛藤、喜び、ジレンマ、幸福など…）を彼女自身の声を使い、新たな旅へとあなたを導くでしょう。彼女の声のバイブレーションがあなたに届き、癒し、喜び、希望をもたらすことを願っています。
URL:https://jp.crsny.org/index.php/event/concert20230912/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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DTSTART;TZID=America/New_York:20230910T170000
DTEND;TZID=America/New_York:20230910T183000
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CREATED:20230725T151739Z
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SUMMARY:Paradise Laboratory: Ayumi Ishito\, Rema Hasumi & Yuko Togami\, with Special Guest Tamio Shiraishi
DESCRIPTION:今回のパラダイス ラボラトリー コンサート シリーズでは、テナーサックス・エレクトロニクスのAyum（石当あゆみ）、シンセサイザー・Rema（蓮見令麻) 、ドラムスのYuko（戸上優子) をお迎えします。この３人のトリオによるアンビエントで雰囲気溢れる即興音楽をお楽しみください。 特別ゲストには、アルトサックスの極限ともいえる高音の炸裂で知られる伝説のアルトサックス奏者、白石民生氏（アルトサックス、エレクトロニクス）が登場します。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-meg-brennan-winds-hannah-marks-bass-tickets-671695448167\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is\, along with Keiji Haino\, a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and\, regardless of the lack of formal education in music\, has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range\, somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions\, Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20230910/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:今回のパラダイス ラボラトリー コンサート シリーズでは、テナーサックス・エレクトロニクスのAyum（石当あゆみ）、シンセサイザー・Rema（蓮見令麻) 、ドラムスのYuko（戸上優子) をお迎えします。この３人のトリオによるアンビエントで雰囲気溢れる即興音楽をお楽しみください。 特別ゲストには、アルトサックスの極限ともいえる高音の炸裂で知られる伝説のアルトサックス奏者、白石民生氏（アルトサックス、エレクトロニクス）が登場します。 \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-meg-brennan-winds-hannah-marks-bass-tickets-671695448167\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is along with Keiji Haino a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and regardless of the lack of formal education in music has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa Japan. At the age of 19 she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007 Ayumi received a scholarship to attend Berkee College of Music in Boston Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230805T160000
DTEND;TZID=America/New_York:20230805T173000
DTSTAMP:20230726T145431Z
CREATED:20230726T143755Z
LAST-MODIFIED:20230726T145431Z
UID:22603-1691251200-1691256600@jp.crsny.org
SUMMARY:第28回 ニューヨークの四季 - 日本音楽の彩り -
DESCRIPTION:第28回「ニューヨークの四季 – 日本音楽の彩り-」、8月5日（土）午後4時より、CRSのホワイトルームにて開催します。この夏公演では、ビジュアルアーティストの大野廣子氏をゲストにお迎えします。大野廣子氏は、ニューヨーク、日本での長年に渡る活動の中で数々の受賞を受け、ご自身の個展を開催されてきました。お祖母様は、なんと！中能島欣一先生（山田流箏曲の名人、人間国宝）の直門でいらしたとのこと。今回は、大野氏の「銀河」シリーズの大作を特別に展示し、夜空や大海原への憧れが込められている中能島作品、「新潮」ほか3曲を演奏いたします。 \n共催:　Center for Remembering and Sharing\, 木村伶香能\n後援:　(有)邦楽ジャーナル、Mar Creation\, Inc. \nお席は限られております、事前予約のほどお名前・枚数を明記の上、下記フォームよりご予約下さい。\nhttps://www.yokoreikanokimura.com/contact/ \n  \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \n \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \nWebsite: yokoreikanokimura.com
URL:https://jp.crsny.org/index.php/event/four-seasons20230805/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230716T170000
DTEND;TZID=America/New_York:20230716T183000
DTSTAMP:20230627T142327Z
CREATED:20230627T142159Z
LAST-MODIFIED:20230627T142327Z
UID:22518-1689526800-1689532200@jp.crsny.org
SUMMARY:SACO & As It Is: Resonance of Water 　　　　サマーコンサート
DESCRIPTION:CRSでは、SACO＆As It Isと共に「Resonance of Water」を開催します。母なる地球は水の惑星であり、私たちはほとんど水から作られています。水と交わりながら、一緒に流れ、この季節を祝いましょう。音楽でお互いの “水 “を感じられたら素晴らしい！ \nジャンルを超えた11人編成の音楽アンサンブル、SACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々を自然に繋ぎます。即興的な動きとWhirling Prayerが、音楽に視覚的な体験を加えています。 \nSaco Myoji: Vocal\, Keyboard\, Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Fusako Miyaji\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \n 
URL:https://jp.crsny.org/index.php/event/saco-as-it-is20230716/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image-2.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、SACO＆As It Isと共に「Resonance of Water」を開催します。母なる地球は水の惑星であり、私たちはほとんど水から作られています。水と交わりながら、一緒に流れ、この季節を祝いましょう。音楽でお互いの “水 “を感じられたら素晴らしい！ \nジャンルを超えた11人編成の音楽アンサンブル、SACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々を自然に繋ぎます。即興的な動きとWhirling Prayerが、音楽に視覚的な体験を加えています。 \nSaco Myoji: Vocal Keyboard Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg Fusako Miyaji Kashimi Asai Miyoko Satoh Motoi Urano Senko Nishimura Takemi Kitamura Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues Funk Rock Bossa Nova Salsa Jazz and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs galleries festivals and healing/wellness events in Japan and U.S. mostly in the New York City area including the Celebrating Women Composer Festival the Vision Festival the WHAM Festival and other venues and events. Saco offers various configurations of the ensemble; solo duo trio and often brings the choir extra percussionists and dancers depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit the unique sound community for everyone and ATOWA the piano duo with the celestial sound creator; composer pianist and crystal singing bowl player Naoe Moriya who lives in Yokohama Japan. \n ;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230709T140000
DTEND;TZID=America/New_York:20230709T160000
DTSTAMP:20230629T181538Z
CREATED:20230629T145625Z
LAST-MODIFIED:20230629T181538Z
UID:22538-1688911200-1688918400@jp.crsny.org
SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20230709/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230702T170000
DTEND;TZID=America/New_York:20230702T183000
DTSTAMP:20230620T143824Z
CREATED:20230620T143824Z
LAST-MODIFIED:20230620T143824Z
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SUMMARY:CRS Presents Paradise Laboratory: Sonic Cartography — gamin and Devon
DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Sonic Cartography」の次回作として、gamin（韓国のピリ笛）とDevon（尺八）による伝統と実験の境界線を超えた音楽イベントを開催します。 \nプログラムは以下の通りです。 \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence (2014) at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. Gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. \nSince 2018\, gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center\, NYC and released her 4th album\, “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player\, composer\, improviser\, cat lover\, electronics lover\, failed orchestral bassoonist\, partner to Kanoko\, amateur cook\, and bad artist. Their music draws influence from their Japanese roots\, experiences as a jeweler and painter\, improvisations with plants\, and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US\, Europe\, Australia\, China and Japan. In their spare time\, they enjoy painting\, cooking\, and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh\, PA)\, the Thin Edge New Music Collective (Toronto Canada)\, and the Oh My Ears! Festival (Phoenix\, AZ). They have been an artist in residence at Leveld Kunstnartun (Ål\, Norway)\, Listhús AiR (Olafsfjördur\, Iceland)\, and La Pantographe (Moutier\, Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague\, Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals\, and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University\, Columbia University\, the Herb Alpert School of Music at UCLA\, and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \ncrsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory-20230702/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://jp.crsny.org/wp-content/uploads/2023/06/image-1.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Sonic Cartography」の次回作として、gamin（韓国のピリ笛）とDevon（尺八）による伝統と実験の境界線を超えた音楽イベントを開催します。 \nプログラムは以下の通りです。 \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence (2014) at the Asian Cultural Council and Ministry of Culture Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. Gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019 as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. \nSince 2018 gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center NYC and released her 4th album “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player composer improviser cat lover electronics lover failed orchestral bassoonist partner to Kanoko amateur cook and bad artist. Their music draws influence from their Japanese roots experiences as a jeweler and painter improvisations with plants and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US Europe Australia China and Japan. In their spare time they enjoy painting cooking and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh PA) the Thin Edge New Music Collective (Toronto Canada) and the Oh My Ears! Festival (Phoenix AZ). They have been an artist in residence at Leveld Kunstnartun (Ål Norway) Listhús AiR (Olafsfjördur Iceland) and La Pantographe (Moutier Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University Columbia University the Herb Alpert School of Music at UCLA and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230625T203000
DTEND;TZID=America/New_York:20230625T213000
DTSTAMP:20230620T143010Z
CREATED:20230620T143010Z
LAST-MODIFIED:20230620T143010Z
UID:22501-1687725000-1687728600@jp.crsny.org
SUMMARY:Paradise Laboratory: Hell in Paradise — Li-Chin Li & Jeonghyeon Joo
DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Hell in Paradise」の次回作として、伝統と実験の境界線を超えた音楽を、アジアン・カルチュラル・カウンシル2023ウィンターフェローのLi-Chin Li（中国語笙とエレクトロニクス）と、特別ゲストのカリフォルニア芸術大学教授Jeonghyeon Joo（韓国のヘグム）によってお届けします。コンサートは2023年6月25日午後8時から、CRSのホワイトルームで開催される予定です。 \nThe program will include the US premieres of three compositions for sheng performed solo with electronics\, composed by Francisco Uberto\, Heng Chen\, and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris\, as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987 \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung\, Taiwan\, Li-Chin Li is a Sheng soloist\, composer\, and performer. Majored in Chinese Music at the Tainan National University of the Arts\, Li-Chin received solid training in traditional music education. After graduation\, she worked for the most selective and prestige Orchestra\, Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work\, she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021\, Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture\, Taiwan\, she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France\, culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program\, “Journal de la Création\,” making a significant impact on the exchange of contemporary music between Taiwan and France\, as well as elevating Taiwan’s sheng music to an international stage. \nRecently\, she has been selected as a member of IRCAM concert de l’atelier d’improvisation\, ManiFeste-2022\, and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least\, she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer\, composer\, improviser\, and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic\, corporeal relationship between musical instrument and body\, frequently collaborating with composers\, performers\, visual artists\, choreographers\, film directors\, and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/paradise-laboratory20230625/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRSでは、パラダイス・ラボラトリーのコンサートシリーズ「Hell in Paradise」の次回作として、伝統と実験の境界線を超えた音楽を、アジアン・カルチュラル・カウンシル2023ウィンターフェローのLi-Chin Li（中国語笙とエレクトロニクス）と、特別ゲストのカリフォルニア芸術大学教授Jeonghyeon Joo（韓国のヘグム）によってお届けします。コンサートは2023年6月25日午後8時から、CRSのホワイトルームで開催される予定です。 \nThe program will include the US premieres of three compositions for sheng performed solo with electronics composed by Francisco Uberto Heng Chen and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987 \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung Taiwan Li-Chin Li is a Sheng soloist composer and performer. Majored in Chinese Music at the Tainan National University of the Arts Li-Chin received solid training in traditional music education. After graduation she worked for the most selective and prestige Orchestra Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021 Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture Taiwan she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program “Journal de la Création” making a significant impact on the exchange of contemporary music between Taiwan and France as well as elevating Taiwan’s sheng music to an international stage. \nRecently she has been selected as a member of IRCAM concert de l’atelier d’improvisation ManiFeste-2022 and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer composer improviser and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic corporeal relationship between musical instrument and body frequently collaborating with composers performers visual artists choreographers film directors and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230618T170000
DTEND;TZID=America/New_York:20230618T183000
