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Paradise Laboratory: Caroline Davis and Lorin Benedict
January 7日 @ 5:00 pm - 6:00 pm EST
$10 – $20
CRS invites you to the next program of its Paradise Laboratory experimental music series, featuring Caroline Davis and Lorin Benedict, who will be presenting a set of new compositions for saxophone and baritone voice. Honing their unique duo sound intermittently over the past 5 years, their connection is rooted in the system of groove and line-inspired improvisation.
PARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist, curator, and scholar gamin, Paradise Laboratory provides musical artists with opportunities to rehearse, record, film, and perform with other musical, visual, and/or dance artists in an experimental, process-oriented, and artist-centered fashion.
Tickets are $10 for students/seniors and $20 general admission.
TICKET LINK:
https://shorturl.at/c0136
VENUE LOCATION:
The White Room at CRS
123 4th Ave FL3
New York, NY 10003
212-677-8621
DIRECTIONS:
CRS is located on the 3rd floor of a walk-up building above Think Coffee, between 12th & 13th streets, one block east of The Strand Bookstore. There is no elevator or wheelchair access.
NEAREST SUBWAY STATIONS:
4/5/6, N/R/Q, L trains to 14th St / Union Square
ABOUT THE ARTISTS
Saxophonist, composer, and vocalist Caroline Davis’s expression covers a wide range of styles, owed to her shifting environment as a child, though she calls New York her home. As an improviser and saxophonist, she has released seven albums under her name and has won Downbeat’s Critic’s Poll Rising Star. Through the years, her work continues to garner praise in domestic and international publications. Davis has shared musical moments with Lee Konitz, John Zorn, Angelica Sanchez, The Femme Jam, Matt Mitchell, Terry Riley, Nicole Mitchell, Miles Okazaki, Rajna Swaminathan, and Billy Kaye, among many others. She regularly sings and writes songs with the experimental R&B band, My Tree. Her composition work has led her to be a resident fellow at MacDowell, The Jazz Gallery, The Rockefeller Estate, and ICE Ensemble Evolution; and she has been awarded Jerome Hill, CMA, and NYFA fellowships. Her compositions often integrate science and music, influenced by her Ph.D in Music Cognition. Caroline is an advocate for gender equity (This Is A Movement, The New School) and carceral justice (Justice for Keith LaMar).
Lorin Benedict is an improvising vocalist (scat singer, essentially) who works in the areas of jazz and related music. He co-leads several small groups dedicated to playing highly structured music in a manifestly loose and playful way. This includes the duo Bleeding Vector, the trio The Holly Martins, and duo projects with drummer Sam Ospovat, vocalist Ron Heglin, and bass player Logan Kane. He has also, over the past two decades, appeared as a side-man in groups led by musicians such as Howard Wiley and Sheldon Brown, among many others.
ABOUT THE PRESENTER
CRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts.
Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians), a platform created to empower, elevate, normalize and give visibility to women, non-binary musicians and those of other historically underrepresented gender identities in intersection with race, sexuality, or ability across generations in the US and worldwide, through a radical model of mentorship and musical collaborative commissions.