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SUMMARY:Dreamborne Theater Presents angels\, a World Premiere
DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday\, March 20th @ 8:30pm  – CAST A\nSaturday\, March 21st @ 3:30pm  – CAST B\nSaturday\, March 21st @ 8:30pm – CAST A\nSunday\, March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \nLOCATION:\nTheaterLab NYC\n357 W 36th St\, 3rd floor\, New York\, NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams\, myth\, and memory. Through ritualistic and fantastical works\, they investigate the evolving nature of identity\, language\, and culture — embracing the fragmented self as a space of transformation\, rebirth\, and fairytale. Alongside their artistic productions\, they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright\, Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny)\, Stage Director of AAAAH!Culture (IG: @aaaah.culture)\, and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts\, having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre\, guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue\, her work blends forms\, languages\, and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors)\, New Year’s Eve Dinner (Gene Frankel Theater)\, and Love Survives in 2095? (Secret Theatre). As a playwright and director\, Tara has developed works including Trapped in the Flash and Bond\, both staged at off-off-Broadway venues in New York City. Her most recent original work\, QINGBAI: INNOCENCE\, completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director\, playwright\, and actor based in New York City. Their work centers on devised and movement-driven performance\, with an emphasis on transnational storytelling\, embodied dramaturgy\, and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater\, where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries\, actionable choices\, and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt\, following a B.F.A. in Theatre Education from Emerson College\, and bring an academic foundation in psychology to their approach to character\, behavior\, and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom\, an original work that uses physical theatre and tableau to examine identity\, displacement\, and power. Yannis’s directing practice foregrounds structural clarity\, rules of seeing\, staying\, and exchange\, and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor\, writer and director from Vietnam. Starting as a playwright at high school\, Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country\, and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company\, they are set on expanding their artistic and creative limits\, experimenting and playing with the conventions of theater. Currently\, Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper)\, praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine)\, was born in Toronto and raised in Buenos Aires. Based in New York since 2012\, he has performed at iconic venues and festivals\, including the Montreux Jazz Festival\, the Kennedy Center\, Yankee Stadium\, The O2 Arena\, and the Blue Note Jazz Club.\nSarian’s work spans jazz\, contemporary\, and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic\, in addition to leading his own projects. As a bandleader\, he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026)\, Millay Arts (2025)\, Art Omi (2024)\, and Culture Lab LIC (2022). In 2026\, he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer\, multi-instrumentalist\, and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers\, his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.
URL:https://jp.crsny.org/index.php/event/dreamborne-theater-presents-angels/2026-03-22/
LOCATION:TheaterLab NYC\, 357 W 36th St\, 3rd floor New York\, NY 10018
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS（Center for Remembering & Sharing）は、Tara P. Nyingjè（タラ・P・ニンジェ）が脚本を手がけ、Yannis Ning（ヤニス・ニン）が演出する舞台『angels』の世界初演をサポートできることを、とても嬉しく思っています。この作品は、7つの「ループ（繰り返し）」で構成されています。女性がバーに入り、心の中の思いを口にしながら、店のハウスミュージシャンとやり取りをする――そんな同じ場面が、少しずつ違う形で描かれます。そこから、繰り返しや沈黙、アイデンティティ、存在を消されること、そして「ありのままの自分を、さまざまな姿のまま、正直に見てほしい」という強い願いを探っていきます。今回は2つのキャストが交代で出演します。それぞれが別々にリハーサルと創作を行うため、同じ作品でも異なるバージョンが生まれます。 \n公演はDreamborne Theaterの主催で、ATELIER @ TTHEATERLAB.のプログラムの一つとして、2026年3月20日から22日まで上演されます。 \n\n\nCAST A: Tara P. Nyingjè (寜婕) and Michael Sarian\nCAST B: Hana Vo & Alan Lecheng Chao (晁乐成) \n\n\n\n\nDATES:\nFriday March 20th @ 8:30pm  – CAST A\nSaturday March 21st @ 3:30pm  – CAST B\nSaturday March 21st @ 8:30pm – CAST A\nSunday March 22 @ 3:30pm – CAST B\nApproximate run-time: 60 mins (no intermission). Performed in English.