DTSTAMP:20230512T132843Z
CREATED:20230512T132843Z
LAST-MODIFIED:20230512T132843Z
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SUMMARY:CRS Presents Jessica Ackerley\, Sarah Manning\, and Alma Laprida in Concert
DESCRIPTION:CRS is delighted to present M³ (Mutual Mentorship for Musicians)’ Winter Solstice 2021 Cohort member Jessica Ackerley (guitar) with Sarah Manning (saxophone) and Alma Laprida (tromba marina) on June 18\, 2023 at 5pm in the award-winning White Room at CRS. An audience Q&A will take place following the concert.  \nThis trio’s music is mostly centered around improvisation with a melding of modern jazz and ambient music. But the ensemble is highly unique with the addition of the string instrument tromba marina\, especially in this context because it was originally an instrument for Rennaissance music. \nA tromba marina\, marine trumpet or nuns’ fiddle\, (Fr. trompette marine; Ger. Marientrompete\, Trompetengeige\, Nonnengeige or Trumscheit\, Pol. tubmaryna) is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century. The tromba marina consists of a body and neck in the shape of a truncated cone resting on a triangular base. It is usually four to seven feet long\, and is a monochord (although some versions have sympathetically-vibrating strings). It is played without stopping the string\, but playing natural harmonics by lightly touching the string with the thumb at nodal points. Its name comes from its trumpet like sound due to the unusual construction of the bridge\, and the resemblance of its contour to the marine speaking-trumpet of the Middle Ages. — from Wikipedia\, the free encyclopedia \nTickets are $20 general admission and $10 for students and are available in advance on eventbrite.com. If not sold out\, tickets will also be available at the door for cash only. Some seating may be on blankets on the floor.  \nThe concert will take place in the award-winning White Room at CRS. Please note that the venue is accessible only via a flight of stairs and is not wheelchair accessible. Proof of vaccination is not required but the wearing of masks is encouraged. \nThe White Room at CRS is located between 12th & 13th streets\, above Think Coffee\, in Manhattan. The nearest subway station is 14th St / Union Square (4/5/6\, N/R/Q/W\, L). \nABOUT THE ARTISTS \nSarah Manning is a saxophonist and composer. She has released four critically acclaimed albums. Harmonious Creature (Posi-Tone 2014) received 4 stars in Down Beat Magazine\, and was on multiple jazz top ten lists including the Los Angeles Times. She is a recipient of a 2021 NYSCA composer commission and a MAP Fund 2020 and 2021 grantee for We Will Not Be Composed\, a new multimedia work with author and activist Soraya Chemaly to challenge perceptions of women’s anger in America. In addition to being a MacDowell Fellow in composition (2012\, 2021)\, she can most recently be heard on William Hooker’s 2021 release Big Moon. \nhttps://www.sarahmanningmusic.com \nAlma Laprida explores the territories among composition\, improvisation\, performance and installation. She works with trumpet marine\, field recordings\, synthesizers\, lyre and other non- conventional instruments and objects. Her work was presented in Argentina\, Brazil\, Colombia\, Chile\, Italy\, Mexico and the United States. \nAlma released three solo albums\, two collaboration albums and several pieces in compilations. She’s currently part of Hypnotized Chickens\, the Bureau of Sensory Affairs and GEXLAT. After living and working in Buenos Aires for ten years\, she’s been based in Maryland\, USA\, since 2021. \nhttps://almalaprida.wordpress.com \nJessica Ackerley is a Canadian guitarist\, improviser and composer based in Hawai’i and a current PhD candidate at University of Hawai’i after a decade of living in New York City. Ackerley continually develops a hybrid musical language drawing on the influences of Black American Music and avant-garde improvisers\, as well as the culture of the thriving New York City and Toronto rock and noise scenes. Since 2017\, Ackerley has released thirteen albums to much critical acclaim with features in Wire Magazine\, Pitchfork\, BBC Radio\, and Bandcamp. They has been commissioned by Adult Swim\, M³ (Mutual Mentorship for Musicians\, and New Music USA as well as received funding from Canada Council for the Arts and Foundation for Contemporary Arts. \nhttps://www.jessicaackerley.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world.  \nCurrently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/concert20230618/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230604T130000
DTEND;TZID=America/New_York:20230604T183000
DTSTAMP:20230529T030041Z
CREATED:20230515T205252Z
LAST-MODIFIED:20230529T030041Z
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SUMMARY:CRS Presents 禅を見つけよう | 瞑想の科学
DESCRIPTION:CRSでは、倉島隆行禅師と著名な音楽プロデューサー中脇雅裕氏（坂本龍一、Perfume、きゃりーぱみゅぱみゅなど）による日本発の最先端のサウンド瞑想体験をお楽しみいただけます。このイベントは、 2023 年 6 月 4 日の午後 1 時、 3 時、 5 時の３回、 CRS のホワイト ルームにて開催します。 \n  \n【イベントについて】\n日常生活の喧騒の中で、私たちは十分にリラックスして自分自身と調和する時間を作るのが難しいと感じることがよくあります。 しかし、忙しいスケジュールの合間をぬって、セルフケアの方法として瞑想を行うことは有効です。\n日本の伝統的な禅瞑想のテクニックを使用した「Real Zen Mind（禅脳）」は、シンギングボウルの生演奏と共に心身のリラックスに効果的な音楽を聞きながら瞑想セッションを行います。このプログラムは、四天王寺第54世住職である倉島隆行氏と日本を代表する音楽プロデューサー中脇雅裕氏という、それぞれの分野の専門家2名がプロデュースしています。\nこのイベントでは、倉島氏と中脇氏が、このプログラムの説明をし、その後の瞑想つまり「Real Zen Mind（禅脳）」を体験します。 説明の中では、皆さんは「Real Zen Mind（禅脳）」の科学的また医療的な効果について学び、その後、専門家のリードによる瞑想体験に浸ります。\nそしてこのプログラムは、日頃から瞑想に取り組んでいる経験者だけでなく、まったくの初心者も歓迎しています。誰もが「「Real Zen Mind（禅脳）」の素晴らしさを理解し、自宅では体験できない「場」に導かれることでしょう。 \n【プログラム】\n「禅マインド」メソッド紹介（25～30分）\n「禅マインド」瞑想（20分）\n休憩+質疑応答（15～20分）\n※全プログラムの所要時間は約1～1時間15分となります。\n**体験中は床に座りやすい服装でお越しください。 動きやすいパンツがおすすめです。\n***床に座りたくないお客様のために椅子をご用意しております。 \nこのプログラムは日本語と英語で行われます。\n各回、定員がありますので、こちらのリンクから必ずご参加希望の回をお選びの上、お申し込みください。eventbrite.com:\nhttps://bit.ly/3MdczX3\n当日、空きがある場合はご参加いただけますので、その場合は会場にて現金$25をお支払いください。（クレジットカードでのお支払いの場合は、必ず上記のEventbrite.comから手続きをお願いします）\nお問合せ先： aloha88hula@gmail.com (Yoshiko） \n  \n【講師について】\n・倉島隆行氏 \n\n三重県津市四天王寺曹洞宗第54代住職 | 元全日本曹洞宗青年僧侶協会会長 | 世界仏教青少年連盟顧問。\n倉島氏は大本山永平寺での2年間の修行を終えた後、ヨーロッパで禅の修行を続けた。 帰国後、宗教の垣根を越えて宗教間の対話を促進する活動を開始し、伊勢国際宗教フォーラムでの世話人を務めました。\nまた、人々の心の健康のために20年以上にわたり毎週日曜日に座禅教室を開催し、一般向けに禅体験講座も開催しています。\n自立生活支援介護施設「四天王庵」を設立し、身体活動だけでなく「Real Zen Mind（禅脳）」と呼ばれる座禅法も取り入れ、介護体制の向上を目指しています。\nまた、この四天王寺は、推古天皇の命により聖徳太子が建立した千年以上の歴史を持つ禅寺です。 \n・中脇雅裕氏 \n\n中脇氏は大学時代からCM音楽の制作を始め、数々の企業に楽曲を提供してきました。 大学卒業後、財団法人ヤマハ音楽振興会にて音楽教育研究および講師のトレーナーとして活動。 その後、音楽プロデューサーとしてPerfume、きゃりーぱみゅぱみゅ、CAPSULE、手嶌葵、SMAP、坂本龍一など様々なアーティストの制作に携わりました。また 教育心理学研究の経歴を活かし、独自の自己啓発メソッドを開発、企業や教育機関で講演を行っています。その他に、東京大学とのAIによる音楽生成の共同研究プロジェクトに参加。南カリフォルニア大学では「日本のエンターテインメント・ビジネス」についての講演などを行っています。\n近年は統合医療の一環として音楽の効果について研究しており、四天王寺住職の倉島氏とも音楽を使って瞑想の効果を更に深める「Real Zen Mind（禅脳）」の開発にも力を注いでいる。 \n  \n 
URL:https://jp.crsny.org/index.php/event/230604/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230521T140000
DTEND;TZID=America/New_York:20230521T150000
DTSTAMP:20230402T015716Z
CREATED:20230402T015233Z
LAST-MODIFIED:20230402T015716Z
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SUMMARY:BETA Quartet: Where We Come From
DESCRIPTION:CRSは、受賞歴のあるコンテンポラリーフルートアンサンブルBETA Quartetを迎え、BETA Quartetが委嘱したデトロイトを拠点とするサックス奏者／作曲家Marcus Elliotの「Where We Come From」の世界初演を中心としたプログラムを披露する予定です。\nWhere We Come From」は4つの楽章からなる作品で、「Divine Feminine」のテーマを中心に、女性のエネルギーと母なる自然を体現する力、美、優美さを示しています。\nBETA Quartet は、Kenneth Tse によって「最高の室内楽」、Barbara Siesel によって「ユニークで名手」と評された、受賞歴のあるフルート奏者 Eftihia Arkoudis、Tatiana Cassetta、Alyssa Schwartz、および Meg Brennan で構成されるアンサンブルです。\nコンサートは、CRSのホワイトルームで開催されます。なお、会場へは階段でのアクセスのみとなり、車椅子での入場はできません。ワクチン接種の証明は必要ありませんが、マスクの着用をお勧めします。お席に限りはありますが、残席がある場合、チケットは現金にてドアで購入することもできます。 \nMarcus Elliot is a saxophonist\, composer\, improviser\, and educator based in Detroit\, Michigan. Marcus is a 2020 Kresge Artist Fellow\, awarded by Kresge Arts in Detroit. He is the current director of the University of Michigan’s Creative Arts Orchestra. His compositions and improvisations have been described by the New York Times as “convincing and confident\, evolved in touch and tone…”\, and the Detroit Free Press has said\, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet\, Clockwork\, Balance\, Beyond Rebellious\, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan.\nhttps://www.marcuselliotmusic.com\nBETA Quartet is dedicated to exploring and promoting the cutting edge of modern flute music by premiering and performing works by living composers from around the world. The ensemble is actively engaged through concerts\, masterclasses\, and educational outreach across the country and abroad.\nAs strong competitors\, BETA has won First Prize at France Music Competition 2° (2020) and West Virginia Music Teachers National Association Chamber Music Competition (2016)\, First Prize at the Flute Society of Kentucky Quartet Competition (2017)\, and advanced to the semi-finals of the prestigious Fischoff National Chamber Music Competition (2017). The group has performed and presented workshops at the National Flute Association Convention\, Florida Flute Association Convention\, the Mid-Atlantic Flute Convention\, the Flute Society of Greater Philadelphia\, and the WVU International Flute Symposium.\nBETA’s activities have been partially funded by grants from The Friends of Flutes Foundation and West Virginia University\, and their recognition within the flute community resulted in sponsorship by Flute Specialists\, Inc. (Clawson\, MI). As of 2019\, BETA Quartet is also a Trevor James Low Flutes Ensemble.\nFollowing the release of their self-titled debut album (2017)\, BETA commissioned Detroit based composer Marcus Elliott to write a work celebrating the feminine divine (2019) and recorded the world premiere of Nuraghi Warriors Dance (Ples Bojevnikov Nuraghi) composed by Anže Rozman and dedicated to the group (2020). Both albums are released with Merandi Records and are available through Spotify\, iTunes\, YouTube and www.betaquartet.com.\nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/betequartet20230521/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20230402T160000
DTEND;TZID=America/New_York:20230402T173000
DTSTAMP:20230222T200839Z
CREATED:20230108T152249Z
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SUMMARY:第27回 ニューヨークの四季 - 日本音楽の彩り
DESCRIPTION:箏・三味線演奏家の木村伶香能による日本音楽コンサートシリーズ「第27回 ニューヨークの四季 – 日本音楽の彩り-」公演を、4月2日（日）4:00~よりCRS・ホワイトルームにて開催いたします。箏、三味線の音色を、四季折々 に体感して頂くシリーズとして、2015年秋よりスタートしました。これまでに箏曲の古典作品から現代の作品 まで、60曲に及ぶ作品を紹介しています。 第27回公演は、尺八のジェームス如楽シュレファー をゲストにお迎えします。 \n\n\n\n共催:Center for Remembering and Sharing\, 木村伶香能\n後援:(有)邦楽ジャーナル、Mar Creation\, Inc. \n【Date】 Sunday\, April 2\, 2022\, 4:00 pm (EST) \n《木村伶香能 (きむられいかの) 略歴》 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとし て、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 \n【Tickets】 $30 ●ご予約受付　info@yokoreikanokimura.com\n*ご氏名、希望枚数を明記の上、上記アドレスまでご送信下さい。\n*お席が限られておりますので、お早めのご予約をお勧め致します。\n*ご精算は当日CRSにて承ります。(キャッシュのみ） \nマスクご着用のご協力をお願いしております。 \n【Event website】 木村伶香能ウェブサイト https://www.yokoreikanokimura.com/calendar/\n【Contact】 info@yokoreikanokimura.com \n\n\n\n  \n尺八　ジェームス如楽シュレファー\nニューヨークを拠点に尺八奏者、作曲家として活躍するジェームス如楽シュレファーは、ニューヨーク・タイムス紙において、「尺八のマスター」と絶賛される。2001年、「大師範」の免状を取得。2008年、京都の無住庵道場から二つ目の師範の免状を授与される。ロニー如月セルディンに尺八の手ほどきを受け、以来、青木鈴慕、横山勝也、倉橋義雄、谷口嘉信、三橋貴風の各氏に師事。ニューヨーク市、クイーン ズ・カレッジにてフルートと音楽学の修士課程を修了。現在、コロンビア大学で尺八、そしてニューヨーク市立大学で音楽史の教鞭を取る。現在まで、カーネギー・ホール、リンカーン・センター、ケネディ・センター、タングルウッドの小澤ホール、BAM（ブルックリン・アカデミー・オブ・ミュージック）、メトロポリタン美術館を始め、ジュリアード音楽院、マンハッタン音楽学校、イーストマン音楽学校など、全米各地の大学で演奏活動を行う。これまで4枚のソロ・アルバムをリリース、NPR(ナショナル・パブリック・ラジオ)の「オール・シングス・コンシダード」で紹介される。尺八のソリストとして、ニューヨーク・シティー・オペラ・オーケストラ、英国ストラトフォードのオーケストラ・オブ・ザ・ スワン等と共演。北米、南米、アジア、ヨーロッパ各地の音楽祭等で演奏、ワークショップを行う。日本楽器の表記法に関する書籍、 及び尺八練習曲を二冊執筆・出版。作曲家として、弦楽四重奏団と尺八の為の五重奏曲、尺八協奏 曲等、和楽器の為の作品を数多く手がける。「虚心庵アーツ」創設者、代表。 \n  \n  \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \n  \n About the Artists \nYoko Reikano Kimura is one of the most captivating artistic voices of Japanese koto and shamisen\, consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world\, including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, International Vilnius Theater Festival\, Le Festival Mondial des Theatres de Marionnettes\, The University of Cambridge\, John F. Kennedy Center\, Kabuki-za and various World Heritage Sites. Kimura has worked with renowned artists such as Heiner Goebbels\, Toshi Ichiyanagi\, and Basil Twist. Highlights of her soloist performances include Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen\, Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Center and James Nyoraku Schlefer’s Concertante at the Round Top Music Festival. As an enthusiastic supporter of contemporary music\, Kimura founded Duo YUMENO with cellist Hikaru Tamaki\, and has commissioned numerous works by leading composers in the U.S. and Japan. The duo has received grants from Chamber Music America and Barlow Foundation\, and awarded Kyoto Aoyama Barocksaal Award. In 2019\, the duo held its 10th Anniversary Recital at the Weill Recital Hall at Carnegie Hall. The duo’s new album\, Heike Quinto will be released by Naxos in 2024. Kimura is the first Yamada- school performer to receive the First prize at the prestigious 10th Kenjun Memorial National Koto Competition in 2003. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music\, where she was a faculty member until 2010. A recipient of scholarship from the Agency of Cultural Affairs of Japan\, Kimura has studied with Kono Kameyama\, who is considered the preeminent pupil of Kin’ichi Nakanoshima\, Senko Yamabiko (Living National Treasure) and Akiko Nishigata. \n\n\n\n\n\n\nWebsite: yokoreikanokimura.com \n\n\n\n  \n\n\n\n  \n  \n 
URL:https://jp.crsny.org/index.php/event/four-seasons230402/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20230326T170000
DTEND;TZID=America/New_York:20230326T183000
DTSTAMP:20230218T191912Z
CREATED:20230218T154701Z
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SUMMARY:SACO & As It Is: 「Gratitude to Spring」 コンサート
DESCRIPTION:CRS (Center for Remembering & Sharing) は、SACO & As It Is とスペシャルゲストのKevin Nathaniel (ムビラ) とともに、“Gratitude to Spring”（春への感謝）をお届けしたいと思います。春の育むエネルギーに感謝し、それを受け入れ、歌と踊りで一緒に祝いましょう！ \n11人編成のジャンルを超えた音楽アンサンブルであるSACO & As It Isは、高揚感と癒しのサウンド体験を生み出し、人々の心を一つにと導いてくれます。 \nチケットは20ドル、Eventbriteにてご購入できます。また当日は会場にて（現金のみ）お求めいただけます。\n座席数には限りがありますので、事前のチケット購入をお勧めします。ワクチン接種の証明は不要ですが、マスク着用を強くお勧めします。 \nSaco Myoji: ヴォーカル、キーボード、ムビラ、カリンバ \nSakurako Kataoka:スポークン・ワード \nMichael T.A. Thompson: パーカッション \nONE NOTE ONE SPIRIT コーラス: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nスペシャルゲスト：Kevin Nathaniel: ムビラ \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \n\nkevinnathaniel.com/ \n\n\n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/saco-as-it-is20230326/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20230311T140000
DTEND;TZID=America/New_York:20230311T153000
DTSTAMP:20230127T024903Z
CREATED:20230124T152443Z
LAST-MODIFIED:20230127T024903Z
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SUMMARY:CRS Presents INTERWOVEN International Chamber Ensemble at Resobox
DESCRIPTION:3月11日（土）午後2時、Resobox East Villageにて、国際的な室内楽アンサンブル「INTERWOVEN」を、CRSとResoboxとの初コラボレーションでお届けします。\nINTERWOVENのメンバーである木村伶香能（三味線/声楽）、Andy Lin（二胡/ビオラ）、Emilie-Anne Gendron、徳永慶子（バイオリン）、Nan-Cheng Chen（チェロ）による演奏。JungYoon Wieの「A Popular Tune」、中能島欣一の「赤壁賦」、Theodore Wiprudの「Chimera」、Takuma Itouの「Crosscurrents」、Ravelの「String Quartet (First and Second Mv)」と、和・漢・洋で構成された楽曲をお楽しみいただけます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comから購入できるほか、当日会場で現金でも購入できます。 \nINTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities\, events\, classes\, art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake\, tsunami\, and ongoing nuclear disaster\, and we’d like to dedicate this concert to those who were lost\, those left behind\, and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable\, and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \n  \nVENUE LOCATION:\nResobox East Village\n91 E 3rd St\nNew York\, NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St\, 6 train to Bleecker St or Astor Place\, R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON\, lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing\,” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro\, as well as acclaimed groups such as A Far Cry\, Argento Chamber Ensemble\, Chamber Music Society of Lincoln Center\, Chamber Orchestra of Philadelphia\, Iris Orchestra (as one of its concertmasters)\, Orpheus Chamber Orchestra\, Talea Ensemble\, and Sejong Soloists. She is a founding member of Ensemble Échappé\, a new-music sinfonietta\, and of Gamut Bach Ensemble\, in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician\, Ms. Gendron is a longtime member of the Momenta Quartet\, whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo\, founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet\, specializing in innovative educational outreach and community engagement\, since 2009. Toomai\, one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program\, helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S.\, ranging from grade school to university level. As a member of the Momenta Quartet\, Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools\, universities\, and conservatories in the U.S. and as far afield as Bolivia\, Indonesia\, and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division\, NYU\, and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia\, Finland\, Indonesia\, South Korea\, and Jordan; and major venues across the Americas\, Europe\, and Asia\, in collaboration with such artists as Teddy Abrams\, Rachel Barton Pine\, Bruno Canino\, Leon Fleisher\, Richard Goode\, Anthony McGill\, Edgar Meyer\, Shlomo Mintz\, Anthony Newman\, Samuel Rhodes\, Marcy Rosen\, Gil Shaham\, and Jörg Widmann\, among many others. Her performances have been broadcast over radio and television in the U.S.\, U.K.\, Switzerland\, New Zealand\, Canada\, Denmark\, Japan\, and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents\, and a dual citizen of the U.S. and Canada\, Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay\, Won-Bin Yim\, Hyo Kang\, David Chan\, and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study\, both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University\, and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work\, especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu\, and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra\, Chamber Orchestra of Philadelphia\, Children’s Orchestra Society\, Grant Park Symphony Orchestra\, Incheon Philharmonic\, the Juilliard Orchestra\, Milwaukee Symphony\, New York Classical Players\, Orford Academy Orchestra\, Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet\, the Amphion String Quartet\, and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman\, playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert\, as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast\, Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist\, Nan-Cheng has collaborated with Simon Bolivar Orchestra\, Queens Symphony Orchestra\, Metro-West Symphony\, Quincy Symphony and Symphony Pro Musica\, and has toured North American\, South America\, Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency\, Sarasota Music Festival\, Heifetz Institute\, Encore School for Strings\, and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival\, a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator\, Nan-Cheng has given cello masterclasses at Penn State University\, University of Wisconsin\, University of Calgary as well as universities in Panama\, Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School\, and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\ncrsny.org
URL:https://jp.crsny.org/index.php/event/interwoven20230311/
LOCATION:Resobox East Village\, 91 E 3rd St\, New York\,\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.724831;-73.9877549
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:3月11日（土）午後2時、Resobox East Villageにて、国際的な室内楽アンサンブル「INTERWOVEN」を、CRSとResoboxとの初コラボレーションでお届けします。\nINTERWOVENのメンバーである木村伶香能（三味線/声楽）、Andy Lin（二胡/ビオラ）、Emilie-Anne Gendron、徳永慶子（バイオリン）、Nan-Cheng Chen（チェロ）による演奏。JungYoon Wieの「A Popular Tune」、中能島欣一の「赤壁賦」、Theodore Wiprudの「Chimera」、Takuma Itouの「Crosscurrents」、Ravelの「String Quartet (First and Second Mv)」と、和・漢・洋で構成された楽曲をお楽しみいただけます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comから購入できるほか、当日会場で現金でも購入できます。 \nINTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities events classes art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake tsunami and ongoing nuclear disaster and we’d like to dedicate this concert to those who were lost those left behind and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \n  \nVENUE \nResobox East Village\n91 E 3rd St\nNew York NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St 6 train to Bleecker St or Astor Place R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro as well as acclaimed groups such as A Far Cry Argento Chamber Ensemble Chamber Music Society of Lincoln Center Chamber Orchestra of Philadelphia Iris Orchestra (as one of its concertmasters) Orpheus Chamber Orchestra Talea Ensemble and Sejong Soloists. She is a founding member of Ensemble Échappé a new-music sinfonietta and of Gamut Bach Ensemble in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician Ms. Gendron is a longtime member of the Momenta Quartet whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet specializing in innovative educational outreach and community engagement since 2009. Toomai one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S. ranging from grade school to university level. As a member of the Momenta Quartet Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools universities and conservatories in the U.S. and as far afield as Bolivia Indonesia and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division NYU and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia Finland Indonesia South Korea and Jordan; and major venues across the Americas Europe and Asia in collaboration with such artists as Teddy Abrams Rachel Barton Pine Bruno Canino Leon Fleisher Richard Goode Anthony McGill Edgar Meyer Shlomo Mintz Anthony Newman Samuel Rhodes Marcy Rosen Gil Shaham and Jörg Widmann among many others. Her performances have been broadcast over radio and television in the U.S. U.K. Switzerland New Zealand Canada Denmark Japan and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents and a dual citizen of the U.S. and Canada Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay Won-Bin Yim Hyo Kang David Chan and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra Chamber Orchestra of Philadelphia Children’s Orchestra Society Grant Park Symphony Orchestra Incheon Philharmonic the Juilliard Orchestra Milwaukee Symphony New York Classical Players Orford Academy Orchestra Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet the Amphion String Quartet and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019 and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021 Keiko founded an online concert series Jukebox Concerts in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers but also to residents of nursing homes hospitals and assisted living facilities across the country. Later in the year she created INTERWOVEN a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013 and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist Nan-Cheng has collaborated with Simon Bolivar Orchestra Queens Symphony Orchestra Metro-West Symphony Quincy Symphony and Symphony Pro Musica and has toured North American South America Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency Sarasota Music Festival Heifetz Institute Encore School for Strings and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator Nan-Cheng has given cello masterclasses at Penn State University University of Wisconsin University of Calgary as well as universities in Panama Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts she studied at Institute of Traditional Japanese Music an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama Akiko Nishigata and Senko Yamabiko a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki NPR’s Performance Today and WKCR. As a koto soloist Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum Piestro Mascagni’s Iris by American Symphony Orchestra Basil Twist’s Dogugaeshi Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015 and featured at Chamber Music America’s 2016 National Conference and performed at the John F. Kennedy Center in 2017. In 2019 the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=91 E 3rd St:geo:-73.9877549,40.724831
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230304T160000
DTEND;TZID=America/New_York:20230304T173000
DTSTAMP:20230214T182204Z
CREATED:20230214T182204Z
LAST-MODIFIED:20230214T182204Z
UID:22356-1677945600-1677951000@jp.crsny.org
SUMMARY:CRS Presents Hot Wrk Ensemble: 『WRKin it Out 』コンサート