\n \n\nTheaterLab NYC\n357 W 36th St 3rd floor New York NY 10018 \nGET TICKETS! \n\n\nDreamborne Theater is a New York-based nonprofit performance collective committed to developing and presenting cross-cultural performing arts rooted in dreams myth and memory. Through ritualistic and fantastical works they investigate the evolving nature of identity language and culture — embracing the fragmented self as a space of transformation rebirth and fairytale. Alongside their artistic productions they offer educational programs that empower individuals to engage with myth and ritual as creative tools for self-discovery and collective storytelling. @dreamborne_theater \nTara P. Nyingjè 寜婕 (Playwright Performer) is an actor and theatre-maker based in New York City. She is the co-founder of SpArkling Theatre Studio (IG: @sparkling_ny) Stage Director of AAAAH!Culture (IG: @aaaah.culture) and Managing Director of Dreamborne Theater (IG: @dreamborne_theater). She is a graduate of New York University’s Tisch School of the Arts having majored in Drama with a focus on Experimental Theatre and Screen Acting. Her practice is rooted in physical and devised theatre guided by a deep reverence for the body as a vessel of memory and transformation. Working at the intersection of movement and cross-cultural dialogue her work blends forms languages and ritual. Her recent stage credits include Birds in the Meadow(American Theater of Actors) New Year’s Eve Dinner (Gene Frankel Theater) and Love Survives in 2095? (Secret Theatre). As a playwright and director Tara has developed works including Trapped in the Flash and Bond both staged at off-off-Broadway venues in New York City. Her most recent original work QINGBAI: INNOCENCE completed a three-city tour along the U.S. East Coast. Know more about her work at taranyingje.com and know more about her life on Instagram at taranje_ \nYannis Ning (Director) is a theatre director playwright and actor based in New York City. Their work centers on devised and movement-driven performance with an emphasis on transnational storytelling embodied dramaturgy and intimate audience relationships. Yannis serves as Artistic Director of Dreamborne Theater where they build rehearsal processes that are trauma-informed and consent-based: prioritizing clear boundaries actionable choices and performer agency while developing precise physical scores and dramaturgical structures. They are currently completing an M.A. in Educational Theatre and English Education (Grades 7–12) at NYU Steinhardt following a B.F.A. in Theatre Education from Emerson College and bring an academic foundation in psychology to their approach to character behavior and relational dynamics onstage. Recent directing and writing includes Nine Shadows in Bloom an original work that uses physical theatre and tableau to examine identity displacement and power. Yannis’s directing practice foregrounds structural clarity rules of seeing staying and exchange and the bodily consequences that emerge when those rules are enforced or broken.@nyeong_yannis \n\n\n\n\n\nHana Vo (Performer) is an actor writer and director from Vietnam. Starting as a playwright at high school Hana followed their calling and dived deeper into the storytelling arts with multiple short films made in both their home country and in Canada—where they studied at Toronto Film School. Currently training in Acting for the stage with NYU Tisch and Atlantic Theater Company they are set on expanding their artistic and creative limits experimenting and playing with the conventions of theater. Currently Hana is starring in NYU Shakespeare in the Square’s production of Julius Caesar and Bridge Playfest’s A Race Against Time. They are also assistant directing Instant Noodle at Playwright Horizon Theater School. Follow their recent and upcoming projects on Instagram @hana_inagallery. \n\n\n\n\n\n\n\n\n\n\nTrumpeter and composer Michael Sarian (Sound Keeper) praised for his “endlessly renewable strain of lyric improvisation regardless of context or material” (Downbeat Magazine) was born in Toronto and raised in Buenos Aires. Based in New York since 2012 he has performed at iconic venues and festivals including the Montreux Jazz Festival the Kennedy Center Yankee Stadium The O2 Arena and the Blue Note Jazz Club.\nSarian’s work spans jazz contemporary and electronic avant-garde music. He has toured with artists ranging from the Jonas Brothers to Bette Smith and The NYChillharmonic in addition to leading his own projects. As a bandleader he has released more than half a dozen albums and has appeared on numerous recordings as a collaborator and sideman. His artistic pursuits have led to residencies and fellowships at the Virginia Center for the Creative Arts (2026) Millay Arts (2025) Art Omi (2024) and Culture Lab LIC (2022). In 2026 he continues his creative work as a National Arts Club Fellow.\nLearn more at michaelsarian.com and follow @michaelsarian on Instagram. \n\n\n\n\n\n\n\n\n\n\nAlan Lecheng Chao 晁乐成  (Sound Keeper) is a music producer multi-instrumentalist and audio engineer. Working under the title Sovietaxi and as part of the duo 羽片 Slice Feathers his speciality is working with singer-songwriters to express their emotions. His solo projects are more emphasized on electronic ambient music that reflects tranquility and emotional tensions in East Asian culture.;X-APPLE-RADIUS=500;X-TITLE=357 W 36th St\, 3rd floor New York\, NY 10018:geo:-73.9946137,40.7545052
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