DESCRIPTION:3月4日午後4時より、CRSホワイトルームにて、Hot Wrk Ensemble: の『WRKin It Out』コンサートを開催します。パーカッションにJ Brooks Marcus (J Why)、サックスにLois Hicks-Wozniak、バリトンサックス＆木管楽器にBrad Hubbardを迎え、バッハ＆スカルラッティから現代アートミュージック、ジャズ風フュージョンに即興とアンサンブルメンバーによる作曲と、多様でジャンルにとらわれない室内楽演奏です。観客は質問をしたり、アイデアを出し合ったりして、音楽制作の一部を体験することができます。 \nチケットは30ドル（学生15ドル、シニア20ドル）で、eventbrite.comで事前にお求めいただけますが、当日の購入は現金のみとなります。 \n予防接種の証明は必要ありませんが、マスク着用を強くお勧めします。CRSは階段のみでのアクセスとなりますので、ご注意ください。 \nBrad Hubbard is a Composer who plays Baritone Saxophone\, Flute\, and Bass Clarinet. Brad has performed throughout the world in many diverse settings. In addition to performing as a solo recitalist and with the Hot Wrk Ensemble\, Brad is a member of 3rd Bell\, a quartet that combines jazz\, world\, and electronic music filtered through a singer/songwriter mentality. He is also a member of David Sanford’s Pittsburgh Collective an innovative 20 piece big band and Neil Alexander’s X Ensemble\, a modern Chamber Jazz Octet. He commissioned and premiered Benjamin Boone’s “Concerto for Baritone Saxophone and Orchestra” as well as pieces from Sherwood Shaffer\, Monica Ashton\, Mark Taylor and Michael Bellar. He is also involved as a composer and performer with Composers Concordance in New York City. As a sideman Brad has appeared with a broad range of artist including Corey Glover of Living Colour\, Nancy Wilson\, Pinetop Perkins\, Lew Tabackin\, Lenny Pickett\, Boots Randolph\, Roy Clark\, The Monica Ashton Jazz Band and various local groups in the Hudson Valley. \nBrad was a member of the New Century Saxophone Quartet from 1988-2004. During his tenure with the quartet\, the ensemble was the first of its kind to win the prestigious Concert Artist Guild competition in New York City in 1992. The quartet toured throughout the United States and the World performing in major concert venues including Carnegie Hall\, Chicago’s Pick-Staiger Concert Hall\, Atlanta’s Spivey Concert Hall\, Boston’s Symphony Hall and Isabella Stewart Gardner Museum\, New York’s Merkin Concert Hall and the Kosciuszko Foundation Townhouse\, Washington\, D.C’s Strathmore Hall\, Alaska’s Juneau Jazz and Classics Festival\, the Villla Schönberg in Zurich\, Switzerland\, the Conservatoire de Musique in Esch Luxembourg\, the Macau International Music Festival and the Academy for the Performing Arts in Hong Kong\, China. New Century was also the first saxophone quartet to perform at La Huaca del Complejo Atlapa in Panama City\, Panama. NCSQ has also appeared in unique concert settings including two command performances for President Clinton in the White House to a concerto performance with the United States Navy Band. Brad appears on the first 6 New Century recordings on the Channel Classics label. \nBrad is currently the Woodwind Instructor at The Beacon Music Factory in Beacon NY\, where he lives with his family. \nJ. Brooks Marcus (aka J Why) is a multi-instrumentalist and composer who studied jazz\, classical\, electronic and experimental music at California Institute of the Arts\, Berklee College of Music\, and San Francisco State University. He has composed for dance\, film\, puppet theater\, and podcasts. Collaborators have included: multi-instrumentalist and composer Julz A\, dance filmmaker Anna Brady Nuse\, and choreographer Sasha Welsh. J has composed music for filmmaker Amir Bar-Lev\, Los Angeles theater company About Productions\, dance filmmaker Susan Osberg\, and animator/puppet theater artist Susan Simpson. In 2017 he formed the collaborative production duo Obsidian Soundsystem with musician and engineer Jonny Taylor. As a performer\, he has played with Pamela Z\, Gwen Laster’s Gameboard\, and Andy Rinehart. J teaches composition at SUNY New Paltz and percussion\, clarinet and computer music at Beacon Music Factory. His music can be found at https://soundcloud.com/j-why-1 and https://obsidiansoundsystem.bandcamp.com/music. \nLois Hicks-Wozniak is an active concert saxophonist and educator in the New York Metropolitan and the Hudson Valley region\, committed to community engagement through new music and Global Music styles. A D’Addario Woodwinds Artist\, her many awards include winning the Special Presentation Winners Recital Series\, sponsored by Artists International Presentations; earning her a New York Recital Debut at Weill Recital Hall in Carnegie Hall. She is described in performance as having “tremendous technique and fidelity to tone without sacrificing musical line\,” and a “beautiful soprano saxophone sound…preserving the beauty and consistency of her sound regardless of the technical or musical demands of the moment” (Saxophone Symposium). An active soloist\, she has performed and recorded within many ensembles to include the Albany Symphony\, the Hudson Valley Philharmonic\, and with Pat Waing master\, Kyaw-Kyaw Naing and the first Burmese-American Hsiang Waing ensemble. Her album Playback: Music for Saxophone and Bass Trombone is with Matt Wozniak and Nadine Shank\, piano. She is a featured educator in the textbook\, World Music Pedagogy Vol VII: Teaching World Music in Higher Education (Routledge 2020). She co-founded the saxophone and percussion chamber group\, Hot Wrk Ensemble\, featuring improvisatory music\, arrangements\, and original works\, to include her own compositions. She previously served active duty in the U.S. Army as a saxophonist with the West Point Band and taught at Marist College\, Montclair State University\, and SUNY New Paltz. She holds degrees from Florida State University and Montclair State University. Her sixth grade band director suggested she play the saxophone\, and although she cried when she first saw the instrument\, she has no regrets.\nhttp://loishickswozniak.com/ \n  \n 
URL:https://jp.crsny.org/index.php/event/20230304hot-wrk-ensemble/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11st St. 11th Fl. New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T200000
DTEND;TZID=America/New_York:20230218T213000
DTSTAMP:20221228T181323Z
CREATED:20221228T143915Z
LAST-MODIFIED:20221228T181323Z
UID:22109-1676750400-1676755800@jp.crsny.org
SUMMARY:Shoko Nagai’s Tokala with violinist Sita Chay & percussionist Satoshi Takeishi
DESCRIPTION:CRS (Center for Remembering & Sharing) は、永井晶子 (ピアノ/アコーディオン)、武石聡 (パーカッション)、Sita Chay (ヴァイオリン) をフィーチャーした、TOKALA アンサンブルをご紹介します。 TOKALAは、シルクロードを通じて日本と中東の間に築かれた古代のつながりを探求し、この文化的・商業的交流の経路は、日本文化の不可欠な一部となる足跡を残しました。 \n日本と韓国の民俗音楽、ポップ ミュージック、中東音楽を融合させたTOKALAは、これらの伝統の間の何世紀にもわたるつながりに光を当てていきます。 \nチケットは20ドル（学生は10ドル）。Eventbriteから購入できます。また、当日券もご購入できます（現金のみ）。 \nワクチン予防接種の証明は必要ありませんが、マスクを着用することをお勧めします。 \n“We have seen the art works\, instruments\, and other artistic objects from the Persian empire preserved in Imperial storage in Nara\, Japan. We can but only imagine what it was like for musicians of Japan to hear the sounds of Persian court music. We are sure that it has left strong imprints deep in the Japanese traditional culture.” — Shoko Nagai \nTokala received a grant from NYFA (New York Fine Arts) for City Artist Corps 2021. \nABOUT THE ARTISTS \nShoko Nagai is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. As a teenager in her native Japan\, Nagai was trained on Yamaha’s electronic organ\, the “Electone\,” to perform popular music. Since moving to the U.S. from Japan and studying classical\, jazz music\, and compositions at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordions\, and other keyboard instruments\, often inspired by the minimalist approach of composer Toru Takemitsu. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound. http://www.shokonagai.net/ \n“Whether traipsing over a steady\, rolling rhythm or swimming through a collage of abstract sound\, Nagai\, a pianist\, treat every moment as an opportunity for deep synchronicity.” — GIOVANNI RUSSONELL\, New York Times \nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York. \nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University.  \nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.” http://www.sitachay.com \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org
URL:https://jp.crsny.org/index.php/event/concert230218/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20230204T140000
DTEND;TZID=America/New_York:20230204T160000
DTSTAMP:20230117T152814Z
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SUMMARY:ガイド瞑想 & スピリチュアル・ヒーリング・クリニック香咲弥須子 & CRS ヒーラー
DESCRIPTION:瞑想・ヒーリングで、スピリチュアルな午後のコミュニティーをご一緒に過ごしましょう。\nお互いの中にある光を目撃し、静寂と心の平和を分かち合います。まず、香咲による短いお話と誘導瞑想を行い、その後、マンツーマンのスピリチュアルヒーリングでメッセージをお伝えします。その後は、ソーシャルタイムのひとときを楽しみます。 \n身体的、感情的、精神的、そしてスピリチュアルな面など、今直面しているどんな問題でもお持ちください。目を閉じて（あなたは椅子に座り、ヒーラーが近くに立ちますが、触れることはありません）、奇跡のコースとスピリチュアルリーディング／ヒーリングのトレーニングを受けたCRSヒーラーが、内観であなたを観察します。一切のジャッジメントから解放され、本来のあなたがそうであるように、完全に輝く霊であることを示します。そして、聖霊（内なるガイドでもかまいません）に、あなたが抱えている問題の原因となっているどんな種の思考にも直接導いてくれるようお願いし、あなたの霊が、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊参加費は無料ですが、可能な方はドネーションをお願いしています。\n(Suggested $20 cash) \n＊お席に限りがあります。先着順ですので、お早めのご予約を。\nRSVPは etsuko@crsny.org まで。 \n＊予防接種の証明は必要ありませんが、出席中はマスクを着用することをお勧めします。\nまた、COVID/風邪の症状がある方は、ご遠慮ください。 \nWe share healing quietly and provide you with an opportunity to come to rest\, reflect\, and remember who you truly are\, in a supportive\, non-judgmental\, meditative environment. We’d like to offer you an opportunity to experience stillness of mind and peace so that you can return to harmony with your true nature and purpose. Then you will find that rather than needing “solutions” to “problems” you will realize that you have no problems except those that you project. \nWe call this spiritual healing but it is not religious nor connected with any church or group. It is simply a practice of meditating together on our true nature and connecting with universal spirit/energy or what you will. \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healing-clinic20230204/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20230128T190000
DTEND;TZID=America/New_York:20230128T203000
DTSTAMP:20221228T151150Z
CREATED:20221228T141846Z
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SUMMARY:Crossing Boundaries Concert Series #19: Careful in the Sun
DESCRIPTION:CRSでは、Maya KerenのキュレーションによるCrossing Boundaries Concert Series Vol.19を開催します。\n『Careful In The Sun』は、Maya Keren（ピアノ・声）のループと歌に基づいた豊かな即興演奏をEliza Salem（ドラム）、Anna Abondolo（フレットレスベース・声）、Emmanuel Michael（エレクトリックギター）、Eden Girma（声・エレクトロニクス）とのコラボレーションでお届けします。\n彼らの瑞々しいハーモニーとカタルシス溢れるフック、そして奇妙で自然な夢のロジックが彼らの音楽の中心となっています。このコンサートで、歌に息吹を吹き込み、つながり、癒し、そして喜びをともに体験する空間をご一緒しましょう。 \nチケットはeventbrite.comで20ドル（学生10ドル）、または当日現金でお求めいただけます。 \nワクチン予防接種の証明は必要ありませんが、マスクの着用をお勧めします（必須ではありません）。 \n\nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. The series was conceived in 2018 by the Korean traditional wind player and composer gamin\, who has continued to help curate the series each year. https://crsny.org/crossing-boundaries-concert-series/ \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n \nABOUT THE ARTISTS \nAnna Abondolo is a bassist and composer from Los Angeles\, California. She is currently based in Brooklyn developing an interdisciplinary collective entitled\, “Rainbow Princess.” https://www.facebook.com/people/Anna-Abondolo/100008127379473/ \nEden Girma is a multi-instrumental musician and vocalist hailing from Madison\, WI. Through a genre-bending compositional ear and a poetic lyricism\, Eden aspires to create music that not only resonates with individual hearts\, but brings people closer together in a spirit of intimacy and empathy. https://edengirma.me/ \nEliza Salem is a drummer currently based in Brooklyn. She is a Metro DC native who learned her craft in the Washington area’s vibrant musical scene under the guidance of mentors Paul Carr and Chris Allen. In the spring of 2021\, she received her Bachelor’s degree from the University of Michigan where she had the privilege of studying with professors including Michael Gould\, Sean Dobbins\, Ellen Rowe\, Dennis Wilson\, Robert Hurst\, and Benny Green\, among others. In the summer of 2019\, she studied at Brooklyn’s School for Improvisational Music\, where she worked closely with Ralph Alessi\, Andy Milne\, Gerald Cleaver\, Kris Davis\, Tim Berne\, and other distinguished improvisers. In 2021\, Eliza was one of 15 fellows selected to take part in the Ravinia Steans Music Institute’s renowned jazz program where she had the opportunity to learn from and workshop original compositions with masters Rufus Reid\, Billy Childs and Steve Wilson. Over the last several years she has worked professionally as a bandleader and side person in the greater Detroit and D.C. areas at renowned venues such as Cliff Bell’s\, the Blue Llama Jazz Club\, Columbia Station\, An Die Musik\, the Keystone Korner\, Twins\, and Jojo’s. Since moving to New York City in 2021\, she has performed at acclaimed performance spaces such as Dizzy’s\, Smalls Jazz Club\, the Django\, Ornithology Jazz Club\, the Harlem Museum of Jazz\, 55 Bar\, the McKittrick Hotel\, and more. In the summer of 2022 Eliza had the opportunity to perform at the Newport Jazz Festival as a part of the Michael Dudley trio. Currently\, Eliza is enjoying working full-time as a freelance musician and drum teacher\, and can be found playing in the band Careful In the Sun led by pianist and composer Maya Keren\, crocheting\, and hanging out with her roommate’s cat Azula. https://metropolisensemble.org/artists-collection/eliza-salem \nEmmanuel Michael has been a part of various diverse ensembles and has had the honor to work with a wide variety of artists such as Rufus Reid\, Wycliff Gordon\, Matt Wilson\, Keyon Harrold\, and Immanuel Wilkins. Michael was also a member of the Herbie Hancock Institute of Jazz Peer-to-Peer All-Star Sextet of 2019\, giving him the honor of touring and holding workshops through several schools within the state of Oklahoma with jazz icons Steve Wilson and Lisa Henry\, under the direction of Dr. J.B Dyas and Bart Marantz. Michael also toured throughout parts of China and Taiwan under Carnegie Hall’s NYO Jazz 2019 with Sean Jones and Kurt Elling\, allotting him the honor of working for two weeks in New York with artists such as Shammie Royston\, Obed Calvaire\, Erika Von Kleist\, and Mathew Stevens. Michael now attends the Manhattan School of Music and works as a professional musician in New York City. https://www.sfjb.org/emmanuel-michael \nMaya Keren is a Brooklyn-based pianist\, vocalist\, composer\, and songwriter from Philadelphia. They are interested in the process of environing people\, voices\, instruments\, and sounds in ways that invite connection with one’s erotic instinct\, embody compassionate and queer relations with the self and the collective\, and destabilize learned systems of domination. Sites of learning include the Creative Music Program in Philly\, Banff International Workshop in Jazz and Creative Music\, Mutual Mentorship for Musicians and the Ida B. Wells JUST Data Lab. Maya graduated from Princeton University in 2022 with a Bachelor’s degree in Music and a certificate in African American Studies. They currently live in Brooklyn where they teach at Brooklyn Conservatory and write songs\, loops\, and words for their band Careful In The Sun\, drawing inspiration from Gwendolyn Brooks\, Clarice Lispector\, Pinegrove\, and the Wissahickon. https://www.mayakerenmusic.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \n\n\n\n\n\n\n\n\n 
URL:https://jp.crsny.org/index.php/event/concert-230128/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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DTSTART;TZID=America/New_York:20230114T170000
DTEND;TZID=America/New_York:20230114T183000
DTSTAMP:20221228T150354Z
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SUMMARY:CRS Presents “Being Now Together” Concert with SACO & As It Is
DESCRIPTION:CRS (Center for Remembering & Sharing) は、SACO & As It Is と共に、2023年、新年を祝い「Being Now Together」コンサートを開催します。この10人編成のアンサンブルの自由なスピリットが、私たちが共に創造し美しい波動を体験できる、銀河の愛と調和の空間へとあなたを誘いこむことでしょう。One Love! \nチケットは20ドルで、Eventbriteから購入できます。また、当日券もご購入できます（現金のみ）。お席に限りがありますので、事前のチケット購入をお勧めします。 \nワクチン予防接種の証明は必要ありませんが、マスクの着用をお勧めします。 \n\nSaco Myoji: Vocal\, Keyboard\, Mbira\nSakurako Kataoka: Spoken-word\nMichael T.A. Thompson: Percussion\nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nThe multi-instrumentalist\, Saco Myoji (aka Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan.\nhttps://www.sacoyasuma.com/\nhttps://www.youtube.com/@saco1love \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org
URL:https://jp.crsny.org/index.php/event/concert230114/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20221231T180000
DTEND;TZID=America/New_York:20221231T190000
DTSTAMP:20221205T174926Z
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SUMMARY:2022年 年末特別瞑想会
DESCRIPTION:＊＊年末特別瞑想会＊＊\n香咲弥須子によるガイド瞑想（英語） \n12月31日（土）午後6時より、CRS創設者の香咲弥須子による年末恒例のガイド付き瞑想会に参加しませんか？\nスペースに限りがあるため、お申し込みが必要です。参加ご希望の方は、etsuko@crsny.org までメールでお申し込みください。 \n（また、日本語でのオンライン年末特別瞑想会はオンラインコース第４期の中で行われます。） \n  \n私たちが何者であるかを思い出すために静寂の中で心を合わせ、澄んだ心と愛だけを見て、分かち合うという新たな意図を持って\n新しい年を始める準備をしましょう。 \nWhat would love have me do?\nWhere would love have me go?\nWhat would love have me say\, and to whom?
URL:https://jp.crsny.org/index.php/event/2022newyear-eve-meditation/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20221220T191500
DTEND;TZID=America/New_York:20221220T213000
DTSTAMP:20221206T234047Z
CREATED:20221206T145243Z
LAST-MODIFIED:20221206T234047Z
UID:22085-1671563700-1671571800@jp.crsny.org
SUMMARY:Secret Journey: Stop Calling Them Dangerous #4 Love Story\, Palestine
DESCRIPTION:CRSとThe School of hard knocksは、\nYoshiko Chumaとアーティスト／パネリストによるロングテーブル・ディスカッションSecret Journey「Stop Calling Them Dangerous #4: Love Story」、を開催します。 \nヨルダンからRyuji Yamaguchi氏 （https://jordantimes.com/news/local/experimental-dance-performance-delves-questions-identity-and-self ）が参加。パネルシンポジウムでは、抑圧、疎外、偏見、プロファイリングに関するストーリーを探求・検証し、いくつかのディスカッションが行われる予定です。ディスカッションのモデレーションを支援するために、パネルシンポジウムの冒頭でシンプルかつ魅力的な構成を提示します。上記のカテゴリーに関連するトピックを参加者からも提案していただく場を設けます。 \nCRSは、新進のアーティストが既存のアーティストから学び、作品を共有し、新しいアイデアを探求できるスペースです。 \nPhoto of Yoshiko Chuma by Robert Flynt \nLanding in New York City in 1976\, Yoshiko Chuma quickly settled in Manhattan’s East Village – a place that\, at the time\, was often labeled as “seedy”\, “dirty”\, and/or “dangerous”. Indeed\, in 1976\, East Village was mostly devoid of the culture and inflation you would see before you today\, and it is here that Chuma began her career\, now spanning an impressive 45 years to date. She is notoriously well-traveled\, and has crossed the borders between East and Central Europe\, Palestine\, Albania\, Kosovo\, Afghanistan\, and most recently\, Venezuela. For some\, these places have been forbidden realms\, but for Chuma\, these lands have become centers of creation. As she might put it\, her visits to these locations have challenged what were preconceived ideas of privilege\, danger\, and civilization as a whole… \nPanel Statement: We refute the idea of an immigration travel ban – America is a nation of immigrants. We want the participants and our audience to see the other parts of the world in a new light. This is about sharing experiences – sharing experiences of other lives and other worlds. And through our sharing\, explore what can and can’t be felt through our varied cultural and historical differences. \nThis panel was initially conceived by Yoshiko Chuma and Megan Kendzior during an impassioned conversation at Chuma’s private residence; this took place shortly after President’s Day (the first following Trump’s election) and served as yet another inspiration for the panel’s topics/categories. The primary reason for this creation and development of this event is to give to the art scene in New York another view point to discuss the same agenda: “Stop Calling Them Dangerous.” \n*Acknowledgement: Yoshiko’s experience in Palestine with dancer and activist Noora Baker (one of the leading dancers and directors of the El-Funoun Palestinian Popular Dance Troupe company in Ramallah\, Palestine) has been a substantial inspiration for this project. \nRyuji Yamaguchi  first came to King’s Academy in 2007 as the dance program coordinator in the Department of Art\, Design and Technology. During his years at King’s\, he served in various roles\, including dean\, department head\, and international student coordinator. After leaving King’s to spend a year in New York to dance and choreography while studying for his Master’s degree in educational leadership at Columbia University\, Ryuji Yamaguchi returned to King’s Academy in 2017 as dance program coordinator and a class dean. In 2022\, he was appointed dean of residential life. Born in Nagoya\, Japan\, He grew up in Japan and the United States. He attended Deerfield Academy and received his Bachelor’s degree in East Asian studies from Harvard University. His dance activities have spanned the Middle East\, Europe\, Japan and the United States\, and he has performed in works by such choreographers as Yoshiko Chuma\, Douglas Dunn\, Brenda Divelbliss and Christopher Williams. Mr. Yamaguchi has collaborated with numerous Jordanian and Palestinian artists\, and has invited over 40 Japanese and American artists to Jordan. As assistant director and producer to Yoshiko Chuma and The School of Hard Knocks since 2007 with six major productions in Jordan\, Palestine and New York City . In 2013\, he founded Jordan Youth Dance Exchange\, contributing to the growth of high school dancers in Jordan. \nSCHEDULE \nDec 20\, 2022 \nPanelists:   Ryuji Yamaguchi \, Yoshiko chuma    \n7:15 PM       House Opens – snacks and drinks \n7:30 PM-7:40 PM      Introduction by Yasuko Kasaki  \n7:40 PM -7:45 PM     Introducing Ruji Yamaguchi \n7:45 PM -8:45 PM     Ryuji Yamaguchi  with many clips on the video . why \, how \, where \, and what ( 2007-2022 ) – located Madoba \, Amman in Jordan as Dance Artist \, The educator \, The leadership \, The organizer \, The Dancer \, The producer . \n8:45 PM -9:00pm      the conversation  Ryuji Yamaguchi and Yoshiko Chuma  \n9:00 PM- 9:30 pm     long table discussion   \nIn recent years\, and particularly following nationwide protests \, there is a renewed interest in the day that celebrates freedom. \nThe School of Hard Knocks ends with some thoughts on lifestyle as the continuation of collaboration.  The way we choose to live our lives can insist on collaboration\, even from afar and across Zoom. The School of Hard Knocks would like all of us to feel comfortable collaborating with each other and most importantly to do so from our own vantage point. It assembles us because we’re all very different\, living in different parts of the world\, focussing on different things. In fact\, despite our physical distance\, modern technology allows for a proliferation of access to stories and information. Where once sources were limited\, we have millions of people to connect with\, millions of digitized books and records\, and millions of performances online waiting to be watched. But what are the risks of this world of mass information? How can we contemplate the violence and carnal danger of borders and oppression in a creative or online space ? \nThe School of Hard Knocks was originally the title of a production in 1980. As the production expanded in the years after\, The School of Hard Knocks\, as an overarching investigation of embodied movement was established in 1983. With now the 40th anniversary lurking at the horizon\,  2020-2023 was conceptualized and organized to not only celebrate over four decades of collaborations with multiple generations of artists but also mark a completely new style of theatre.\n1 secret anniversary\n2 secret -theatre \, club \, gallery \, park \,  apartment and others\n3 Secret festival\n4 secret audience\n5 secret artists \nAn ongoing multi-disciplinary performance series conceived. Assembling a mosaic of films\, dance\, music\, visual art\, and narratives\, we continue a lifetime investigation of ideas regarding national security\, perceived dangers within borders\, immigration\, and war.\nFor more than four decades now\, Yoshiko Chuma has been building unique structures in the liminal area between her native Japanese culture and her adopted American one. Using trained and pedestrian movers\, virtuoso instrumentalists (who’s playing she often conducts)\, film\, video\, and sculptural forms by collaborating artists\, she develops unusual time-based art works that blend the live and the recorded\, the flat and the three-dimensional\, people and things. Chuma’s multidisciplinary work tries to capture the contemporary world in all its complexity: speedy\, multi-faceted\, diverse\, both conceptual and concrete. She has traveled and worked in countries around the globe\, with international casts.\nForbidden realms for some but centers of creation .\, as visiting  to these locations challenge preconceived ideas of danger and have brought about some of the most beautiful experiences. Intentionally proposes to confuse documentation with history\, recreating segments from own documented events.  We never give ourselves any boundaries or let them interfere with the work. Making art is not the intention at all. All of their efforts are oriented towards giving performances that have never been seen before.\nHaving received no formal art training\, we pursue spontaneous and experimental techniques and methods of construction. The  creative process begins with a single movement  or abstract image conveyed to her film making pattern. Chuma once presented a crumpled piece of drowning to her team and requested a single movement that expressed similar qualities. Project after project\, year after year\, we upend conventional notions of dance and disrupt accepted characteristics of performance. The performances not only stand apart from the genealogy of dance but also resist definition and confound interpretation – endless peripheral borders. \nPresident and founder of CRS Yasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of A Course in Miracles throughout Japan. 
URL:https://jp.crsny.org/index.php/event/secret-journey20221220/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221210T190000
DTEND;TZID=America/New_York:20221210T203000
DTSTAMP:20221128T191651Z
CREATED:20221116T161157Z
LAST-MODIFIED:20221128T191651Z
UID:22034-1670698800-1670704200@jp.crsny.org
SUMMARY:Crossing Boundaries Vol. 16: FOCUSING ON HER
DESCRIPTION:CRSとTenri Cultural Instituteの共同のプレゼンツによるBoundaries Concert Series Vol.16:   [FOCUSING ON HER ]を12月10日（土）午後7時からTenri Cultural Instituteにて、開催します。 このコンサートは、3曲のソロ曲とグループによる即興演奏で構成されており、トラウマを抱えていたり、トラウマに耐えてきた女性たちへ向けて、祈りと心を寄せて、その想いを音楽にて表現します。 \n演奏はAMIRTHA KIDAMBI （インド系アメリカ人、声楽/サックス）、木村伶香能（日本、三味線）ニューヨークの皆さんご存知の、そしてCRSレギュラーのアーティストと、GAMIN（韓国、センファン）の3人の女性ミュージシャン。 AMIRTHA KIDAMBI 、佐藤容子（日本）、YOON-JI LEE（韓国）ら女性作曲家による即興演奏。ビジュアルプロジェクションはBANG GEUL HAN （韓国）がデザインしました。 \nマルチインストゥルメンタリストのGAMINによってキュレーションされた、この第５回目のシーズンを迎えたCROSSING BOUNDARIESは、女性と女性を識別するミュージシャンによって演奏される音楽であり、女性のテーマを探求する3つのコンサートで構成されます。公演後、このコンサートのテーマになっている、女性であるが故に負ったトラウマについてなど、聴衆を交えてのジェンダーの問題からの解放について、ディスカッションの時間を持つ予定です。 \nチケットはeventbrite.comで$ 10 – $ 50、また当日現金で入手できます。 \nパンデミックの経過を予測することは不確実であるため、入場には予防接種/ブースターの証明を提示するよう求める場合があります。また、天理内ではマスクの着用が求められる場合があります。コンサートの日程が近づいたら、ポリシーに関する発表を再度確認してください。 \n収益金は、仙台と福島の7人の音楽家によるボランティアグループ「仙台室内アンサンブル（SCE）」が、300を超える幼稚園、保育園、小中学校での演奏をはじめ、音楽で東北を笑顔にと被災された方々に元気を与えるためのコンサートを提供するために活用されます。SCEの癒しの活動を支援するためのオンライン寄付は、こちらで受け付けています。 \n \n  \nTHE PROGRAM \n“Untitled after Kim Myung Soon”\ncomposed by Yoon Ji Lee 이윤지 in 2019\nperformed by gamin 가민 / saenghwang solo\nvisual art by Bang Geul Han 한방글 \n“The Road”\ncomposed by Yoko Sato 佐藤容子 in 2007\nperformed by Yoko Reikano Kimura 木村伶香能 / shamisen solo \n“Swim Fast (2021) for Ellen O”\ncomposed by Amirtha Kidambi in 2021\nperformed by Amirtha Kidambi / vocal & saxophone \nImprovisation\nperformed by gamin\, Yoko Reikano Kimura\, and Amirtha Kidambi \nABOUT CROSSING BOUNDARIES CONCERT SERIES \nCROSSING BOUNDARIES is a concert series devoted to dissolving boundaries between performers and audiences\, the traditional and contemporary\, classical and experimental\, and the culturally specific and the global. Series curators are given the opportunity to create unique performance events in collaboration with musical\, visual\, and/or movement artists of their choosing. \nCrossing Boundaries is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond.  \n  \nABOUT THE ARTISTS \nAMIRTHA KIDAMBI is invested in the creation and performance of subversive music\, from free improvisation and avant-jazz\, to experimental bands and new music. She is an educator\, activist and organizer\, informed by anti-racism\, decolonization and anti-capitalism. As a bandleader\, she is the creative force behind Elder Ones and Lines of Light vocal ensemble and has received critical praise from the New York Times\, Pitchfork\, Downbeat and WIRE magazine. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl\, the duo Angels & Demons with Darius Jones\, a new project with Luke Stewart and in various collaborations with William Parker. She also had the honor of working with the late composers Muhal Richard Abrams and Robert Ashley. Amirtha is the co-founder of South Asian Artists in Diaspora collective and co-organizer of Musicians Against Police Brutality with Matana Roberts. http://www.amirthakidambi.com/audiovisual \n\nAmirtha Kidambi\, Elder Ones “Eat the Rich” from Amirtha Kidambi on Vimeo. \nBANG GEUL HAN is an interdisciplinary artist working across video\, performance\, text\, and code. Born and raised in Seoul\, Korea and based in the US since 2003\, her work has been shown in venues including The Bronx Museum of the Arts\, Queens Museum\, DOOSAN Gallery New York\, NURTUREart\, A.I.R. Gallery\, Cuchifritos Gallery in New York City\, Galerie Les Territories and Projét Pangée in Montreal\, and Centro Internazionale per l’Arte Contemporanea in Rome. Her work has been reviewed in The New Yorker\, The New York Times\, Brooklyn Rail\, and Art Papers. She lives in Brooklyn\, NY. http://whatbunny.org/web/ \nGAMIN is a Korean-born NYC-based multi-instrumentalist specializing in traditional Korean wind instruments. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja\, official holder of Korea’s Important Intangible Cultural Asset No. 46. From 2000 to 2010\, gamin was the principal player at the National Gugak Orchestra.  gamin has received several cultural exchange program grants\, including Artist-in-Residence at the Asian Cultural Council\, and has collaborated in cross-cultural improvisation with world-acclaimed musicians\, presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with the founder\, Yo-Yo Ma. For 2020\, gamin was selected as artist-in-residency at the HERE Arts Center\, NYC\, and her album “Nong” was released by Innova Records. gamin’s Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, scheduled for March 2020\, was postponed by Covid 19. http://gaminmusic.com \n \nBased in Tokyo\, composer YOKO SATO’s creative activities are focused on exploring intercultural musical elements and aesthetics while expanding the repertoire of contemporary music for traditional Japanese instruments. She has collaborated with many of Japan’s most prominent hōgaku (Japanese traditional music) musicians and ensembles and maintains an active career with a steady stream of commissions and performances from an extensive network of colleagues located throughout the globe. A prolific composer of music for the theater\, she has composed several operettas commissioned by regional governments to promote musical activities for local Japanese communities. She received her Ph.D. in Music with an emphasis in composition from the University of Hawai‘i\, Manoa in 2014\, where she was the recipient of the East-West Center Graduate Degree Fellowship. She is currently working for the Lifelong Learning Division of Fujisawa City Hall to promote educational and cultural activities in the community. https://yokosatomusic.com \nYOKO REIKANO KIMURA is one of the most captivating artistic voices of Japanese koto and shamisen consistently praised by critics for her musical elegance and versatile repertoire. Based in New York and Japan\, Kimura has concertized around the world including prestigious venues such as the Warsaw Autumn Festival\, Israel Festival\, The University of Cambridge\, John F. Kennedy Center\, Carnegie Hall\, Lincoln Center\, Metropolitan Museum\, Kabuki-za and various World Heritage Sites. Kimura has also performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and worked with renowned artists and organizations such as Heiner Goebbels\, Wiener Solisten Trio\, American Symphony Orchestra\, and Basil Twist. Her awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition\, the Kyoto Aoyama Barocksaal Award\, and a scholarship from the Agency of Cultural Affairs of Japan. Kimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. http://yokoreikanokimura.com \n\n\n\nYOON-JI LEE is a Korean composer based in Boston and New York. She has been creating music based on non-linear structure with a powerful focus on quickly juxtaposing disparate elements through the rapid transformation in both acoustic and electroacoustic mediums. Her works have been engaged with visual arts\, dance\, literature and intercultural influences. Lee’s chamber and electronic music have been performed in Korea and around the U.S.\, by ensembles including JACK Quartet\, MIVOS Quartet\, Argento Ensemble\, International Contemporary Ensemble\, Kammerensemble Neue Musik Berlin\, Talea Ensemble\, ensemble mise-en\, and many others. Lee received Mass Cultural Council’s Artist Fellowship\, the Jane Geuting Camp Fellowship from Virginia Center for the Creative Arts\, the Patsy Lu Award from International Alliance of Women in Music\, and the Henry M. MacCracken Fellowship from NYU. Lee has participated in artist residencies at National Sawdust\, Atlantic Center for the Arts\, the Virginia Center for the Creative Arts\, and Brush Creek Foundation for the Arts. Lee earned her PhD at NYU and did her Masters/GD at New England Conservatory. Lee is Currently Assistant Professor at Berklee College of Music. http://www.yoonjilee.org \nABOUT THE PRESENTERS \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org \nTENRI CULTURAL INSTITUTE is a non-profit organization with a mission to promote the study of Japanese language and the appreciation of international art forms. The Institute hosts a variety of traditional and contemporary cultural programs in our modern\, spacious educational facility\, performing arts and exhibition space. Conveniently located in the heart of Greenwich Village\, the center of New York City’s educational and artistic communities\, Tenri Cultural Institute is a beautiful cultural oasis amidst the hustle and bustle that is New York City. Tenri Cultural Institute has a 30-year history in the celebration of Japanese and Western culture. By providing our audience with a traditional and unique point of view to the understanding of culture and the arts\, we fulfill our mission: To foster cultural understanding\, harmony and community.\nhttps://tenri.org \n  \n  \n  \n\nTRANSLATE with  x\n\n\n\n\n  English \n\n\n\n\n\n\nArabic\nHebrew\nPolish\n\n\nBulgarian\nHindi\nPortuguese\n\n\nCatalan\nHmong Daw\nRomanian\n\n\nChinese Simplified\nHungarian\nRussian\n\n\nChinese Traditional\nIndonesian\nSlovak\n\n\nCzech\nItalian\nSlovenian\n\n\nDanish\nJapanese\nSpanish\n\n\nDutch\nKlingon\nSwedish\n\n\nEnglish\nKorean\nThai\n\n\nEstonian\nLatvian\nTurkish\n\n\nFinnish\nLithuanian\nUkrainian\n\n\nFrench\nMalay\nUrdu\n\n\nGerman\nMaltese\nVietnamese\n\n\nGreek\nNorwegian\nWelsh\n\n\nHaitian Creole\nPersian\n\n\n\n\n \n\n\n\n\n\n      \n\n\n\n\nTRANSLATE with \n\n COPY THE URL BELOW \n\n   \n\n   Back\n\n  \n\nEMBED THE SNIPPET BELOW IN YOUR SITE  \n\n\n\nEnable collaborative features and customize widget: Bing Webmaster Portal\n\nBack
URL:https://jp.crsny.org/index.php/event/crossing-boundaries-vol-16/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, NY\, 10011\, United States
CATEGORIES:Crossing Boundaries,CRS Presents
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GEO:40.7363801;-73.9960877
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221030T160000
DTEND;TZID=UTC:20221030T170000
DTSTAMP:20221019T174722Z
CREATED:20221019T173745Z
LAST-MODIFIED:20221019T174722Z
UID:22016-1667145600-1667149200@jp.crsny.org
SUMMARY:第25回　ニューヨークの四季 -日本音楽の彩り-
DESCRIPTION:Four Seasons in New York – Gems of Japanese Music – Vol. 25\n第25回　ニューヨークの四季 –日本音楽の彩り–\n\nニューヨークも紅葉の季節ですね🍁さて、第25回になります「ニューヨークの四季 – 日本音楽の彩り- 」公演のご案内です。現代作品でのアウトプットが続いているので、こちらでは原点回帰したいと思います。今回は、私の大好きな秋の名曲、オール中能島作品を、３作品選びました。お席が限られていますので、事前のご予約をお願いしております。ニューヨークの皆様のご来場をお待ちしております。(木村伶香能) \n第25回 ニューヨークの四季 – 日本音楽の彩り- \n【日時】2022年10月30日（日）午後4時開演（3時半開場） \n【会場】The White Room\, Center for Remembering and Sharing \n【プログラム】\n秋静か（中能島欣一作曲）\n松風（中能島松声作曲）\n盤渉調（中能島欣一作曲） \n【チケット】＄30 \n【お申し込み】info@yokoreikanokimura.com \n共催：CRS\, 木村伶香能 \n《木村伶香能 (きむられいかの) 略歴》\n 箏・三味線の「古典から現代へ」をテーマに世界各国にて演奏。ニューヨークタイムズ紙から「傑出した演奏と歌声」と高評を得る。第10回賢順全国箏曲コンクールにて第一位を受賞。ソリストとして、カルテット、オーケストラと多数共演、玉木光とのデュオ夢乃でも活躍。 木村伶香能ウェブサイトhttps://www.yokoreikanokimura.com/calendar/ \n 
URL:https://jp.crsny.org/index.php/event/fourseasons20221030/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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GEO:40.733496;-73.989816
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221029T193000
DTEND;TZID=UTC:20221029T210000
DTSTAMP:20220820T144050Z
CREATED:20220820T143030Z
LAST-MODIFIED:20220820T144050Z
UID:21677-1667071800-1667077200@jp.crsny.org
SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 3
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの第３回目をCRS のホワイト ルームで開催します。 10月29日（土）午後7時30分から行われるこのコンサートでは、Andy Weiyan Lin (二胡/ヴィオラ)、Emilie-Anne Gendron (ヴァイオリン)、徳永慶子 (ヴァイオリン)、Matthew Cohen (ヴィオラ)、Nan-Cheng Chen (チェロ)、弦楽四重奏のためのChen Yi のフィドル組曲と、ドヴォルザーク、モーツァルトなどによる短いセレクションを演奏予定です。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \nチケットは 30 ドルで、eventbrite.com　購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \n第1回目のコンサートは９月２４日に行われ、グラミー賞やオスカー賞を受賞した作曲家・坂本龍一らの作品を木村玲香乃（箏）が演奏。２ 回目のコンサートは 10月 8日、韓国の管楽器奏者gamin. が 2 つのバイオリンとビオラでKi Young Kim\, Theodore Wiprud\, William Cooperと演奏。 \nチケットリンク:https://www.eventbrite.com/e/interwoven-ensemble-ami-concert-series-vol-2-tickets-404303722317 \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\nABOUT THE MUSICIANS \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments.  \n“The great Molto adagio…..elicited some of the night’s most sensitive work\, especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu\, and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra\, Chamber Orchestra of Philadelphia\, Children’s Orchestra Society\, Grant Park Symphony Orchestra\, Incheon Philharmonic\, the Juilliard Orchestra\, Milwaukee Symphony\, New York Classical Players\, Orford Academy Orchestra\, Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet\, the Amphion String Quartet\, and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman\, playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert\, as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nViolinist EMILIE-ANNE GENDRON\, lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing\,” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro\, as well as acclaimed groups such as A Far Cry\, Argento Chamber Ensemble\, Chamber Music Society of Lincoln Center\, Chamber Orchestra of Philadelphia\, Iris Orchestra (as one of its concertmasters)\, Orpheus Chamber Orchestra\, Talea Ensemble\, and Sejong Soloists. She is a founding member of Ensemble Échappé\, a new-music sinfonietta\, and of Gamut Bach Ensemble\, in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician\, Ms. Gendron is a longtime member of the Momenta Quartet\, whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo\, founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet\, specializing in innovative educational outreach and community engagement\, since 2009. Toomai\, one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program\, helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S.\, ranging from grade school to university level. As a member of the Momenta Quartet\, Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools\, universities\, and conservatories in the U.S. and as far afield as Bolivia\, Indonesia\, and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division\, NYU\, and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia\, Finland\, Indonesia\, South Korea\, and Jordan; and major venues across the Americas\, Europe\, and Asia\, in collaboration with such artists as Teddy Abrams\, Rachel Barton Pine\, Bruno Canino\, Leon Fleisher\, Richard Goode\, Anthony McGill\, Edgar Meyer\, Shlomo Mintz\, Anthony Newman\, Samuel Rhodes\, Marcy Rosen\, Gil Shaham\, and Jörg Widmann\, among many others. Her performances have been broadcast over radio and television in the U.S.\, U.K.\, Switzerland\, New Zealand\, Canada\, Denmark\, Japan\, and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents\, and a dual citizen of the U.S. and Canada\, Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay\, Won-Bin Yim\, Hyo Kang\, David Chan\, and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study\, both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University\, and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute. \ninterwovenmusic.org \nUkrainian-American violist MATTHEW COHEN is a dynamic and versatile artist whose captivating performances have made him one of the most sought-after violists of his generation. A prize winner at the prestigious Primrose International Viola Competition\, he was also awarded top prizes at the Citta di Cremona International Viola Competition in Italy\, Vivo International Music Competition and the Art of Duo International Competition. Particularly interested in advocating viola having a solo and unique voice\, he is challenging the misperception that viola has a limited repertoire by bringing attention to the lesser-played works as well as arrangements of other masterworks.  \nSince his first performance in Carnegie Hall’s Stern Auditorium was at the age of 15 as a soloist in the New York premiere of Tomas Svoboda’s Sonata No. 2 for orchestra and solo string quartet\, he has concertized as a soloist and chamber musician throughout North America and Europe in venues such as Lincoln Center’s Alice Tully Hall\, the Ford Amphitheater and Broad Stage in California\, the Arlene Schnitzer Concert Hall in Oregon\, Gstaad Menuhin Festival in Switzerland and the Casa della Musica in Cosenza\, Italy. Recent solo engagements include his European debut performing Hummel’s Potpourri with the Gstaad Festival Orchestra and Bartok’s Viola Concerto with the I Virtuosi Italiani orchestra in Cremona\, and presenting the world premiere of internationally recognized video game score composer Garry Schyman’s viola concerto “Zingaro” with the Los Angeles Jewish Symphony conducted by Dr. Noreen Green. Past appearances include concerti with ensembles such as the North Shore Symphony Orchestra\, Manchester Summer Chamber Music\, Symphony in C\, Ensemble Baroquelyn\, Juilliard Orchestra\, Colburn Orchestra\, Oregon Sinfonietta\, and Oregon Symphony/Oregon Ballet Theater.  \nA passionate chamber musician\, he has performed alongside many distinguished artists including members of the Borromeo\, Guarneri\, Orion\, Parker\, Tokyo\, and Vermeer string quartets and the Beaux Arts and Tempest piano trios\, and has been featured by numerous concert series and chamber music societies including Bargemusic\, Camerata Pacifica\, the Colburn Chamber Music Society\, Heifetz Celebrity Series\, Jupiter Symphony Chamber Players\, Ringwood Friends of Chamber Music\, Olmos Ensemble\, Red Barn Chamber Music\, and the Wolfeboro Friends of Chamber Music. Summer festival engagements include appearances at ChamberFest Cleveland\, Gstaad Menuhin Festival and Academy\, Heifetz International Music Institute\, the Meadowmount School for Strings\, Methow Valley Chamber Music Festival\, Music Academy of the West\, the Perlman Music Program\, Philadelphia Young Pianist’s Academy\, Ravinia’s Steans Music Institute\, and the Sarasota Music Festival. \nAs a recent graduate of the Juilliard School’s Master of Music program\, he was the proud recipient of a Kovner Fellowship; he earned his Bachelor of Music degree from Cleveland Institute of Music and received an Artist Diploma from Colburn Conservatory where he studied with Misha Amory\, Heidi Castleman\, Paul Coletti\, Jeffrey Irvine\, and Cynthia Phelps. He has served as a member of the chamber music faculty at the HeifetzPEG Institute and is the co-founder and Artistic Director of Fishin’ in C Chamber Music Series\, a concert series based in Fishtown\, Philadelphia that launched in Fall 2018. In addition to his musical activities\, he enjoys public speaking and has acted in a number of plays including various works of Shakespeare\, Peter Pan\, Auntie Mame\, and the musical Bugsy Malone. His recording of York Bowen’s Phantasy for viola and piano with acclaimed pianist Vivian Fan is available on the Soundset label. \ncohenviola.com \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast\, Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist\, Nan-Cheng has collaborated with Simon Bolivar Orchestra\, Queens Symphony Orchestra\, Metro-West Symphony\, Quincy Symphony and Symphony Pro Musica\, and has toured North American\, South America\, Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency\, Sarasota Music Festival\, Heifetz Institute\, Encore School for Strings\, and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival\, a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator\, Nan-Cheng has given cello masterclasses at Penn State University\, University of Wisconsin\, University of Calgary as well as universities in Panama\, Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School\, and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \ncrsny.org
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-3/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221029T130000
DTEND;TZID=UTC:20221029T150000
DTSTAMP:20221011T164125Z
CREATED:20221007T150016Z
LAST-MODIFIED:20221011T164125Z
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SUMMARY:ガイド瞑想＆スピリチュアル・ヒーリングクリニックwith 香咲弥須子とCRSヒーラー
DESCRIPTION:  \n瞑想と癒しをご一緒に！　CRSにて、静寂と心の平和を分かち合う、午後のひとときを過ごしませんか。 \n身体的、感情的、精神的、スピリチュアルな問題など、今直面しているどんな問題でもお持ちください。席に座り、目を閉じていただきます。（ヒーラーが近くに立ちますが、触れることはありません）　奇跡のコースとスピリチュアルリーディング・ヒーリングのトレーニングを受けたCRSヒーラーが、内なる目であなたを観察します。\nそして、ホーリースピリット（内なるガイド）に、あなたが抱えている問題の原因となっている思考の種に私たちを直接導いてくれるようお願いし、あなたのスピリットが、あなたの現在の状況を、どのように成長と愛の共有のために利用したいのかについて、ガイダンスを求めます。10分ほどの瞑想の後、受け取ったインスピレーションを分かち合います。 \n＊＊＊＊ \n私たちは静かに癒しを分かち合い、サポートし、偏見のない瞑想的な環境の中で、休息し、内省し、あなたが本当に誰であるかを思い出す機会を提供します。あなたが自分の本質と目的との調和に戻れますように。それは、「問題」に対する「解決策」を必要とするのではなく、自分が投影している問題以外、何の問題もないことに気づくはずです。 \n私たちはこれをスピリチュアルヒーリングと呼んでいますが、それは宗教的なものではなく、教会やグループとは関係ありません. それは単に私たちの本質について一緒に瞑想し、宇宙の精神/エネルギーまたはあなたが望むものとつながる練習です。 \n参加費は無料ですが、できる方は、ドネーション（＄２０：Suggested）をお願いしています。\nRSVPは etsuko@crsny.org まで。（先着順）席に限りがありますので、ご予約はお早めに。 \nワクチン証明の提示は必要ありませんが、出席中はマスクの着用をお願いします。また、COVID/風邪の症状がある方は、ご遠慮ください。 \n  \nA Note About the Role of Words in Healing: “Strictly speaking\, words play no part at all in healing. The motivating factor is prayer\, or asking. What you ask for you receive. But this refers to the prayer of the heart\, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words\, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful\, particularly for the beginner\, in helping concentration and facilitating the exclusion\, or at least the control\, of extraneous thoughts. Let us not forget\, however\, that words are but symbols of symbols. They are thus twice removed from reality….” — A Course in Miracles Manual for Teachers\, Section 21 \n“Since only the mind can be sick\, only the mind can be healed. Only the mind is in need of healing.” —”PSYCHOTHERAPY: Purpose\, Process and Practice\,”Supplements to A Course in Miracles
URL:https://jp.crsny.org/index.php/event/healingclinic20221029/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221008T193000
DTEND;TZID=UTC:20221008T210000
DTSTAMP:20220820T143921Z
CREATED:20220820T140142Z
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SUMMARY:INTERWOVEN Ensemble: Ami Concert Series Vol. 2
DESCRIPTION:国際的なアンサンブル INTERWOVEN による室内コンサートの新しいシリーズである AMI の 3 つのコンサートの第２弾をCRS のホワイト ルームで開催します。 10月8日（土）午後7時30分から行われるこのコンサートでは、gamin（ピリ／セングァン）とAlex Fortes（ヴァイオリン）、徳永慶子（ヴァイオリン）、Ana Kim（チェロ）が、Ki Young KimとTheodore Wiprudの作品、そしてWilliam Cooperとgaminによるニューヨーク初演の楽曲を演奏する予定です。 \n韓国のピリとセンファンは、驚くほど大きくて素朴で異世界的な音を出すことができる小さな楽器です。韓国語のピッチの概念は非常に多様です。どの音も、上昇または下降するアタック、ミドル、リリースのジェスチャーになる可能性があります。このプログラムでは、韓国の作曲家の作品2曲と西洋の作曲家の作品2曲を組み合わせます。それぞれがインスピレーションを得て、韓国の木管楽器と西洋の弦楽器の異なる音と慣習を明確に異なるスリリングな方法で組み合わせ、それぞれの可能性を広げます。 \nNTERWOVENは、グラミー賞受賞者である徳永慶子によって設立された室内アンサンブルで、さまざまな場所や時間の音をひとつにまとめることを使命としています。このアンサンブルの名前は、音楽制作は、多様な起源、伝統、素材を表す糸で織られたタペストリーを作るようなものだという考えから由来します。 \nAmiは日本語では「編む」、多くのロマンス語では「友」を意味します。異なる文化的背景を持つミュージシャンが集まり、西洋音楽と非西洋音楽、伝統と現代を並べて演奏することで、異なる背景を持つお客様に、馴染みのない伝統に見られる不思議と共通点を紹介し、異文化間のつながりを強化することを願っています。 \n  \nチケットは 30 ドルで、eventbrite.com　購入できます。売り切れでなければ、現金にて当日券を購入できます。入場には、例外なく予防接種の証明書を提示していただきます’。マスクの着用をお願いしています。 \n  \nCRS (Center for Remembering & Sharing)の練習とプログラムの基礎を成すのは、深いリスニングです。提供されるあらゆるサービスなどの気を散らすものから解放され、、深く耳を傾けることで、私たちが知覚や思考を手放し、ただ経験する機会をシャアしたいと考えています。 \n第1回目のコンサートは９月２４日に行われ、グラミー賞やオスカー賞を受賞した作曲家・坂本龍一らの作品を木村玲香乃（箏）が演奏。3 回目のコンサートは 10 月 29 日、Andy Lin (二胡/ヴィオラ) が出演し、Chen Yi の弦楽四重奏のためのフィドル組曲やその他の作品を演奏します。 \n  \nチケットリンク:https://www.eventbrite.com/e/interwoven-ensemble-ami-concert-series-vol-2-tickets-404303722317 \n  \nCOVIDポリシー:\n入場するには、完全な予防接種の証明が必要です。例外はありません。マスクは常に着用する必要があります。座席数には限りがあり、床に座る座席も含まれます。症状のある方はご遠慮ください。代わりに払い戻しを依頼するか、チケットを寄付してください。 \n  \n会場の場所:\nCRSのホワイトルーム\n123 4th Ave. FL3\nNY.NY 10003\n212-677-8621 \n  \n\n\n\nABOUT THE MUSICIANS \nA native of San Diego\, New York-based violinist ALEX FORTES is recognized for his versatility and warmth. Recent performances have included concerts in France\, \nGermany\, Denmark\, Austria\, and Indonesia\, as well as throughout North America. His playing is featured on A Far Cry’s 2014 Grammy-nominated album\, Dreams and Prayers\, as well as on Law of Mosaics\, which The New Yorker’s Alex Ross hailed as one of the top ten albums of 2014. He can also be heard on a forthcoming album with the Henschel Quartett and pianist Donald Berman featuring the music of Chris Theofanidis. \nFortes holds a strong interest in finding new contexts in which to experience familiar music. His arrangements of Schubert lieder and chamber music were hailed by the Boston Globe as “uniformly resourceful and complementary…smart\, subtle.” In May 2016\, A Far Cry premiered his arrangement with Sarah Darling of Bach’s Goldberg Variations in collaboration with pianist Simone Dinnerstein. \nA strong advocate for the importance of social and civic engagement\, Alex spent a year working as an administrator and playing for the Longwood Symphony\, an orchestra associated with Boston’s medical community that uses its performances to raise funds and awareness for medical nonprofits. In May 2010\, he was chosen by former U.S. Senator and New School President Bob Kerrey to be the student speaker at the New School’s commencement ceremony\, where he spoke about the importance of interdisciplinary cooperation and civic engagement for fostering innovation and strong communities. \nAlex has participated in educational residencies in both English and Spanish related to entrepreneurship\, music performance and education\, at colleges and public schools throughout the United States. He holds music degrees from Mannes College and a B.A. in Government from Harvard College. \nIndiana-native ANA KIM is a versatile cellist based in New York\, who performs on modern and historical instruments with various ensembles throughout the United States\, Europe\, and South Korea. She performs with ensembles including the Sebastians\, American Classical Orchestra\, and Boston Baroque. \nAna has participated in festivals such as Yellow Barn\, Verbier Academy\, Music@ Menlo\, and International Musicians Seminar at Prussia Cove. She has received a Doctorate at the University of Southern California and has studied Historical Performance at Juilliard. \nHer teachers include János Starker\, Ralph Kirshbaum\, Laurence Lesser\, and Phoebe Carrai. With a keen interest in education\, Ana has participated in outreach residencies with Kneisel Hall Festival in Maine and Listen Closely in New York\, and the American Classical Orchestra’s Classical Music for Kids. She had taught at Pacific Union College and public schools in Napa Valley. She is currently teaching at the Browning School in New York City. \nGAMIN is a Korean-born multi-instrumentalist who specializes in traditional Korean wind instruments. She tours the world performing traditional Korean music and engages in numerous cross-disciplinary collaborations. She is a designated Yisuja\, official holder of South Korea’s Important Intangible Cultural Asset No. 46. \nFrom 2000 to 2010\, gamin was the principal piri player at the National Gugak Orchestra in Seoul. She has received several cultural exchange program grants and collaborated in cross-cultural new music works with world-acclaimed musicians. She was a featured artist at the Silkroad concert in Seoul (2018)\, performing on stage with the founder\, Yo-Yo Ma. \nHer album “Nong” was released by Innova Records. Her Carnegie Hall solo début\, accompanied by Nangye Gugak Orchestra\, was postponed due to the pandemic. Recently\, she was awarded the prestigious two-year Jerome Hill Foundation Artist Fellowship. \ngaminmusic.com/ \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGAspends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute. \ninterwovenmusic.org \nABOUT THE COMPOSERS \nKI YOUNG KIM is an international\, genre-bending composer whose work defies categorization. Since becoming a recipient of the Asian Cultural Council Grant in 1995\, he has broadened his music career in Japan and New York while collaborating with dancers\, theater directors\, and visual artists. A classically-trained composer and scholar of Korean avant-garde theater\, Kim has received multiple commissions from the National Gugak Center\, Korea’s premier traditional music center. He is also the founder of CMB 567\, an organization examining intra-Asian relations through contemporary art and music. \nKim’s collaborators include pioneering artists like Shin-Ja Hong\, Asoon Ahn\, Gloria McLean\, Whitewave\, String Noise\, and Chang-Jin Lee. His compositions have premiered at La MaMa\, Dance Theater Workshop\, Tenri Gallery\, and other venues. He is currently based in New York\, where he directs Quiet Revolution\, a multidisciplinary performance combining Western and Korean instruments in ritualistic meditation. In 2019\, he became a composer-in-residence at Brandeis University. \nTHEODORE WIPRUD is a composer\, educator\, and arts leader. He is widely known for having served as Vice President\, Education\, at the New York Philharmonic from 2004-2018\, and as host of the iconic Young People’s Concerts. \nAt the same time\, he has produced a steady stream of works including a Sinfonietta (2016)\, premiered by the South Dakota Symphony; a Violin Concerto (Katrina)\, composed for Ittai Shapira\, and released with the Royal Liverpool Philharmonic on Champs Hill Records; a one-act opera\, My Last Duchess\, with libretto by Tom Dulack based on poetry by Robert Browning; a song cycle\, For Allegra\, on a variety of American poets; and a number of pieces based on gugak\, Korean traditional music\, and including gugak instruments like p’iri\, gayageum\, and haegeum. \nMany of Wiprud’s works explore spiritual experience\, like the orchestral Hosannas of the Second Heaven and Grail; his two string quartets; and a number of choral pieces. Other works respond to American literature\, including American Journal\, based on Robert Hayden’s poem\, and A Georgia Song\, a setting of Maya Angelou. \nWiprud graduated cum laude in biochemistry at Harvard and earned a master’s in theory and composition at Boston University\, where he worked with David Del Tredici. He also studied with Robin Holloway at Cambridge University\, and with Jacob Druckman and Bernard Rands at Aspen.  \nHailed by the San Francisco Chronicle for his richly soaring vocal lines\, WILLIAM DAVID COOPER is the composer of three operas and music for orchestra\, chamber ensembles\, Baroque instruments\, chorus\, film\, and dance. His operas have been performed by Fort Worth Opera\, West Edge Opera\, andthe National Opera Association\, among others. His music has also been performed by Augustin Hadelich\, Liza Stepanova\, The New York Virtuoso Singers\, C4\, Antico Moderno\, Splinter Reeds\, the Lysander Trio\, ECCE Ensemble\, the Calder Quartet\, the Slee Sinfonietta\, and the Juilliard Orchestra. An alumnus of UC Davis and the Juilliard School\, Cooper serves on the faculty of the Walnut Hill School for the Arts\, and as organist and choir master at St. James Episcopal Church in New London\, CT. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \n 
URL:https://jp.crsny.org/index.php/event/ami-concert-series-vol-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221002T170000
DTEND;TZID=UTC:20221002T181500
DTSTAMP:20220901T145826Z
CREATED:20220901T145826Z
LAST-MODIFIED:20220901T145826Z
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SUMMARY:Saxophonist Caroline Davis: Oscillations
DESCRIPTION:脳波をモデルにした音の治療使用を研究し、高い評価を得ているサックス奏者で学者のキャロライン デイビスによるディスカッションおよびライブ パフォーマンスをCRSのホワイトルームにて10 月 2 日 (日) 午後 5 時より開催します。貴重なこの機会をお見逃しなく。\n\nチケットは20ドル（学生・シニアは10ドル）で、Eventbriteから前売り、または当日（現金のみ）でお求めいただけます。\n  \nDiscussion: Oscillations is an immersive experience encouraging synchronicity through the study of brain rhythms. Simultaneous patterns in the brain create a complex scene of wild oscillations in our bodies and minds. Given research in neuroscience\, the hope is that oscillating rhythms can provide a new sense of focus and clarity\, similar to a dream state. Anecdotal evidence suggests that for some listeners it may reveal new ways of hearing ourselves and the world providing both comfort\, hope\, and healing. \nPerformance: Caroline Davis will perform a solo saxophone set inspired by research on oscillations in the brain. Watch her last video in the series for a sneak peak: \n \n\n\n\nABOUT CAROLINE DAVIS \nMobile since her birth in Singapore\, composer and saxophonist Caroline Davis’s music covers a wide range of styles\, owed to her shifting environment as a child. As a leader\, she has released six albums: Live Work & Play (2012)\, Doors: Chicago Storylines (2015)\, Heart Tonic (2018)\, Alula (2019)\, Anthems (2019)\, and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto-Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021).  Her work has garnered much praise from NPR\, The New York Times\, The Wire\, DownBeat\, JazzTimes\, and many international publications. \nDavis has worked with Lee Konitz\, Angelica Sanchez\, The Femme Jam\, Matt Mitchell\, Terry Riley\, Miles Okazaki\, Thana Alexa\, and Billy Kaye\, to name a few. She regularly collaborates with the experimental R&B band\, My Tree (Where the Grace Is\, AfterGlow). She has been in residence at MacDowell\, The Jazz Gallery\, and ICE Ensemble Evolution; and awarded Jerome Hill\, CMA\, and NYFA grants. Her compositions integrate science and music\, influenced by her Ph.D. Davis is an advocate for gender equity (This Is A Movement\, The New School) and abolition (Justice for Keith Lamar). \ncarolinedavis.org \nTICKET LINK:\nhttps://www.eventbrite.com/e/saxophonist-caroline-davis-oscillations-tickets-411539294107 \nCOVID POLICY: \nProof of full vaccination is required to enter\, no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://jp.crsny.org/index.php/event/carolinedavis20221002/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11st St. 11th Fl.\, New York\, NY\, 10003\, United States
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GEO:40.733496;-73.989816
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:脳波をモデルにした音の治療使用を研究し、高い評価を得ているサックス奏者で学者のキャロライン デイビスによるディスカッションおよびライブ パフォーマンスをCRSのホワイトルームにて10 月 2 日 (日) 午後 5 時より開催します。貴重なこの機会をお見逃しなく。\n\nチケットは20ドル（学生・シニアは10ドル）で、Eventbriteから前売り、または当日（現金のみ）でお求めいただけます。\n  \nDiscussion: Oscillations is an immersive experience encouraging synchronicity through the study of brain rhythms. Simultaneous patterns in the brain create a complex scene of wild oscillations in our bodies and minds. Given research in neuroscience the hope is that oscillating rhythms can provide a new sense of focus and clarity similar to a dream state. Anecdotal evidence suggests that for some listeners it may reveal new ways of hearing ourselves and the world providing both comfort hope and healing. \nPerformance: Caroline Davis will perform a solo saxophone set inspired by research on oscillations in the brain. Watch her last video in the series for a sneak peak: \n \n\n\n\nABOUT CAROLINE DAVIS \nMobile since her birth in Singapore composer and saxophonist Caroline Davis’s music covers a wide range of styles owed to her shifting environment as a child. As a leader she has released six albums: Live Work & Play (2012) Doors: Chicago Storylines (2015) Heart Tonic (2018) Alula (2019) Anthems (2019) and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto-Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021).  Her work has garnered much praise from NPR The New York Times The Wire DownBeat JazzTimes and many international publications. \nDavis has worked with Lee Konitz Angelica Sanchez The Femme Jam Matt Mitchell Terry Riley Miles Okazaki Thana Alexa and Billy Kaye to name a few. She regularly collaborates with the experimental R&B band My Tree (Where the Grace Is AfterGlow). She has been in residence at MacDowell The Jazz Gallery and ICE Ensemble Evolution; and awarded Jerome Hill CMA and NYFA grants. Her compositions integrate science and music influenced by her Ph.D. Davis is an advocate for gender equity (This Is A Movement The New School) and abolition (Justice for Keith Lamar). \ncarolinedavis.org \nTICKET LINK:\nhttps://www.eventbrite.com/e/saxophonist-caroline-davis-oscillations-tickets-411539294107 \nCOVID POLICY: \nProof of full vaccination is required to enter no exceptions. Masks must be worn throughout. Seating is limited and includes seating on the floor. Please do not come if you are symptomatic. Ask for a refund instead or donate your ticket. \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11st St. 11th Fl.:geo:-73.989816,40.733496
END:VEVENT
END:VCALENDAR